| Alexander Nevsky, op. 78: II. Song About Alexander Nevsky | | | | | | | |
| Alexander Nevsky, op. 78: III. The Crusaders in Pskov | | | | | | | |
| Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | | | | | | | |
| Alexander Nevsky, op. 78: V. The Battle on the Ice | | | | | | | |
| Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | | | | | | | |
| Belshazzar’s Feast: I. Thus spake Isaiah | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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| Belshazzar’s Feast: III. Babylon was a great city | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- F. Austin Walter, Walter Cassel, Rutgers University Choir, The Philadelphia Orchestra, Eugene Ormandy
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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| Belshazzar’s Feast: VI. Thus in Babylon the mighty city | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 11 more)
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| Belshazzar’s Feast: VII. And in that same hour, as they feasted | | - Peter Coleman-Wright, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bryn Terfel, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- John Shirley‐Quirk, London Symphony Chorus, London Symphony Orchestra, André Previn
- (show 11 more)
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| Belshazzar’s Feast: VIII. Then sing aloud to God our strength | | - Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- Royal Philharmonic Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- London Symphony Chorus, David Wilson-Johnson, London Symphony Orchestra, Richard Hickox
- (show 11 more)
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| Belshazzar’s Feast: X. Then sing aloud to God our strength (reprise) | | - London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis
- London Symphony Chorus, London Symphony Orchestra, André Previn
- City of Birmingham Symphony Orchestra Chorus, The Cleveland Orchestra Chorus, Thomas Hampson, City of Birmingham Symphony Orchestra, Simon Rattle
- Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Andrew Litton
- (show 9 more)
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| Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
| Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
| Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
| Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
| Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
| Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
| Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
| Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
| Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
| Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
| | |
| Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
| | |
| Die erste Walpurgisnacht, op. 60: I. Es lacht der Mai | | | | | | | |
| Die erste Walpurgisnacht, op. 60: II. Könnt ihr so verwegen handeln? | | | | | | | |
| Die erste Walpurgisnacht, op. 60: III. Wer Opfer heut zu bringen scheut | | | | | | | |
| Die erste Walpurgisnacht, op. 60: IV. Verteilt euch, wackre Männer, hier | | | | | | | |
| Die erste Walpurgisnacht, op. 60: IX. Die Flamme reinigt sich vom Rauch | | | | | | | |
| Die erste Walpurgisnacht, op. 60: Ouvertüre | | - Bamberger Symphoniker, Claus Peter Flor
- Helmuth Froschauer, Tom Krause, Horst Laubenthal, Margarita Lilowa, Wiener Singverein, Alfred Šramek, Wiener Philharmoniker, Christoph von Dohnányi
- Kurt Masur, Gewandhausorchester Leipzig, Rundfunkchor Leipzig
- Chamber Orchestra of Europe, Nikolaus Harnoncourt
- (show 4 more)
| | | | | |
| Die erste Walpurgisnacht, op. 60: V. Diese dummen Pfaffenchristen | | | | | | | |
| Die erste Walpurgisnacht, op. 60: VI. Kommt mit Zacken und mit Gabeln | | | | | | | |
| Die erste Walpurgisnacht, op. 60: VII. So weit gebracht, dass wir bei Nacht | | | | | | | |
| Die erste Walpurgisnacht, op. 60: VIII. Hilf, ach hilf mir, Kriegsgeselle | | | | | | | |
| Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy” | | - Daniel Barenboim, The John Alldis Choir, Philharmonia Orchestra, Otto Klemperer
- Saint Louis Symphony Chorus, Walter Klien, Saint Louis Symphony Orchestra, Jerzy Semkow
- Schweizer Kammerchor, Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman
- Marcus Creed, John Aler, Camille Capasso, Kristina Clemenz, Friedrich Molsberger, Hiroshi Oshima, RIAS Kammerchor, Cheryl Studer, Евгений Игоревич Кисин, Berliner Philharmoniker, Claudio Abbado
- (show 41 more)
| | | | | |
| Fantasia on “Greensleeves” | | | | | | | |
| Introduction, March and Shepherd’s Dance from Amahl and the Night Visitors | | | | | | | |
| Le roi des étoiles | | - The Cleveland Orchestra Chorus, The Cleveland Orchestra, Pierre Boulez
- Lorna Cooke deVaron, New England Conservatory Chorus, Boston Symphony Orchestra, Michael Tilson Thomas
- Boston Symphony Orchestra, Michael Tilson Thomas
- Orchestre national de France, Pierre Boulez
- Elmer Iseler, Festival Singers Of Toronto, CBC Symphony Orchestra, Igor Stravinsky
| | Cantata | | | |
| Nocturnes, L. 91, CD 98 : III. Sirènes | | | | | | | |
| O magnum mysterium | | | | | | | |
| Orchestral Set No. 2, S. 8: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly | | | | | | | |
| Piano Concerto in C major, op. 39: I. Prologo e introito (Allegro, dolce e solenne) | | | | | | | |
| Piano Concerto in C major, op. 39: II. Pezzo giocoso (Vivacemente, ma senza fretta) | | | | | | | |
| Piano Concerto in C major, op. 39: III. Pezzo serioso | | | | | | | |
| Piano Concerto in C major, op. 39: IV. All' italiana (Tarantella) (Vivace; In un tempo) | | | | | | | |
| Piano Concerto in C major, op. 39: V. Cantico (Largamente) | | | | | | | |
| Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues | | | | | | | |
| Porgy and Bess: Act I, Scene II. “Overflow, overflow” – “Gawd got plenty of money for de saucer” | | - George Gershwin
- The Cleveland Orchestra Chorus, Barbara Conrad, Florence Quivar, Willard White, The Cleveland Orchestra, Lorin Maazel
- Lester Lynch, Morgan State University Choir, The Philadelphia Orchestra, Marin Alsop
- Mel Tormé, Loulie Jean Norman, The Pat Moran Quartet
- (show 2 more)
| | | | | |
| Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa | | | | | | | |
| Requiem, op. 5: I. Requiem et Kyrie | | | | | | | |
| Requiem, op. 5: II. Dies Irae | | - London Symphony Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Sir Colin Davis
- Boston Symphony Orchestra, Charles Munch
- Wolfgang Schubert, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Charles Munch
- Orchestre National de France, Orchestre philharmonique de Radio France, Chœur de Radio France, Leonard Bernstein
- (show 37 more)
| | | | | |
| Requiem, op. 5: III. Quid sum miser | | | | | | | |
| Requiem, op. 5: IV. Rex tremendae | | | | | | | |
| Requiem, op. 5: IX. Sanctus | | - Luciano Pavarotti
- Ronald Dowd, London Symphony Chorus, Wandsworth School Boys’ Choir, London Symphony Orchestra, Sir Colin Davis
- Ernst‐Senff‐Chor, Luciano Pavarotti, Berliner Philharmoniker, James Levine
- Léopold Simoneau, New England Conservatory Chorus, Boston Symphony Orchestra, Charles Munch
- (show 37 more)
| | | | | |
| Requiem, op. 5: V. Quaerens me | | | | | | | |
| Requiem, op. 5: VI. Lacrymosa | | | | | | | |
| Requiem, op. 5: VII. Offertorium | | | | | | | |
| Requiem, op. 5: VIII. Hostias | | | | | | | |
| Requiem, op. 5: X. Agnus Dei | | | | | | | |
| Sleigh Ride | | | | Song | | | |
| Symphony no. 4, S. 4: I. Prelude. Maestoso | | - Boston Symphony Orchestra, Seiji Ozawa
- Hugh Ross, Members of the Schola Cantorum of New York, American Symphony Orchestra, David Katz, José Serebrier, Leopold Stokowski
- The Cleveland Orchestra Chorus, The Cleveland Orchestra, Christoph von Dohnányi
- Chicago Symphony Orchestra, Chicago Symphony Chorus, Michael Tilson Thomas
- (show 6 more)
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| Symphony no. 4, S. 4: IV. Finale. Very slowly – Largo maestoso | | - Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- Hugh Ross, Members of the Schola Cantorum of New York, American Symphony Orchestra, David Katz, José Serebrier, Leopold Stokowski
- The Cleveland Orchestra Chorus, The Cleveland Orchestra, Christoph von Dohnányi
- Chicago Symphony Orchestra, Chicago Symphony Chorus, Michael Tilson Thomas
- (show 6 more)
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| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | | | | | | | |
| Terly Terlow | | | | | | | |
| The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato | | | | | | | |
| Tristia, op. 18 : I. Méditation religieuse « Ce monde entier » | | | | | | | |
| Tristia, op. 18 : II. La Mort d’Ophélie. Ballade « Auprès d’un torrent » | | | | | | | |
| Tristia, op. 18: III. Marche funèbre pour la dernière scène d'Hamlet | | | | | | | |
