| A Severn Rhapsody, op. 3 | | | | | | | |
| A Young Man's Exhortation: 1. A Young Man's Exhortation | | | | Song | | | |
| A Young Man's Exhortation: 2. Ditty | | | | Song | | | |
| A Young Man's Exhortation: 3. Budmouth Dears | | | | Song | | | |
| A Young Man's Exhortation: 4. Her Temple | | | | Song | | | |
| A Young Man's Exhortation: 5. The Comet at Yell'ham | | | | Song | | | |
| A Young Man's Exhortation: 6. Shortening Days | | | | Song | | | |
| A Young Man's Exhortation: 7. The Sigh | | | | Song | | | |
| A Young Man's Exhortation: 8. Former Beauties | | | | Song | | | |
| A Young Man's Exhortation: 9. Transformations | | | | Song | | | |
| A Young Man's Exhortation: 10. The Dance Continued | | | | Song | | | |
| A Young Man’s Exhortation, op. 14 | | | | Song-cycle | | | |
| All This Night, op. 33 | | | | Motet | | | |
| Before and After Summer, op. 16 | | | | Song-cycle | | | |
| Before and After Summer, op. 16: 1. Childhood Among the Ferns | | | | | | | |
| Before and After Summer, op. 16: 2. Before and After Summer | | | | | | | |
| Before and After Summer, op. 16: 3. The Self-Unseeing | | | | | | | |
| Before and After Summer, op. 16: 4. Overlooking the River | | | | | | | |
| Before and After Summer, op. 16: 5. Channel Firing | | | | | | | |
| Before and After Summer, op. 16: 6. In the Mind's Eye | | | | | | | |
| Before and After Summer, op. 16: 7. The Too Short Time | | | | | | | |
| Before and After Summer, op. 16: 8. Epeisodia | | | | | | | |
| Before and After Summer, op. 16: 9. Amabel | | | | | | | |
| Before and After Summer, op. 16: 10. He Abjures Love | | | | | | | |
| By Footpath and Stile, op. 2 | | | | Song-cycle | | | |
| By Footpath and Stile, op. 2: I. Paying Calls | | | | Song | | | |
| By Footpath and Stile, op. 2: II. Where the Picnic Was | | | | Song | | | |
| By Footpath and Stile, op. 2: III. The Oxen | | | | Song | | | |
| By Footpath and Stile, op. 2: IV. The Master and the Leaves | | | | Song | | | |
| By Footpath and Stile, op. 2: V. Voices From Things Growing in a Churchyard | | | | Song | | | |
| By Footpath and Stile, op. 2: VI. Exeunt omnes | | | | Song | | | |
| Cello Concerto in A minor, op. 40 | | | | Concerto | | | |
| Cello Concerto in A minor, op. 40: I. Allegro moderato | | | | | | | |
| Cello Concerto in A minor, op. 40: II. Andante quieto | | | | | | | |
| Cello Concerto in A minor, op. 40: III. Rondo: Adagio – Allegro giocoso | | | | | | | |
| Concerto for Clarinet and String Orchestra, op. 31 | | | | Concerto | | | |
| Concerto for Clarinet and String Orchestra, op. 31: I. Allegro vigoroso | | | | | | | |
| Concerto for Clarinet and String Orchestra, op. 31: II. Adagio ma senza rigore | | | | | | | |
| Concerto for Clarinet and String Orchestra, op. 31: III. Rondo | | | | | | | |
| Concerto for Small Orchestra and Solo Violin | | | | Concerto | | | |
| Concerto for Small Orchestra and Solo Violin: I. Allegro | | | | | | | |
| Concerto for Small Orchestra and Solo Violin: II. Molto sereno | | | | | | | |
| Concerto for Small Orchestra and Solo Violin: III. Hornpipe Rondo. Allegro risoluto | | | | | | | |
| Dies Natalis, op. 8 | | | | Cantata | | | |
| Dies Natalis, op. 8: I. Intrada | | | | | | | |
| Dies Natalis, op. 8: II. Rhapsody. Recitativo stromentato | | | | | | | |
| Dies Natalis, op. 8: III. The Rapture. Danza | | | | | | | |
| Dies Natalis, op. 8: IV. Wonder. Arioso | | | | | | | |
| Dies Natalis, op. 8: V. The Salutation. Aria | | | | | | | |
| Earth and Air and Rain, op. 15 | | | | Song-cycle | | | |
| Earth and Air and Rain, op. 15: 1. Summer Schemes | | | | | | | |
| Earth and Air and Rain, op. 15: 2. When I Set Out for Lyonnesse | | | | | | | |
| Earth and Air and Rain, op. 15: 3. Waiting Both | | | | | | | |
| Earth and Air and Rain, op. 15: 4. The Phantom | | | | | | | |
| Earth and Air and Rain, op. 15: 5. So I Have Fared | | | | | | | |
| Earth and Air and Rain, op. 15: 6. Rollicum-Rorum | | | | | | | |
| Earth and Air and Rain, op. 15: 7. To Lizbie Browne | | | | | | | |
| Earth and Air and Rain, op. 15: 8. The Clock of the Years | | | | | | | |
| Earth and Air and Rain, op. 15: 9. In a Churchyard | | | | | | | |
| Earth and Air and Rain, op. 15: 10. Proud Songsters | | | | | | | |
| Eclogue for Piano and Strings, op. 10 | | | | | | | |
| Elegy for Violin and Piano, op. 22 | | | | | | | |
| Elegy, op. 22 | | | | | | | |
| Farewell to Arms, op. 9 | | | | | | | |
| Farewell to Arms, op. 9: I. Introduction | | | | | | | |
| Farewell to Arms, op. 9: II. Aria | | | | | | | |
| Five Bagatelles, op. 23 | | | | | | | |
| Five Bagatelles, op. 23 | | | | | | | |
| Five Bagatelles, op. 23: I. Prelude | | | | | | | |
| Five Bagatelles, op. 23: I. Prelude. Allegro deciso - Poco meno mosso - Tempo 1 | | | | | | | |
| Five Bagatelles, op. 23: II. Romance | | | | | | | |
| Five Bagatelles, op. 23: II. Romance. Andante tranquillo - Poco più mosso - Tempo 1 | | | | | | | |
| Five Bagatelles, op. 23: III. Andante semplice | | | | | | | |
| Five Bagatelles, op. 23: III. Carol | | | | | | | |
| Five Bagatelles, op. 23: IV. Allegretto grazioso | | | | | | | |
| Five Bagatelles, op. 23: IV. Forlana | | | | | | | |
| Five Bagatelles, op. 23: V. Allegro vivace | | | | | | | |
| Five Bagatelles, op. 23: V. Fughetta | | | | | | | |
| Five Bagatelles, op. 23a | | | | | | | |
| Five Bagatelles, op. 23a: I. Prelude. Allegro deciso | | | | | | | |
| Five Bagatelles, op. 23a: II. Romance. Andante tranquillo | | | | | | | |
| Five Bagatelles, op. 23a: III. Carol. Andantino semplice | | | | | | | |
| Five Bagatelles, op. 23a: IV. Forlana. Allegretto grazioso | | | | | | | |
| Five Bagatelles, op. 23a: V. Fughetta. Allegro vivace | | | | | | | |
| Fly Envious Time, op. 148 | | | | Song | | | |
| For St. Cecilia, op. 30 | | | | | | | |
| For St. Cecilia, op. 30: 1. Delightful Goddess, in whose fashionings | | | | | | | |
| For St. Cecilia, op. 30: 2. Changed is the age | | | | | | | |
| For St. Cecilia, op. 30: 3. How came you, lady of fierce martyrdom | | | | | | | |
| For St. Cecilia, op. 30: 4. How smilingly the saint among her friends | | | | | | | |
| For St. Cecilia, op. 30: 5. Wherefore we bid you to the full concent | | | | | | | |
| Grand Fantasia and Toccata, op. 38 | | | | Concerto | | | |
| Grand Fantasia and Toccata, op. 38: 1. Molto grave | | | | Concerto | | | |
| Grand Fantasia and Toccata, op. 38: 2. Allegro vigoroso | | | | Concerto | | | |
| Howells' Clavichord: No. 14. Finzi's rest | | | | | | | |
| I Said to Love, op. 19b | | | | Song-cycle | | | |
| I Said to Love, op. 19b: 1. I Need Not Go | | | | | | | |
| I Said to Love, op. 19b: 2. At Middle-Field Gate in February | | | | | | | |
| I Said to Love, op. 19b: 3. Two Lips | | | | | | | |
| I Said to Love, op. 19b: 4. In Five-Score Summers | | | | | | | |
