25 Progressive Studies, op. 60: No. 1 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 2 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 3 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 4 in C minor | | | | | | | |
25 Progressive Studies, op. 60: No. 5 in A minor | | | | | | | |
25 Progressive Studies, op. 60: No. 6 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 7 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 8 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 9 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 10 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 11 in G major | | | | | | | |
25 Progressive Studies, op. 60: No. 12 in G major | | | | | | | |
25 Progressive Studies, op. 60: No. 13 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 14 in E minor | | | | | | | |
25 Progressive Studies, op. 60: No. 15 in E major | | | | | | | |
25 Progressive Studies, op. 60: No. 16 in G major | | | | | | | |
25 Progressive Studies, op. 60: No. 17 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 18 in A minor | | | | | | | |
25 Progressive Studies, op. 60: No. 19 in G major | | | | | | | |
25 Progressive Studies, op. 60: No. 20 in E minor | | | | | | | |
25 Progressive Studies, op. 60: No. 21 in C major | | | | | | | |
25 Progressive Studies, op. 60: No. 22 in E minor | | | | | | | |
25 Progressive Studies, op. 60: No. 23 in A major | | | | | | | |
25 Progressive Studies, op. 60: No. 24 in D minor | | | | | | | |
25 Progressive Studies, op. 60: No. 25 in D major | | | | | | | |
Concerto for Guitar and Orchestra: I. Very fast and rhythmic | | | | | | | |
Concerto for Guitar and Orchestra: II. Slowly and expressively – Suddenly faster – Slowly Tempo I again | | | | | | | |
Concerto for Guitar and Orchestra: III. Fast and with good spirit | | | | | | | |
Duetto per violino e chitarra in C major, MS 122 | | | | | | | |
Fantaisie élégiaque, op. 59: I. Introduction: Andante largo | | | | | | | |
Fantaisie élégiaque, op. 59: II. Marche funebre: Andante moderato | | | | | | | |
Fantaisie élégiaque, op. 59: III. Cantabile | | | | | | | |
Fantaisie pour guitare seule, op. 58: I. Introduction: Andante largo | | | | | | | |
Fantaisie pour guitare seule, op. 58: II. Andante | | | | | | | |
Fantaisie pour guitare seule, op. 58: III. Mouvement de valse | | | | | | | |
Five Choral Scherzi: I. V.B. Nimble, V.B. Quick | | | | | | | |
Five Choral Scherzi: II. Sucking cider through a straw | | | | | | | |
Five Choral Scherzi: III. No! | | | | | | | |
Five Choral Scherzi: IV. The choice | | | | | | | |
Five Choral Scherzi: V. Tarantella | | | | | | | |
Into the Radiant Boundaries of Light: I. Delicate and quite fast | | | | | | | |
Into the Radiant Boundaries of Light: II. Slowly and freely moving | | | | | | | |
Into the Radiant Boundaries of Light: III. Fast and rhythmic | | | | | | | |
Ports of Call: I. Marseille: With a happy spirit | | | | | | | |
Ports of Call: II. Alexandria: Slowly and expressively | | | | | | | |
Ports of Call: III. Salonika: With wild abandon | | | | | | | |
Ports of Call: IV. Haifa: With a slow lilt | | | | | | | |
Ports of Call: V. Valencia: Fast and exuberant | | | | | | | |
Sonata no. 1 in G minor for Violin Solo, BWV 1001: I. Adagio | | | | | | | |
Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga | | | | | | | |
Sonata no. 1 in G minor for Violin Solo, BWV 1001: III. Siciliana | | | | | | | |
Sonata no. 1 in G minor for Violin Solo, BWV 1001: IV. Presto | | | | | | | |
Sonata no. 3 in C major, BWV 1005: I. Adagio | | | | | | | |
Sonata no. 3 in C major, BWV 1005: II. Fuga | | | | | | | |
Sonata no. 3 in C major, BWV 1005: III. Largo | | | | | | | |
Sonata no. 3 in C major, BWV 1005: IV. Allegro assai | | | | | | | |
Violin Sonata no. 2 in A minor, BWV 1003: I. Grave | | | | | | | |
Violin Sonata no. 2 in A minor, BWV 1003: II. Fuga | | | | | | | |
Violin Sonata no. 2 in A minor, BWV 1003: III. Andante | | | | | | | |
Violin Sonata no. 2 in A minor, BWV 1003: IV. Allegro | | | | | | | |