| “Grand Duo” in C major, D. 812: I. Allegro moderato | | | | | | | |
| “Grand Duo” in C major, D. 812: II. Andante | | | | | | | |
| “Grand Duo” in C major, D. 812: III. Scherzo, allegro vivace | | | | | | | |
| “Grand Duo” in C major, D. 812: IV. Allegro vivace | | | | | | | |
| 4 Ländler, D. 814 Nr. 1 | | | | | | | |
| 4 Ländler, D. 814 Nr. 2 | | | | | | | |
| 4 Ländler, D. 814 Nr. 3 | | | | | | | |
| 4 Ländler, D. 814 Nr. 4 | | | | | | | |
| 6 Grand Marches and Trios for piano duet, op. 40, D. 819: March no. 2 in G minor | | | | | | | |
| 6 Grand Marches and Trios for piano duet, op. 40, D. 819: March no. 3 in B minor | | | | | | | |
| 8 Klavierstücke, op. 76: Nr. 1. Capriccio in F-sharp minor: Un poco agitato | | | | | | | |
| 8 Klavierstücke, op. 76: Nr. 2. Capriccio in B minor: Allegretto non troppo | | | | | | | |
| 8 Klavierstücke, op. 76: Nr. 3. Intermezzo in A-flat major: Grazioso | | | | | | | |
| 8 Klavierstücke, op. 76: Nr. 4. Intermezzo in B-flat major: Allegretto grazioso | | | | | | | |
| 8 Klavierstücke, op. 76: Nr. 5. Capriccio in C-sharp minor: Agitato, ma non troppo presto | | | | | | | |
| 8 Klavierstücke, op. 76: Nr. 6. Intermezzo in A major: Andante con moto | | | | | | | |
| 8 Klavierstücke, op. 76: Nr. 7. Intermezzo in A minor: Moderato semplice | | | | | | | |
| 8 Klavierstücke, op. 76: Nr. 8. Capriccio in C major: Grazioso ed un poco vivace | | | | | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: No. 6 in D major (Vivace) | | | | | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: No. 7 in F major (Allegretto) | | - Orchestre Symphonique de Dresde, Festivalový orchestr Praha, Philharmonisches Staatsorchester Hamburg, London Festival Orchestra, Philharmonia Slavonica, Orquestra Sinfônica de R. Berlim, Julian Armstrong, Cesare Cantieri, Pietro di la Corona, Edvard Kronau, Alfred Scholz, Pavel Urbanek
- [unknown]
- Philharmonia Cassovia, Andrew Mogrelia
- London Symphony Orchestra, Antal Doráti
- (show 10 more)
| | | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: No. 17 in F-sharp minor (Andantino) | | | | | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: No. 18 in D major (Molto vivace) | | | | | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: No. 19 in B minor (Allegretto) | | | | | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: No. 20 in E minor (Poco allegretto) | | | | | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: no. 21 in E minor (Vivace) | | | | | | | |
| Allegro in A minor, D. 947 "Lebensstürme" | | | | | | | |
| Ancient Airs and Dances Suite no. 3: I. Italiana | | | | | | | |
| Ancient Airs and Dances Suite no. 3: II. Arie di corte | | | | | | | |
| Ancient Airs and Dances Suite no. 3: III. Siciliana | | | | | | | |
| Ancient Airs and Dances Suite no. 3: IV. Passacaglia | | | | | | | |
| Andante and Variations for Piano with 4 Hands in G major, K. 501 | | | | | | | |
| Ballades, op. 10: No. 1 in D minor "Edward" | | | | | | | |
| Ballades, op. 10: No. 2 in D major. Andante | | | | | | | |
| Ballades, op. 10: No. 3 in B minor. Intermezzo. Allegro | | | | | | | |
| Ballades, op. 10: No. 4 in B major. Andante con moto | | | | | | | |
| Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
| Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
| Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
| | | | | |
| Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
| Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
| | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 43 more)
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| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
- (show 41 more)
| | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
- (show 55 more)
| | | | | |
| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: I. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 29 more)
| | | | | |
| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: II. Adagio | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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| Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: III. Rondo. Tempo di minuetto | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: I. [no tempo indication] | | | | | | | |
| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: II. Alla Siciliana | | | | | | | |
| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: III. Allegro | | | | | | | |
| Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: I. [Allegro] | | - The English Concert, Trevor Pinnock
- Bob Van Asperen, Carsten Lohff, Bernhard Klapprott, Marcelo Bussi, Melante Amsterdam
- Christine Schornsheim, Armin Thalheim, Mechtild Stark, Violetta Liebsch, Neues Bachisches Collegium Musicum, Burkhard Glaetzner
- Christiane Jaccottet, Christine Sartoretti, Nicole Hostettler, Leonore Klinckerfuss, Württemberg Chamber Orchestra, Jörg Faerber
- (show 40 more)
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| Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: II. Largo | | | | | | | |
| Concerto for 4 Harpsichords and Orchestra in A minor, BWV 1065: III. Allegro | | | | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | | - Marián Lapšanský, Witold Lipinsky, Maria Novak, Dubravka Tomšič, Sylvia van der Linden, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sinfonia Academica, Slovenská filharmónia, Alberto Lizzio, Marko Munih, Bystrík Režucha, Dudley Skinner
- [unknown]
- Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner
- Dinu Lipatti, Philharmonia Orchestra, Herbert von Karajan
- (show 173 more)
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| Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | | | | | | | |
| Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto | | | | | | | |
| Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace | | | | | | | |
| Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro | | | | | | | |
| Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio | | | | | | | |
| Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace | | | | | | | |
| Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro | | | | | | | |
| Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio | | | | | | | |
| Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro | | | | | | | |
| Dances of Galánta | | | | | | | |
| Deutscher Tänze mit zwei Trios und zwei Ländler, D. 618 | | | | | | | |
| Deux Marches Caractéristiques, D. 886: I. Allegro vivace | | | | | | | |
| Die verkaufte Braut | | | | Opera | | | |
| Die Zauberflöte: Ouvertüre | | | | Overture | | | |
| Divertissement à la hongroise, D. 818: I. Andante | | | | | | | |
| Divertissement à la hongroise, D. 818: II. Marcia. Andante con moto | | | | | | | |
| Divertissement à la hongroise, D. 818: III. Allegretto | | | | | | | |
| Divertissement sur des motifs originaux français, D. 823: I. Tempo di Marcia | | | | | | | |
| Divertissement sur des motifs originaux français, D. 823: II. Andantino varié | | | | | | | |
| Divertissement sur des motifs originaux français, D. 823: III. Rondeau Brillant | | | | | | | |
| Eine Nacht Auf Dem Kahlen Berge | | | | Song | | | |
| El barberillo de Lavapiés: Acto II | | | | | | | |
| Éljen a Magyar, op. 332 | | | | | | | |
| Fantasia for Mechanical Organ in F minor, K. 594: Adagio - Allegro | | | | | | | |
| Fantasia for Mechanical Organ in F minor, K. 608 | | | | | | | |
| Fantasia in F minor, op. 103, D. 940: I. Allegro molto moderato | | | | | | | |
| Fantasia in F minor, op. 103, D. 940: II. Largo | | | | | | | |
| Fantasia in F minor, op. 103, D. 940: III. Scherzo. Allegro vivace | | | | | | | |
| Fantasia in F minor, op. 103, D. 940: IV. Finale. Allegro molto moderato | | | | | | | |
| Grande Marche Funèbre in C minor, D. 859 | | | | | | | |
| Grande Marche Héroïque in A minor, D. 885 | | | | | | | |
| Guillaume Tell : Ouverture | | | | Overture | | | |
| Kindermarch in G major, D. 928 | | | | | | | |
| L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis" | | | | | | | |
| L’Arlésienne Suite no. 2: IV. Farandole | | | | | | | |
| L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) | | - Fernando Pavarotti, Luciano Pavarotti, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Luciano Pavarotti, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Plácido Domingo, Ana Panagulias, Symphonic Orchestra of Miami, Eugene Kohn
- Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine
- (show 15 more)
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| L’elisir d’amore: Atto II. Duetto “Quanto amore! Ed io, spietata!” (Adina, Dulcamara) | | - Spiro Malas, Joan Sutherland, English Chamber Orchestra, Richard Bonynge
- Ileana Cotrubaș, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Sir John Pritchard
- Kathleen Battle, Enzo Dara, Metropolitan Opera Orchestra, James Levine
- English Chamber Orchestra, Marcello Viotti
- (show 11 more)
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| La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) | | - Giuseppe Di Stefano, Rolando Panerai, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Walter Hagen-Groll, Chor der Deutschen Oper Berlin, Nicolaï Ghiaurov, Gianni Maffeo, Rolando Panerai, Luciano Pavarotti, Schöneberger Sängerknaben, Berliner Philharmoniker, Herbert von Karajan
- Jussi Björling, Robert Merrill, RCA Victor Symphony Orchestra, Renato Cellini
- Licia Albanese, Jan Peerce, Francesco Valentino, Anne McKnight, NBC Symphony Orchestra, Arturo Toscanini
- (show 61 more)
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| La del Soto del Parral | | | | Zarzuela | | | |
| La sonnambula: Atto I, scena 1. “Come noioso e lungo il cammin” … “Vi ravviso, o luoghi ameni” … “È gentil, leggiadra molto” (Rodolfo, Lisa, Tutti) | | - Maria Callas, Coro del Teatro alla Scala di Milano, Fiorenza Cossotto, Nicola Monti, Eugenia Ratti, Nicola Zaccaria, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Coro del Teatro alla Scala di Milano, Giuseppe Modesti, Eugenia Ratti, Orchestra del Teatro alla Scala di Milano, Leonard Bernstein
- Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Boris Christoff
- (show 14 more)
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| Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) | | | | | | | |
| Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) | | | | | | | |
