| 3 intermezzi, op. 117: Nr. 1 in Es-Dur. Andante moderato | | | | | | | |
| 5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" | | | | Song | | | |
| 6 Ecossaises in E-flat major, WoO 83 | | | | | | | |
| 6 Klavierstücke, op. 118: Nr. 5. Romanze in F-Dur. Andante | | | | | | | |
| 6 Klavierstücke, op. 118: Nr. 6. Intermezzo in es-Moll. Andante, largo e mesto | | | | | | | 3 |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 2 in A-flat major. Andantino | | | | | | | |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato | | | | | | | |
| 6 Moments musicaux for Piano, op. 94, D. 780: No. 4 in C-sharp minor. Moderato | | | | | | | |
| 6 Variations for Piano in F major on an Original Theme, op. 34 | | | | | | | |
| 6 Variations for Piano in G major on the Duet "Nel cor più non mi sento" from Giovanni Paisiello's opera "La molinara", WoO 70 | | | | | | | |
| 11 Chorale Preludes for Organ, op. 122: No. 8. Es ist ein Ros' entsprungen | | | | | | | |
| 32 Variations for Piano in C minor on an Original Theme, WoO 80 | | | | | | | |
| Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto | | | | | | | |
| Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | | | | | | | |
| Ballade no. 3 in A-flat major, op. 47 | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | | | | | | | |
| Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
| Fantaisie in F minor, op. 49 | | | | | | | |
| Fantasiestücke, op. 12: III. Warum? | | | | | | | |
| Fantasy in C major, D. 760 “Wanderer” | | | | | | | |
| Fantasy in C major, D. 760 “Wanderer”: I. Allegro con fuoco ma non troppo | | | | | | | |
| Fantasy in C major, D. 760 “Wanderer”: II. Adagio | | | | | | | |
| Fantasy in C major, D. 760 “Wanderer”: III. Presto | | | | | | | |
| Fantasy in C major, D. 760 “Wanderer”: IV. Allegro | | | | | | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 2 in D minor: Allegro non assai – Vivace | | | | | | | |
| Impromptu in A-flat major, op. 90, D. 899: No. 4. Allegretto | | | | | | | |
| Impromptu in F minor, D. 935 no. 4. Allegro scherzando | | | | | | | |
| Impromptu in G-flat major, op. 90 no. 3, D. 899 no. 3. Andante | | | | | | | |
| Kinderszenen, op. 15: No. 7. Träumerei | | | | | | | |
| Klavierstücke, op. 119: Nr. 4. Rhapsodie in Es-Dur. Allegro risoluto | | | | | | | |
| Lied ohne Worte A-Dur, op. 62 Nr. 6 | | | | | | | |
| Lied ohne Worte A-Dur, op. 102 Nr. 5 | | | | | | | |
| Lied ohne Worte C-Dur, op. 67 Nr. 4 | | | | | | | |
| Lied ohne Worte E-Dur, op. 19b Nr. 1 | | | | Song | | | |
| Lied ohne Worte e-Moll, op. 62 Nr. 3 | | | | | | | |
| Nocturne no. 5 in F-sharp major, op. 15 no. 2: Larghetto | | | | | | | |
| Nocturne no. 12 in G major, op. 37 no. 2: Andantino | | | | | | | |
| Nocturne no. 13 in C minor, op. 48 no. 1: Lento | | | | | | | |
| Novelletten, op. 21: I. Markiert und kräftig | | | | | | | |
| Rondo a capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace | | | | | | | |
| Rondo for Piano no. 3 in A minor, K. 511: Andante | | | | | | | |
| Sonata for Piano no. 1 in C major, op. 1: II. Andante (nach einem altdeutschen Minneliede) | | | | | | | |
| Sonata for Piano no. 1 in C major, op. 1: III. Scherzo. Allegro molto e con fuoco - Più mosso | | | | | | | |
| Sonata for Piano no. 3 in F minor, op. 5: I. Allegro maestoso | | | | | | | |
| Sonata for Piano no. 3 in F minor, op. 5: II. Andante. Andante espressivo - Andante molto | | | | | | | |
| Sonata for Piano no. 3 in F minor, op. 5: III. Scherzo. Allegro energico | | | | | | | |
| Sonata for Piano no. 3 in F minor, op. 5: IV. Intermezzo. Andante molto | | | | | | | |
| Sonata for Piano no. 3 in F minor, op. 5: V. Finale. Allegro moderato ma rubato | | | | | | | |
| Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | | | | | | | 5 |
| Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | | | | | | | 5 |
| Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro | | | | | | | 5 |
| Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | | | | | | | 5 |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | | | | | | | |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | | | | | | | |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | | | | | | | |
| Sonata for Piano no. 10 in C major, K. 300h/330: I. Allegro moderato | | | | | | | |
| Sonata for Piano no. 10 in C major, K. 300h/330: II. Andante cantabile | | | | | | | |
| Sonata for Piano no. 10 in C major, K. 300h/330: III. Allegretto | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: II. Minuetto | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto | | | | | | - 0O5-6807-6 (JASRAC ID)
- A major (Key)
| |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro | | | | | | | |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | | | | | | | |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | | | | | | | |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | | | | | | | |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | | | | | | | |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | | | | | | | |
| Sonata for Piano no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | | | | | | | |
| Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro | | | | | | | |
| Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegretto vivace | | | | | | | |
| Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: III. Minuetto. Moderato e grazioso | | | | | | | |
| Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | | | | | | | |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | | | | | | | |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: II. Introduzione. Adagio molto | | | | | | | |
| Sonata for Piano no. 21 in C major, op. 53 “Waldstein”: III. Rondo. Allegretto moderato - Prestissimo | | | | | | | |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | | | | | | | |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | | | | | | | |
| Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo | | | | | | | |
| Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | | | | | | | |
| Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | | | | | | | |
| Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento | | | | | | | |
| Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo | | | | | | | |
| Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo | | | | | | | |
| Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | | | | | | | |
| Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | | | | | | | |
| Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | | | | | | | |
| Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo | | | | | | | |
| Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato | | | | | | | |
| Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | | | | | | | |
| Symphonic Etudes for Piano, op. 13: II. Etude no. 1 (Var. I) - Un poco più vivo | | | | | | | |
