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1959-07 – 1959-08 | Kantate, BWV 8 “Liebster Gott, wann werd’ ich sterben?”: V. Rezitativ (Sopran): »Behalte nur, o Welt, das Meine!« | soprano vocals | Ursula Buckel, Münchener Bach‐Orchester, Karl Richter | 1:39 |
1961-07 | Cantata, BWV 147 "Herz und Mund und Tat und Leben": V. Aria (soprano) "Bereite dir, Jesu, noch itzo die Bahn" | soprano vocals | Ursula Buckel, Münchener Bach‐Orchester, Karl Richter | 4:28 |
1961-07 | Kantate, BWV 78 “Jesu, der du meine Seele”: II. Duett (Sopran, Alt): »Wir eilen mit schwachen, doch emsigen Schritten« | soprano vocals | Ursula Buckel, Hertha Töpper, Münchener Bach‐Orchester, Karl Richter | 5:42 |
1963-10 | Litaniae Lauretanae, KV 109 | soprano vocals | Hans Buchhierl, Andreas Stein, Theo Altmeyer, Michael Schopper, Tölzer Knabenchor, Collegium Aureum, Rolf Reinhardt | 13:38 |
1966-10 | Cantata BWV 26, "Ach wie flüchtig, ach wie nichtig,": 5. Rezitativ. Die höchste Herrlichkeit und Pracht | soprano vocals | Ursula Buckel, Münchener Bach‐Orchester, Karl Richter | 0:55 |
1969-05 | Hohe Messe in h-Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) "Christe eleison" | soprano vocals | Münchener Bach‐Orchester, Karl Richter | 5:25 |
1969-05 | Hohe Messe in h-Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) "Domine Deus" | soprano vocals | Münchener Bach‐Orchester, Karl Richter | 6:37 |
1969-05 | Hohe Messe in h-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum" | soprano vocals | Münchener Bach‐Orchester, Karl Richter | 4:54 |
1975-01 | Cantata, BWV 24 "Ein ungefärbt Gemüte": III. Coro "Alles nun, das ihr wollet" | soprano vocals | Ursula Buckel, Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter | 3:14 |
1975-01 | Cantata, BWV 44 "Sie werden euch in den Bann tun": VI. Aria (soprano) "Es ist und bleibt der Christen Trost" | soprano vocals | Ursula Buckel, Münchener Bach‐Orchester, Karl Richter | 6:11 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria | soprano vocals | Bach | 5:32 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria | soprano vocals | Bach | 3:03 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria | soprano vocals | Bach | 6:58 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria | soprano vocals | Bach | 3:57 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Gavotte (aria) | soprano vocals | Bach | 1:50 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative | soprano vocals | Bach | 0:33 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative | soprano vocals | Bach | 0:43 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative | soprano vocals | Bach | 0:50 |
| Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative | soprano vocals | Bach | 0:31 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): [untitled] | soprano vocals | Bach | 1:23 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 0:31 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 0:48 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 6:43 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 0:58 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 6:08 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 0:57 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 2:15 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 1:21 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria | soprano vocals | Bach | 1:15 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria, duetto | soprano vocals | Bach | 0:44 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Chor | soprano vocals | Bach | 1:15 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitative | soprano vocals | Bach | 1:10 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:45 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:31 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:23 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:26 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:35 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:20 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:35 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:24 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:27 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo | soprano vocals | Bach | 0:22 |
| Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Sinfonia | soprano vocals | Bach | 2:44 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Phoebus eilt mit schnellen Pferden | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 3:57 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Sich uben im Lieben, in Scherzen sich herzen | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 5:32 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Sich uben im Lieben, in Scherzen sich herzen | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:31 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Weichet nur, betrubte Schatten | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 6:59 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Aria: Wenn die Fruhlingslufte streichen | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 3:04 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Gavotte: Sehet in Zufriedenheit tausend helle Wohlfahrstage | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 1:42 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Die Welt wird wieder neu | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:34 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Drum sucht auch Amor sein Vergnugen | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:42 |
| Cantata, BWV 202 "Weichet nur, betrübte Schatten": Recitative: Und dieses ist das Glucke | soprano vocals | Ursula Buckel, Claus Ocker, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:50 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Ach, es schmeckt doch gar zu gut | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 1:15 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Das ist galant, es spricht Niemand von den caducken Schocken | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 1:23 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Gib, Schone, viel Sohne von art'ger Gestalt | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:30 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Klein-Zschocher musse so zart und susse | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 6:08 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Und dass ihr's alle wisst | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:48 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Aria (soprano): Unser trefflicher, lieber Kammerherr | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 2:15 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Chorus: Wir gehn nun, wo der Tudelsack | soprano vocals | Ursula Buckel, Claus Ocker, Württembergisches Kammerorchester, Rudolf Ewerhart | 1:15 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet aria: Mer hahn en neue Oberkeet | soprano vocals | Ursula Buckel, Claus Ocker, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:44 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Er hilft uns allen, alt und jung | soprano vocals | Ursula Buckel, Claus Ocker, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:35 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Mein Schatz, erraten! | soprano vocals | Ursula Buckel, Claus Ocker, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:35 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Nu, Miecke, gieb dein Guschel immer her | soprano vocals | Ursula Buckel, Claus Ocker, Württembergisches Kammerorchester, Rudolf Ewerhart | 1:10 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Duet recitative: Und damit sei es auch genug | soprano vocals | Ursula Buckel, Claus Ocker, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:23 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Das klingt zu liederlich | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:27 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Es bleibt dabei, dass unser Herr der beste sei | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:26 |
| Cantata, BWV 212 "Mer hahn en neue Oberkeet": Recitative (soprano): Im Ernst ein Wort! | soprano vocals | Ursula Buckel, Württembergisches Kammerorchester, Rudolf Ewerhart | 0:31 |
| Exultate, Jubilate, KV 165 | soprano vocals | Ursula Buckel, Stuttgarter Philharmoniker, Roland Bader | 16:17 |
| In terra pax: Part I: No. 1: Lorsque l'Agneau rompit le premier sceau | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 5:29 |
| In terra pax: Part I: No. 2: Mon Dieu, mon Dieu | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 1:39 |
| In terra pax: Part I: No. 3: Malheur au peuple chargé de péchés! | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 1:46 |
| In terra pax: Part I: No. 4: Éternel, Dieu de mon salut | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 3:58 |
| In terra pax: Part II: No. 5: Sentinelle, que dis-tu de la nuit? | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 2:05 |
| In terra pax: Part II: No. 6: Mais les ténèbres ne régneront pas toujours | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 2:20 |
| In terra pax: Part II: No. 7: Consolez, consolez mon peuple | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 5:59 |
| In terra pax: Part III: No. 8: Voici mon serviteur, mon élu | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 9:28 |
| In terra pax: Part III: No. 9: Heureux les affligés | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 2:56 |
| In terra pax: Part III: No. 10: Notre Père qui es aux cieux | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 2:41 |
| In terra pax: Part IV: No. 11: Puis je un nouveau ciel | soprano vocals | Robert Mermoud, Ursula Buckel, Choeur des Dames de Lausanne, Ernst Haefliger, Marga Höffgen, Pierre Mollet, Prof. Jakob Stämpfli, Union Chorale de Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | 8:33 |
| Lauretanische Litanei, KV 109: Agnus Dei | soprano vocals | Ursula Buckel, Maureen Lehane, Tölzer Knabenchor, Richard van Vrooman, Eduard Wollitz, Collegium Aureum, Rolf Reinhardt | 2:58 |
| Lauretanische Litanei, KV 109: Kyrie | soprano vocals | Ursula Buckel, Maureen Lehane, Tölzer Knabenchor, Richard van Vrooman, Eduard Wollitz, Collegium Aureum, Rolf Reinhardt | 2:13 |
| Lauretanische Litanei, KV 109: Regina Angelorum | soprano vocals | Ursula Buckel, Maureen Lehane, Tölzer Knabenchor, Richard van Vrooman, Eduard Wollitz, Collegium Aureum, Rolf Reinhardt | 2:06 |
| Lauretanische Litanei, KV 109: Sancta Maria | soprano vocals | Ursula Buckel, Maureen Lehane, Tölzer Knabenchor, Richard van Vrooman, Eduard Wollitz, Collegium Aureum, Rolf Reinhardt | 5:12 |
| Lauretanische Litanei, KV 109: Saulus Infirmorum | soprano vocals | Ursula Buckel, Maureen Lehane, Tölzer Knabenchor, Richard van Vrooman, Eduard Wollitz, Collegium Aureum, Rolf Reinhardt | 1:09 |
| Mass in C major, KV 317: Agnus Dei | soprano vocals | Ursula Buckel, Helen McKinnon, Figuralchor Stuttgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling | 6:47 |
| Mass in C major, KV 317: Benedictus | soprano vocals | Ursula Buckel, Helen McKinnon, Figuralchor Stuttgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling | 3:22 |
| Mass in C major, KV 317: Credo | soprano vocals | Ursula Buckel, Helen McKinnon, Figuralchor Stuttgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling | 7:12 |
| Mass in C major, KV 317: Gloria | soprano vocals | Ursula Buckel, Helen McKinnon, Figuralchor Stuttgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling | 4:35 |
| Mass in C major, KV 317: Kyrie | soprano vocals | Ursula Buckel, Helen McKinnon, Figuralchor Stuttgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling | 3:25 |
| Mass in C major, KV 317: Sanctus | soprano vocals | Ursula Buckel, Helen McKinnon, Figuralchor Stuttgart, Hermann Winkler, Eduard Wollitz, Bach‐Collegium Stuttgart, Helmuth Rilling | 1:32 |
| Mass No. 15 for vocal soloists, chorus & orchestra in C major ("Coronation"), K. 317: 2. Gloria | soprano vocals | Ursula Buckel, Hermann Winkler, Eduard Wollitz, Helmuth Rilling, Bach‐Collegium Stuttgart, Kammerensemble des Figuralchors Stuttgart | 4:35 |
| Missa brevis Sancti Joannis de Deo in B-flat major Hob. XXII:7 (Little Organ Mass): I. Kyrie | soprano vocals | Ursula Buckel, Regensburger Domspatzen und Domchor, Franz Lehrndorfer, Symphonieorchester des Bayerischen Rundfunks, Theobald Schrems | 2:13 |
| Missa brevis Sancti Joannis de Deo in B-flat major Hob. XXII:7 (Little Organ Mass): II. Gloria | soprano vocals | Ursula Buckel, Regensburger Domspatzen und Domchor, Franz Lehrndorfer, Symphonieorchester des Bayerischen Rundfunks, Theobald Schrems | 0:58 |
| Missa brevis Sancti Joannis de Deo in B-flat major Hob. XXII:7 (Little Organ Mass): III. Credo | soprano vocals | Ursula Buckel, Regensburger Domspatzen und Domchor, Franz Lehrndorfer, Symphonieorchester des Bayerischen Rundfunks, Theobald Schrems | 3:23 |
| Missa brevis Sancti Joannis de Deo in B-flat major Hob. XXII:7 (Little Organ Mass): IV. Sanctus | soprano vocals | Ursula Buckel, Regensburger Domspatzen und Domchor, Franz Lehrndorfer, Symphonieorchester des Bayerischen Rundfunks, Theobald Schrems | 1:30 |
| Missa brevis Sancti Joannis de Deo in B-flat major Hob. XXII:7 (Little Organ Mass): V. Benedictus | soprano vocals | Ursula Buckel, Regensburger Domspatzen und Domchor, Franz Lehrndorfer, Symphonieorchester des Bayerischen Rundfunks, Theobald Schrems | 6:29 |
| Missa brevis Sancti Joannis de Deo in B-flat major Hob. XXII:7 (Little Organ Mass): VI. Agnus Dei | soprano vocals | Ursula Buckel, Regensburger Domspatzen und Domchor, Franz Lehrndorfer, Symphonieorchester des Bayerischen Rundfunks, Theobald Schrems | 3:16 |
| Requiem in D minor, K. 626: IV. Offertorium (Domine Jesu, Hostias) | soprano vocals | Margarethe Bence, Ursula Buckel, Böblingen Bach Choir, Hans Ulrich Mielsch, Eduard Wollitz, Stuttgart Philharmonic, Roland Bader | 8:57 |
| Requiem, K. 626: Communion | soprano vocals | Ursula Buckel, Böblingen Bach Choir, Stuttgart Philharmonic, Roland Bader | 6:14 |
| Requiem, K. 626: Introitus | soprano vocals | Ursula Buckel, Böblingen Bach Choir, Stuttgart Philharmonic, Roland Bader | 5:07 |
| See all 109 relationships |
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| "Jesu, Der Du Meiner Seele" Kantate Am 14. Sonntag Nach Trinitatis, BWV 78. "Magnificat" Für Soli, Chor Und Orchester D-dur, BWV 243 | soprano vocals [Sopran] | Johann Sebastian Bach; Münchener Bach‐Chor; Solistengemeinschaft der Bachwoche Ansbach; Münchener Bach‐Orchester; Karl Richter | |