| audio engineered |
|---|
| 2002-08-15 – 2002-08-17 | More palatino "Almand Gratie" | | Christopher Herrick | 3:55 |
| Aria for Soprano and Orchestra, KV 582 "Chi sà, chi sà, qual sia" | | Kiri Te Kanawa, Wiener Kammerorchester, György Fischer | 3:24 |
| Aria for Soprano and Orchestra, KV 583 "Vado, ma dove?" | | Kiri Te Kanawa, Wiener Kammerorchester, György Fischer | 4:11 |
| Aria for Soprano and Orchestra. KV 383 "Nehmt meinen Dank, ihr holden Gönner" | | Kiri Te Kanawa, Wiener Kammerorchester, György Fischer | 3:38 |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | 18:52 |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | 4:45 |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | Radu Lupu, Israel Philharmonic Orchestra, Zubin Mehta | 10:11 |
| Recitative and Aria for Soprano & Orchestra in B-flat major, K. 73d/79: "O temerario Arbace!… Per quel paterno" | | Kiri Te Kanawa, Wiener Kammerorchester, György Fischer | 6:41 |
| Recitative and Aria for Soprano and Orchestra, KV 272 "Ah, lo previdi"..."Ah, t'invola agl'occhi miei" | | Kiri Te Kanawa, Wiener Kammerorchester, György Fischer | 12:17 |
| Recitative and Aria for Soprano and Orchestra, KV 490 "Non più. Tutto ascoltai"..."Non temer, amato bene" | | Kiri Te Kanawa, Rainer Küchl, Wiener Kammerorchester, György Fischer | 10:03 |
| Recitative and aria for soprano and orchestra, KV 528 "Bella mia fiamma, addio!"..."Resta, o cara!" | | Kiri Te Kanawa, Wiener Kammerorchester, György Fischer | 9:12 |
| balance engineered |
|---|
| 1975-05 | String Quartet no. 8 in C minor, op. 110: I. Largo | | Fitzwilliam String Quartet | 4:59 |
| 1975-05 | String Quartet no. 8 in C minor, op. 110: II. Allegro molto | | Fitzwilliam String Quartet | 2:35 |
| 1975-05 | String Quartet no. 8 in C minor, op. 110: III. Allegretto | | Fitzwilliam String Quartet | 4:10 |
| 1975-05 | String Quartet no. 8 in C minor, op. 110: IV. Largo | | Fitzwilliam String Quartet | 5:24 |
| 1975-05 | String Quartet no. 8 in C minor, op. 110: V. Largo | | Fitzwilliam String Quartet | 3:44 |
| 1976-01 | A Shropshire Lad | | Academy of St Martin in the Fields, Sir Neville Marriner | 10:23 |
| 1976-01 | Two English Idylls | | Academy of St Martin in the Fields, Sir Neville Marriner | 9:48 |
| 1976-04 | Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) | | Los Angeles Philharmonic, Zubin Mehta | 11:25 |
| 1976-04 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | | Los Angeles Philharmonic, Zubin Mehta | 12:53 |
| 1976-04 | Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell) | | Los Angeles Philharmonic, Zubin Mehta | 17:15 |
| 1976-04 | Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam) | | Los Angeles Philharmonic, Zubin Mehta | 9:44 |
| 1976-04 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale (Allegro) | | Los Angeles Philharmonic, Zubin Mehta | 14:04 |
| 1976-07 | Messiah, HWV 56: Part II, no. 44. Chorus. “Hallelujah” | | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | 3:44 |
| 1976-07 | Messiah, Part 1: No. 1. Symphony | | Academy of St Martin in the Fields, Sir Neville Marriner | 3:04 |
| 1976-07 | Messiah, Part 1: No. 4. Chorus. "And the glory of the Lord" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 2:57 |
| 1976-07 | Messiah, Part 1: No. 7. Chorus. "And he shall purify" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 2:08 |
| 1976-07 | Messiah, Part 1: No. 12. Chorus. "For unto us a child is born" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 3:35 |
| 1976-07 | Messiah, Part 1: No. 13. Pifa | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:53 |
| 1976-07 | Messiah, Part 1: No. 17. Chorus. "Glory to God in the highest" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 1:45 |
| 1976-07 | Messiah, Part 1: No. 18. Air soprano. "Rejoice greatly, O daughter of Zion" | | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | 4:11 |
| 1976-07 | Messiah, Part 1: No. 21. Chorus. "His yoke is easy" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 2:01 |
| 1976-07 | Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted" | | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 6:23 |
| 1976-07 | Messiah, Part 1: Nos. 5-6. Recitative & Air bass. "Thus saith the Lord... But who may abide" | | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 4:29 |
| 1976-07 | Messiah, Part 1: Nos. 8-9. Recitative & Air alto & Chorus. "Behold, a virgin shall conceive... O thou That tellest good tidings to Zion" | | Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | 6:01 |
| 1976-07 | Messiah, Part 1: Nos. 10-11. Recitative & Air bass. "For behold, darkness shall cover the earth... The people that walked in darkness" | | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 6:14 |
| 1976-07 | Messiah, Part 1: Nos. 14-16. Recitative soprano. "There were shepherds, abiding in the field... And lo! the angel of the Lord come upon them... And the angel said unto them... And suddenly there was with the angel" | | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | 3:10 |
| 1976-07 | Messiah, Part 1: Nos. 19-20. Recitative and Aria alto. "Then shall the eyes... He shall feed is flock" | | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | 4:59 |
| 1976-07 | Messiah, Part 2: No. 22. Chorus ."Behold the Lamb of God" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 2:59 |
| 1976-07 | Messiah, Part 2: No. 23. Air alto: He was despised" | | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | 11:17 |
| 1976-07 | Messiah, Part 2: No. 24. Chorus. "Surely he hath borne our griefs" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 2:07 |
| 1976-07 | Messiah, Part 2: No. 25. Chorus. "And with his stripes" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 1:26 |
| 1976-07 | Messiah, Part 2: No. 26. Chorus. "All we like sheep" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 3:27 |
| 1976-07 | Messiah, Part 2: No. 33. Chorus. "Lift up you heads" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 2:58 |
| 1976-07 | Messiah, Part 2: No. 36. Air bass. "Thou art gone up on high" | | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 3:11 |
| 1976-07 | Messiah, Part 2: No. 38. Duet Soprano & Alto, Chorus. "How Beautiful Are the Feet..." | | Academy of St. Martin in the Fields Chorus, Elly Ameling, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | 3:17 |
| 1976-07 | Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out" | | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 1:09 |
| 1976-07 | Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God" | | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 2:51 |
| 1976-07 | Messiah, Part 2: Nos. 29-30. Recitative & Arioso soprano. "Thy rebuke hath broken his heart... Behold and see" | | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | 3:49 |
| 1976-07 | Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living..." | | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 2:23 |
| 1976-07 | Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels..." | | Academy of St. Martin in the Fields Chorus, Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 1:42 |
| 1976-07 | Messiah, Part 2: Nos. 40-41. Air bass & Chorus. "Why do the nations so furiously rage together..." | | Academy of St. Martin in the Fields Chorus, Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 3:08 |
| 1976-07 | Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven..." | | Philip Langridge, Academy of St Martin in the Fields, Sir Neville Marriner | 2:34 |
| 1976-07 | Messiah, Part 3: No. 45. Air soprano: "I Know that my Redeemer liveth" | | Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner | 5:14 |
| 1976-07 | Messiah, Part 3: No. 46. Chorus. "Since by man came death" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 1:51 |
| 1976-07 | Messiah, Part 3: No. 52. Air alto. "If God be for us" | | Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | 4:40 |
| 1976-07 | Messiah, Part 3: No. 53. Chorus. "Worthy is the Lamb... Amen" | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 6:36 |
| 1976-07 | Messiah, Part 3: Nos. 47-48. Recitative & Air bass. "Behold, I tell you a mystery..." | | Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner | 10:10 |
| 1976-07 | Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..." | | Academy of St. Martin in the Fields Chorus, Philip Langridge, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner | 4:57 |
| 1976-07 | Messiah: Part 2, no. 37. Chorus “The Lord gave the Word” | | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 1:03 |
| 1977-07 | Nocturne no. 2 in E-flat, op. 9 no. 2 | | Joseph Cooper | 4:32 |
| 1977-07 – | Country Gardens | | Joseph Cooper | 2:30 |
| 1977-07 – | Lyric Pieces Book III, op. 43: I. Butterfly | | Joseph Cooper | 1:59 |
| 1977-07 – | To a Wild Rose, op. 51 no. 1 | | Joseph Cooper | 2:08 |
| 1977-08 | Fanfare for the Common Man | | Los Angeles Philharmonic Orchestra, Zubin Mehta | 2:48 |
| 1977-12 | Star Wars - Suite: The Cantina Band | | Los Angeles Philharmonic, Jules Chaikin | 2:37 |
| 1977-12 | Star Wars Suite: I. Main Title | | Los Angeles Philharmonic, Zubin Mehta | 5:09 |
| 1977-12 | Star Wars Suite: II. Princess Leia’s Theme | | Los Angeles Philharmonic, Zubin Mehta | 4:30 |
| 1977-12 | Star Wars Suite: III. The Little People | | Los Angeles Philharmonic, Zubin Mehta | 4:43 |
| 1977-12 | Star Wars Suite: IV. The Battle | | Los Angeles Philharmonic, Zubin Mehta | 5:39 |
| 1977-12 | Star Wars Suite: V. The Throne Room and End Title | | Los Angeles Philharmonic, Zubin Mehta | 7:17 |
| 1978-04 | Ugly Duckling, op. 18 | | Elisabeth Söderström, Vladimir Ashkenazy | 12:05 |
| 1978-10 | Sonata No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | | Vladimir Ashkenazy | 5:47 |
| 1978-10 | Sonata No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | | Vladimir Ashkenazy | 7:56 |
| 1979-03 | Serenade no. 5 for Orchestra in D major, K. 213a/204: I. Allegro assai | | Academy of Ancient Music, Christopher Hogwood | 7:53 |
| 1979-03 | Serenade no. 5 for Orchestra in D major, K. 213a/204: VII. Andantino - allegro | | Academy of Ancient Music, Christopher Hogwood | 5:10 |
| 1979-03 | Symphony in D major, KV 204/213a: II. Andante | | Academy of Ancient Music, Christopher Hogwood | 7:42 |
| 1979-03 | Symphony in D major, KV 204/213a: III. Menuetto & Trio | | Academy of Ancient Music, Christopher Hogwood | 4:38 |
| 1979-06 | Symphony in D major, K. 207a/121 / La finta giardiniera, K. 196: I. Allegro molto | | Academy of Ancient Music, Christopher Hogwood | 2:17 |
| 1979-06 | Symphony in D major, K. 207a/121 / La finta giardiniera, K. 196: II. Andantino grazioso | | Academy of Ancient Music, Christopher Hogwood | 2:23 |
| 1979-06 | Symphony in D major, K. 207a/121 / La finta giardiniera, K. 196: III. Allegro | | Academy of Ancient Music, Christopher Hogwood | 2:21 |
| 1979-10 | Symphony in C major K208: I. Molto allegro | | Academy of Ancient Music, Christopher Hogwood | 2:49 |
| 1979-10 | Symphony in C major K208: II. Andantino | | Academy of Ancient Music, Christopher Hogwood | 2:16 |
| 1979-10 | Symphony in C major K208: III. Presto assai | | Academy of Ancient Music, Christopher Hogwood | 3:15 |
| 1979-10 | Symphony in D major K250: I. Allegro maestoso - Allegro molto | | Academy of Ancient Music, Christopher Hogwood | 6:44 |
| 1979-10 | Symphony in D major K250: II. Menuetto galante & Trio | | Academy of Ancient Music, Christopher Hogwood | 7:13 |
| 1979-10 | Symphony in D major K250: III. Andante | | Academy of Ancient Music, Christopher Hogwood | 7:41 |
| 1979-10 | Symphony in D major K250: IV. Menuetto & 2 Trios | | Academy of Ancient Music, Christopher Hogwood | 6:28 |
| 1979-10 | Symphony in D major K250: V. Adagio - Allegro assai | | Academy of Ancient Music, Christopher Hogwood | 10:31 |
| 1980-10 – | Piano Sonata no. 2 in B-Flat minor, op. 35: III. Marche funèbre (Lento) | | Vladimir Ashkenazy | 9:01 |
| 1982-06 | Impromptu, D889 No. 3 | | Radu Lupu | 6:35 |
| 1982-06 – | 4 Impromptus, op. 90, D. 899: no. 3 in G-Flat major (Andante) | | Radu Lupu | 6:32 |
| 1983-05 | Gnossienne no. 1 | piano | Pascal Rogé | 3:46 |
| 1983-05 | Gymnopédie no. 1 | | Pascal Rogé | 3:10 |
| 1983-05 | Symphony no. 3 in C major, op. 52: I. Allegro moderato | | Philharmonia Orchestra, Vladimir Ashkenazy | 10:58 |
| 1983-05 | Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto | | Philharmonia Orchestra, Vladimir Ashkenazy | 9:30 |
| 1983-05 | Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto) | | Philharmonia Orchestra, Vladimir Ashkenazy | 9:18 |
| 1983-05 – | Gnossiennes: no. 1: Lent | | Pascal Rogé | 3:44 |
| 1983-09 | Requiem in D minor, K. 626: Agnus Dei | | Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 2:36 |
| 1983-09 | Requiem in D minor, K. 626: Amen | | Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 1:35 |
| 1983-09 | Requiem in D minor, K. 626: Communio. Lux aeterna – Cum sanctis tuis | | Emma Kirkby, Westminster Cathedral Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 5:38 |
| 1983-09 | Requiem in D minor, K. 626: Confutatis maledictis | | Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 2:24 |
| 1983-09 | Requiem in D minor, K. 626: Dies Irae | | Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 1:53 |
| 1983-09 | Requiem in D minor, K. 626: Domine Jesu Christe | | Emma Kirkby, Carolyn Watkinson, Anthony Rolfe Johnson, David Thomas, Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 3:40 |
| 1983-09 | Requiem in D minor, K. 626: Introitus, Requiem aeternum | | Emma Kirkby, Westminster Cathedral Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 5:08 |
| 1983-09 | Requiem in D minor, K. 626: Kyrie eleison | | Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 2:31 |
| 1983-09 | Requiem in D minor, K. 626: Lacrymosa dies illa | | Academy of Ancient Music Chorus, Westminster Cathedral Boys Choir, Academy of Ancient Music, Christopher Hogwood | 2:16 |
| 1983-09 | Requiem in D minor, K. 626: Recordare, Jesu pie | | Emma Kirkby, Carolyn Watkinson, Anthony Rolfe Johnson, David Thomas, Academy of Ancient Music, Christopher Hogwood | 6:09 |
| 1983-09 | Requiem in D minor, K. 626: Rex tremendae majestatis | | Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 1:59 |
| 1983-09 | Requiem in D minor, K. 626: Tuba mirum | | Emma Kirkby, Carolyn Watkinson, Anthony Rolfe Johnson, David Thomas, Academy of Ancient Music, Christopher Hogwood | 3:52 |
| 1983-09 | Requiem in D minor, K. 626: Versus: Hostias et preces | | Westminster Cathedral Boys Choir, Academy of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | 3:49 |
| See all 738 relationships |
| edited |
|---|
| Ave Maria, Op. 23 No. 2 | | Eugenie Cheng, Catherine Arnold, Rachel Bennett, Paul Casey, Christopher Adams, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Mark Williams, Richard Marlow | 6:40 |
| Beati mortui, Op. 115 No. 1 | | Christopher Adams, Paul Casey, Choir of Trinity College, Angus McCarey, Andrew Tortise, Richard Marlow | 2:54 |
| Blumine (Andante allegretto) | | Tonhalle Orchestra Zurich, David Zinman | 6:41 |
| Boléro, M.81 | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 15:24 |
| Choral Fantasy in C minor, op. 80 | | Schweizer Kammerchor, Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 19:12 |
| Concert Piece in D major for Violin and Orchestra, D. 345 | | Tonhalle‐Orchester Zürich, David Zinman | 10:10 |
| Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo | | Christian Tetzlaff, Tonhalle‐Orchester Zürich, David Zinman | 22:51 |
| Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto | | Christian Tetzlaff, Tonhalle‐Orchester Zürich, David Zinman | 8:53 |
| Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo | | Christian Tetzlaff, Tonhalle‐Orchester Zürich, David Zinman | 9:19 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau I (Une prairie à la lisiére d'un bois sacré): I. Introduction et danse religieuse | | Zürcher Sing-Akademie, Tonhalle‐Orchester Zürich, Lionel Bringuier | 10:08 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau I (Une prairie à la lisiére d'un bois sacré): II. Danse générale | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 1:14 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau I (Une prairie à la lisiére d'un bois sacré): III. Danse grotesque de Dorcon | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 1:43 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau I (Une prairie à la lisiére d'un bois sacré): IV. Danse légére et gracieuse de Daphnis | | Zürcher Sing-Akademie, Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:13 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau I (Une prairie à la lisiére d'un bois sacré): V. Danse de Lycéion | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 2:46 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau I (Une prairie à la lisiére d'un bois sacré): VI. Nocturne. Danse lente et mystérieuse des Nymphes | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:50 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau II (Camp des pirates): IX. Danse suppliante de Chloé | | Zürcher Sing-Akademie, Tonhalle‐Orchester Zürich, Lionel Bringuier | 5:30 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau II (Camp des pirates): VII. Introduction | | Zürcher Sing-Akademie, Tonhalle‐Orchester Zürich, Lionel Bringuier | 2:47 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau II (Camp des pirates): VIII. Danse guerrière | | Zürcher Sing-Akademie, Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:32 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau III (Paysage du première 1er tableau, à la fin de la nuit): 1I. Pantomime (Les amours de Pan et Syrinx) | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 5:25 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau III (Paysage du première 1er tableau, à la fin de la nuit): 1II. Danse générale (Bacchanale) | | Zürcher Sing-Akademie, Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:43 |
| Daphnis et Chloé, Symphonie chorégraphique, M. 57: Tableau III (Paysage du première 1er tableau, à la fin de la nuit): X. Lever du jour | | Zürcher Sing-Akademie, Tonhalle‐Orchester Zürich, Lionel Bringuier | 5:28 |
| Der hundertste Psalm "Jauchzet dem Herrn, alle Welt" | | Christopher Adams, Catherine Arnold, Paul Casey, Choir of Trinity College, Helen Deeming, Paula Downes, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow | 4:02 |
| Die deutsche Liturgie: I. Kyrie eleison. Andante sostenuto | | Choir of Trinity College, Richard Marlow | 1:14 |
| Die deutsche Liturgie: II. Ehre sei Gott in der Höhe. Andante con moto - Allegro | | Paul Casey, Eugenie Cheng, Choir of Trinity College, Angus McCarey, Clare Wilkinson, Richard Marlow | 3:42 |
| Die deutsche Liturgie: III. Heilig. Con moto | | Choir of Trinity College, Richard Marlow | 1:25 |
| Drei Psalmen, Op. 78: No. 1. Der zweite Psalm "Warum toben die Heiden" | | Christopher Adams, Catherine Arnold, Rachel Bennett, Alastair Brookshaw, Eugenie Cheng, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow | 6:19 |
| Drei Psalmen, Op. 78: No. 2. Der dreiundvierzigste Psalm "Richte mich, Gott" | | Choir of Trinity College, Richard Marlow | 3:48 |
| Drei Psalmen, Op. 78: No. 3. Der zweidundzwanzigste Psalm "Mein Gott, warum hast du mich verlassen?" | | Christopher Adams, Paul Casey, Choir of Trinity College, Helen Deeming, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow | 7:59 |
| Fanfare From "L'eventail de Jeanne", M. 80 | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 1:30 |
| Hear my prayer: I. Hear my prayer, O God, incline thine ear! Andante | | Rachel Bennett, Choir of Trinity College, Mark Williams, Richard Marlow | 5:40 |
| Hear my prayer: II. O for the wings of a dove! Con un poco più di moto | | Rachel Bennett, Choir of Trinity College, Mark Williams, Richard Marlow | 4:59 |
| Konzert für Violoncello und Orchester No. 1 C-Dur, Hob VIIb:1: Adagio | | Australian Chamber Orchestra, Daniel Müller‐Schott | 8:46 |
| Konzert für Violoncello und Orchester No. 1 C-Dur, Hob VIIb:1: Allegro | | Australian Chamber Orchestra, Daniel Müller‐Schott | 6:29 |
| Konzert für Violoncello und Orchester No. 1 C-Dur, Hob VIIb:1: Moderato | | Australian Chamber Orchestra, Daniel Müller‐Schott | 9:56 |
| Konzert für Violoncello und Orchester No. 2 D-Dur, Hob VIIb:2: Adagio | | Australian Chamber Orchestra, Daniel Müller‐Schott | 5:42 |
| Konzert für Violoncello und Orchester No. 2 D-Dur, Hob VIIb:2: Allegro | | Australian Chamber Orchestra, Daniel Müller‐Schott | 4:49 |
| Konzert für Violoncello und Orchester No. 2 D-Dur, Hob VIIb:2: Allegro moderato | | Australian Chamber Orchestra, Daniel Müller‐Schott | 14:34 |
| La Valse, M. 72 | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 11:14 |
| Laudate pueri, Op. 39 No. 2: I. Chor. Allegro moderato assai | | Choir of Trinity College, Mark Williams, Richard Marlow | 3:22 |
| Laudate pueri, Op. 39 No. 2: II. Terzett. Adagio | | Rachel Bennett, Eugenie Cheng, Choir of Trinity College, Clare Wilkinson, Mark Williams, Richard Marlow | 2:15 |
| Le Tombeau de Couperin, M.68, Orchestral version: I. Prélude | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 3:14 |
| Le Tombeau de Couperin, M.68, Orchestral version: II. Forlane | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 5:29 |
| Le Tombeau de Couperin, M.68, Orchestral version: III. Menuet | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:49 |
| Le Tombeau de Couperin, M.68, Orchestral version: IV. Rigaudon | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 3:09 |
| Ma mère l'oye, M.62: I. Prélude | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 3:02 |
| Ma mère l'oye, M.62: II. Tableau I: Danse du rouet et scène | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 3:08 |
| Ma mère l'oye, M.62: III. Tableau II: Pavane de la Belle au bois dormant | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 2:28 |
| Ma mère l'oye, M.62: IV. Tableau III: Les entretiens de la Belle et de la Bête | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:32 |
| Ma mère l'oye, M.62: V. Tableau IV: Petit Poucet | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 5:02 |
| Ma mère l'oye, M.62: VI. Tableau V: Laideronnette, impératrice des Pagodes | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:34 |
| Ma mère l'oye, M.62: VII. Apothéose. Le Jardin féerique | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:09 |
| Magnificat, Op. 69 No. 3 "My soul doth magnify the Lord" | | Christopher Adams, Rachel Bennett, Choir of Trinity College, Andrew Tortise, Clare Wilkinson, Richard Marlow | 8:37 |
| Meeresstille und glückliche Fahrt in D major, op. 112 | | Schweizer Kammerchor, Tonhalle‐Orchester Zürich, David Zinman | 7:03 |
| Menuet antique, M. 7 | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 6:09 |
| Miroirs, M.43: III. Une barque sur l'océan | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 6:46 |
| Miroirs, M.43: IV. Alborada del gracioso | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 7:47 |
| Pavane pour une infante défunte, M.19 | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 6:27 |
| Piano Concerto For The Left Hand in D, M. 82: I. Lento | | Yuja Wang, Tonhalle‐Orchester Zürich, Lionel Bringuier | 7:41 |
| Piano Concerto For The Left Hand in D, M. 82: II. Allegro | | Yuja Wang, Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:51 |
| Piano Concerto For The Left Hand in D, M. 82: III. Tempo I | | Yuja Wang, Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:56 |
| Piano Concerto in G major, M. 83: I. Allegramente | | Yuja Wang, Tonhalle‐Orchester Zürich, Lionel Bringuier | 8:20 |
| Piano Concerto in G major, M. 83: II. Adagio assai | | Yuja Wang, Tonhalle‐Orchester Zürich, Lionel Bringuier | 8:20 |
| Piano Concerto in G major, M. 83: III. Presto | | Yuja Wang, Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:00 |
| Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 18:09 |
| Piano Concerto no. 1 in C major, op. 15: II. Largo | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 10:38 |
| Piano Concerto no. 1 in C major, op. 15: III. Rondo: Allegro scherzando | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 8:58 |
| Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 14:15 |
| Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 8:50 |
| Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 6:10 |
| Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 16:00 |
| Piano Concerto no. 3 in C minor, op. 37: II. Largo | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 9:09 |
| Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 9:08 |
| Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 18:26 |
| Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 4:25 |
| Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 9:52 |
| Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 19:37 |
| Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 7:29 |
| Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo. Allegro | | Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman | 10:27 |
| Polonaise in B-flat major for Violin and Orchestra, D 580 | | Tonhalle‐Orchester Zürich, David Zinman | 5:57 |
| Rapsodie espagnole, M.54: I. Prélude à la nuit | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 4:33 |
| Rapsodie espagnole, M.54: II. Malagueña | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 1:58 |
| Rapsodie espagnole, M.54: III. Habanera | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 2:31 |
| Rapsodie espagnole, M.54: IV. Feria | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 5:50 |
| Romance for Violin and Orchestra in F major, Op. 50: Adagio cantabile | | Christian Tetzlaff, Tonhalle‐Orchester Zürich, David Zinman | 8:18 |
| Romance for Violin and Orchestra in G major, Op. 40: Adagio - Allegro con brio | | Christian Tetzlaff, Tonhalle‐Orchester Zürich, David Zinman | 6:26 |
| Romanze für Violoncello und Orchester No. 1 G-Dur, Op. 40 | | Australian Chamber Orchestra, Daniel Müller‐Schott | 6:13 |
| Romanze für Violoncello und Orchester No. 2 F-Dur, Op. 50 | | Australian Chamber Orchestra, Daniel Müller‐Schott | 7:56 |
| Rondo for Violin and Strings in A major, D 438 | | Tonhalle‐Orchester Zürich, David Zinman | 14:38 |
| Sechs Sprüche für das Kirchenjahr, Op. 79: I. Weihnachten. Allegro moderato | | Choir of Trinity College, Richard Marlow | 1:29 |
| Sechs Sprüche für das Kirchenjahr, Op. 79: II. Am Neujahrstage. Andante | | Choir of Trinity College, Richard Marlow | 2:05 |
| Sechs Sprüche für das Kirchenjahr, Op. 79: III. Am Himmelfahrtstage. Allegro maestoso e moderato | | Choir of Trinity College, Richard Marlow | 1:29 |
| Sechs Sprüche für das Kirchenjahr, Op. 79: IV. In der Passionszeit. Adagio | | Rachel Bennett, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Richard Marlow | 1:33 |
| Sechs Sprüche für das Kirchenjahr, Op. 79: V. Im Advent. Andante | | Choir of Trinity College, Richard Marlow | 1:28 |
| Sechs Sprüche für das Kirchenjahr, Op. 79: VI. Am Charfreitage. Sostenuto e grave | | Choir of Trinity College, Richard Marlow | 1:21 |
| Shéhérazade, ouverture de féerie, M. 17 | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 12:52 |
| Sinfonie Nr. 4 G-Dur: I. Bedächtig. Nicht eilen | | Tonhalle Orchestra Zurich, David Zinman | 17:05 |
| Sinfonie Nr. 4 G-Dur: II. In gemächlicher Bewegung. Ohne Hast | | Tonhalle Orchestra Zurich, David Zinman | 9:21 |
| Sinfonie Nr. 4 G-Dur: III. Ruhevoll. Poco adagio | | Tonhalle Orchestra Zurich, David Zinman | 21:40 |
| Sinfonie Nr. 4 G-Dur: IV. Sehr behaglich – „Wir genießen die himmlischen Freuden“: A tempo | | Ľuba Orgonášová, Tonhalle Orchestra Zurich, David Zinman | 9:32 |
| Sinfonie Nr. 5 cis-Moll: 1. Abteilung. I. Trauermarsch. In gemessenem Schritt. Wie ein Kondukt | | Tonhalle‐Orchester Zürich, David Zinman | 13:22 |
| See all 193 relationships |
| engineered |
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| 1976-07 | Messiah, HWV 56: Part II, no. 44. Chorus. “Hallelujah” | | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | 3:44 |
| 1977-12 | Piano Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | | Radu Lupu | 4:28 |
| 1977-12 | Piano Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo. Allegro | | Radu Lupu | 3:25 |
| 1977-12 | Piano Sonata no. 20 in G major, op. 49 no. 2: I. Allegro ma non troppo | | Radu Lupu | 4:49 |
| 1977-12 | Piano Sonata no. 20 in G major, op. 49 no. 2: II. Tempo di menuetto | | Radu Lupu | 3:48 |
| 1979-08 | Rondo in C major, op. 51 no. 1 | | Radu Lupu | 5:42 |
| 1979-08 | Rondo in G major, op. 51 no. 2 | | Radu Lupu | 9:17 |
| 1979-11-26 – 1979-11-27 | The Cunning Little Vixen Suite: I. Andante | | Wiener Philharmoniker, Sir Charles Mackerras | 9:07 |
| 1979-11-26 – 1979-11-27 | The Cunning Little Vixen Suite: II. Andante | | Wiener Philharmoniker, Sir Charles Mackerras | 10:02 |
| 1981-06 | Piano Sonata no. 3 in F minor, op. 5: I. Allegro maestoso | | Radu Lupu | 11:45 |
| 1981-06 | Piano Sonata no. 3 in F minor, op. 5: II. Andante espressivo | | Radu Lupu | 12:26 |
| 1981-06 | Piano Sonata no. 3 in F minor, op. 5: III. Allegro energico | | Radu Lupu | 5:04 |
| 1981-06 | Piano Sonata no. 3 in F minor, op. 5: IV. Intermezzo: Andante molto | | Radu Lupu | 3:37 |
| 1981-06 | Piano Sonata no. 3 in F minor, op. 5: V. Allegro moderato ma rubato | | Radu Lupu | 8:37 |
| 1981-07 | 6 Moments musicaux, D780: 1. Moderato (C major) | | Radu Lupu | 5:50 |
| 1981-07 | 6 Moments musicaux, D780: 2. Andantino (A-flat major) | | Radu Lupu | 6:22 |
| 1981-07 | 6 Moments musicaux, D780: 3. Allegro moderato (F minor) | | Radu Lupu | 1:47 |
| 1981-07 | 6 Moments musicaux, D780: 4. Moderato (C-sharp minor) | | Radu Lupu | 5:08 |
| 1981-07 | 6 Moments musicaux, D780: 5. Allegro vivace (F minor) | | Radu Lupu | 2:31 |
| 1981-07 | 6 Moments musicaux, D780: 6. Allegretto (A-flat major) | | Radu Lupu | 7:37 |
| 1981-07 | Piano Sonata in C minor, D958: I. Allegro | | Radu Lupu | 8:20 |
| 1981-07 | Piano Sonata in C minor, D958: II. Adagio | | Radu Lupu | 10:00 |
| 1981-07 | Piano Sonata in C minor, D958: III. Menuetto e trio | | Radu Lupu | 2:59 |
| 1981-07 | Piano Sonata in C minor, D958: IV. Allegro | | Radu Lupu | 9:40 |
| 1981-07 | Theme and Variations in D minor | | Radu Lupu | 11:03 |
| 1982-04 | Zárlivost | | Wiener Philharmoniker, Sir Charles Mackerras | 5:37 |
| 1982-06 | Impromptu, D. 899 no. 1 in C minor: Allegro molto moderato | | Radu Lupu | 10:41 |
| 1982-06 | Impromptu, D. 899 no. 2 in E-flat major: Allegro | | Radu Lupu | 4:41 |
| 1982-06 | Impromptu, D. 899 no. 4 in A-flat major: Allegretto | | Radu Lupu | 8:25 |
| 1982-06 | Impromptu, D. 935 no. 1 in F minor: Allegro moderato | | Radu Lupu | 10:04 |
| 1982-06 | Impromptu, D. 935 no. 2 in A-flat major: Allegretto | | Radu Lupu | 7:29 |
| 1982-06 | Impromptu, D. 935 no. 3 in B-flat major: Theme and Variations | | Radu Lupu | 11:41 |
| 1982-06 | Impromptu, D. 935 no. 4 in F minor: Allegro scherzando | | Radu Lupu | 7:07 |
| 1986-10 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | | Chicago Symphony Orchestra, Sir Georg Solti | 21:26 |
| 1986-10 | Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | | Chicago Symphony Orchestra, Sir Georg Solti | 25:10 |
| 1986-10 | Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell - Trio: Etwas langsamer | | Chicago Symphony Orchestra, Sir Georg Solti | 10:07 |
| 1986-10 | Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht zu schnell | | Chicago Symphony Orchestra, Sir Georg Solti | 11:38 |
| 1988-06 | An die Musik | | Bruno Canino, Lynn Harrell | 2:39 |
| 1988-06 | An Idyll | | Bruno Canino, Lynn Harrell | 3:03 |
| 1988-06 | Après un rêve | | Bruno Canino, Lynn Harrell | 3:07 |
| 1988-06 | Beau soir | | Bruno Canino, Lynn Harrell | 2:34 |
| 1988-06 | Gavotte tendre | | Bruno Canino, Lynn Harrell | 3:27 |
| 1988-06 | Intermezzo | | Bruno Canino, Lynn Harrell | 4:02 |
| 1988-06 | La Wally | | Bruno Canino, Lynn Harrell | 3:04 |
| 1988-06 | Moment musical | | Bruno Canino, Lynn Harrell | 1:58 |
| 1988-06 | Moon by the Old Castle | | Bruno Canino, Lynn Harrell | 1:13 |
| 1988-06 | Nacht und Träume | | Bruno Canino, Lynn Harrell | 4:19 |
| 1988-06 | Nana | | Bruno Canino, Lynn Harrell | 2:17 |
| 1988-06 | Nocturne in C-sharp minor | | Bruno Canino, Lynn Harrell | 4:08 |
| 1988-06 | Phidylé | | Bruno Canino, Lynn Harrell | 5:39 |
| 1988-06 | Pièce en forme de habanera | | Bruno Canino, Lynn Harrell | 2:57 |
| 1988-06 | Prayer from Jewish Life | | Bruno Canino, Lynn Harrell | 4:24 |
| 1988-06 | Salut d'amour | | Bruno Canino, Lynn Harrell | 3:08 |
| 1988-06 | Sicilienne | | Bruno Canino, Lynn Harrell | 2:54 |
| 1988-06 | Sicilienne, op. 78 | | Bruno Canino, Lynn Harrell | 3:29 |
| 1988-06 | Spanish Serenade | | Bruno Canino, Lynn Harrell | 2:54 |
| 1988-06 | The Swan | | Bruno Canino, Lynn Harrell | 2:32 |
| 1988-06 | Träumerei | | Bruno Canino, Lynn Harrell | 2:49 |
| 1988-06 | Where'er You Walk | | Bruno Canino, Lynn Harrell | 4:15 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene I, no. 1. Scene: The Christmas Tree | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 4:08 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene I, no. 2. Marche | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 2:42 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene I, no. 3. Children’s Galop and Entry of the Parents | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 2:38 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene I, no. 4. Dancing scene: Drosselmeyer’s Arrival and Distribution of Presents | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 6:06 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene I, no. 5. Scene: The Nutcracker and Grandfather Dance | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 7:04 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene I, no. 6. Scene: Departure of the Guests – Night | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 7:53 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene I, no. 7. Scene: The Battle | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 3:34 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene II, no. 8. Scene: A Pine Forest in Winter | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 4:15 |
| 1989-10 – 1989-11 | The Nutcracker: Act I, Scene II, no. 9. Waltz of the Snowflakes | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 6:40 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (beginning), no. 10. Scene: The Enchanted Palace of the Kingdom of Sweets | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 4:11 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (beginning), no. 11. Scene: Arrival of Clara and the Nutcracker | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 4:31 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (beginning), no. 12a. Divertissement: Chocolate (Spanish dance) | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 1:17 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (beginning), no. 12b. Divertissement: Coffee (Arabian dance) | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 3:30 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (beginning), no. 12c. Divertissement: Tea (Chinese dance) | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 1:05 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (beginning), no. 12d. Divertissement: Trepak (Russian dance) | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 1:06 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (beginning), no. 12e. Divertissement: Dance of the Mirlitons | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 2:22 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (beginning), no. 12f. Divertissement: Mother Cigogne and the Clowns | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 2:53 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (conclusion), no. 13. Waltz of the Flowers | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 7:13 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (conclusion), no. 14. Pas de Deux: The Prince and the Sugar-Plum Fairy: Variation 1: Tarantella | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 5:35 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (conclusion), no. 14. Pas de Deux: The Prince and the Sugar-Plum Fairy: Variation 2: Dance of the Sugar-Plum Fairy | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 3:38 |
| 1989-10 – 1989-11 | The Nutcracker: Act II (conclusion), no. 15. Final Waltz and Apotheosis | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 5:36 |
| 1989-10 – 1989-11 | The Nutcracker: Ouverture | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 3:40 |
| 1990-02-12 | Suite for Jazz Orchestra no. 1, op. 38: I. Waltz. Moderato | | Koninklijk Concertgebouworkest, Riccardo Chailly | 2:39 |
| 1990-02-12 | Suite for Jazz Orchestra no. 1, op. 38: II. Polka. Allegretto | | Royal Concertgebouw Orchestra, Riccardo Chailly | 1:45 |
| 1990-02-12 | Suite for Jazz Orchestra no. 1, op. 38: III. Foxtrot (Blues). Moderato | | Royal Concertgebouw Orchestra, Riccardo Chailly | 3:49 |
| 1991-10 | Second Essay for Orchestra, op. 17 | | Baltimore Symphony Orchestra, David Zinman | 10:31 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène I. "Hélas ! enfant encore" (Athanaël) | | Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | 1:59 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène I. "Le voici ! Le voici !" (Cénobites, Athanaël, Palémon) | | Günter Wagner, Chœurs de l’Opéra de Bordeaux, Thomas Hampson, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | 1:46 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène I. "Mon fils, ne nous mêlons jamais" (Palémon, Athanaël, Cénobites) | | Günter Wagner, Chœurs de l’Opéra de Bordeaux, Thomas Hampson, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | 2:34 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène I. "Ne nous mêlons jamais, mon fils" (Palémon, Cénobites, Athanaël) | | Günter Wagner, Chœurs de l’Opéra de Bordeaux, Thomas Hampson, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | 3:50 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène I. "Toi qui mis la pitié dans nos âmes" (Athanaël) | | Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | 2:18 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène I. "Voici le pain... et le sel" (Cénobites, Palémon) | | Günter Wagner, Chœurs de l’Opéra de Bordeaux, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | 4:50 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène I. Vision d'Athenaël "Honte ! Horreur !" (Athanaël) | | Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | 1:53 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène II. "Ah ! Ah ! Ah !.. Athanaël, c'est toi !" (Crobyle, Myrtale, Nicias, Athanaël) | | Isabelle Cals, Marie Devellereau, Thomas Hampson, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | 4:11 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène II. "Ah ! Ah ! Ah !.. Je vais donc te revoir" (Crobyle, Myrtale, Nicias, Athanaël) | | Isabelle Cals, Marie Devellereau, Thomas Hampson, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | 3:47 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène II. "C'est Thaïs, l'idole fragile" (Thaïs, Nicias) | | Renée Fleming, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | 3:16 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène II. "Garde-toi bien ! Voici ta terrible ennemie !" (Nicias, Chœur) | | Günter Wagner, Chœurs de l’Opéra de Bordeaux, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | 2:05 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène II. "Non ! Non ! Je hais vos fausses ivresses !" (Athanaël, Thaïs, Nicias, Chœur) | | Günter Wagner, Chœurs de l’Opéra de Bordeaux, Renée Fleming, Thomas Hampson, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | 2:01 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène II. "Quel est cet étranger" (Thaïs, Nicias, Athanaël) | | Renée Fleming, Thomas Hampson, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | 2:05 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène II. "Qui te fait si sévère" (Thaïs, Nicias, Chœur) | | Günter Wagner, Chœurs de l’Opéra de Bordeaux, Renée Fleming, Giuseppe Sabbatini, Orchestre National Bordeaux Aquitaine, Yves Abel | 2:24 |
| 1997-02-13 – 1997-02-23 | Thaïs: Acte I, Scène II. "Va, mendiant, chercher ailleurs ta vie !" (Serviteur, Athanaël) | | David Grousset, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | 1:04 |
| See all 1,322 relationships |
| produced |
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| Beatles Concerto for Two Pianos and Orchestra: 1. She Loves You / Eleanor Rigby / Yesterday / All My Loving / Hey Jude | | Peter Rostal, Paul Schaefer, The Royal Philharmonic Orchestra, John Rutter | 8:05 |
| Beatles Concerto for Two Pianos and Orchestra: 2. Here, There and Everywhere / Something | | Peter Rostal, Paul Schaefer, The Royal Philharmonic Orchestra, John Rutter | 7:53 |
| Beatles Concerto for Two Pianos and Orchestra: 3. Can’t Buy Me Love / The Long and Winding Road | | Peter Rostal, Paul Schaefer, The Royal Philharmonic Orchestra, John Rutter | 7:43 |
| Birthday Madrigals: I. It Was a Lover and His Lass | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 2:21 |
| Birthday Madrigals: II. Draw On, Sweet Night | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 5:09 |
| Birthday Madrigals: III. Come Live With Me | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 3:41 |
| Birthday Madrigals: IV. My True Love Bath My Heart | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 3:15 |
| Birthday Madrigals: V. When Daisies Pied | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 2:57 |
| Distant Land | | Melanie Marshall, The Cambridge Singers, The Royal Philharmonic Orchestra, John Rutter | 6:15 |
| Feel the Spirit: I. Joshua Fit the Battle of Jericho | | The Cambridge Singers, Melanie Marshall, BBC Concert Orchestra, John Rutter | 3:17 |
| Feel the Spirit: II. Steal Away | | The Cambridge Singers, Melanie Marshall, BBC Concert Orchestra, John Rutter | 4:21 |
| Feel the Spirit: III. I Got a Robe | | The Cambridge Singers, Melanie Marshall, Andrew Knight, BBC Concert Orchestra, John Rutter | 2:34 |
| Feel the Spirit: IV. Sometimes I Feel Like a Motherless Child | | The Cambridge Singers, Melanie Marshall, Victoria Walpole, BBC Concert Orchestra, John Rutter | 5:26 |
| Feel the Spirit: V. Ev'ry Time I Feel the Spirit | | The Cambridge Singers, Melanie Marshall, BBC Concert Orchestra, John Rutter | 4:33 |
| Feel the Spirit: VI. Deep River | | The Cambridge Singers, Melanie Marshall, BBC Concert Orchestra, John Rutter | 5:04 |
| Feel the Spirit: VII. When the Saints Go Marching In | | The Cambridge Singers, Melanie Marshall, BBC Concert Orchestra, John Rutter | 4:11 |
| Five Meditations for Orchestra: Blow, blow, thou winter wind | | The Royal Philharmonic Orchestra, John Rutter | 3:58 |
| Five Meditations for Orchestra: Candlelight | | The Royal Philharmonic Orchestra, John Rutter | 4:06 |
| Five Meditations for Orchestra: Lord, make me an instrument of thy peace | | The Royal Philharmonic Orchestra, John Rutter | 3:06 |
| Five Meditations for Orchestra: The Lord bless you and keep you | | The Royal Philharmonic Orchestra, John Rutter | 2:48 |
| Five Meditations for Orchestra: What sweeter music | | The Royal Philharmonic Orchestra, John Rutter | 4:05 |
| Lord of the Dance | | The Cambridge Singers, John Rutter | 3:15 |
| Skylark | | The Cambridge Singers, Melanie Marshall, Malcolm Creese, Wayne Marshall, Daniel Pailthorpe, John Rutter | 4:42 |
| Songs and Sonnets From Shakespeare: I. Live With Me and Be My Love | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 3:02 |
| Songs and Sonnets From Shakespeare: II. When Daffodils Being to Peer | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 1:49 |
| Songs and Sonnets From Shakespeare: III. It Was a Lover and His Lass | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 2:13 |
| Songs and Sonnets From Shakespeare: IV. Spring | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 2:36 |
| Songs and Sonnets From Shakespeare: V. Who Is Silvia | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 5:00 |
| Songs and Sonnets From Shakespeare: VI. Fie on Singul Fantasy | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 1:03 |
| Songs and Sonnets From Shakespeare: VII. Hey, Ho, the Wind and the Rain | | The Cambridge Singers, Malcolm Creese, Wayne Marshall, John Rutter | 2:22 |
| Suite Antique for Flute, Harpsichord, and Strings: 1. Prelude | | Andrew Nicholson, John Birch, The Royal Philharmonic Orchestra, John Rutter | 3:26 |
| Suite Antique for Flute, Harpsichord, and Strings: 2. Ostinato | | Andrew Nicholson, John Birch, The Royal Philharmonic Orchestra, John Rutter | 1:48 |
| Suite Antique for Flute, Harpsichord, and Strings: 3. Aria | | Andrew Nicholson, John Birch, The Royal Philharmonic Orchestra, John Rutter | 3:10 |
| Suite Antique for Flute, Harpsichord, and Strings: 4. Waltz | | Andrew Nicholson, John Birch, The Royal Philharmonic Orchestra, John Rutter | 3:11 |
| Suite Antique for Flute, Harpsichord, and Strings: 5. Chanson | | Andrew Nicholson, John Birch, The Royal Philharmonic Orchestra, John Rutter | 3:19 |
| Suite Antique for Flute, Harpsichord, and Strings: 6. Rondeau | | Andrew Nicholson, John Birch, The Royal Philharmonic Orchestra, John Rutter | 2:57 |
| Suite for Strings: 1. A‐roving | | The Royal Philharmonic Orchestra, John Rutter | 3:21 |
| Suite for Strings: 2. I have a bonnet trimmed with blue | | The Royal Philharmonic Orchestra, John Rutter | 2:45 |
| Suite for Strings: 3. O waly waly | | The Royal Philharmonic Orchestra, John Rutter | 3:35 |
| Suite for Strings: 4. Dashing away | | The Royal Philharmonic Orchestra, John Rutter | 2:49 |
| The Heavenly Aeroplane | | The Cambridge Singers, John Rutter | 1:50 |
| recording engineer for |
|---|
| 1980-07 | 6 Sonaten, Wq 63 no. 1 in C major: I. Allegretto tranquillamente | | Christopher Hogwood | 2:15 |
| 1980-07 | 6 Sonaten, Wq 63 no. 1 in C major: II. Andante m innocentemente | | Christopher Hogwood | 1:44 |
| 1980-07 | 6 Sonaten, Wq 63 no. 1 in C major: III. Tempo di minuetto con tenerezza | | Christopher Hogwood | 2:23 |
| 1980-07 | 6 Sonaten, Wq 63 no. 2 in D minor: I. Allegro con spirito | | Christopher Hogwood | 2:01 |
| 1980-07 | 6 Sonaten, Wq 63 no. 2 in D minor: II. Adagio sostenuto | | Christopher Hogwood | 3:04 |
| 1980-07 | 6 Sonaten, Wq 63 no. 2 in D minor: III. Presto | | Christopher Hogwood | 1:55 |
| 1980-07 | 6 Sonaten, Wq 63 no. 3 in A major: I. Poco allegro ma cantabile | | Christopher Hogwood | 3:26 |
| 1980-07 | 6 Sonaten, Wq 63 no. 3 in A major: II. Andante lusingando | | Christopher Hogwood | 2:05 |
| 1980-07 | 6 Sonaten, Wq 63 no. 3 in A major: III. Allegro | | Christopher Hogwood | 3:42 |
| 1980-07 | 6 Sonaten, Wq 63 no. 4 in B minor: I. Allegretto grazioso | | Christopher Hogwood | 3:45 |
| 1980-07 | 6 Sonaten, Wq 63 no. 4 in B minor: II. Largo maestoso | | Christopher Hogwood | 3:38 |
| 1980-07 | 6 Sonaten, Wq 63 no. 4 in B minor: III. Allegro siciliano e scherzando | | Christopher Hogwood | 2:23 |
| 1980-07 | 6 Sonaten, Wq 63 no. 5 in E-flat major: I. Allegro di molto | | Christopher Hogwood | 2:17 |
| 1980-07 | 6 Sonaten, Wq 63 no. 5 in E-flat major: II. Adagio assai mesto e sostenuto | | Christopher Hogwood | 2:23 |
| 1980-07 | 6 Sonaten, Wq 63 no. 5 in E-flat major: III. Allegretto arioso ed amoroso | | Christopher Hogwood | 4:17 |
| 1980-07 | 6 Sonaten, Wq 63 no. 6 in F minor: I. Allegro di molto | | Christopher Hogwood | 3:30 |
| 1980-07 | 6 Sonaten, Wq 63 no. 6 in F minor: II. Adagio affettuoso e sostenuto | | Christopher Hogwood | 4:12 |
| 1980-07 | 6 Sonaten, Wq 63 no. 6 in F minor: III. Fantasia. Allegro moderato | | Christopher Hogwood | 6:10 |
| 1980-07 | 6 sonatine nuove, Wq 63 no. 7. Allegro in G major | | Christopher Hogwood | 2:06 |
| 1980-07 | 6 sonatine nuove, Wq 63 no. 8. Largo in E major | | Christopher Hogwood | 2:24 |
| 1980-07 | 6 sonatine nuove, Wq 63 no. 9. Allegretto in D major | | Christopher Hogwood | 1:48 |
| 1980-07 | 6 sonatine nuove, Wq 63 no. 10. Allegretto in B-flat major | | Christopher Hogwood | 1:34 |
| 1980-07 | 6 sonatine nuove, Wq 63 no. 11. Andante in F major | | Christopher Hogwood | 2:34 |
| 1980-07 | 6 sonatine nuove, Wq 63nNo. 12. Prestissimo in D minor | | Christopher Hogwood | 0:59 |
| 1982 | Goldberg Variations, BWV 988: Aria Variations 1 - 5 | | András Schiff | 11:41 |
| 1982 | Goldberg Variations, BWV 988: Variations 6 - 10 | | András Schiff | 7:43 |
| 1982 | Goldberg Variations, BWV 988: Variations 11 - 15 | | András Schiff | 14:07 |
| 1982 | Goldberg Variations, BWV 988: Variations 16 - 20 | | András Schiff | 9:18 |
| 1982 | Goldberg Variations, BWV 988: Variations 21 - 25 | | András Schiff | 15:31 |
| 1982 | Goldberg Variations, BWV 988: Variations 26 - 30 | | András Schiff | 14:00 |
| 1989-11 | The Seasons: Autumn: Bacchanal / Entries of the Seasons / Variation: The Satyr / Fall of the Dead Leaves / Apotheosis | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 12:08 |
| 1989-11 | The Seasons: Spring | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 5:23 |
| 1989-11 | The Seasons: Summer: Waltz of the Cornflowers and Poppies / Barcarolle / Variation: The Ear of Corn / Coda | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 12:31 |
| 1989-11 | The Seasons: Winter: Introduction / Var. 1. Frost / Var. 2. Ice / Var. 3. Hail / Var. 4. Snow | | Royal Philharmonic Orchestra, Vladimir Ashkenazy | 9:51 |
| 1994-01-10 – 1994-01-13 | Sleigh Ride | | Bournemouth Symphony Orchestra, David Hill | 6:27 |
| 1994-12 | La traviata: Atto I. "Che è ciò?" (Coro) | | Chorus of the Royal Opera House, Covent Garden, Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 2:31 |
| 1994-12 | La traviata: Atto I. "Dell'invito trascorsa è già l'ora" (Coro) | | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Roderick Earle, Angela Gheorghiu, Leah-Marian Jones, Robin Leggate, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:50 |
| 1994-12 | La traviata: Atto I. "È strano!" / "Ah, fors'è lui" (Violetta) | | Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 5:59 |
| 1994-12 | La traviata: Atto I. "Ebben? che diavol fate?" (Gastone) | | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:24 |
| 1994-12 | La traviata: Atto I. "Follie! Delirio vano è questo!" / "Sempre libera" (Violetta) | | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:58 |
| 1994-12 | La traviata: Atto I. "Libiamo ne' lieti calici" (Alfredo) | | Chorus of the Royal Opera House, Covent Garden, Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 3:01 |
| 1994-12 | La traviata: Atto I. "Si ridesta in ciel l'aurora" (Tutti) | | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:37 |
| 1994-12 | La traviata: Atto I. "Un dì felice" (Alfredo) | | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 3:22 |
| 1994-12 | La traviata: Atto I. Preludio | | Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 3:33 |
| 1994-12 | La traviata: Atto II, Scena I. "Ah, vive sol quel core" (Alfredo) | | Frank Lopardo, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 2:22 |
| 1994-12 | La traviata: Atto II, Scena I. "Ah! Dite alla giovine" (Violetta) | | Angela Gheorghiu, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:16 |
| 1994-12 | La traviata: Atto II, Scena I. "Alfredo?" (Violetta) | | Angela Gheorghiu, Gillian Knight, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 3:39 |
| 1994-12 | La traviata: Atto II, Scena I. "Annina, donde vieni?" / "Oh mio rimorso!" (Alfredo) | | Gillian Knight, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 3:59 |
| 1994-12 | La traviata: Atto II, Scena I. "Che fai?" (Alfredo) | | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 2:21 |
| 1994-12 | La traviata: Atto II, Scena I. "Dammi tu forza, o cielo!" (Violetta) | | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:44 |
| 1994-12 | La traviata: Atto II, Scena I. "Di Provenza il mar, il suol" (Germont) | | Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:15 |
| 1994-12 | La traviata: Atto II, Scena I. "Imponete" (Violetta) | | Angela Gheorghiu, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:50 |
| 1994-12 | La traviata: Atto II, Scena I. "Lunge da lei" / "De' miei bollenti spiriti" (Alfredo) | | Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 3:51 |
| 1994-12 | La traviata: Atto II, Scena I. "Né rispondi d'un padre all'affetto?" (Germont) | | Frank Lopardo, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:10 |
| 1994-12 | La traviata: Atto II, Scena I. "Non sapete quale affetto" (Violetta) | | Angela Gheorghiu, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 2:08 |
| 1994-12 | La traviata: Atto II, Scena I. "Pura siccome un angelo" (Germont) | | Angela Gheorghiu, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:45 |
| 1994-12 | La traviata: Atto II, Scena I. "Un dì, quando le veneri" (Germont) | | Angela Gheorghiu, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 2:34 |
| 1994-12 | La traviata: Atto II, Scena II. "Alfredo, Alfredo, di questo core" (Violetta) | | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Angela Gheorghiu, Frank Lopardo, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:40 |
| 1994-12 | La traviata: Atto II, Scena II. "Alfredo! Voi!" (Tutti) | | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Angela Gheorghiu, Leah-Marian Jones, Robin Leggate, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 3:54 |
| 1994-12 | La traviata: Atto II, Scena II. "Avrem lieta di maschere la notte" (Flora) | | Mark Beesley, Chorus of the Royal Opera House, Covent Garden, Roderick Earle, Leah-Marian Jones, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:03 |
| 1994-12 | La traviata: Atto II, Scena II. "Di Madride noi siam mattadori" (Gastone e coro) | | Chorus of the Royal Opera House, Covent Garden, Robin Leggate, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 2:42 |
| 1994-12 | La traviata: Atto II, Scena II. "Di sprezzo degno se stesso rende" (Germont) | | Richard van Allan, Chorus of the Royal Opera House, Covent Garden, Frank Lopardo, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:39 |
| 1994-12 | La traviata: Atto II, Scena II. "Invitato a qui seguirmi" (Violetta) | | Chorus of the Royal Opera House, Covent Garden, Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 2:23 |
| 1994-12 | La traviata: Atto II, Scena II. "Noi siamo zingarelle" (Coro) | | Chorus of the Royal Opera House, Covent Garden, Roderick Earle, Leah-Marian Jones, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 2:43 |
| 1994-12 | La traviata: Atto II, Scena II. "Ogni suo aver tal femmina" (Alfredo) | | Chorus of the Royal Opera House, Covent Garden, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:30 |
| 1994-12 | La traviata: Atto III. "Ah, non più!" (Violetta) | | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:49 |
| 1994-12 | La traviata: Atto III. "Ah, Violetta!" ... "Voi? Signor?" (Germont, Violetta) | | Angela Gheorghiu, Frank Lopardo, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:47 |
| 1994-12 | La traviata: Atto III. "Annina?" ... "Comandate?" (Violetta, Annina) | | Mark Beesley, Angela Gheorghiu, Gillian Knight, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:37 |
| 1994-12 | La traviata: Atto III. "Largo al quadrupede" (Baccanale) (Coro) | | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 0:47 |
| 1994-12 | La traviata: Atto III. "Parigi, o cara" (Alfredo) | | Angela Gheorghiu, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:20 |
| 1994-12 | La traviata: Atto III. "Prendi, quest'è l'immagine" (Violetta) | | Angela Gheorghiu, Frank Lopardo, Leo Nucci, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 4:58 |
| 1994-12 | La traviata: Atto III. "Signora" ... "Che t'accadde?" (Annina, Violetta) | | Angela Gheorghiu, Gillian Knight, Frank Lopardo, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 1:41 |
| 1994-12 | La traviata: Atto III. "Teneste la promessa" / "Addio del passato" (Violetta) | | Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 7:07 |
| 1994-12 | La traviata: Atto III. Preludio | | Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | 3:32 |
| 1995-06 – 1995-08 | Symphony no. 3 in D minor: Part One. I. Kräftig. Entschieden | | Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 33:24 |
| 1995-06 – 1995-08 | Symphony no. 3 in D minor: Part Two. II. Tempo di Menuetto. Sehr mässig | | Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 9:53 |
| 1995-06 – 1995-08 | Symphony no. 3 in D minor: Part Two. III. Comodo. Scherzando. Ohne Hast | | Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 18:12 |
| 1995-06 – 1995-08 | Symphony no. 3 in D minor: Part Two. IV. Sehr langsam. Misterioso. Durchaus ppp | | Iris Vermillion, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 9:49 |
| 1995-06 – 1995-08 | Symphony no. 3 in D minor: Part Two. V. Lustig im Tempo und keck im Ausdruck | | Knabenchor an der Hochschule der Künste Berlin, Frauen der Rundfunkchors Berlin, Staats‐ und Domchor Berlin, Iris Vermillion, Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 4:11 |
| 1995-06 – 1995-08 | Symphony no. 3 in D minor: Part Two. VI. Langsam. Ruhevoll. Empfunden | | Deutsches Symphonie‐Orchester Berlin, Vladimir Ashkenazy | 22:08 |
| 2002-02-07 – 2002-02-08 | Symphony no. 1 in D major, op. 52 "From My Homeland": I. Un poco sostenuto - Allegro | | BBC Scottish Symphony Orchestra, Martyn Brabbins | 12:33 |
| 2002-02-07 – 2002-02-08 | Symphony no. 1 in D major, op. 52 "From My Homeland": II. Scherzo. Vivace | | BBC Scottish Symphony Orchestra, Martyn Brabbins | 7:44 |
| 2002-02-07 – 2002-02-08 | Symphony no. 1 in D major, op. 52 "From My Homeland": III. Adagio | | BBC Scottish Symphony Orchestra, Martyn Brabbins | 10:10 |
| 2002-02-07 – 2002-02-08 | Symphony no. 1 in D major, op. 52 "From My Homeland": IV. Allegro vivace | | BBC Scottish Symphony Orchestra, Martyn Brabbins | 8:52 |
| 2002-02-07 – 2002-02-08 | Symphony no. 2 in E-flat major, op. 55: I. Allegro ma non troppo | | BBC Scottish Symphony Orchestra, Martyn Brabbins | 8:24 |
| 2002-02-07 – 2002-02-08 | Symphony no. 2 in E-flat major, op. 55: II. Vivace | | BBC Scottish Symphony Orchestra, Martyn Brabbins | 7:12 |
| 2002-02-07 – 2002-02-08 | Symphony no. 2 in E-flat major, op. 55: III. Andante sostenuto | | BBC Scottish Symphony Orchestra, Martyn Brabbins | 7:13 |
| 2002-02-07 – 2002-02-08 | Symphony no. 2 in E-flat major, op. 55: IV. Vivace (alla breve) | | BBC Scottish Symphony Orchestra, Martyn Brabbins | 9:46 |
| 2002-12-06 – 2002-12-08 | Piano Quartet in E-flat major, K. 493: I. Allegro | | Paul Lewis, Leopold String Trio | 14:44 |
| 2002-12-06 – 2002-12-08 | Piano Quartet in E-flat major, K. 493: II. Larghetto | | Paul Lewis, Leopold String Trio | 9:32 |
| 2002-12-06 – 2002-12-08 | Piano Quartet in E-flat major, K. 493: III. Allegretto | | Paul Lewis, Leopold String Trio | 9:03 |
| 2002-12-06 – 2002-12-08 | Piano Quartet in G minor, K. 478: I. Allegro | | Paul Lewis, Leopold String Trio | 14:38 |
| 2002-12-06 – 2002-12-08 | Piano Quartet in G minor, K. 478: II. Andante | | Wolfgang Amadeus Mozart | 7:28 |
| 2002-12-06 – 2002-12-08 | Piano Quartet in G minor, K. 478: III. Rondo. Allegro | | Paul Lewis, Leopold String Trio | 7:34 |
| 2002-12-13 – 2002-12-14 | Variations sur un thème hongrois, op. 72: Cadenza | | Hagai Shaham, BBC Scottish Symphony Orchestra, Martyn Brabbins | 2:30 |
| 2002-12-13 – 2002-12-14 | Variations sur un thème hongrois, op. 72: Introduction: Molto moderato | | Hagai Shaham, BBC Scottish Symphony Orchestra, Martyn Brabbins | 2:31 |
| 2002-12-13 – 2002-12-14 | Variations sur un thème hongrois, op. 72: Theme: Adagio | | Hagai Shaham, BBC Scottish Symphony Orchestra, Martyn Brabbins | 1:03 |
| 2002-12-13 – 2002-12-14 | Variations sur un thème hongrois, op. 72: Theme: Grave | | Hagai Shaham, BBC Scottish Symphony Orchestra, Martyn Brabbins | 1:37 |
| 2002-12-13 – 2002-12-14 | Variations sur un thème hongrois, op. 72: Variation I: Un poco piu vivo | | Hagai Shaham, BBC Scottish Symphony Orchestra, Martyn Brabbins | 0:44 |
| 2002-12-13 – 2002-12-14 | Variations sur un thème hongrois, op. 72: Variation II: Animato | | Hagai Shaham, BBC Scottish Symphony Orchestra, Martyn Brabbins | 0:36 |
| See all 2,886 relationships |
| sound engineered |
|---|
| 1983-06 | Conrades of the Legion | | John Philip Sousa | 2:25 |
| 1983-06 | Corcoran Cadets | | John Philip Sousa | 2:47 |
| 1983-06 | El Capitan | | Philip Jones Brass Ensemble & Elgar Howarth | 2:12 |
| 1983-06 | Guide Right | | Philip Jones Brass Ensemble & Elgar Howarth | 2:00 |
| 1983-06 | Hail to the Spirit of Liberty | | John Philip Sousa | 3:12 |
| 1983-06 | King Cotton | | Philip Jones Brass Ensemble & Elgar Howarth | 2:38 |
| 1983-06 | On Parade (The Lion Tamer) | | John Philip Sousa | 3:06 |
| 1983-06 | Semper Fidelis | | Philip Jones Brass Ensemble & Elgar Howarth | 3:13 |
| 1983-06 | The Bride-Elect | | Philip Jones Brass Ensemble & Elgar Howarth | 2:19 |
| 1983-06 | The Directorate | | Philip Jones Brass Ensemble & Elgar Howarth | 3:20 |
| 1983-06 | The Gladitor | | John Philip Sousa | 2:42 |
| 1983-06 | The Liberty Bell | | Philip Jones Brass Ensemble & Elgar Howarth | 3:23 |
| 1983-06 | The Stars and Stripes Forever | | Philip Jones Brass Ensemble, Elgar Howarth | 3:23 |
| 1983-06 | The Thunderer | | Philip Jones Brass Ensemble & Elgar Howarth | 2:25 |
| 1983-06 | The Washington Post | | John Philip Sousa | 2:25 |
| 1984-10 | Messiah, HWV 56: Part I, nos. 13-17. Pastoral Symphony… There Were Shepherds Arriving in the Fields…Glory to God | | Kiri Te Kanawa, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | 6:39 |
| 1984-10 | Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” | | Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | 3:42 |
| 2006-02-10 – 2006-02-12 | Sinfonie Nr. 2 c-Moll „Auferstehungs-Sinfonie“: I. Allegro maestoso – Mit durchaus ernstem und feierlichem Ausdruck | | Tonhalle Orchestra Zurich, David Zinman | 22:05 |
| 2006-02-10 – 2006-02-12 | Sinfonie Nr. 2 c-Moll „Auferstehungs-Sinfonie“: II. Andante moderato – Sehr gemächlich – Nie eilen | | Tonhalle Orchestra Zurich, David Zinman | 10:33 |
| 2006-02-10 – 2006-02-12 | Sinfonie Nr. 2 c-Moll „Auferstehungs-Sinfonie“: III. In ruhig fließender Bewegung – Sehr gemächlich, nicht eilen – | | Tonhalle Orchestra Zurich, David Zinman | 10:10 |
| 2006-02-10 – 2006-02-12 | Sinfonie Nr. 2 c-Moll „Auferstehungs-Sinfonie“: IV. Urlicht „O, Röschen rot! Der Mensch liegt in größter Not!“. Sehr feierlich, aber schlicht, nicht schleppen | | Anna Larsson, Tonhalle Orchestra Zurich, David Zinman | 5:20 |
| 2006-02-10 – 2006-02-12 | Sinfonie Nr. 2 c-Moll „Auferstehungs-Sinfonie“: V. Im Tempo des Scherzo, wild herausfahrend – „Auferstehn, ja auferstehn“. Langsam, misterioso – Etwas bewegter – Mitt Aufschwung, aber nicht eilen | | Juliane Banse, Anna Larsson, Schweizer Kammerchor, Tonhalle Orchestra Zurich, David Zinman | 33:40 |
| 2006-02-27 – 2006-02-28 | Blumine (Andante allegretto) | | Tonhalle Orchestra Zurich, David Zinman | 6:41 |
| 2006-02-27 – 2006-02-28 | Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut – Immer sehr gemählich | | Tonhalle Orchestra Zurich, David Zinman | 15:34 |
| 2006-02-27 – 2006-02-28 | Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich | | Tonhalle Orchestra Zurich, David Zinman | 7:52 |
| 2006-02-27 – 2006-02-28 | Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | | Tonhalle Orchestra Zurich, David Zinman | 10:57 |
| 2006-02-27 – 2006-02-28 | Symphony No. 1 in D major: IV. Stürmisch bewegt | | Tonhalle Orchestra Zurich, David Zinman | 21:04 |
| 2006-02-27 – 2006-03-01 | Symphony no. 3: Erste Abteilung. I. Kräftig. Entschieden – Langsam. Schwer – Tempo I – A tempo – Immer dasselbe Tempo (Marsch) – (Allegro moderato) – Tempo I | | Tonhalle Orchestra Zurich, David Zinman | 34:50 |
| 2006-02-27 – 2006-03-01 | Symphony no. 3: Zweite Abteilung. II. Tempo di Menuetto. Sehr mäßig – L'istesso tempo – A tempo – L'istesso tempo. Nicht schleppen – Ganz plötzlich gemächlich. Tempo di Menuetto | | Tonhalle Orchestra Zurich, David Zinman | 10:17 |
| 2006-02-27 – 2006-03-01 | Symphony no. 3: Zweite Abteilung. III. Comodo. Scherzando. Ohne Hast – Wieder sehr gemächlich, wie zu Anfang – Sehr gemächlich (Wie die Weise eines Posthorns) - Tempo I - Wieder sehr gemächlich, beinahe langsam | | Tonhalle‐Orchester Zürich, David Zinman | 17:47 |
| 2006-02-27 – 2006-03-01 | Symphony no. 3: Zweite Abteilung. IV. Sehr langsam. Misterioso. Durchaus ppp – Più mosso subito | | Birgit Remmert, Tonhalle Orchestra Zurich, David Zinman | 9:18 |
| 2006-02-27 – 2006-03-01 | Symphony no. 3: Zweite Abteilung. V. Lustig im Tempo und keck im Ausdruck | | Birgit Remmert, Schweizer Kammerchor, Zürcher Sängerknaben, Tonhalle Orchestra Zurich, David Zinman | 4:24 |
| 2006-02-27 – 2006-03-01 | Symphony no. 3: Zweite Abteilung. VI. Langsam. Ruhevoll. Empfunden – Nicht mehr so breit – Tempo I. Ruhevoll – A tempo (Etwas bewegter) – Tempo I – Langsam. Tempo I | | Tonhalle Orchestra Zurich, David Zinman | 22:57 |
| 2006-11-13 – 2006-11-15 | Sinfonie Nr. 4 G-Dur: I. Bedächtig. Nicht eilen | | Tonhalle Orchestra Zurich, David Zinman | 17:05 |
| 2006-11-13 – 2006-11-15 | Sinfonie Nr. 4 G-Dur: II. In gemächlicher Bewegung. Ohne Hast | | Tonhalle Orchestra Zurich, David Zinman | 9:21 |
| 2006-11-13 – 2006-11-15 | Sinfonie Nr. 4 G-Dur: III. Ruhevoll. Poco adagio | | Tonhalle Orchestra Zurich, David Zinman | 21:40 |
| 2006-11-13 – 2006-11-15 | Sinfonie Nr. 4 G-Dur: IV. Sehr behaglich – „Wir genießen die himmlischen Freuden“: A tempo | | Ľuba Orgonášová, Tonhalle Orchestra Zurich, David Zinman | 9:32 |
| 2007-04-17 – 2007-04-19 | Sinfonie Nr. 5 cis-Moll: 1. Abteilung. I. Trauermarsch. In gemessenem Schritt. Wie ein Kondukt | | Tonhalle‐Orchester Zürich, David Zinman | 13:22 |
| 2007-04-17 – 2007-04-19 | Sinfonie Nr. 5 cis-Moll: 2. Abteilung: II. Stuermisch Bewegt. Mit größter Vehemenz | | Tonhalle‐Orchester Zürich, David Zinman | 15:24 |
| 2007-04-17 – 2007-04-19 | Sinfonie Nr. 5 cis-Moll: 2. Abteilung: III. Scherzo. Kräftig, nicht zu schnell | | Tonhalle‐Orchester Zürich, David Zinman | 18:04 |
| 2007-04-17 – 2007-04-19 | Sinfonie Nr. 5 cis-Moll: 3. Abteilung: IV. Adagietto. Sehr langsam | | Tonhalle‐Orchester Zürich, David Zinman | 10:45 |
| 2007-04-17 – 2007-04-19 | Sinfonie Nr. 5 cis-Moll: 3. Abteilung: V. Rondo-Finale. Allegro | | Tonhalle‐Orchester Zürich, David Zinman | 15:20 |
| 2007-05-14 – 2007-05-16 | Symphony no. 6 in A minor: I. Allegro energetico, ma non troppo | | Tonhalle Orchestra Zurich, David Zinman | 23:15 |
| 2007-05-14 – 2007-05-16 | Symphony no. 6 in A minor: II. Andante moderato | | Tonhalle Orchestra Zurich, David Zinman | 14:11 |
| 2007-05-14 – 2007-05-16 | Symphony no. 6 in A minor: III. Scherzo. Wuchtig | | Tonhalle Orchestra Zurich, David Zinman | 14:00 |
| 2007-05-14 – 2007-05-16 | Symphony no. 6 in A minor: IV: Finale. Allegro moderato | | Tonhalle Orchestra Zurich, David Zinman | 29:49 |
| 2008-09-22 – 2008-09-25 | Symphony no. 7 in E minor: I. Langsam (Adagio) – Allegro risoluto, ma non troppo | | Tonhalle Orchestra Zurich, David Zinman | 22:07 |
| 2008-09-22 – 2008-09-25 | Symphony no. 7 in E minor: II. Nachtmusik I: Allegro Moderato – Tempo I subito, molto moderato (Andante) | | Tonhalle Orchestra Zurich, David Zinman | 15:55 |
| 2008-09-22 – 2008-09-25 | Symphony no. 7 in E minor: III. Scherzo: Schattenhaft – Trio: Fließend, aber nicht schnell | | Tonhalle Orchestra Zurich, David Zinman | 10:20 |
| 2008-09-22 – 2008-09-25 | Symphony no. 7 in E minor: IV. Nachtmusik II: Andante Amoroso | | Tonhalle Orchestra Zurich, David Zinman | 12:30 |
| 2008-09-22 – 2008-09-25 | Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario – Allegro moderato, ma energico | | Tonhalle Orchestra Zurich, David Zinman | 18:08 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Accende lumen sensibus | | Tonhalle‐Orchester Zürich, David Zinman | 4:58 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Gloria sit Patri Domino | | Tonhalle‐Orchester Zürich, David Zinman | 2:43 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Imple, superna gratia | | Tonhalle‐Orchester Zürich, David Zinman | 4:33 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Infirma nostri corporis | | Tonhalle‐Orchester Zürich, David Zinman | 1:51 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Sehr fließend | | Tonhalle‐Orchester Zürich, David Zinman | 3:12 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Tempo I (Allegro, etwas hastig) | | Tonhalle‐Orchester Zürich, David Zinman | 1:22 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus | | Tonhalle‐Orchester Zürich, David Zinman | 4:23 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: I. Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus | | Tonhalle‐Orchester Zürich, David Zinman | 1:29 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Alles Vergängliche ist nur ein Gleichnis | | Tonhalle‐Orchester Zürich, David Zinman | 5:45 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Blicket auf | | Tonhalle‐Orchester Zürich, David Zinman | 5:46 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Chor der Engel: Gerettet ist das edle Glied der Geisterwelt vom Bösen - Chor seliger Knaben: Hände verschlinget euch | | Tonhalle‐Orchester Zürich, David Zinman | 1:02 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Chor I/II: Dir, der Unberührbaren - Chor der Büßerinnen und Una poenitentium: Du schwebst zu Höhen der ewigen Reiche | | Tonhalle‐Orchester Zürich, David Zinman | 4:02 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Chor und Echo: Waldung, sie schwankt heran | | Tonhalle‐Orchester Zürich, David Zinman | 4:28 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Die jüngeren Engel: Ich spür' soeben, nebelnd um Felsenhöh - Chor seliger Knaben: Freudig empfangen wir - Doctor Marianus: Hier ist die Aussicht frei | | Tonhalle‐Orchester Zürich, David Zinman | 1:16 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Die jüngeren Engel: Jene Rosen aus den Händen | | Tonhalle‐Orchester Zürich, David Zinman | 1:52 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Die vollendeteren Engel: Uns bleibt ein Erdenrest | | Tonhalle‐Orchester Zürich, David Zinman | 2:20 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Doctor Marianus: Höchste Herrscherin der Welt! | | Tonhalle‐Orchester Zürich, David Zinman | 4:20 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Magna Peccatrix: Bei der Liebe, die den Füßen - Mulier Samaritana: Bei dem Bronn, zu dem schon weiland - Maria Aegyptiaca: Bei dem hochgeweihten Orte | | Tonhalle‐Orchester Zürich, David Zinman | 4:59 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Mater gloriosa: Komm! Hebe dich zu höhern Sphären | | Tonhalle‐Orchester Zürich, David Zinman | 1:10 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Part II: Final Scene from "Faust II.II" - Poco adagio | | Tonhalle‐Orchester Zürich, David Zinman | 6:01 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Pater ecstaticus: Ewiger Wonnebrand | | Tonhalle‐Orchester Zürich, David Zinman | 1:41 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Pater profundus: Wie Felsenabgrund mir zu Füßen | | Tonhalle‐Orchester Zürich, David Zinman | 4:51 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Pìu mosso (Allegro moderato) | | Tonhalle‐Orchester Zürich, David Zinman | 3:19 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Selige Knaben: Er überwächst uns schon; Una poenitentium: Vom edlen Geisterchor umgeben | | Tonhalle‐Orchester Zürich, David Zinman | 3:46 |
| 2009-02-27 – 2009-03-03 | Symphony no. 8 in E-flat major: II. Teil Schlussszene aus Goethes Faust II. Una poenitentium: Neige, du Ohnegleiche | | Tonhalle‐Orchester Zürich, David Zinman | 0:54 |
| 2009-09-28 – 2009-10-01 | Symphony no. 9 in D major: I. Andante comodo | | Tonhalle Orchestra Zurich, David Zinman | 30:53 |
| 2009-09-28 – 2009-10-01 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | | Tonhalle Orchestra Zurich, David Zinman | 15:50 |
| 2009-09-28 – 2009-10-01 | Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig | | Tonhalle Orchestra Zurich, David Zinman | 13:03 |
| 2009-09-28 – 2009-10-01 | Symphony no. 9 in D major: IV. Adagio (sehr langsam) | | Tonhalle Orchestra Zurich, David Zinman | 28:46 |
| 2010-02-01 – 2010-02-03 | Symphony no. 10 in F-sharp major: I. Adagio: Andante – Adagio | | Tonhalle Orchestra Zurich, David Zinman | 25:35 |
| 2010-02-01 – 2010-02-03 | Symphony no. 10 in F-sharp major: II. Scherzo I: In gemächlicher Bewegung. Ohne Hast | | Tonhalle Orchestra Zurich, David Zinman | 13:25 |
| 2010-02-01 – 2010-02-03 | Symphony no. 10 in F-sharp major: III. Purgatorio: Unheimlich bewegt | | Tonhalle Orchestra Zurich, David Zinman | 4:01 |
| 2010-02-01 – 2010-02-03 | Symphony no. 10 in F-sharp major: IV. Scherzo II: Kräftig, nicht zu schnell | | Tonhalle Orchestra Zurich, David Zinman | 13:35 |
| 2010-02-01 – 2010-02-03 | Symphony no. 10 in F-sharp major: V. Finale. Langsam – Allegro moderato – Andante comodo, aber nicht schleppend | | Tonhalle Orchestra Zurich, David Zinman | 21:37 |
| Ave Maria, Op. 23 No. 2 | | Eugenie Cheng, Catherine Arnold, Rachel Bennett, Paul Casey, Christopher Adams, Choir of Trinity College, Angus McCarey, Andrew Tortise, Clare Wilkinson, Mark Williams, Richard Marlow | 6:40 |
| Beati mortui, Op. 115 No. 1 | | Christopher Adams, Paul Casey, Choir of Trinity College, Angus McCarey, Andrew Tortise, Richard Marlow | 2:54 |
| Boléro, M.81 | | Tonhalle‐Orchester Zürich, Lionel Bringuier | 15:24 |
| Clarinet Quintet in B-flat major, op. 34 (version for chamber orchestra): I. Allegro | | Jörg Widmann, Irish Chamber Orchestra | 10:02 |
| Clarinet Quintet in B-flat major, op. 34 (version for chamber orchestra): II. Fantasia. Adagio ma non troppo | | Jörg Widmann, Irish Chamber Orchestra | 6:26 |
| Clarinet Quintet in B-flat major, op. 34 (version for chamber orchestra): III. Menuetto. Capriccio presto | | Jörg Widmann, Irish Chamber Orchestra | 4:59 |
| Clarinet Quintet in B-flat major, op. 34 (version for chamber orchestra): IV. Rondo. Allegro | | Jörg Widmann, Irish Chamber Orchestra | 5:38 |
| Con brio | | Irish Chamber Orchestra, Jörg Widmann | 10:57 |
| Concert Piece in D major for Violin and Orchestra, D. 345 | | Tonhalle‐Orchester Zürich, David Zinman | 10:10 |
| Concertino in E-flat major, op. 26: I. Adagio ma non troppo | | Jörg Widmann, Irish Chamber Orchestra | 2:38 |
| Concertino in E-flat major, op. 26: II. Andante | | Jörg Widmann, Irish Chamber Orchestra | 4:47 |
| Concertino in E-flat major, op. 26: III. Allegro | | Jörg Widmann, Irish Chamber Orchestra | 2:09 |
| Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo | | Christian Tetzlaff, Tonhalle‐Orchester Zürich, David Zinman | 22:51 |
| Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto | | Christian Tetzlaff, Tonhalle‐Orchester Zürich, David Zinman | 8:53 |
| Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo | | Christian Tetzlaff, Tonhalle‐Orchester Zürich, David Zinman | 9:19 |
| See all 333 relationships |
| audio engineered |
|---|
| 1996-10-28 – 1997 | Ouvertures | | Rameau; Les Talens Lyriques, Christophe Rousset | |
| balance engineered |
|---|
| Violin Sonatas | | Brahms; Pamela Frank, Peter Serkin | |
| engineered |
|---|
| Advent Live, Volume 3 | | The Choir of St John’s, Cambridge, Nethsingha, Herbert | |
| Carmina Burana, Vol. 1 | | New London Consort, Philip Pickett | |
| Schubert: Impromptus (D.899 & D.935) | | Schubert; Radu Lupu | |
| Stabat Mater | | Pergolesi, Scarlatti, Bononcini; St John’s College Choir, George Guest, Schütz Choir, Roger Norrington | |
| The Romantic Piano Concerto, Volume 38: Rubinstein: Piano Concerto no. 4 in D minor / Scharwenka: Piano Concerto no. 1 in B-flat minor | | Anton Rubinstein, Xaver Scharwenka; BBC Scottish Symphony Orchestra, Michael Stern, Marc-André Hamelin | |
| The Romantic Piano Concerto, Volume 38: Rubinstein: Piano Concerto no. 4 in D minor / Scharwenka: Piano Concerto no. 1 in B-flat minor | | Anton Rubinstein, Xaver Scharwenka; BBC Scottish Symphony Orchestra, Michael Stern, Marc-André Hamelin | |
| The Wasps | | Vaughan Williams; Henry Goodman, Hallé, Mark Elder | |
| photography |
|---|
| Franck: Piano Quintet / Debussy: String Quartet | | Franck, Debussy; Takács Quartet, Marc-André Hamelin | |
| Franck: Piano Quintet / Debussy: String Quartet | | Franck, Debussy; Takács Quartet, Marc-André Hamelin | |
| The Complete Organ Works, Volume 5: Organ of Mariager Klosterkirke, Denmark | | Buxtehude; Christopher Herrick | |
| The Complete Organ Works, Volume 5: Organ of Mariager Klosterkirke, Denmark | | Buxtehude; Christopher Herrick | |
| recording engineer for |
|---|
| 6 Sonaten und 6 Sonatinen | | Carl Philipp Emanuel Bach; Christopher Hogwood | |
| 6 Sonaten und 6 Sonatinen | | Carl Philipp Emanuel Bach; Christopher Hogwood | |
| Concord Sonata / Piano Sonata | | Charles Ives, Samuel Barber; Marc-André Hamelin | |
| sound engineered |
|---|
| 3 Chorals | | César Franck; Peter Hurford | |
| 3 Gymnopédies & Other Piano Works | | Erik Satie; Pascal Rogé | |
| 3 Gymnopédies & Other Piano Works | | Erik Satie; Pascal Rogé | |
| 3 Gymnopédies & Other Piano Works | | Erik Satie; Pascal Rogé | |
| Allegri: Miserere | | Various Artists | |
| Messiah | | Handel; Chicago Symphony Orchestra, Chicago Symphony Chorus, Sir Georg Solti | |
