Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) | | - Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- [unknown]
- Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Bulgarian National Choir, Sofia Philharmonic Orchestra, Georgi Robev / Chor Ljubljana, Radio Symphony Orchestra Ljubljana, Marko Munih
- (show 110 more)
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Andante cantabile, TH 63, ČW 348 | | | | | | | |
Cavalleria rusticana: Intermezzo | | | | | | | |
Concerto “con molti stromenti” in C major, RV 558: I. Allegro molto | | | | | | | |
Concerto “con molti stromenti” in C major, RV 558: II. Andante molto | | | | | | | |
Concerto “con molti stromenti” in C major, RV 558: III. Allegro | | | | | | | |
Concerto for 2 Violins in G major, RV 516: II. Andante (molto) | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
Concerto for Two Trumpets in C major, RV 537: I. Allegro | | - Hedwig Bilgram, Maurice André, English Chamber Orchestra, Charles Mackerras, Maurits Sillem
- Antonio Vivaldi
- Ludwig Güttler, Friedrich Kircheis, Eberhard Palm, Kurt Sandau, Neues Bachisches Collegium Musicum, Max Pommer
- Camerata Romana, Eugen Duvier
- (show 51 more)
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Concerto for Two Trumpets in C major, RV 537: II. Largo | | | | | | | |
Concerto for Two Trumpets in C major, RV 537: III. Allegro | | - Hedwig Bilgram, Maurice André, Maurits Sillem, English Chamber Orchestra, Charles Mackerras
- Antonio Vivaldi
- Ludwig Güttler, Kurt Sandau, Neues Bachisches Collegium Musicum, Max Pommer
- Karol Luspai, Kamil Roško, Capella Istropolitana, Richard Edlinger
- (show 43 more)
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Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante | | | | | | | |
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: III. Allegro | | | | | | | |
Excerpt from Eugene Onegin, op. 24: Act II Scene I: Waltz | | | | | | | |
Excerpt from Götterdämmerung, WWV 86D: Vorspiel: Siegfrieds Rheinfahrt | | | | | | | |
Feste romane, P. 157 | | | | Symphonic poem | | | |
Firebird Suite: V. Infernal Dance of King Kastchei | | | | | | | |
Fontane di Roma, P 106 | | | | Symphonic poem | | | |
Fontane di Roma, P 106: II. La fontana del Tritone al mattino | | | | | | | |
Guillaume Tell : Ouverture | | | | Overture | | | |
Il segreto di Susanna: Overture | | | | Overture | | | |
La Gioconda: Atto III, scena 2. Danza delle ore | | | | Ballet | | | |
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” | | | | | | | |
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” | | | | | | | |
La traviata: Atto III. Preludio | | | | | | | |
La traviata: Preludio | | | | Overture | | | |
Le Chasseur maudit | | | | Symphonic poem | | | |
Marche slave in B-flat minor, op. 31 | | | | | | | |
Piano Concerto no. 2 in F major, op. 102: II. Andante | | | | | | | |
Piano Concerto no. 2 in G minor, op. 22: I. Andante sostenuto | | | | | | | |
Piano Concerto no. 2 in G minor, op. 22: II. Allegro scherzando | | | | | | | |
Piano Concerto no. 2 in G minor, op. 22: III. Presto | | | | | | | |
Rienzi, der letzte der Tribunen, WWV 49: Ouvertüre | | | | Overture | | | |
Semiramide: Sinfonia | | | | Overture | | | |
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse | | | | | | | |
Serse, HWV 40: Atto I. Recitativo “Frondi tenere” / Arioso “Ombra mai fù” (Serse) | | | | Aria | | | |
String Quartet no. 1 in D major, op. 11: II. Andante cantabile | | | | | | | |
Suite no. 1 in D minor, op. 43: IV. Marche miniature. Moderato con moto | | | | | | | |
Symphonie fantastique, op. 14: I. Rêveries, passions | | | | | | | |
Symphonie fantastique, op. 14: II. Un bal | | | | | | | |
Symphonie fantastique, op. 14: III. Scène aux champs | | | | | | | |
Symphonie fantastique, op. 14: IV. Marche au supplice | | | | | | | |
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat | | | | | | | 5 |
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | | - [unknown]
- Berliner Philharmoniker, Herbert von Karajan
- Bamberger Symphoniker, London Festival Orchestra, London Symphony Orchestra, Philharmonia Slavonica, Radio-Symphonieorchester Wien, Milan Horvat, Alberto Lizzio, Alfred Scholz, Walter Scholz, Hans Swarowsky
- Royal Philharmonic Orchestra, Louis Clark
- (show 135 more)
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Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto | | - Bamberger Symphoniker, London Festival Orchestra, London Symphony Orchestra, Philharmonia Slavonica, Radio-Symphonieorchester Wien, Milan Horvat, Alberto Lizzio, Alfred Scholz, Hans Swarowsky
- Berliner Philharmoniker, Herbert von Karajan
- Cleveland Orchestra, George Szell
- London Symphony Orchestra, Claudio Abbado
- (show 116 more)
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Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato | | - Berliner Philharmoniker, Herbert von Karajan
- Bamberger Symphoniker, London Festival Orchestra, London Symphony Orchestra, Philharmonia Slavonica, Radio-Symphonieorchester Wien, Milan Horvat, Alberto Lizzio, Alfred Scholz, Hans Swarowsky
- The Cleveland Orchestra, George Szell
- London Symphony Orchestra, Claudio Abbado
- (show 113 more)
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Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto | | - Berliner Philharmoniker, Herbert von Karajan
- Bamberger Symphoniker, London Festival Orchestra, London Symphony Orchestra, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien, Philharmonia Slavonica, Milan Horvat, Alberto Lizzio, Alfred Scholz, Hans Swarowsky
- The Cleveland Orchestra, George Szell
- London Symphony Orchestra, Claudio Abbado
- (show 127 more)
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Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco | | | | | | | |
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto | | | | | | | |
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante | | | | | | | |
The Sleeping Beauty Suite, op. 66a: V. Valse | | - Amsterdam Symphony Orchestra, Deutsches Symphonie‐Orchester Berlin, The English Philharmonic Orchestra, London Festival Orchestra, New Philharmonia Orchestra London, Philharmonic Orchestra London, Musici di San Marco, New Philharmonic Orchestra, New Philharmonic Orchestra London, Philharmonia Orchestra, Royal Philharmonic Orchestra, Radio Symphony Orchestra Ljubljana, Russian State Symphony Orchestra, Alfred Scholz, L. Siegel, Peter Stern, Serge Tchaikov, George Ralph Warren, Peter Wohlert
- New Philharmonia Orchestra London, Laurence Siegel
- [unknown]
- Wiener Philharmoniker, Herbert von Karajan
- (show 72 more)
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The Swan Lake (suite from the ballet), op. 20a: II. Valse | | - London Festival Orchestra, New Philharmonic Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio, Laurence Siegel
- London Festival Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio
- Symphonieorchester des Bayerischen Rundfunks, Hans Vonk
- Berliner Philharmoniker, Herbert von Karajan
- (show 48 more)
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The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes | | | | | | | |
The Year 1812, Festival Overture in E-flat major, op. 49 | | | | Overture | | | 3.5 |
Valurile Dunării | | | | | | | |
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia | | | | | | | |
Zampa : Ouverture | | | | Overture | | | |
Руслан и Людмила: Увертюра | | | | Overture | | | |