A Night on Bald Mountain | | | | Symphonic poem | | | |
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: I. Andante spianato | | | | | | | |
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: II. Grande polonaise brillante. Allegro molto | | | | | | | |
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) | | | | Aria | | | |
Cello Concerto: I. Adagio | | | | | | | |
Cello Concerto: II. Vivace | | | | | | | |
Chain 2, Dialogue for Violin and Orchestra: I. Ad libitum | | | | | | | |
Chain 2, Dialogue for Violin and Orchestra: II. A battuta | | | | | | | |
Chain 2, Dialogue for Violin and Orchestra: III. Ad libitum | | | | | | | |
Chain 2, Dialogue for Violin and Orchestra: IV. A battuta - Ad libitum - A battuta | | | | | | | |
Concerto for Piano and Orchestra | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | | | | | | | |
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | | | | | |
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | | | | | | | |
Concerto for Piano and Orchestra: I. 110 - attacca | | | | | | | |
Concerto for Piano and Orchestra: II. Presto - attacca | | | | | | | |
Concerto for Piano and Orchestra: III. 85 - attacca | | | | | | | |
Concerto for Piano and Orchestra: IV. 84 | | | | | | | |
Credo: Confiteor unum baptisma | | | | | | | |
Credo: Credo in unum Deum | | - The Lay Clerks of Canterbury Cathedral Choir, David Flood
- Warsaw Philharmonic Orchestra, Antoni Wit
- Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling
- Krzysztof Kusiel-Moroz, Henryk Wojnarowski, Chór Filharmonii Narodowej, Warszawski Chór Chłopięcy i Męski, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord
| | | | | |
Credo: Crucem tuam adoramus, Domine | | | | | | | |
Credo: Crucifixus | | - Warsaw Philharmonic Orchestra, Antoni Wit
- Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling
- Krzysztof Kusiel-Moroz, Henryk Wojnarowski, Chór Filharmonii Narodowej, Warszawski Chór Chłopięcy i Męski, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord
| | | | | |
Credo: Et in Spiritum Sanctum | | - Warsaw Philharmonic Orchestra, Antoni Wit
- Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling
- Krzysztof Kusiel-Moroz, Henryk Wojnarowski, Chór Filharmonii Narodowej, Warszawski Chór Chłopięcy i Męski, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord
| | | | | |
Credo: Et incarnatus est | | - Warsaw Philharmonic Orchestra, Antoni Wit
- Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling
- Juliane Banse, Milagro Vargas, Thomas Randle, Thomas Quasthoff, Oregon Bach Festival Orchestra, Oregon Bach Festival Choir, Helmuth Rilling
- Krzysztof Kusiel-Moroz, Henryk Wojnarowski, Chór Filharmonii Narodowej, Warszawski Chór Chłopięcy i Męski, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord
| | | | | |
Credo: Et resurrexit tertia die | | - Warsaw Philharmonic Orchestra, Antoni Wit
- Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling
- Krzysztof Kusiel-Moroz, Henryk Wojnarowski, Chór Filharmonii Narodowej, Warszawski Chór Chłopięcy i Męski, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord
| | | | | |
Credo: Et vitam venturi sacculi | | - Warsaw Philharmonic Orchestra, Antoni Wit
- Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling
- Krzysztof Kusiel-Moroz, Henryk Wojnarowski, Chór Filharmonii Narodowej, Warszawski Chór Chłopięcy i Męski, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord
| | | | | |
Credo: Qui propter nos homines | | - Warsaw Philharmonic Orchestra, Antoni Wit
- Juliane Banse, Oregon Bach Festival Choir, Thomas Quasthoff, Thomas Randle, Marietta Simpson, Milagro Vargas, Oregon Bach Festival Orchestra, Helmuth Rilling
- Juliane Banse, Milagro Vargas, Thomas Randle, Thomas Quasthoff, Oregon Bach Festival Orchestra, Oregon Bach Festival Choir, Helmuth Rilling
- Krzysztof Kusiel-Moroz, Henryk Wojnarowski, Chór Filharmonii Narodowej, Warszawski Chór Chłopięcy i Męski, Orkiestra Symfoniczna Filharmonii Narodowej, Kazimierz Kord
| | | | | |
Don Quichotte : Acte I. « Ah ! Ah ! C'est vous qui lanciez » (Dulcinée, Don Quichotte, Juan) | | | | | | | |
Don Quichotte : Acte I. « Allégresse ! Allégresse ! » (Chœur) | | | | | | | |
Don Quichotte : Acte I. « Alza ! Alza ! Olé ! » (Chœur, Pedro, Garcias, Rodriguez, Juan, Dulcinée) | | - Chœur de la Radio Suisse Romande, Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Orchestre de la Suisse Romande, Kazimierz Kord
- Anna Kiknadze, Dmitry Koleushko, Chorus of the Mariinsky Theatre, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte I. « C'est merveille de voir » (Don Quichotte, Sancho, chœur) | | | | | | | |
Don Quichotte : Acte I. « Dulcinée est certes jolie » (Rodriguez, Juan) | | | | | | | |
Don Quichotte : Acte I. « Elle m'aime et va me revenir » (Don Quichotte, Dulcinée) | | | | | | | |
Don Quichotte : Acte I. « O Dulcinée ! » … « Ah !!! Vous allez ameuter alcade » (Don Quichotte, Sancho) | | | | | | | |
Don Quichotte : Acte I. « Quand la femme a vingt ans » (Dulcinée, chœur) | | | | Aria | | | |
Don Quichotte : Acte I. « Vous êtes monseigneur » (Dulcinée, Don Quichotte, Pedro, Garcias, Rodriguez, Juan) | | - Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Nicolaï Ghiaurov, Orchestre de la Suisse Romande, Kazimierz Kord
- Ferruccio Furlanetto, Anna Kiknadze, Dmitry Koleushko, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte I. Sérénade « Quand apparaissent les étoiles » (Don Quichotte, Juan, Dulcinée) | | | | | | | |
Don Quichotte : Acte II. « Comment peut-on penser du bien » (Sancho) | | | | Aria | | | |
Don Quichotte : Acte II. « Regarde ! Quoi, quoi ? » (Don Quichotte, Sancho) | | | | | | | |
Don Quichotte : Acte II. Chanson « C'est vers ton amour » (Don Quichotte, Sancho) | | | | | | | |
Don Quichotte : Acte III. « Ah ! Voir un corps long » (Chœur des bandits) | | | | | | | |
Don Quichotte : Acte III. « C'est ici le chemin » (Don Quichotte, Sancho) | | | | | | | |
Don Quichotte : Acte III. « Quand apparaissent les étoiles … Ô mes rêves divins » (Don Quichotte, Le chef des bandits, quatre bandits, chœur) | | - James Amman, Gabriel Bacquier, Charles Baron, Pascal Beaujon, Chœur de la Radio Suisse Romande, Henri Fessart, Nicolaï Ghiaurov, Jacques Loreau, Orchestre de la Suisse Romande, Kazimierz Kord
- Ferruccio Furlanetto, Didier Jouanny, Chorus of the Mariinsky Theatre, Andrei Serov, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte III. Entr'acte | | | | | | | |
Don Quichotte : Acte III. Prière « Seigneur, reçois mon âme » (Don Quichotte, Le chef des bandits, premier bandit, chœur) | | - James Amman, Gabriel Bacquier, Chœur de la Radio Suisse Romande, Nicolaï Ghiaurov, Jacques Loreau, Orchestre de la Suisse Romande, Kazimierz Kord
- Ferruccio Furlanetto, Didier Jouanny, Chorus of the Mariinsky Theatre, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « Ah ! J’ai en ce moment le désir d’autre chose » (Dulcinée, Juan, Rodriguez, Garcias, Pedro, chœur) | | - Chœur de la Radio Suisse Romande, Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Orchestre de la Suisse Romande, Kazimierz Kord
- Anna Kiknadze, Dmitry Koleushko, Chorus of the Mariinsky Theatre, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « Alors, traîtresse » (Juan, Dulcinée, Rodriguez, Garcias, Pedro) | | - Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Orchestre de la Suisse Romande, Kazimierz Kord
- Anna Kiknadze, Dmitry Koleushko, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « Alza ! Ne pensons qu’au plaisir d’aimer » (Dulcinée, chœur) | | | | | | | |
Don Quichotte : Acte IV. « Annonce le grand Don Quichotte » (Sancho, deux valets, Don Quichotte) | | - Gabriel Bacquier, Aron Gestner, Nicolaï Ghiaurov, Marc Hutin, Orchestre de la Suisse Romande, Kazimierz Kord
- Ferruccio Furlanetto, Anna Kiknadze, Chorus of the Mariinsky Theatre, Andrei Serov, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « Enfin, te revoilà ! » (Chœur, Dulcinée, Rodriguez, Juan, Sancho) | | - Gabriel Bacquier, Chœur de la Radio Suisse Romande, Régine Crespin, Jean-Marie Fremeau, Peyo Garazzi, Orchestre de la Suisse Romande, Kazimierz Kord
- Anna Kiknadze, Dmitry Koleushko, Chorus of the Mariinsky Theatre, Andrei Serov, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « L’aube bientôt blanchira l’horizon » … « Mais voilà Dulcinée » (Chœur, Don Quichotte, Dulcinée) | | - Gabriel Bacquier, Chœur de la Radio Suisse Romande, Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Nicolaï Ghiaurov, Orchestre de la Suisse Romande, Kazimierz Kord
- Ferruccio Furlanetto, Anna Kiknadze, Chorus of the Mariinsky Theatre, Andrei Serov, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « Lorsque le temps d’amour a fui » (Dulcinée) | | - Régine Crespin, Orchestre de la Suisse Romande, Kazimierz Kord
- Magdalena Kožená, Mahler Chamber Orchestra, Marc Minkowski
- Anna Kiknadze, Dmitry Koleushko, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « Marchez dans mon chemin » (Don Quichotte) | | - Gabriel Bacquier, Chœur de la Radio Suisse Romande, Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Nicolaï Ghiaurov, Orchestre de la Suisse Romande, Kazimierz Kord
- Ferruccio Furlanetto, Mariinsky Orchestra, Valery Gergiev
| | Aria | | | |
Don Quichotte : Acte IV. « Me marier, moi ! » (Dulcinée, Don Quichotte, chœur) | | - Gabriel Bacquier, Chœur de la Radio Suisse Romande, Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Nicolaï Ghiaurov, Orchestre de la Suisse Romande, Kazimierz Kord
- Ferruccio Furlanetto, Anna Kiknadze, Chorus of the Mariinsky Theatre, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « On ne s’explique pas » (Rodriguez, Juan, Pedro, Garcias, Sancho, Dulcinée, Don Quichotte, chœur) | | - Gabriel Bacquier, Chœur de la Radio Suisse Romande, Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Nicolaï Ghiaurov, Orchestre de la Suisse Romande, Kazimierz Kord
- Ferruccio Furlanetto, Anna Kiknadze, Dmitry Koleushko, Chorus of the Mariinsky Theatre, Yulia Matochkina, Andrei Serov, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « Oui, je souffre votre tristesse » (Dulcinée, Don Quichotte) | | | | | | | |
Don Quichotte : Acte IV. « Par fortune, par fortune » (Rodriguez, Dulcinée, Juan) | | - Chœur de la Radio Suisse Romande, Michèle Command, Régine Crespin, Annick Dutertre, Jean-Marie Fremeau, Peyo Garazzi, Orchestre de la Suisse Romande, Kazimierz Kord
- Anna Kiknadze, Dmitry Koleushko, Yulia Matochkina, Eleonora Vindau, Carlos d'Onofrio, Mariinsky Orchestra, Valery Gergiev
| | | | | |
Don Quichotte : Acte IV. « Riez, allez riez du pauvre idéologue » (Sancho) | | | | Aria | | | |
Don Quichotte : Acte V. « L’Étoile ! » (Don Quichotte, Dulcinée, Sancho) | | | | | | | |
Don Quichotte : Acte V. « Ô mon maître ! » (Sancho, Don Quichotte) | | | | | | | |
Don Quichotte : Acte V. « Oui ! Je fus le chef » (Don Quichotte, Sancho) | | | | | | | |
Don Quichotte : Acte V. Entr’acte | | | | | | | |
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | | | | Overture | | | |
Fantasia on Polish Airs in A major, op. 13 | | | | | | | |
Finlandia, op. 26 | | | | Symphonic poem | | | |
Harnasie: Tableau I "In the mountain pasture": No. 1. Driving the Sheep | | - City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau I "In the mountain pasture": No. 2. Mimed Scene (Courtship) | | - City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau I "In the mountain pasture": No. 3. The Tatra Robbers' March | | - Timothy Robinson, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- Jerzy Knetig, National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau I "In the mountain pasture": No. 4. Mimed Scene (The Harnaś and the girl) | | - City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau I "In the mountain pasture": No. 5. The Tatra Robbers' Dance. Finale | | - City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau II "In the Inn": No. 6a. The Wedding | | - City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- Chór Filharmonii Narodowej, National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau II "In the Inn": No. 6b. Entry of the Bride | | - City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau II "In the Inn": No. 6c. Drinking Song | | - City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- Chór Filharmonii Narodowej, National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau II "In the Inn": No. 7. The Tatra Highlanders' Dance | | - Timothy Robinson, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- Jerzy Knetig, National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau II "In the Inn": No. 8. Raid of the Harnasie. Dance | | - City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- Chór Filharmonii Narodowej, National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Harnasie: Tableau II "In the Inn": No. 9. Epilogue | | - Timothy Robinson, City of Birmingham Symphony Orchestra, Sir Simon Rattle
- Chór Filharmonii Narodowej, Wiesław Ochman, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
- BBC Symphony Chorus, Robert Murray, BBC Symphony Orchestra, Edward Gardner
- Jerzy Knetig, National Philharmonic Orchestra Warsaw, Kazimierz Kord
- Warsaw Philharmonic Choir, Jerzy Knetig, Warsaw Philharmonic Orchestra, Kazimierz Kord
| | | | | |
Karelia-sarja, op. 11: I. Intermezzo | | | | | | | |
Karelia-sarja, op. 11: II. Ballade | | | | | | | |
Karelia-sarja, op. 11: III. Alla marcia | | | | | | | |
Konzert für Klavier und Orchester | | | | Concerto | | | |
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen | | | | | | | |
Messa da requiem: I. Requiem aeternam – Kyrie (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Nikolaus Harnoncourt
- Wiener Philharmoniker, Herbert von Karajan
- (show 56 more)
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Messa da requiem: IIa. Dies irae: Dies irae (coro) | | | | | | | |
Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro) | | - Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- London Philharmonic Orchestra, London Philharmonic Choir, The London Chorus, David Parry
- Helmuth Froschauer, Frauenchor des Wiener Singverein, Nicolaï Ghiaurov, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- (show 92 more)
| | | | | |
Messa da requiem: IId. Dies irae: Liber scriptus (mezzo-soprano, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- (show 72 more)
| | | | | |
Messa da requiem: IIe. Dies irae: Quid sum miser (soprano, mezzo-soprano, tenore) | | - Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Carlo Cossutta, Mirella Freni, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- (show 68 more)
| | | | | |
Messa da requiem: IIf. Dies irae: Rex tremendae (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- (show 69 more)
| | | | | |
Messa da requiem: IIg. Dies irae: Recordare (soprano, mezzo-soprano) | | | | | | | |
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) | | | | | | | |
Messa da requiem: IIi. Dies irae: Confutatis (basso, coro) | | | | | | | |
Messa da requiem: IIIa. Offertorio: Domine Jesu Christe | | - Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- NBC Symphony Orchestra, Arturo Toscanini
- Wiener Philharmoniker, Nikolaus Harnoncourt
- Jussi Björling, Rasolind Elias, Leontyne Price, Giorgio Tozzi, Wiener Philharmoniker, Fritz Reiner
- (show 40 more)
| | | | | |
Messa da requiem: IIIb. Offertorio: Hostias | | | | | | | |
Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro) | | - Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Helmuth Froschauer, Carlo Cossutta, Mirella Freni, Nicolaï Ghiaurov, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- NBC Symphony Orchestra, Arturo Toscanini
- (show 75 more)
| | | | | |
Messa da requiem: IV. Sanctus (a doppio coro) | | | | | | | |
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) | | - [unknown]
- Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti
- Mirella Freni, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- NBC Symphony Orchestra, Arturo Toscanini
- (show 81 more)
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Messa da requiem: VI. Lux aeterna (mezzo-soprano, tenor, bass) | | | | | | | |
Messa da requiem: VII. Libera me (soprano, coro) | | - Wiener Philharmoniker, Herbert von Karajan
- Maria Stader, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Helmuth Froschauer, Mirella Freni, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado
- (show 49 more)
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