Don Carlos, Act I Scene 1: “And I have lost her” (Don Carlos, Old Monk) | | | | | | | |
Don Carlos, Act I Scene 1: “But the King has not yet discovered your secret?” (Don Carlos, Rodrigo) | | | | | | | |
Don Carlos, Act I Scene 1: “Charles the Fifth, our mighty Lord” (Old Monk, Chorus of Friars) | | | | | | | |
Don Carlos, Act I Scene 1: “God who has brought us together” (Don Carlos, Rodrigo, Old Monk, Chorus of Friars) | | | | | | | |
Don Carlos, Act I Scene 1: “There he is! The Prince” (Don Carlos, Rodrigo) | | | | | | | |
Don Carlos, Act I Scene 1: Prelude | | | | | | | |
Don Carlos, Act I Scene 2: “Carlos my friend, hope of our future” (Rodrigo, Eboli, Elisabeth) | | | | | | | |
Don Carlos, Act I Scene 2: “Don’t weep, my dear companion” (Elisabeth, Rodrigo, Philip, Chorus) | | | | | | | |
Don Carlos, Act I Scene 2: “Here where I stand let the earth crack asunder” (Don Carlos, Elisabeth) | | | | | | | |
Don Carlos, Act I Scene 2: “I come before the Queen and I ask for a favour” (Don Carlos, Elisabeth) | | | | | | | |
Don Carlos, Act I Scene 2: “I’m so eager to hear the news you bring” (Eboli, Rodrigo, Elisabeth) | | | | | | | |
Don Carlos, Act I Scene 2: “In the marble palace of the Moorish King” (Eboli, Thibault, Chorus) | | | | | | | |
Don Carlos, Act I Scene 2: “O King, I come here from Flanders” (Rodrigo, Philip) | | | | | | | |
Don Carlos, Act I Scene 2: “Remain here! I’ve seen you at my court” (Philip, Rodrigo) | | | | | | | |
Don Carlos, Act I Scene 2: “The King” (Thibault, Philip, Chorus) | | | | | | | |
Don Carlos, Act I Scene 2: “The Queen” (Eboli, Elisabeth, Thibault, Rodrigo, Chorus) | | | | | | | |
Don Carlos, Act I Scene 2: “What kind of peace is this you give your subject?” (Rodrigo, Philip) | | | | | | | |
Don Carlos, Act I Scene 2: “Where the pine grove is green and shady” (Thibault, Eboli, Chorus) | | | | | | | |
Don Carlos, Act II Scene 1: “Alas your youthful mind has no idea” (Eboli, Don Carlos, Rodrigo) | | | | | | | |
Don Carlos, Act II Scene 1: “At midnight in the garden of the Queen…” (Don Carlos, Eboli) | | | | | | | |
Don Carlos, Act II Scene 1: “Now he has scorned the love I gave him” (Eboli, Rodrigo, Don Carlos) | | | | | | | |
Don Carlos, Act II Scene 1: “Treacherous son, adult’rous lover” (Eboli, Rodrigo, Don Carlos) | | | | | | | |
Don Carlos, Act II Scene 1: Prelude | | | | | | | |
Don Carlos, Act II Scene 2: “Let the sacred doors now be opened” (Philip, Royal Herald, Chorus of People) | | | | | | | |
Don Carlos, Act II Scene 2: “O Heav’n! It’s Carlos!” (Elisabeth, Rodrigo, Philip, Don Carlos, Thibault, Flemish Deputies, Chorus of People) | | | | | | | |
Don Carlos, Act II Scene 2: “O heav’n!” (Elisabeth, Don Carlos, Philip, Voice from Heaven, Flemish Deputies, Monks, Chorus of People) | | | | | | | |
Don Carlos, Act II Scene 2: “Sire! I have something to ask you!” (Don Carlos, Philip, Elisabeth, Rodrigo, Thibault, Monks, Chorus of People) | | | | | | | |
Don Carlos, Act II Scene 2: “Today is a day of gladness and joy” (Chorus of People, Chorus of Monks) | | | | | | | |
Don Carlos, Act III Scene 1: “Accurst be this hour” (Philip, Eboli, Rodrigo, Elisabeth) | | | | | | | |
Don Carlos, Act III Scene 1: “Forgive! Forgive and pardon a woman who’s wronged you” (Eboli, Elisabeth) | | | | | | | |
Don Carlos, Act III Scene 1: “I’ll only sleep when I am laid to rest” (Philip) | | | | | | | |
Don Carlos, Act III Scene 1: “In this land of Spain no heresy has thrived” (Grand Inquisitor, Philip) | | | | | | | |
Don Carlos, Act III Scene 1: “Oh cruel fate. Oh hated gift” (Eboli) | | | | | | | |
Don Carlos, Act III Scene 1: “She has no love for me!” (Philip) | | | | | | | |
Don Carlos, Act III Scene 1: “The Grand Inquisitor” (Count of Lerma, Grand Inquisitor, Philip) | | | | | | | |
Don Carlos, Act III Scene 1: “You know full well, my hand was plighted” (Elisabeth, Philip, Eboli, Rodrigo) | | | | | | | |
Don Carlos, Act III Scene 1: “Your highness I ask for justice!” (Elisabeth, Philip) | | | | | | | |
Don Carlos, Act III Scene 1: Introduction | | | | | | | |
Don Carlos, Act III Scene 2: “But why do you speak of death?” (Don Carlos, Rodrigo) | | | | | | | |
Don Carlos, Act III Scene 2: “I’m here my Carlos” (Rodrigo, Don Carlos) | | | | | | | |
Don Carlos, Act III Scene 2: “My last day has dawned forever” (Rodrigo) | | | | | | | |
Don Carlos, Act III Scene 2: “My son I return you your sword” (Philip, Don Carlos, Count of Lerma, Eboli, Grand Inquisitor, Chorus) | | | | | | | |
Don Carlos, Act III Scene 2: “Now I die, die contented” (Rodrigo) | | | | | | | |
Don Carlos, Act III Scene 2: “O Carlos, now listen, your mother awaits you” (Rodrigo) | | | | | | | |
Don Carlos, Act IV: “France, my noble land, so dear to me in childhood!” (Elisabeth) | | | | | | | |
Don Carlos, Act IV: “She’s there!” (Don Carlos, Elisabeth) | | | | | | | |
Don Carlos, Act IV: “We shall meet not in this world” (Elisabeth, Don Carlos) | | | | | | | |
Don Carlos, Act IV: “Yes, for ever! A double sacrifice is needed!” (Philip, Grand Inquisitor, Elisabeth, Don Carlos, Old Monk, Chorus) | | | | | | | |
Don Carlos, Act IV: “You, who spurned and renounced all the world” (Elisabeth) | | | | | | | |
Don Carlos, Act IV: Introduction | | | | | | | |
Káťa Kabanová: Act I. Introduction | | | | | | | |
Káťa Kabanová: Act II. "Jste to vy, Katěrino Petrovno?" | | | | | | | |
L'Orfeo: Atto primo. Lasciate i monti (Coro) | | | | | | | |
L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) | | | | | | | |
L'Orfeo: Atto terzo. Possente spirto | | | | | | | |
La Voix Humaine, FP 171. "Pardonne-moi, Je sais que cette scène est intolérable" | | | | | | | |
Peter Grimes: Act II Scene I: "Glitter of waves and glitter of sunlight" (Ellen) | | | | | | | |
Peter Grimes: Act II: Interlude III | | | | | | | |
Peter Grimes: Act III Scene II: "To those who pass the Borough" (Chorus) | | | | | | | |
Rigoletto: Atto II. Recitativo “Parla … Siam soli …” / “Tutte le feste al tempio” (Rigoletto, Gilda) | | - Maria Callas, Tito Gobbi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- Renato Bruson, Edita Gruberová, Orchestra dell’Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli
- Piero Cappuccilli, Ileana Cotrubaș, Wiener Philharmoniker, Carlo Maria Giulini
- Daniela Dessì, Giorgio Zancanaro, Orchestra del Teatro alla Scala di Milano, Riccardo Muti
- (show 40 more)
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Rigoletto: Atto III. “La donna è mobile” (Duca) | | | | Aria | | | |
The Elixir of Love: Act I. Scene 1. Chorus “After Long and Heavy Labour” (Giannetta, Harvesters) | | | | | | | |
The Elixir of Love: Act II. Scene 8. Romance “Only One Teardrop” (Nemorino) | | | | Aria | | | |
The Magic Flute: Act I. Scene I. no. 2 Aria “I’m Sure That There Could Never Be” (Papageno) | | | | | | | |
The Magic Flute: Act II. no. 17 Aria “Now I Know That Love Can Vanish” (Pamina) | | | | Aria | | | |
Troilus and Cressida: Act I | | | | | | | |
Troilus and Cressida: Act II | | - Opera North, Richard Hickox
- Crouch End Festival Chorus, Kate Royal, English National Opera Orchestra, David Gardener
- Arthur Davies, Judith Howarth, Orchestra of Opera North, Richard Hickox
- Arthur Davies, Judith Howarth, English Northern Philharmonia, Richard Hickox
- (show 2 more)
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Troilus and Cressida: Act III | | | | | | | |