| orchestra |
|---|
| 1974-07 | Aida: Atto I, scena 1. Romanza “Se quel guerrier io fossi! ... Celeste Aida” (Radamès) | New Philharmonia Orchestra | | Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | 4:25 |
| Aida: Triumphal chorus & Grand march | New Philharmonia Orchestra | | Chorus of the Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | 6:53 |
| Don Giovanni, K. 527, Act 1: "Ah, chi mi dice mai" (Donna Elvira, Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 3:33 |
| Don Giovanni, K. 527, Act 1: "Alfin siam liberati" (Don Giovanni, Zerlina) | | | Wolfgang Amadeus Mozart | 1:51 |
| Don Giovanni, K. 527, Act 1: "Batti, batti, o bel Masetto" (Zerlina) | | | Wolfgang Amadeus Mozart | 4:44 |
| Don Giovanni, K. 527, Act 1: "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni) | | | Wolfgang Amadeus Mozart | 2:33 |
| Don Giovanni, K. 527, Act 1: "Chi è là?" (Donna Elvira, Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 2:47 |
| Don Giovanni, K. 527, Act 1: "Come mai creder deggio" - "Dalla sua pace" (Don Ottavio) | | | Wolfgang Amadeus Mozart | 4:49 |
| Don Giovanni, K. 527, Act 1: "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) | | | Wolfgang Amadeus Mozart | 3:26 |
| Don Giovanni, K. 527, Act 1: "Ecco il birbo che t’ha offesa!" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina) | | | Wolfgang Amadeus Mozart | 1:37 |
| Don Giovanni, K. 527, Act 1: "Fermati, scellerato!" - "Ah! fuggi il traditor!" (Donna Elvira, Zerlina, Don Giovanni) | | | Wolfgang Amadeus Mozart | 2:14 |
| Don Giovanni, K. 527, Act 1: "Finch’han dal vino" (Don Giovanni) | | | Wolfgang Amadeus Mozart | 1:32 |
| Don Giovanni, K. 527, Act 1: "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio) | | | Wolfgang Amadeus Mozart | 4:28 |
| Don Giovanni, K. 527, Act 1: "Giovinette, che fate all’amore" (Zerlina, Coro, Masetto) | | | Wolfgang Amadeus Mozart | 1:34 |
| Don Giovanni, K. 527, Act 1: "Ho capito, signor, sì!" (Masetto) | | | Wolfgang Amadeus Mozart | 1:45 |
| Don Giovanni, K. 527, Act 1: "Io deggio ad ogni patto" (Leporello, Don Giovanni) | | | Wolfgang Amadeus Mozart | 1:29 |
| Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | | | Wolfgang Amadeus Mozart | 3:10 |
| Don Giovanni, K. 527, Act 1: "Lasciala, indegno!" (Commendatore, Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 2:57 |
| Don Giovanni, K. 527, Act 1: "Ma qual mai s’offre" (Donna Anna, Don Ottavio) | | | Wolfgang Amadeus Mozart | 3:05 |
| Don Giovanni, K. 527, Act 1: "Madamina, il catalogo è questo" (Leporello) | | | Wolfgang Amadeus Mozart | 6:32 |
| Don Giovanni, K. 527, Act 1: "Manco male è partita" (Don Giovanni, Leporello, Zerlina, Masetto) | | | Wolfgang Amadeus Mozart | 1:57 |
| Don Giovanni, K. 527, Act 1: "Masetto, senti un po’!" (Zerlina, Masetto) | | | Wolfgang Amadeus Mozart | 1:23 |
| Don Giovanni, K. 527, Act 1: "Mi par ch’oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira) | | | Wolfgang Amadeus Mozart | 1:14 |
| Don Giovanni, K. 527, Act 1: "Non sperar, se non m’uccidi" (Donna Anna, Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 1:37 |
| Don Giovanni, K. 527, Act 1: "Non ti fidar, o misera" (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira) | | | Wolfgang Amadeus Mozart | 5:04 |
| Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello) | | | Wolfgang Amadeus Mozart | 1:58 |
| Don Giovanni, K. 527, Act 1: "Or sai chi l’onore" (Donna Anna) | | | Wolfgang Amadeus Mozart | 3:05 |
| Don Giovanni, K. 527, Act 1: "Orsù, spicciati presto" (Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 1:23 |
| Don Giovanni, K. 527, Act 1: "Presto, presto, pria ch’ei venga" (Masetto, Zerlina, Don Giovanni, Coro) | | | Wolfgang Amadeus Mozart | 2:07 |
| Don Giovanni, K. 527, Act 1: "Protegga il giusto cielo" - "Vendichi il giusto Cielo" (Donna Anna, Donna Elvira, Don Ottavio) | | | Wolfgang Amadeus Mozart | 2:20 |
| Don Giovanni, K. 527, Act 1: "Riposate, vezzose ragazze" (Don Giovanni, Leporello, Masetto, Zerlina) | | | Wolfgang Amadeus Mozart | 1:25 |
| Don Giovanni, K. 527, Act 1: "Tra quest’arbori celata" (Zerlina, Don Giovanni, Masetto) | | | Wolfgang Amadeus Mozart | 2:41 |
| Don Giovanni, K. 527, Act 1: "Trema, trema, o scellerato!” (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina) | | | Wolfgang Amadeus Mozart | 2:21 |
| Don Giovanni, K. 527, Act 1: "Venite pur avanti" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio, Masetto, Zerlina) | | | Wolfgang Amadeus Mozart | 4:47 |
| Don Giovanni, K. 527, Act 2: "Ah taci, ingiusto core!" (Donna Elvira, Leporello, Don Giovanni) | | | Wolfgang Amadeus Mozart | 5:25 |
| Don Giovanni, K. 527, Act 2: "Ah, ah, ah, questa è buona" (Don Giovanni, Leporello, Commendatore) | | | Wolfgang Amadeus Mozart | 4:29 |
| Don Giovanni, K. 527, Act 2: "Ah, dov’è il perfido?" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | | | Wolfgang Amadeus Mozart | 1:50 |
| Don Giovanni, K. 527, Act 2: "Amico, che ti par?" (Don Giovanni, Leporello, Donna Elvira) | | | Wolfgang Amadeus Mozart | 1:57 |
| Don Giovanni, K. 527, Act 2: "Calmatevi, idol mio!" (Don Ottavio, Donna Anna) | | | Wolfgang Amadeus Mozart | 0:57 |
| Don Giovanni, K. 527, Act 2: "Che grido è questo mai?" (Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 1:25 |
| Don Giovanni, K. 527, Act 2: "Crudele? Ah no, mio bene!" (Donna Anna) | | | Wolfgang Amadeus Mozart | 1:42 |
| Don Giovanni, K. 527, Act 2: "Da qual tremore insolito" (Don Giovanni, Coro, Leporello) | | | Wolfgang Amadeus Mozart | 1:18 |
| Don Giovanni, K. 527, Act 2: "Deh, vieni alla finestra" (Don Giovanni) | | | Wolfgang Amadeus Mozart | 3:15 |
| Don Giovanni, K. 527, Act 2: "Di molte faci il lume" - "Sola, sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) | | | Wolfgang Amadeus Mozart | 6:36 |
| Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco" (Commendatore, Don Giovanni, Leporello, Coro) | | | Wolfgang Amadeus Mozart | 6:03 |
| Don Giovanni, K. 527, Act 2: "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) | | | Wolfgang Amadeus Mozart | 3:18 |
| Don Giovanni, K. 527, Act 2: "Eh via, buffone, non mi seccar!" (Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 1:13 |
| Don Giovanni, K. 527, Act 2: "Già la mensa è preparate" (Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 5:23 |
| Don Giovanni, K. 527, Act 2: "Il mio Tesoro" (Don Ottavio) | | | Wolfgang Amadeus Mozart | 5:05 |
| Don Giovanni, K. 527, Act 2: "Il quali eccessi, o Numi” - Aria. “Mi tradì quell’alma ingrata" (Donna Elvira) | | | Wolfgang Amadeus Mozart | 6:11 |
| Don Giovanni, K. 527, Act 2: "L’ultima prova dell’amor mio" (Donna Elvira, Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 2:37 |
| Don Giovanni, K. 527, Act 2: "Leporello!" - "Signore?" (Don Giovanni, Leporello) | | | Wolfgang Amadeus Mozart | 1:53 |
| Don Giovanni, K. 527, Act 2: "Metà di voi qua vadano" (Don Giovanni) | | | Wolfgang Amadeus Mozart | 3:21 |
| Don Giovanni, K. 527, Act 2: "Mille torbidi pensieri" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) | | | Wolfgang Amadeus Mozart | 2:43 |
| Don Giovanni, K. 527, Act 2: "Non mi dir, bell’idol mio" (Donna Anna) | | | Wolfgang Amadeus Mozart | 5:50 |
| Don Giovanni, K. 527, Act 2: "O statua gentilissima" (Don Giovanni, Leporello, Commendatore) | | | Wolfgang Amadeus Mozart | 3:36 |
| Don Giovanni, K. 527, Act 2: "Or che tutti, o mio tesoro" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | | | Wolfgang Amadeus Mozart | 3:11 |
| Don Giovanni, K. 527, Act 2: "Questo è il fin" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | | | Wolfgang Amadeus Mozart | 1:56 |
| Don Giovanni, K. 527, Act 2: "Vedrai, carino, se sei buonino" (Zerlina) | | | Wolfgang Amadeus Mozart | 3:46 |
| Don Giovanni, K. 527, Act 2: "Zitto, lascia ch’io senta!" (Don Giovanni, Masetto, Zerlina) | | | Wolfgang Amadeus Mozart | 2:03 |
| Don Giovanni, K. 527: Sinfonia | | | Wolfgang Amadeus Mozart | 6:33 |
| O Fortuna (Carmina Burana) | | | Philharmonia Chorus, Philharmonia Orchestra, Riccardo Muti | 2:46 |
| performed |
|---|
| Tristan und Isolde: Aufzug I, Auftritt V. "Ho! He! Ha! He!" (Schiffsvolk) | Choers du New Philharmonia | | Richard Wagner | 5:38 |
| vocals |
|---|
| 1950 | Turandot: Nessun dorma | | choir vocals | Beniamino Gigli | 3:30 |
| 1953 | Das Land des Lächelns: Akt I. „Da kommt Lisa!…” (Gustl, Chor, Lisa) | | choir vocals | Erich Kunz, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | 1:43 |
| 1953 | Das Land des Lächelns: Akt I. „Flirten, bisschen flirten” (Lisa, Chor) | | choir vocals | Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | 2:03 |
| 1953 | Das Land des Lächelns: Akt II. „Dschinthien wuomen ju chon ma goa can” (Chor) | | choir vocals | Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 3:37 |
| 1953 | Das Land des Lächelns: Akt II. „Im Namen unseres Wen‐Sway‐Jeh” (Tschang, Chor, Sou‐Chong) | | choir vocals | Nicolai Gedda, Otakar Kraus, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 3:55 |
| 1954-05 | Eine Nacht in Venedig: Akt I. „Evviva, Caramello! … Willkommen, liebe Freunde!“ (Chor, Caramello) | | choir vocals | Erich Kunz, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 2:08 |
| 1954-05 | Eine Nacht in Venedig: Akt I. „Ihr Venezianer, hört…Drum sei glücklich, sei selig, Venezia!“ (Pappacoda, Chor) | | choir vocals | Peter Klein, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 1:12 |
| 1954-05 | Eine Nacht in Venedig: Akt I. „Kaum, daß mein Liebchen die schaukelnde Gondel entführt“ (Herzog, Chor) | | choir vocals | Nicolai Gedda, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 1:32 |
| 1954-05 | Eine Nacht in Venedig: Akt I. „Oho! … Seht, o seht! … Frutti di mare!“ (Annina, Chor) | | choir vocals | Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | 2:11 |
| 1954-05 | Eine Nacht in Venedig: Akt I. „Wenn vom Lido sacht“ (Chor) | | choir vocals | Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 1:05 |
| 1954-05 | Eine Nacht in Venedig: Akt I. „Zur Serenade!“ (Chor, Delacqua, Herzog) | | choir vocals | Karl Dönch, Nicolai Gedda, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 5:22 |
| 1954-05 | Eine Nacht in Venedig: Akt II. „Jetzt ist’s Zeit zur Lustbarkeit … Horch, von San Marco der Glocken Geläut“ (Chor, Herold, Herzog, Ciboletta, Annina) | | choir vocals | Nicolai Gedda, Emmy Loose, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | 3:46 |
| 1954-05 | Eine Nacht in Venedig: Akt II. „Solch’ ein Wirtschaus lob’ ich mir … Man steckt ein“ (Chor, Pappacoda, Caramello) | | choir vocals | Peter Klein, Erich Kunz, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 3:21 |
| 1954-05 | Eine Nacht in Venedig: Akt II. Introduktion „Wo bleibt nur Caramello?“ / „Venedigs Frauen herzuführen“ (Herzog, Herold, Agricola, Damenchor) | | choir vocals | Nicolai Gedda, Hanna Ludwig, Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 2:53 |
| 1954-05 | Eine Nacht in Venedig: Akt III. „Wie sich’s gebührt’, hat er’s gespürt“ (Alle) | | choir vocals | Karl Dönch, Nicolai Gedda, Peter Klein, Erich Kunz, Emmy Loose, Hanna Ludwig, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | 0:35 |
| 1954-05 | Eine Nacht in Venedig: Akt III. Introduktion „Karneval ruft uns zum Ball!“ (Chor) | | choir vocals | Philharmonia Chorus, Philharmonia Orchestra, Otto Ackermann | 0:58 |
| 1954-07-13 – 1954-07-21 | Così fan tutte: Atto I. “Muoio d’affano!” / No. 9: “Di scrivermi ogni giorno” / No. 8a: “Bella vita militar” | | choir vocals | Sesto Bruscantini, Nan Merriman, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | 2:44 |
| 1954-07-13 – 1954-07-21 | Così fan tutte: Atto I. “Non v’è più tempo” | | choir vocals | Sesto Bruscantini, Nan Merriman, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | 0:25 |
| 1954-07-13 – 1954-07-21 | Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro, Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | | choir vocals | Philharmonia Chorus, Philharmonia Orchestra, Herbert von Karajan | 1:50 |
| 1954-07-13 – 1954-07-21 | Così fan tutte: Atto II. “Fortunato l’uom che prende” | | choir vocals | Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | 1:38 |
| 1954-07-13 – 1954-07-21 | Così fan tutte: Atto II. Coro “Bella vita militar!” (Coro, Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | | choir vocals | Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | 1:54 |
| 1954-07-13 – 1954-07-21 | Così fan tutte: Atto II. Coro “Benedetti i doppi conjugi” (Coro, Fiordiligi, Dorabella, Ferrando, Guglielmo) | | choir vocals | Nan Merriman, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | 5:18 |
| 1954-07-13 – 1954-07-21 | Così fan tutte: Atto II. Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo) | | choir vocals | Rolando Panerai, Philharmonia Chorus, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | 3:07 |
| 1954-07-13 – 1954-07-21 | Così fan tutte: Atto II. No. 31 Finale “Fate presto, oh cari amici” (Despina, Coro, Don Alfonso) | | choir vocals | Sesto Bruscantini, Lisa Otto, Philharmonia Chorus, Philharmonia Orchestra, Herbert von Karajan | 1:42 |
| 1954-11 | Wiener Blut: Akt II. „Die Wienerstadt, sie hat ein Symbol“ (Graf, Chor, Alle) | | choir vocals | Karl Dönch, Nicolai Gedda, Erich Kunz, Erika Köth, Emmy Loose, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | 1:42 |
| 1954-11 | Wiener Blut: Akt II. „Gestatten Sie … Das ist die Gräfin?“ (Bitowski, Minister, Franzi, Gräfin, Pepi, Graf, Chor) | | choir vocals | Karl Dönch, Nicolai Gedda, Erika Köth, Emmy Loose, Philharmonia Chorus, Elisabeth Schwarzkopf, Karel Stepanek, Philharmonia Orchestra, Otto Ackermann | 0:49 |
| 1954-11 | Wiener Blut: Akt III. „Geht’s und verkauft’s mei G’wand“ (Zwei Mädchen, Gräfin, Minister) | | soprano vocals | Karl Dönch, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | 1:52 |
| 1954-11 | Wiener Blut: Akt III. „Wiener Blut!“ (Alle) | | choir vocals | Karl Dönch, Nicolai Gedda, Erich Kunz, Erika Köth, Emmy Loose, Alois Pernerstorfer, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann | 0:53 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto I, Parte I. "L'onore! Ladri!" - "Io stesso, sì, io, io" (Falstaff) | | choir vocals | Tito Gobbi, Philharmonia Orchestra, Herbert von Karajan | 4:09 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto II, Parte I. "Signore, v'assista il cielo!" (Ford, Falstaff, Bardolfo, Pistola) | | choir vocals | Renato Ercolani, Tito Gobbi, Rolando Panerai, Philharmonia Chorus, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 2:45 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto II, Parte II. "Bella! ridente!" (Fenton, Nannetta, Ford, Bardolfo, Pistola, Servi, Cajus, Falstaff, Meg, Quickly, Gente del vicinato, Alice) | | choir vocals | Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 3:37 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto II. “C'è. C'è. Se t'agguanto! Se ti piglio” | | choir vocals | Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 5:19 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III, Parte II. "Ahimè! tu puzzi come una puzzola" (Falstaff, Coro, Alice, Quickly, Meg, Cajus, Ford, Bardolfo, Pistola) | | choir vocals | Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 3:22 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III, Parte II. "Alto là!" (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) | | choir vocals | Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 0:49 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III, Parte II. "Ninfe! Elfi! Silfi! Doridi! Sirene!" (Nannetta, Fate, Falstaff, Alice) | | choir vocals | Tito Gobbi, Anna Moffo, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | 2:00 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III, Parte II. "Ogni sorta di gente dozzinale" (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) | | choir vocals | Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 3:46 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III, Parte II. "Sul fil d'un soffio etesio" (Nannetta, Fate) | | choir vocals | Anna Moffo, Philharmonia Chorus, Philharmonia Orchestra, Herbert von Karajan | 4:18 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III, Parte II. "Un coro e terminiam la scena" - "Tutto nel mondo è burla" (Falstaff, Ford, Tutti) | | choir vocals | Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 3:14 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III, Parte II. "Un poco di pausa" (Falstaff, Quickly, Ford, Meg, Alice, Coro) | | choir vocals | Fedora Barbieri, Tito Gobbi, Nan Merriman, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | 2:03 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III. “Alto la! … Pizzica, pizzica” | | choir vocals | Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 6:17 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III. “Facciamo il parentado … Tutto nel mondo e burla” | | choir vocals | Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 3:28 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III. “Ninfe! Elfi! Silfi! … Sul fil d'un soffia etesio” | | choir vocals | Tito Gobbi, Anna Moffo, Philharmonia Chorus, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | 6:14 |
| 1956-06-18 – 1956-06-29 | Falstaff: Atto III. “Ogni sorta di gente dozzinale” | | choir vocals | Luigi Alva, Fedora Barbieri, Renato Ercolani, Tito Gobbi, Nan Merriman, Anna Moffo, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Tomaso Spataro, Nicola Zaccaria, Philharmonia Orchestra, Herbert von Karajan | 3:37 |
| 1957-02-07 – 1957-02-14 | Il barbiere di Siviglia: Act I, Scene II. “Che cosa accadde” (Figaro, Bartolo, Count Almaviva, Rosina, Berta, Basilio, Chorus) | | choir vocals | Roberto Benaglio, Luigi Alva, Maria Callas, Gabriella Carturan, Tito Gobbi, Fritz Ollendorff, Philharmonia Chorus, Nicola Zaccaria, Philharmonia Orchestra, Alceo Galliera | 3:39 |
| 1957-02-07 – 1957-02-14 | Il barbiere di Siviglia: Atto I, scena 1. “Ehi, Fiorello?” | | choir vocals | Philharmonia Orchestra, Alceo Galliera | 1:06 |
| 1957-02-07 – 1957-02-14 | Il barbiere di Siviglia: Atto I, scena 1. “Mille grazie, mio signore” | | choir vocals | Philharmonia Orchestra, Alceo Galliera | 1:57 |
| 1957-02-07 – 1957-02-14 | Il barbiere di Siviglia: Atto I. "Piano, pianissimo, senza parlar" (Fiorello, Coro, Conte) | | choir vocals | Roberto Benaglio, Luigi Alva, Mario Carlin, Philharmonia Chorus, Philharmonia Orchestra, Alceo Galliera | 2:56 |
| 1957-02-07 – 1957-02-14 | Il barbiere di Siviglia: Atto I. “Ma signor... ma un dottor” | | choir vocals | Luigi Alva, Maria Callas, Gabriella Carturan, Tito Gobbi, Fritz Ollendorff, Philharmonia Chorus, Nicola Zaccaria, Philharmonia Orchestra, Roberto Benaglio, Alceo Galliera | 4:42 |
| 1957-02-07 – 1957-02-14 | Il barbiere di Siviglia: Atto I. “Piano, pianissimo, senza parlar” (Fiorello, Coro, Conte) | | choir vocals | Luigi Alva, Mario Carlin, Philharmonia Chorus, Philharmonia Orchestra, Roberto Benaglio, Alceo Galliera | 2:55 |
| 1957-02-07 – 1957-02-14 | Il barbiere di Siviglia: Atto II. "Ah, disgraziati noi!" … "Di si felice innesto" (Figaro, Conte, Rosina, Bartolo, Don Basilio, Ufficiale, Coro, Berta) | | choir vocals | Roberto Benaglio, Luigi Alva, Maria Callas, Gabriella Carturan, Tito Gobbi, Fritz Ollendorff, Philharmonia Chorus, Nicola Zaccaria, Philharmonia Orchestra, Alceo Galliera | 4:18 |
| 1957-02-07 – 1957-02-14 | Il barbiere di Siviglia: Atto II. “Di si felice innesto” | | choir vocals | Luigi Alva, Maria Callas, Gabriella Carturan, Tito Gobbi, Fritz Ollendorff, Philharmonia Chorus, Nicola Zaccaria, Philharmonia Orchestra, Roberto Benaglio, Alceo Galliera | 2:06 |
| 1957-10 – 1957-11 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro | | choir vocals | Philharmonia Orchestra, Otto Klemperer | 24:36 |
| 1957-11-15 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro assai | | choir vocals | Hans Hotter, Waldemar Kmentt, Christa Ludwig, Aase Nordmo Løvberg, Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | 23:39 |
| 1957 | Hamlet: Atto IV. “À vos yeux ... Partagez vous mes fleurs ... Et maintenant, écoutez ma chanson“ (Ophélie - Chor, 4. Akt) | | choir vocals | Maria Callas, Philharmonia Chorus, Philharmonia Orchestra, Nicola Rescigno | 10:18 |
| 1957 | Il pirata: Atto II. “Oh! s'io potessi ... Col sorriso d'innocenza“ (Imogene - Chor, Finale 2. Akt) | | choir vocals | Maria Callas, Philharmonia Chorus, Philharmonia Orchestra, Nicola Rescigno | 17:06 |
| 1958-09-24 – 1958-09-25 | Anna Bolena: Atto II. “Piangete voi? ... Al dolce guidami ... Coppia iniqua” (Anna - Smeton - Percy - Rochefort - Herervey - Chor, Finale 2. Akt) | | choir vocals | Maria Callas, John Lanigan, Philharmonia Chorus, Duncan Robertson, Joseph Rouleau, Monica Sinclair, Philharmonia Orchestra, Nicola Rescigno | 19:57 |
| 1958-09-24 – 1958-09-25 | Hamlet : « À vos jeux - Partagez-vous mes fleurs » | | choir vocals | Maria Callas, Philharmonia Chorus, Philharmonia Orchestra, Nicola Rescigno | 10:26 |
| 1958-09-24 – 1958-09-25 | Il pirata: Atto II. "Oh! s'io potessi... Col sorriso d'innocenza" | | choir vocals | Philharmonia Chorus, Maria Callas, Philharmonia Orchestra, Nicola Rescigno | 17:05 |
| 1959-09 – 1959-11 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) | | choir vocals | Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini | 1:13 |
| 1959-09 – 1959-11 | Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Conte, Figaro, Susanna, Coro) | | choir vocals | Anna Moffo, Philharmonia Chorus, Giuseppe Taddei, Eberhard Wächter, Philharmonia Orchestra, Carlo Maria Giulini | 2:15 |
| 1959 | Lucia di Lammermoor: Atto III. “Il dolce suono ... Ardon gli incensi ... Spargi d'amaro pianto” (Lucia, Raimondo - NorNormanno - Enrico - Chor, 3. Akt) | | choir vocals | Maria Callas, Renzo Casellato, Philharmonia Chorus, Bernard Ładysz, Philharmonia Orchestra, Tullio Serafin | 16:02 |
| 1960-01-28 – 1960-02-18 | A Midsummer Night’s Dream, op. 61: Finale. “Through the House” | | choir vocals | Janet Baker, Heather Harper, Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | 4:48 |
| 1960-01-28 – 1960-02-18 | A Midsummer Night’s Dream, op. 61: III. “Ye Spotted Snakes” | | choir vocals | Janet Baker, Heather Harper, Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | 4:43 |
| 1960 | Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) | | choir vocals | Maria Callas, Philharmonia Chorus, Philharmonia Orchestra, Tullio Serafin | 4:10 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, I. Chor "Kommt, ihr Töchter" | Philharmonia Choir | choir vocals | Wilhelm Pitz, Elisabeth Schwarzkopf, Hampstead Parish Church Choir, Philharmonia Choir, Philharmonia Orchestra, Otto Klemperer | 11:48 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, III. Choral "Herzliebster Jesu" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:29 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, V. Chor "Ja nicht auf das Fest" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 0:18 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, VII. Chor "Wozu dienet dieser Unrat?" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 0:36 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XIV. Chor "Wo willst du" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 0:26 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XVI. Choral "Ich bin's, ich sollte büßen" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:34 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XXI. Choral "Erkenne mich, mein Hüter" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:52 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XXIII. Choral "Ich will hier" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:53 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XXV. Rezitativ "O Schmerz!" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 3:06 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XXVI. Arie "Ich will bei meinem Jesu" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 6:15 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XXXI. Choral "Was mein Gott will" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 2:06 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XXXIII. Duett "So ist mein Jesus nun gefangen" - Chor "Sind Blitze, sind Donner" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 6:00 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part I, XXXV. Choral "O Mensch, bewein dein Sünde groß" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 11:12 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LIII. Choral "Befiehl du deine Wege" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 2:00 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LIV. Rezitativ "Auf das Fest aber hatte" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 2:50 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LIX. Rezitativ "Sie schrieen aber noch mehr" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 2:41 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LV. Choral "Wie wunderbarlich" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:24 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LXII. Rezitativ "Da nahmen die Kriegsknechte" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:16 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LXIII. Choral "O Haupt voll Blut und Wunden" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 3:16 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LXVII. Rezitativ "Und da sie an die Stätte" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 4:25 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LXXI. Rezitativ "Und von der sechsten Stunde" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 2:53 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LXXII. Choral "Wenn ich einmal soll scheiden" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 2:21 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LXXVI. Rezitativ "Und Joseph nahm den Leib" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 3:23 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LXXVII. Rezitativ mit Chor "Nun ist der Herr" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 2:21 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, LXXVIII. Chor "Wir setzen uns mit Tränen nieder" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 8:06 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, XLIV. Choral "Wer hat dich so geschlagen" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:36 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, XLIX. Rezitativ "Des Morgens aber" - Chor "Was gehet uns das an?" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:18 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, XLV. 45 Rezitativ "Petrus aber saß draußen im Palast" - Chor "Wahrlich, du bist auch einer von denen" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:23 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, XLVIII. Choral "Bin ich gleich von dir gewichen" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:38 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, XXXVI. Arie "Ach, nun ist mein Jesus hin" - Chor "Wo ist denn dein Freund" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 5:30 |
| 1961-01-01 – 1961-01-12 | St. Matthew Passion, BWV 244: Part II, XXXVIII. Choral "Mir hat die Welt" | Philharmonia Choir | choir vocals | Philharmonia Orchestra, Otto Klemperer | 1:29 |
| 1961-03-21 – 1961-04-26 | Ein deutsches Requiem, op. 45 Nr. 5: "Ihr habt nun Traurigkeit" | | choir vocals | Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | 6:52 |
| 1961-03-21 – 1961-04-26 | Ein deutsches Requiem, op. 45: I. Selig sind, die da Leid tragen | | choir vocals | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | 10:00 |
| 1961-03-21 – 1961-04-26 | Ein deutsches Requiem, op. 45: II. Denn alles Fleisch es ist wie Gras | | choir vocals | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | 14:33 |
| 1961-03-21 – 1961-04-26 | Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich | | choir vocals | Philharmonia Chorus, Dietrich Fischer‐Dieskau, Philharmonia Orchestra, Otto Klemperer | 9:52 |
| 1961-03-21 – 1961-04-26 | Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen | | choir vocals | Philharmonia Chorus, Philharmonia Orchestra, Otto Klemperer | 5:48 |
| See all 811 relationships |
| orchestra |
|---|
| Mahler Sinopoli | | | Gustav Mahler | |
| vocals |
|---|
| 1959-10-07 – 1959-11-24 | Don Giovanni | | choir vocals | Mozart; Eberhard Wächter, Joan Sutherland, Luigi Alva, Gottlob Frick, Elisabeth Schwarzkopf, Giuseppe Taddei, Piero Cappuccilli, Graziella Sciutti, Philharmonia Orchestra & Chorus, Carlo Maria Giulini | |
| 1959-10-07 – 1959-11-24 | Don Giovanni | | choir vocals | Mozart; Eberhard Wächter, Joan Sutherland, Elisabeth Schwarzkopf, Graziella Sciutti, Giuseppe Taddei, Luigi Alva, Gottlob Frick, Philharmonia Orchestra, Carlo Maria Giulini | |
| 2007-11 | A World Requiem | | choir vocals | Foulds; Jeanne-Michèle Charbonnet, Catherine Wyn‐Rogers, Stuart Skelton, Gerald Finley, Trinity Boys Choir, Crouch End Festival Chorus, Philharmonia Chorus, BBC Symphony Chorus, BBC Symphony Orchestra, Leon Botstein | |
| Der Rosenkavalier | | choir vocals | Richard Strauss; Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Otto Edelmann, Eberhard Wächter, Philharmonia Orchestra, Philharmonia Chorus | |
| Der Rosenkavalier | | choir vocals | Richard Strauss; Schwarzkopf, Ludwig, Stich-Randall, Edelmann, Philharmonia Orchestra & Chorus, Herbert von Karajan | |
| Die Kluge / Der Mond | | choir vocals | Orff; Philharmonia Orchestra & Chorus, Wolfgang Sawallisch | |
| Die Zauberflöte | | choir vocals | Mozart; Otto Klemperer, Gedda, Janowitz, Berry, Unger, Popp, Frick, Schwarzkopf, Ludwig, Pütz, Höffgen, Crass, Philharmonia Chorus & Orchestra | |
| Don Giovanni | | choir vocals | Mozart; Eberhard Wächter, Joan Sutherland, Elisabeth Schwarzkopf, Giuseppe Taddei, Luigi Alva, Piero Cappuccilli, Graziella Sciutti, Gottlob Frick, Philharmonia Chorus & Orchestra, Carlo Maria Giulini | |
| Don Giovanni | | choir vocals | Mozart; Eberhard Wächter, Joan Sutherland, Elisabeth Schwarzkopf, Giuseppe Taddei, Luigi Alva, Piero Cappuccilli, Graziella Sciutti, Gottlob Frick, Philharmonia Chorus & Orchestra, Carlo Maria Giulini | |
| Falstaff | | choir vocals | Verdi; Tito Gobbi, Luigi Alva, Rolando Panerai, Tomaso Spataro, Renato Ercolani, Nicola Zaccaria, Elisabeth Schwarzkopf, Anna Moffo, Nan Merriman, Fedora Barbieri, Philharmonia Orchestra and Chorus, Herbert von Karajan | |
| I Robot | | additional and guest | The Alan Parsons Project | |
| I Robot | | additional and guest | The Alan Parsons Project | |
| I Robot | | additional | The Alan Parsons Project | |
| Messa da Requiem / Quattro Pezzi Sacri | | choir vocals | Verdi; Carlo Maria Giulini, Schwarzkopf, Ludwig, Gedda, Ghiaurov, Baker, Philharmonia Chorus & Orchestra | |
| Missa solemnis | | choir vocals | Ludwig van Beethoven; New Philharmonia Chorus & Orchestra, Otto Klemperer | |
