A lenda do caboclo, W166 | | | | | | | |
Bachianas Brasileiras nº 4, W264: I. Prelúdio (Introdução) | | | | | | | |
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro | | - J. Brezina, Camerata Labacensis, Camerata Romana, The English Philharmonic Orchestra, Musici di San Marco, Oregon Bach Festival Orchestra, Philharmonia Slavonia, Südwest-Studioorchester, Simon Addison, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Rudolf Pribil, Helmuth Rilling
- Berliner Philharmoniker, Herbert von Karajan
- The English Concert, Trevor Pinnock
- Wendy Carlos
- (show 154 more)
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Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro | | | | | | | |
Choros nº 5 "Alma brasileira", W207 | | | | | | | |
Concierto andaluz: I. Tempo de bolero | | - Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner
- Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro
- Minerva Garibay, Cecilia López, Alfonso Moreno, Jesús Ruiz, Orquesta Sinfónica del Estado de México, Enrique Bátiz
- entreQuatre, Orquesta Sinfónica del Principado de Asturias, Maximiano Valdés
- (show 2 more)
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Concierto andaluz: II. Adagio | | - Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner
- Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro
- Minerva Garibay, Cecilia López, Alfonso Moreno, Jesús Ruiz, Orquesta Sinfónica del Estado de México, Enrique Bátiz
- entreQuatre, Orquesta Sinfónica del Principado de Asturias, Maximiano Valdés
- (show 2 more)
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Concierto andaluz: III. Allegretto | | - Los Romeros, Academy of St Martin in the Fields, Sir Neville Marriner
- Celedonio Romero, Celin Romero, Pepe Romero, Ángel Romero, San Antonio Symphony, Victor Alessandro
- Minerva Garibay, Cecilia López, Alfonso Moreno, Jesús Ruiz, Orquesta Sinfónica del Estado de México, Enrique Bátiz
- entreQuatre, Orquesta Sinfónica del Principado de Asturias, Maximiano Valdés
- (show 3 more)
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Jobiniana №1 | | | | | | | |
Jongo | | | | | | | |
Pintoe | | | | | | | |
Primeiro amor | | | | | | | |
Sonata in D minor, K 141, L 422: Allegro | | | | Sonata | | | |
Sonatina for two guitars and cello: I. Allegro moderato | | | | | | | |
Sonatina for two guitars and cello: II. Acalentando | | | | | | | |
Sonatina for two guitars and cello: III. Ritmo | | | | | | | |
Suite Brasileira: I. Baião | | | | | | | |
Suite Brasileira: II. Canção | | | | | | | |
Suite Brasileira: III. Samba | | | | | | | |
Suite Retratos: I. Pixinguinha (choro) | | | | | | | |
Suite Retratos: II. Ernesto Nazareth (valsa) | | | | | | | |
Suite Retratos: III. Anacleto de Medeiros (schottisch) | | | | | | | |
Suite Retratos: IV. Chiquinha Gonzaga (corta-jaca) | | | | | | | |
The Slevan Story: I. Prelude (On the Rocks) | | | | | | | |
The Slevan Story: II. Dialogue (Johana's Garden) | | | | | | | |
The Slevan Story: III. Pastoral (The Saint's Path) | | | | | | | |
The Slevan Story: IV. Passamezzo (The Saint Levan Stone) | | | | | | | |
The Slevan Story: V. Concertino (Two fish on one hook) | | | | | | | |