"Largo Al Factotum" aus Il Babiere Di Siviglia (The London Symphony Orchestra feat. bariton: Alan Opie) | Alan Opie, London Symphony Orchestra | | | 4:44 | |
A Kent Yeoman's Wooing Song: I. Lento | Stephen Jackson, BBC Symphony Chorus, Alan Opie, Joan Rodgers, BBC Symphony Orchestra, Richard Hickox | | | 2:17 | |
A Kent Yeoman's Wooing Song: II. Allegro vivo | Stephen Jackson, BBC Symphony Chorus, Alan Opie, Joan Rodgers, BBC Symphony Orchestra, Richard Hickox | | | 3:33 | |
A Kent Yeoman's Wooing Song: III. Meno mosso, con tenerezza | Stephen Jackson, BBC Symphony Chorus, Alan Opie, Joan Rodgers, BBC Symphony Orchestra, Richard Hickox | | | 7:04 | |
A Kent Yeoman's Wooing Song: IV. Allegro ritmico | Stephen Jackson, BBC Symphony Chorus, Alan Opie, Joan Rodgers, BBC Symphony Orchestra, Richard Hickox | | | 5:27 | |
A Mass of Life: Part I: II. “Erhebt eure Herzen” (Recit: Animoso, con alcuna licenza) | Alan Opie, Bournemouth Symphony Orchestra, David Hill | | | 2:00 | |
A Mass of Life: Part I: III. “In dein Auge schaute ich jüngst” (Andante tranquillo con dolcezza) | The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill | | | 13:51 | |
A Mass of Life: Part I: IV. “Wehe mir!” (Agitato ma moderato) | The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill | | | 2:40 | |
A Mass of Life: Part I: V. “Nacht ist es” (Andante molto tranquillo) | The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill | | | 8:55 | |
A Mass of Life: Part II: “Kommt! Laßt uns jetzo wandeln!” (Largo, con solennità) | The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill | | | 13:24 | |
A Mass of Life: Part II: II. “Süße Leier!” (Andante) | Alan Opie, Bournemouth Symphony Orchestra, David Hill | | | 4:43 | |
A Mass of Life: Part II: III. Lento (Orchestra) — La la la — Laßt vom Tanze nicht ab (Moderato) | The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill | | | 18:31 | |
A Mass of Life: Part II: IV. “Heißer Mittag schläft” (Lento molto) | The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill | | | 14:37 | |
A Mass of Life: Part II: V. “Gottes Weh ist tiefer” (Allegro ma non troppo, con gravità) | Alan Opie, Bournemouth Symphony Orchestra, David Hill, The Bach Choir | | | 4:28 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: "Am stillen Herd" | Ben Heppner, José van Dam, Alan Opie, Albert Dohmen, Roberto Saccà, Sir Georg Solti & Chicago Symphony Orchestra | | | 4:43 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: "Halt Meister! Nicht so geeilt!" | José van Dam, Alan Opie, Albert Dohmen, René Pape, Chicago Symphony Orchestra & Sir Georg Solti | | | 3:54 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: "Nun, Meister! Wenn's gefällt" | Albert Dohmen, Ben Heppner, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 2:26 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: "Seid meiner Treue wohl versehen" | René Pape, Alan Opie, Ben Heppner, Chicago Symphony Orchestra, Sir Georg Solti | | | 3:59 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: "Verzeiht, vielleicht schon ginget ihr zu weit" | José van Dam, Albert Dohmen, Alan Opie, Roberto Saccà, Gary Martin, René Pape, Chicago Symphony Orchestra, Sir Georg Solti | | | 4:51 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: "Was Euch zum Liede Richt und Schnur" | Albert Dohmen, Ben Heppner, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 2:59 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: Beliebt's, wir schreiten zum Merkerwahl | Albert Dohmen, Roberto Saccà, Alan Opie, René Pape, Chicago Symphony Orchestra, Sir Georg Solti | | | 5:01 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: Das heisst ein Wort, ein Wort ein Mann! | Roberto Saccà, José van Dam, Albert Dohmen, René Pape, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 2:10 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: Doch wird's wohl jetzt mir kund | José van Dam, Alan Opie, Ben Heppner, René Pape, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | | | 3:41 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: Gott grüss' euch, Meister! | José van Dam, Roberto Saccà, Alan Opie, Albert Dohmen, René Pape, Kevin Deas, John Horton Murray, Steven Tharp, Herbert Lippert, Richard Byrne, Kelly Anderson, Stephen Morscheck, Chicago Symphony Orchestra & Sir Georg Solti | | | 2:09 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: Seid ihr nun fertig? | Alan Opie, Ben Heppner, René Pape, Albert Dohmen, Kevin Deas, Kelly Anderson, Steven Tharp, Roberto Saccà, John Horton Murray, Chicago Symphony Orchestra & Sir Georg Solti | | | 2:21 | |
Die Meistersinger von Nürnberg, WWV 96, Act 1: Wohl Meister! Zur Tagesordnung kehrt | René Pape, Alan Opie, Albert Dohmen, José van Dam, Chicago Symphony Orchestra & Sir Georg Solti | | | 2:58 | |
Die Meistersinger von Nürnberg, WWV 96, Act 2: "Den Tag seh' ich erscheinen" | Alan Opie, José van Dam, Herbert Lippert, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | | | 6:55 | |
Die Meistersinger von Nürnberg, WWV 96, Act 2: "Jerum! Jerum!" | José van Dam, Alan Opie, Ben Heppner, Karita Mattila, Chicago Symphony Orchestra, Sir Georg Solti | | | 5:06 | |
Die Meistersinger von Nürnberg, WWV 96, Act 2: Mich schmerzt das Lied, ich weiß nicht wie | Karita Mattila, Ben Heppner, Alan Opie, José van Dam, Chicago Symphony Orchestra, Sir Georg Solti | | | 4:01 | |
Die Meistersinger von Nürnberg, WWV 96, Act 2: Was das eu'r Lied? | José van Dam, Alan Opie, Ben Heppner, Karita Mattila, Chicago Symphony Orchestra, Sir Georg Solti | | | 3:56 | |
Die Meistersinger von Nürnberg, WWV 96, Act 2: Zum Teufel mit dir, verdammter Kerl! | Herbert Lippert, Iris Vermillion, Alan Opie, René Pape, Ben Heppner, José van Dam, Kelly Anderson, Chicago Symphony Orchestra, Sir Georg Solti | | | 4:25 | |
Die Meistersinger von Nürnberg, WWV 96, Act 3: "Das Gedicht? Hier ließ ich's" | José van Dam, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 6:36 | |
Die Meistersinger von Nürnberg, WWV 96, Act 3: "Ein Werbelied! Von Sachs!" | Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 3:17 | |
Die Meistersinger von Nürnberg, WWV 96, Act 3: "Morgen ich leuchte" | Alan Opie, Stephen Morscheck, Chicago Symphony Orchestra, Sir Georg Solti | | | 2:41 | |
Die Meistersinger von Nürnberg, WWV 96, Act 3: Heimlich mir graut | Alan Opie, Albert Dohmen, Gary Martin, Roberto Saccà, Kevin Deas, Kelly Anderson, José van Dam, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | | | 5:32 | |
Die Meistersinger von Nürnberg, WWV 96, Act 3: O Sachs, mein Freund | René Pape, José van Dam, Alan Opie, Albert Dohmen, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | | | 3:33 | |
Die Meistersinger von Nürnberg, WWV 96, Act 3: Sie da, Herr Schreiber: auch am Morgen | José van Dam, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 3:32 | |
Die Meistersinger: Akt I. “Halt, Meister!” (ending) … “Doch wird’s wohl jetzt mir kund” | Ben Heppner, Herbert Lippert, Alan Opie, René Pape, José van Dam, Chicago Symphony Orchestra, Sir Georg Solti | | | 4:05 | |
Die Sieben Todsünden: Anger | Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas | | | 4:07 | |
Die Sieben Todsünden: Avarice | Stuart Kale, Roderick Kennedy, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas | | | 2:58 | |
Die Sieben Todsünden: Envy | Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas | | | 4:17 | |
Die Sieben Todsünden: Gluttony | Stuart Kale, Roderick Kennedy, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas | | | 3:30 | |
Die Sieben Todsünden: Lust | Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas | | | 5:15 | |
Die Sieben Todsünden: Pride | Stuart Kale, Roderick Kennedy, Julia Migenes, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas | | | 4:29 | |
Die Sieben Todsünden: Sloth | Stuart Kale, Roderick Kennedy, Alan Opie, Robert Tear, London Symphony Orchestra, Michael Tilson Thomas | | | 4:28 | |
Les Pêcheurs De Perles: "Au Fond Du Temple Saint" (Duett) (The London Symphony Orchestra feat. tenor: Bonaventura Bottone, bariton: Alan Opie) | Bonaventura Bottone, Alan Opie, London Symphony Orchestra | | | 4:48 | |
Let the Dreadful Engines, Z578 | Alan Opie, Roger Vignoles | | | 8:36 | |
Lucia of Lammermoor: Part I. "All in vain do you try" (Enrico, Chorus, Raimondo) | Geoffrey Mitchell Choir, Alan Opie, Peter Rose, Philharmonia Orchestra, David Parry | | | 3:35 | |
Lucia of Lammermoor: Part I. "Trembling, I feel the horror" (Enrico, Normanno, Raimondo) | Stephen Chaundy, Alan Opie, Peter Rose, Philharmonia Orchestra, David Parry | | | 2:15 | |
Lucia of Lammermoor: Part I. "You seem unhappy" (Normanno, Enrico, Raimondo) | Stephen Chaundy, Alan Opie, Peter Rose, Philharmonia Orchestra, David Parry | | | 2:55 | |
Lucia of Lammermoor: Part I. "Your suspicions are confirmed now" (Chorus, Normanno, Enrico, Raimondo) | Stephen Chaundy, Geoffrey Mitchell Choir, Alan Opie, Peter Rose, Philharmonia Orchestra, David Parry | | | 2:09 | |
Lucia of Lammermoor: Part II, Act I. "Come here to me, Lucia" (Enrico) | Alan Opie, Philharmonia Orchestra, David Parry | | | 1:12 | |
Lucia of Lammermoor: Part II, Act I. "In my eyes, as I approach you" | Elizabeth Futral, Alan Opie, Philharmonia Orchestra, David Parry | | | 4:41 | |
Lucia of Lammermoor: Part II, Act I. "In secret I suffered the loneliness" | Elizabeth Futral, Alan Opie, Philharmonia Orchestra, David Parry | | | 3:56 | |
Lucia of Lammermoor: Part II, Act I. "Lucia is coming to you soon" (Normanno, Enrico) | Stephen Chaundy, Alan Opie, Philharmonia Orchestra, David Parry | | | 3:13 | |
Lucia of Lammermoor: Part II, Act I. "Our mother's death still grieves her..." (Enrico, Lucia, Arturo, Raimondo, Alisa, Chorus) | Elizabeth Futral, Geoffrey Mitchell Choir, Alan Opie, Christine Rice, Peter Rose, Peter Wedd, Philharmonia Orchestra, David Parry | | | 2:13 | |
Lucia of Lammermoor: Part II, Act I. "What is that?" (Lucia, Enrico) | Elizabeth Futral, Alan Opie, Philharmonia Orchestra, David Parry | | | 1:29 | |
Lucia of Lammermoor: Part II, Act I. "What restrains me at such a moment?" (Edgardo, Enrico, Lucia, Raimondo, Alisa, Arturo) | Paul Charles Clarke, Elizabeth Futral, Alan Opie, Christine Rice, Peter Rose, Peter Wedd, Philharmonia Orchestra, David Parry | | | 3:29 | |
Lucia of Lammermoor: Part II, Act I. "Where is Lucia?" (Arturo, Enrico, Chorus) | Geoffrey Mitchell Choir, Alan Opie, Peter Wedd, Philharmonia Orchestra, David Parry | | | 1:44 | |
Lucia of Lammermoor: Part II, Act I. "Wretched man, do as we tell you" (Arturo, Enrico, Edgardo, Raimondo, Lucia, Chorus) | Paul Charles Clarke, Elizabeth Futral, Geoffrey Mitchell Choir, Alan Opie, Peter Rose, Peter Wedd, Philharmonia Orchestra, David Parry | | | 3:22 | |
Lucia of Lammermoor: Part II, Act I. "Your refusal will destroy me" (Enrico, Lucia) | Elizabeth Futral, Alan Opie, Philharmonia Orchestra, David Parry | | | 3:19 | |
Lucia of Lammermoor: Part II, Act II. "Ashton!" | Paul Charles Clarke, Alan Opie, Philharmonia Orchestra, David Parry | | | 5:53 | |
Lucia of Lammermoor: Part II, Act II. "Go, you villain, detested and hated!" (Arturo, Enrico, Chorus, Raimondo, Lucia, Edgardo, Alisa) | Paul Charles Clarke, Elizabeth Futral, Geoffrey Mitchell Choir, Alan Opie, Christine Rice, Peter Rose, Peter Wedd, Philharmonia Orchestra, David Parry | | | 2:27 | |
Lucia of Lammermoor: Part II, Act II. "Here is Enrico" (Raimondo, Enrico, Chorus, Lucia) | Elizabeth Futral, Geoffrey Mitchell Choir, Alan Opie, Peter Rose, Philharmonia Orchestra, David Parry | | | 3:03 | |
Lucia of Lammermoor: Part II, Act II. "I long for the moment when daylight is dawning" (Edgardo, Enrico) | Paul Charles Clarke, Alan Opie, Philharmonia Orchestra, David Parry | | | 2:45 | |
Lucia of Lammermoor: Part II, Act II. "Scatter your tears of anguish" (Lucia, Enrico, Raimondo, Chorus) | Elizabeth Futral, Geoffrey Mitchell Choir, Alan Opie, Peter Rose, Philharmonia Orchestra, David Parry | | | 4:40 | |
Lucia of Lammermoor: Part II, Act II. "Violent and cruel is the night" (Edgardo, Enrico) | Paul Charles Clarke, Alan Opie, Philharmonia Orchestra, David Parry | | | 2:18 | |
Mary Stuart, A. 43, In. 52, Act I: But, where is the Earl of Dudley? (Elizabeth, Cecil, Dudley) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, David Rendall, Rosalind Plowright | | | 2:11 | |
Mary Stuart, A. 43, In. 52, Act I: In this moment of rejoicing (Talbot, Elizabeth, Cecil, Chorus) | Sir Charles Mackerras, English National Opera Orchestra, English National Opera Chorus, Alan Opie, John Tomlinson, Rosalind Plowright | | | 1:49 | |
Mary Stuart, A. 43, In. 52, Act I: May the light of wisdom and justice (Elizabeth, Cecil, Chorus) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, Rosalind Plowright, English National Opera Chorus | | | 4:24 | |
Mary Stuart, A. 43, In. 52, Act II: Bid her welcome! (Dudley, Elizabeth, Talbot, Mary) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, David Rendall, Rosalind Plowright, John Tomlinson | | | 0:41 | |
Mary Stuart, A. 43, In. 52, Act II: Dead to justice, throne and kingdom (Mary, Cecil, Elizabeth, Dudley, Talbot) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, David Rendall, Rosalind Plowright, Alan Opie, John Tomlinson | | | 7:18 | |
Mary Stuart, A. 43, In. 52, Act II: Go, prepare yourself for sentence (Mary, Cecil, Elizabeth, Dudley, Talbot) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, David Rendall, Rosalind Plowright, Alan Opie, John Tomlinson | | | 2:07 | |
Mary Stuart, A. 43, In. 52, Act II: Report has not failed me (Elizabeth, Mary, Talbot, Hannah, Dudley, Cecil) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, John Tomlinson, Rosalind Plowright, David Rendall, Alan Opie | | | 2:38 | |
Mary Stuart, A. 43, In. 52, Act II: What place is this then? (Elizabeth, Dudley, Cecil, Talbot, Mary) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, David Rendall, Rosalind Plowright, Alan Opie, John Tomlinson | | | 2:24 | |
Mary Stuart, A. 43, In. 52, Act III Scene 1: Still pensive? Still delaying? (Cecil, Elizabeth) | Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright, Alan Opie | | | 4:01 | |
Mary Stuart, A. 43, In. 52, Act III Scene 1: While she's living I'm still in danger (Cecil, Elizabeth) | Sir Charles Mackerras, English National Opera Orchestra, Rosalind Plowright, Alan Opie | | | 3:40 | |
Mary Stuart, A. 43, In. 52, Act III Scene 1: You have conspired a sister's death (Dudley, Elizabeth, Cecil) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, David Rendall, Rosalind Plowright | | | 3:44 | |
Mary Stuart, A. 43, In. 52, Act III Scene 1: Your Highness! You do but speed her execution (Dudley, Elizabeth, Cecil) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, David Rendall, Rosalind Plowright | | | 4:51 | |
Mary Stuart, A. 43, In. 52, Act III Scene 2: Elizabeth will continue to mock and insult me (Mary, Cecil) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie | | | 4:53 | |
Mary Stuart, A. 43, In. 52, Act III Scene 3: Death hovers near me, so take my pardon (Mary, Hannah, Talbot, Cecil, Chorus) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, John Tomlinson, David Rendall, English National Opera Chorus | | | 4:03 | |
Mary Stuart, A. 43, In. 52, Act III Scene 3: Dudley approaches (Talbot, Mary, Dudley, Cecil) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, John Tomlinson, David Rendall | | | 2:21 | |
Mary Stuart, A. 43, In. 52, Act III Scene 3: The signal (All, Cecil, Mary) | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, John Tomlinson, David Rendall | | | 1:27 | |
Mary Stuart, A. 43, In. 52, Act III Scene 3: Though you once made a vow to protect me (Mary, Dudley, Talbot, Hannah, Chorus, Cecil | Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Alan Opie, John Tomlinson, David Rendall, English National Opera Chorus | | | 5:17 | |
Otello, Act 1: Abbasso le spade! | Luciano Pavarotti, Leo Nucci, Anthony Rolfe Johnson, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 2:58 | |
Otello, Act 1: Capitano, v'attende la fazione ai baluardi | Alan Opie, Anthony Rolfe Johnson, Leo Nucci, John Keyes, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | | | 1:16 | |
Otello, Act 1: Una vela! Una vela! | Alan Opie, Anthony Rolfe Johnson, John Keyes, Leo Nucci, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | | | 4:19 | |
Otello, Act 4: Aprite! Aprite! | Elzbieta Ardam, Luciano Pavarotti, Kiri Te Kanawa, Anthony Rolfe Johnson, Leo Nucci, Dmitri Kavrakos, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 3:07 | |
Otello, Act 4: Niun mi tema | Luciano Pavarotti, Anthony Rolfe Johnson, Dmitri Kavrakos, Alan Opie, Chicago Symphony Orchestra, Sir Georg Solti | | | 5:25 | |
Otello: Atto I. “Abbasso le spade!” (Otello, Jago, Cassio, Montano) | Elena Doria, Margaret Hillis, Leo Nucci, Alan Opie, Luciano Pavarotti, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | | | 2:58 | |
Otello: Atto I. “Capitano, v'attende la fazione ai baluardi” (Montano, Cassio, Jago, Roderigo, coro) | Elena Doria, Margaret Hillis, Chicago Symphony Chorus, John Keyes, Leo Nucci, Alan Opie, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | | | 1:16 | |
Otello: Atto I. “Una vela! Una vela!” (Coro, Montano, Cassio, Jago) | Elena Doria, Margaret Hillis, Chicago Symphony Chorus, Leo Nucci, Alan Opie, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | | | 4:19 | |
Otello: Atto III. “Dio! mi potevi scagliar - Cassio è là!” | Alan Opie, Luciano Pavarotti, Chicago Symphony Orchestra, Sir Georg Solti | | | 3:56 | |
Otello: Atto IV, scena 3. “Niun mi tema” | Dmitri Kavrakos, Alan Opie, Luciano Pavarotti, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | | | 4:32 | |
Otello: Atto IV. “Niun mi tema” (Otello, Cassio, Lodovico, Montano) | Elena Doria, Margaret Hillis, Dmitri Kavrakos, Alan Opie, Luciano Pavarotti, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | | | 4:35 | |
Prelude and Idyll: Idyll: Once I pass’d through a populous city (Andante moderato) | Alan Opie, Janice Watson, Bournemouth Symphony Orchestra, David Hill | | | 16:37 | |
Rigoletto: Act I, Scene I. “I demand to see him” (Monterone, Duke, Rigoletto, Borsa, Marullo, Ceprano, Courtiers) | Norman Bailey, Arthur Davies, English National Opera Chorus, Terry Jenkins, Alan Opie, John Rawnsley, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | | | 4:54 | |
Rigoletto: Act I, Scene I. “It’s happened! It’s happened!” (Marullo, Chorus, Duke, Rigoletto, Ceprano, Borsa, Courtiers) | Arthur Davies, English National Opera Chorus, Terry Jenkins, Alan Opie, John Rawnsley, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | | | 2:48 | |
Rigoletto: Act I, Scene II. “Gualtier Maldè, you were the first to love me… Dearest name of my first love” (Gilda, Borsa, Ceprano, Chorus, Marullo) | English National Opera Chorus, Helen Field, Terry Jenkins, Alan Opie, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | | | 6:20 | |
Rigoletto: Act I, Scene II. “I have returned. But why?” (Rigoletto, Borsa, Ceprano, Marullo) | Terry Jenkins, Alan Opie, John Rawnsley, Mark Richardson, English National Opera Orchestra, Sir Mark Elder | | | 2:19 | |