| arranged |
---|
| Fuge E-dur (aus dem 'Wohltemperierten Klavier' Teil II No.9 E-dur BWV) | | | Festival Strings Lucerne, Rudolf Baumgartner | 3:14 |
| Fugue from WTC II, arranged for string quartet, in C minor (B-flat minor, BWV 891) | | | The Bach Players | 3:17 |
| Fugue in E-flat major, BWV 876 | | | Danish String Quartet | 2:02 |
| Requiem in D minor, K. 626: 1. Introitus: Requiem / 2. Kyrie | | | Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Edith Mathis, Wiener Philharmoniker, Karl Böhm | 9:37 |
| instruments arranged |
---|
| Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": I. Allegro | | piano [two pianos] | Radu Lupu, Murray Perahia, English Chamber Orchestra | 8:11 |
| Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": II. Adagio | | piano [two pianos] | Radu Lupu, Murray Perahia, English Chamber Orchestra | 7:11 |
| Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": III. Rondeau. Tempo di menuetto | | piano [two pianos] | Radu Lupu, Murray Perahia, English Chamber Orchestra | 5:20 |
| orchestrated |
---|
| For Unto Us a Child Is Born | | | Brian Kay, Huddersfield Choral Society, The Royal Philharmonic Orchestra, Sir Charles Mackerras | 4:00 |
| Hallelujah! Chorus | | | Brian Kay, Huddersfield Choral Society, The Royal Philharmonic Orchestra, Sir Charles Mackerras | 3:44 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 1 Overture | | | George Frideric Handel | 7:01 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 2 Recitative: “Am königlichen Feste” (tenor) | | | George Frideric Handel | 1:04 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 3 Aria & Chorus: “Selig, selig, selig Paar!” (tenor) | | | George Frideric Handel | 5:53 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 4 Recitative: “Der Sänger ragt hervor” (tenor) | | | George Frideric Handel | 0:27 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 5 Accompagnato: “Das Lied begann vom Zeus” (soprano) | | | George Frideric Handel | 1:01 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 6 Chorus: “Den stillen Trupp entzückt das hohe Lied” | | | George Frideric Handel | 2:33 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 7 Aria: “Der König horcht mit stolzem Ohr” (soprano) | | | George Frideric Handel | 3:55 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 8 Recitative: “Des Bacchus Lob stimmt nun der süße Künstler an” (bass) | | | George Frideric Handel | 0:48 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 9 Aria & Chorus: “Bacchus, ewig jung und schön” (bass) | | | George Frideric Handel | 4:53 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 10 Recitative: “Siegprangend fühlt der Held das Lied!” (tenor) | | | George Frideric Handel | 0:48 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 11 Accompagnato: “Nun flößt sein Tauerton” (soprano) | | | George Frideric Handel | 1:21 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 12 Aria: “Er sang den Perser groß und gut” (soprano) | | | George Frideric Handel | 3:10 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 13 Accompagnato: “Gesenkt das Haupt, sitzt traurig da der Held” (soprano) | | | George Frideric Handel | 1:20 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 14 Chorus: “Seht an den Perser, groß und gut” | | | George Frideric Handel | 2:51 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 15 Recitative: “Der Meister lächelt, weil er sieht” (soprano) | | | George Frideric Handel | 0:35 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 16 Arioso: “Töne sanft, du lydisch Brautlied!” (soprano) | | | George Frideric Handel | 3:32 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 17 Aria: “Krieg, o Held, ist Sort und Arbeit” (tenor) | | | George Frideric Handel | 5:05 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 18 Chorus: “Die ganze Schar erhebt ein Lobgeschrei” | | | George Frideric Handel | 4:34 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 19 Aria: “Der Held, der seine Glut umsonst verhehlt” (soprano) | | | George Frideric Handel | 6:43 |
| Timotheus oder Die Gewalt der Musik: Part I. No. 20 Chorus da capo: “Die ganze Schar erhebt ein Lobgeschrei” | | | George Frideric Handel | 5:02 |
| Timotheus oder Die Gewalt der Musik: Part II. No. 20 Accompagnato: “Erschalle, goldnes Saitenspiel” (tenor) / Chorus: “Brich die Bande seines Schlummers” / Accompagnato: “Sieh da! Der Donneschlag hat ihn aufgeschreckt” (tenor) | | | George Frideric Handel | 4:59 |
| Timotheus oder Die Gewalt der Musik: Part II. No. 21 Aria: “Gib Rach'!” (bass) | | | George Frideric Handel | 8:26 |
| Timotheus oder Die Gewalt der Musik: Part II. No. 22 Accompagnato: “Rache, Rache gib deinem wackren Heer!” (tenor) | | | George Frideric Handel | 1:44 |
| Timotheus oder Die Gewalt der Musik: Part II. No. 23 Aria: “Es jauchzen die Krieger” (tenor) | | | George Frideric Handel | 2:15 |
| Timotheus oder Die Gewalt der Musik: Part II. No. 24 Aria: “Thais führt ihn an” (soprano) / Chorus: “Die Krieger, sie jauchzen” | | | George Frideric Handel | 5:24 |
| Timotheus oder Die Gewalt der Musik: Part II. No. 25 Accompagnato: “So stimmte vor” (tenor) / Chorus: “Vom Himmel kam Caecilia” | | | George Frideric Handel | 6:31 |
| Timotheus oder Die Gewalt der Musik: Part II. No. 26 Recitative: “Timotheus, entsag dem Preis!” (tenor, bass) | | | George Frideric Handel | 0:25 |
| Timotheus oder Die Gewalt der Musik: Part II. No. 27 Soloists & Chorus: “Timotheus, entsag dem Preis!” | | | George Frideric Handel | 5:06 |
| Timotheus oder Die Gewalt der Musik: Part II. Speech by Nikolaus Harnoncourt / Audience singalong | | | George Frideric Handel | 6:00 |
| produced material that was sampled in |
---|
| RZA Intro | | | RZA | 1:20 |
| arranged |
---|
1789 | Messiah | | | Handel; La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire | |
| composed |
---|
| Berliner Philharmoniker >> Im Takt der Zeit 1996, CD 10 | | | Wolfgang Amadeus Mozart & Claudio Abbado | |
| Die Entführung aus dem Serail | | | Mozart; Kenny, Watson, Schreier, Gahmlich, Salminen, Chor und Mozartorchester des Opernhauses Zürich, Harnoncourt | |
| Die Zauberflöte | | | Mozart; Berliner Philharmoniker, Sir Thomas Beecham | |
| Die Zauberflöte | | | Wolfgang Amadeus Mozart | |
| Die Zauberflöte | | | Wolfgang Amadeus Mozart; Arnold Östman, Drottningholm Court Theatre Orchestra, Drottningholm Theatre Chorus | |
| Don Giovanni | | | Mozart; Roger Norrington, Andreas Schmidt, Alastair Miles, Amanda Halgrimson, Lynne Dawson, John Mark Ainsley, Gregory Yurisich, Nancy Argenta, Gerald Finley, The London Classical Players & The Schütz Choir of London | |
| Don Giovanni | | | Mozart; Hampson, Alexander, Bonney, Blochwitz, Polgár, Scharinger, Holl, Royal Concertgebouw Orchestra Amsterdam, Harnoncourt | |
| Eine kleine Zauberflöte - Kinderoper nach W.A. Mozart | | | Wolfgang Amadeus Mozart | |
| Fantasia | | | DanyloM & Wolfgang Lohr | |
| Lucio Silla | | | Mozart; Peter Schreier, Edita Gruberová, Cecilia Bartoli, Dawn Upshaw, Yvonne Kenny, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| Mass in C | | | Mozart; Natalie Dessay, Véronique Gens, Topi Lehtipuu, Luca Pisaroni, Le Concert d'Astrée, Louis Langrée | |
| Mozart | | | Wolfgang Amadeus Mozart; Concerto Köln | |
| Mozart - 3 Quartette Für Klarinette, Violine, Viola Und Violoncello | | | Eric Hoeprich & Les Adieux | |
| Mozart for Your Mind: Boost Your Brain Power With Wolfgang Amadeus | | | Wolfgang Amadeus Mozart | |
| Mozart. Eine Biographie. | | | Martin Geck | |
| Sacred Music | | | Mozart; Sir Colin Davis | |
| Wolfgang Amadeus Mozart - Concerto in do minore K. 419, Concerto in si bemolle maggiore K. 595 | | | Wolfgang Amadeus Mozart & Riccardo Muti & Святослав Теофилович Рихтер & Orchestra del Maggio Musicale Fiorentino | |
| tribute albums |
---|
| Eine kleine Zauberflöte - Kinderoper nach W.A. Mozart | | | Graziano Mandozzi, Wolfgang Bücker und Jürgen Nola | |
| Mozart: Opera & Concert Arias | | | Karina Gauvin | |
| Mozartovic | | | Uwaga! | |
| arranged |
---|
1782 | Fugue for Four Voices after J.S. Bach, K. 405 no. 1 in C minor (BWV 871) | | | | |
1782 | Fugue for Four Voices after J.S. Bach, K. 405 no. 2 in E-flat major (BWV 876) | | | | |
1782 | Fugue for Four Voices after J.S. Bach, K. 405 no. 3 in E major (BWV 878) | | | | |
1782 | Fugue for Four Voices after J.S. Bach, K. 405 no. 4 in D minor (BWV 877) | | | | |
1782 | Fugue for Four Voices after J.S. Bach, K. 405 no. 5 in D major (BWV 874) | | | | |
1789 | Der Messias: 1. Sinfonia. Grave - Allegro moderato | | | | |
1789 | Der Messias: 2a. Arioso (Tenor): Tröste dich, mein Volk | | | | |
1789 | Der Messias: 2b. Arie (Tenor): Alle Tale macht hoch erhaben | | | | |
1789 | Der Messias: 3. Chor: Denn die Herrlichkeit Gottes | | | | |
1789 | Der Messias: 4a. Rezitativ (Baß): So spricht der Herr, Gott Zebaoth | | | | |
1789 | Der Messias: 4b. Arie (Alt): Doch wer wird ertragen den Tag seiner Ankunft | | | | |
1789 | Der Messias: 5a. Chor: Und er wird reinigen und läutern das Volk des Bundes | | | | |
1789 | Der Messias: 5b. Rezitativ (Alt): Denn sieh, der Verheißene des Herrn erscheint | | | | |
1789 | Der Messias: 6a. Arie (Alt): O du, die Wonne verkündet in Zion | | | | |
1789 | Der Messias: 6b. Chor: O du, die Wonne verkündet in Zion | | | | |
1789 | Der Messias: 7a. Rezitativ (Baß): Denn blick auf: Finsternis deckt alle Welt | | | | |
1789 | Der Messias: 7b. Arie (Baß): Das Volk, das da wandelt im Dunkel | | | | |
1789 | Der Messias: 8. Chor: Denn es ist uns ein Kind geboren | | | | |
1789 | Der Messias: 9a. Hirtenmusik. Larghetto e mezzo piano | | | | |
1789 | Der Messias: 9b. Rezitativ (Sopran): Es waren Hirten beisammen auf dem Felde | | | | |
1789 | Der Messias: 10. Rezitativ (Sopran): Und sieh, der Engel des Herrn | | | | |
1789 | Der Messias: 11. Rezitativ (Sopran): Und alsobald war da bei dem Engel | | | | |
1789 | Der Messias: 12. Chor: Ehre sei Gott in der Höhe | | | | |
1789 | Der Messias: 13a. Arie (Sopran): Erwach, frohlocke, o Tochter von Zion | | | | |
1789 | Der Messias: 13b. Rezitativ (Alt): Dann wird das Auge des Blinden sich auftun | | | | |
1789 | Der Messias: 14. Duett (Sopran, Alt): Er weidet seine Herde | | | | |
1789 | Der Messias: 15. Chor: Sein Joch ist sanft | | | | |
1789 | Der Messias: 16. Chor: Seht an das Gotteslamm | | | | |
1789 | Der Messias: 17. Arie (Alt): Er ward verschmähet und verachtet | | | | |
1789 | Der Messias: 18. Chor: Wahrlich, er trug unsre Qual | | | | |
1789 | Der Messias: 19. Chor: Durch seine Wunden sind wir geheilet | | | | |
1789 | Der Messias: 20. Chor: Der Herde gleich, vom Hirten fern | | | | |
1789 | Der Messias: 21. Rezitativ (Tenor): Und alle, die ihn sehen, sprechen ihm Hohn | | | | |
1789 | Der Messias: 22. Chor: Er trauete Gott, dass er würd’ erretten ihn | | | | |
1789 | Der Messias: 23a. Rezitativ (Tenor): Diese Schmach brach ihm sein Herz | | | | |
1789 | Der Messias: 23b. Arioso (Tenor): Schau hin und sieh | | | | |
1789 | Der Messias: 24a. Rezitativ (Tenor): Er ist dahin aus dem Lande des Lebens | | | | |
1789 | Der Messias: 24b. Arie (Tenor): Doch du ließest ihn im Grabe nicht | | | | |
1789 | Der Messias: 25a. Chor: Hoch tut euch auf | | | | |
1789 | Der Messias: 25b. Rezitativ (Tenor): Zu welchen von den Engeln | | | | |
1789 | Der Messias: 26. Chor: Der Herr gab das Wort | | | | |
1789 | Der Messias: 27. Arie (Sopran): Wie lieblich ist der Boten Schritt | | | | |
1789 | Der Messias: 28. Chor: Ihr Schall gehet aus in jedes Land | | | | |
1789 | Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden | | | | |
1789 | Der Messias: 30a. Chor: Brecht entzwei die Ketten alle | | | | |
1789 | Der Messias: 30b. Rezitativ (Tenor): Der da wohnet im Himmel | | | | |
1789 | Der Messias: 31. Arie (Tenor): Du zerschlägst sie mit dem eisernen Zepter | | | | |
1789 | Der Messias: 32. Chor: Halleluja | | | | |
1789 | Der Messias: 33. Arie (Sopran): Ich weiß, daß mein Erlöser lebet | | | | |
1789 | Der Messias: 34. Chor: Wie durch Einen der Tod | | | | |
1789 | Der Messias: 35a. Rezitativ (Baß): Vernehmt, ich künd’ ein Geheimnis an | | | | |
1789 | Der Messias: 35b. Arie (Baß): Sie schallt, die Posaun’ | | | | |
1789 | Der Messias: 35c. Rezitativ (Alt): Dann wird erfüllt, was da geschrieben stehet | | | | |
1789 | Der Messias: 36. Duet: O Tod, wo ist dein Pfeil | | | | |
1789 | Der Messias: 37a. Chorus: Doch Dank dir, Dank sei dir, Gott | | | | |
1789 | Der Messias: 37b. Recitative acc.: Wenn Gott ist für uns | | | | |
1789 | Der Messias: 38a. Chor: Würdig ist das Lamm | | | | |
1789 | Der Messias: 38b. Chor: Amen | | | | |
1789 | Der Messias: Part II | | | | |
| 3 Quartets, op. 79 | | | | |
| Acis und Galatea, K. 566 | | | | |
| Acis und Galatea, K. 566: Aufzug I | | | | |
| Acis und Galatea, K. 566: Aufzug II | | | | |
| Das Alexander-Fest, K. 591: Part I | | | | |
| Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Das Lied begann vom Zeus" | | | | |
| Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Gesenkt das Haupt sitzt traurig da der Held" | | | | |
| Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Nun flößt sein Trauerton" | | | | |
| Das Alexander-Fest, K. 591: Part I. Aria: "Bacchus ewig jung und schön" | | | | |
| Das Alexander-Fest, K. 591: Part I. Aria: "Der Fürst, der Seine Glut umsonst vorhehlt" | | | | |
| Das Alexander-Fest, K. 591: Part I. Aria: "Der König horcht mit stolzem Ohr" | | | | |
| Das Alexander-Fest, K. 591: Part I. Aria: "Er sang den Perser groß und gut" | | | | |
| Das Alexander-Fest, K. 591: Part I. Aria: "Krieg, O Held, ist Sorg' und Arbeit" | | | | |
| Das Alexander-Fest, K. 591: Part I. Aria: "Selig, selig, selig, Paar!" | | | | |
| Das Alexander-Fest, K. 591: Part I. Aria: "Töne sanft, du lydisch Brautlied" | | | | |
| Das Alexander-Fest, K. 591: Part I. Chorus - da capo: "Die ganze Schar erhebt ein Lobgeschrei" | | | | |
| Das Alexander-Fest, K. 591: Part I. Chorus: "Bacchus' Schlauch ist unser Erbteil" | | | | |
| Das Alexander-Fest, K. 591: Part I. Chorus: "Den stillen Trupp enzücht das hohe Lied" | | | | |
| Das Alexander-Fest, K. 591: Part I. Chorus: "Die ganze Schar erhebt ein Lobgeschrei" | | | | |
| Das Alexander-Fest, K. 591: Part I. Chorus: "Seht an, den Perser groß und gut" | | | | |
| Das Alexander-Fest, K. 591: Part I. Chorus: "Selig, selig, selig, Paar!" | | | | |
| Das Alexander-Fest, K. 591: Part I. Overture | | | | |
| Das Alexander-Fest, K. 591: Part I. Recit: "Am königlichen Fest" | | | | |
| Das Alexander-Fest, K. 591: Part I. Recit: "Der Meister lächelt, weil er sieht" | | | | |
| Das Alexander-Fest, K. 591: Part I. Recit: "Der Sänger ragt hervor" | | | | |
| Das Alexander-Fest, K. 591: Part I. Recit: "Des Bacchus Lob stimmt nun der süße Künstler an" | | | | |
| Das Alexander-Fest, K. 591: Part I. Recit: "Siegprandend fühlt der Held das Lied" | | | | |
| Das Alexander-Fest, K. 591: Part II | | | | |
| Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel" | | | | |
| Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!" | | | | |
| Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!" | | | | |
| Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten" | | | | |
| Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut" | | | | |
| Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut" | | | | |
| Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut" | | | | |
| Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar" | | | | |
| Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an" | | | | |
| Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers" | | | | |
| Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut" | | | | |
| Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!" | | | | |
| Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia" | | | | |
| See all 174 relationships |
| composed |
---|
1761 | Allegro in C major | | | | |
1761 | Andante in C major | | | | |
1762-01 | Minuet for Keyboard in F major | | | | |
1762-03-04 | Allegro for Keyboard in B-flat major | | | | |
1762-05-11 | Menuett in F major | | | | |
1762-07-16 | Menuett in F major | | | | |
1762 – 1764 | Violin Sonata in C major, K. 6 | | | | |
1762 – 1764 | Violin Sonata in D major, K. 7 | | | | |
1763-10 | Andante in F major | | | | |
1763-10 | Menuett in C major, K. 6 | | | | |
1763-11-21 | Allegro in B-flat major | | | | |
1763-11-30 | Menuett in D major | | | | |
1763 | Allegro in C major | | | | |
1764-01 | Violin Sonata in B-flat major, K. 8 | | | | |
1764 | Andante in B-flat for Piano | | | | |
1764 | Symphony no. 1 in E-flat major, K. 16 | | | | |
1764 | Symphony no. 1 in E-flat major, K. 16: I. Allegro molto | | | | |
1764 | Symphony no. 1 in E-flat major, K. 16: II. Andante | | | | |
1764 | Symphony no. 1 in E-flat major, K. 16: III. Presto | | | | |
1764 | Violin Sonata in A major, K. 12 | | | | |
1764 | Violin Sonata in B-flat major, K. 10 | | | | |
1764 | Violin Sonata in B-flat major, K. 15 | | | | |
1764 | Violin Sonata in C major, K. 14 | | | | |
1764 | Violin Sonata in F major, K. 13 | | | | |
1764 | Violin Sonata in G major, K. 9 | | | | |
1764 | Violin Sonata in G major, K. 9: I. Allegro spiritoso | | | | |
1764 | Violin Sonata in G major, K. 9: II. Andante | | | | |
1764 | Violin Sonata in G major, K. 9: III. Minuet I & II | | | | |
1764 | Violin Sonata in G major, K. 11 | | | | |
1764 – 1765 | The London Sketchbook, K. 15a-15ss | | | | |
1764 – 1765 | The London Sketchbook, K. 15a-15ss | | | | |
1765 | Symphony in C major | | | | |
1765 | Symphony in F major, K. 19a / Anh 223: I. Allegro assai | | | | |
1765 | Symphony in F major, K. 19a / Anh 223: II. Andante | | | | |
1765 | Symphony in F major, K. 19a / Anh 223: III. Presto | | | | |
1765 | Symphony in F major, K. 19a / Anh. 223 | | | | |
1765 | Symphony no. 4 in D major, K. 19 | | | | |
1765 | Symphony no. 4 in D major, K. 19: I. Allegro | | | | |
1765 | Symphony no. 4 in D major, K. 19: II. Andante | | | | |
1765 | Symphony no. 4 in D major, K. 19: III. Presto | | | | |
1765 | Symphony no. 5 in B-flat major, K. 22 | | | | |
1765 | Symphony no. 5 in B-flat major, K. 22: I. Allegro | | | | |
1765 | Symphony no. 5 in B-flat major, K. 22: II. Andante | | | | |
1765 | Symphony no. 5 in B-flat major, K. 22: III. Allegro molto | | | | |
1766-02 | Violin Sonata in B-flat major, K. 31 | | | | |
1766-02 | Violin Sonata in C major, K. 28 | | | | |
1766-02 | Violin Sonata in D major, K. 29 | | | | |
1766-02 | Violin Sonata in E-flat major, K. 26 | | | | |
1766-02 | Violin Sonata in F major, K. 30 | | | | |
1766-02 | Violin Sonata in G major, K. 27 | | | | |
1766-02 | Violin Sonata in G major, K. 27: I. Andante poco Adagio | | | | |
1766-02 | Violin Sonata in G major, K. 27: II. Allegro | | | | |
1766 | 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180: Menuetto Andante. Thema | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25 | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Air - Allegro | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation I | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation II | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation III | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation IV | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation V Adagio | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VI | | | | |
1766 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VII | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24 | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Tema. Allegretto | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation I | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation II | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation III | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation IV | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation V | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VI | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VII Adagio | | | | |
1766 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VIII Tempo I | | | | |
1767-10-15 | Ach, was müssen wir erfahren!, K. 43a/Anh. 24a | | | | |
1767 | Apollo et Hyacinthus, K. 38 | | | | |
1767 | Apollo et Hyacinthus, K. 38: Act I | | | | |
1767 | Apollo et Hyacinthus, K. 38: Act II | | | | |
1767 | Apollo et Hyacinthus, K. 38: Act III | | | | |
1767 | Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel) | | | | |
1767 | Concerto for Piano no. 1 in F major, K. 37 | | | | |
1767 | Concerto for Piano no. 2 in B-flat major, K. 39 | | | | |
1767 | Concerto for Piano no. 3 in D major, K. 40 | | | | |
1767 | Concerto for Piano no. 4 in G major, K. 41 | | | | |
1767 | Offertorium in Festo S. Benedicti „Scande coeli limina“ | | | | |
1768 | Violin Sonata in F major, K. 46e | | | | |
1769 | Cassation for Orchestra in B-flat major, K. 63a/99 | | | | |
1769 | Cassation for Orchestra in G major, K. 63 | | | | |
1769 | Cassation for Orchestra in G major, K. 63: I. Marche | | | | |
1769 | Cassation for Orchestra in G major, K. 63: II. Allegro | | | | |
1769 | Cassation for Orchestra in G major, K. 63: III. Andante | | | | |
1769 | Cassation for Orchestra in G major, K. 63: IV. Minuett | | | | |
1769 | Cassation for Orchestra in G major, K. 63: V. Adagio | | | | |
1769 | Cassation for Orchestra in G major, K. 63: VI. Minuett | | | | |
1769 | Cassation for Orchestra in G major, K. 63: VII. Finale | | | | |
1769 | Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse" | | | | |
1769 | Minuet in D major | | | | |
1769 | Serenade no. 1 for Orchestra in D major, K. 62a/100 | | | | |
1769 | Serenade no. 1 for Orchestra in D major, K. 62a/100: I. Allegro | | | | |
1769 | Serenade no. 1 for Orchestra in D major, K. 62a/100: II. Andante | | | | |
1769 | Serenade no. 1 for Orchestra in D major, K. 62a/100: III. Minuetto | | | | |
1769 | Serenade no. 1 for Orchestra in D major, K. 62a/100: IV. Allegro | | | | |
| See all 4,866 relationships |
| instruments arranged |
---|
| 12 Menuette, K. 61d/103 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 1 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 2 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 3 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 4 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 5 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 6 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 7 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 8 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 9 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 10 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 11 | | piano | | |
| 12 Menuette, K. 61d/103: Menuetto no. 12 | | piano | | |
| Die Entführung aus dem Serail | | wind instruments | | |
| Die Entführung aus dem Serail, K. 384: Ouvertüre | | | | |
| Die Entführung aus dem Serail: Nr. 1. “Hier soll ich dich denn sehen” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 2. “Solche hergelauf'ne Laffen” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 3. “O wie ängstlich” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 4. “Doch wie schnell schwand meine Freude” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 5. “Durch Zärtlichkeit und Schmeicheln” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 6. “Ich gehe, doch rate ich dir” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 7. “Martern aller Arten” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 8. “Welche Wonne, welche Lust” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 9. “Frisch zum Kampfe!” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 10. “Vivat Bacchus! Bacchus lebe!” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 11. “Wenn der Freude Tränenflie ßen” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 12. “Ach Belmonte!” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 13. “Ich baue ganz auf Deine Stärke” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 14. “O, wie will ich triumphieren” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 15. “Welch ein Geschick! Oo Qual der Seele!” | | wind instruments | | |
| Die Entführung aus dem Serail: Nr. 16. Finale | | wind instruments | | |
| Die Entführung aus dem Serail: Ouvertüre | | wind instruments | | |
| libretto |
---|
1797 | Vogelstar | | | | |
| lyrics |
---|
| Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414: I. Allegro | | | | |
| Don Giovanni: IV. "Madamina, il catalogo è questo" | | | | |
| Greife nach dem Wind | | | | |
| Letters from Composers: II. W. A. Mozart to his father | | | | |
| Symphony no. 40 in G minor, K. 550 “Great” | | | | |
| orchestrated |
---|
| Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen" | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!” | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass) | | | | |
| Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor) | | | | |
| Requiem in D minor, K. 626: I. Introitus: Requiem aeternam | | | | |
| Requiem in D minor, K. 626: II. Kyrie eleison | | | | |
| Violin Concerto in E minor, K. 470a | | | | |
| Violin Concerto in E minor, K. 470a: I. Adagio non troppo | | | | |
| Violin Concerto in E minor, K. 470a: II. Adagio | | | | |
| Violin Concerto in E minor, K. 470a: III. Rondo. Allegro | | | | |
| previous attribution |
---|
| 6 Minuets for Orchestra, K. 61e/104 | | | | |
| 6 Minuets for Orchestra, K. 61e/104: No. 1 in C major | | | | |
| 6 Minuets for Orchestra, K. 61e/104: No. 2 in F major | | | | |
| 6 Minuets for Orchestra, K. 61e/104: No. 3 in C major | | | | |
| 6 Minuets for Orchestra, K. 61e/104: No. 4 in A major | | | | |
| 6 Minuets for Orchestra, K. 61e/104: No. 5 in G major | | | | |
| 6 Minuets for Orchestra, K. 61e/104: No. 6 in G major | | | | |
| 6 Minuets for Orchestra, K. 61f/105 | | | | |
| 6 Minuets for Orchestra, K. 61f/105: No. 1 in D major | | | | |
| 6 Minuets for Orchestra, K. 61f/105: No. 2 in D major | | | | |
| 6 Minuets for Orchestra, K. 61f/105: No. 3 in D major | | | | |
| 6 Minuets for Orchestra, K. 61f/105: No. 4 in G major | | | | |
| 6 Minuets for Orchestra, K. 61f/105: No. 5 in G major | | | | |
| 6 Minuets for Orchestra, K. 61f/105: No. 6 in G major | | | | |
| Abendruhe, K. Anh. C 9.10 | | | | |
| Adoramus te | | | | |
| Allegro for Piano in B-flat major, K. Anh. C 25.04/(K3) 498a/Anh 137 | | | | |
| Brüder reicht die Hand zum Bunde | | | | |
| Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält" | | | | |
| Canon in 3 Parts in B-flat major, K. 382d/233: "Leck mir den Arsch fein recht schön sauber" | | | | |
| Cibavit eos, K. 73u/44 | | | | |
| Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a | | | | |
| Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: I. Allegro | | | | |
| Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: II. Adagio | | | | |
| Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: III. Allegro | | | | |
| Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04 | | | | |
| Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: I. Allegro moderato | | | | |
| Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: II. Un poco adagio | | | | |
| Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: III. Rondo: Allegretto | | | | |
| Convertentur sedentes, K. Anh C 3.09 | | | | |
| De profundis clamavi | | | | |
| Divertimento in C major "Kindersinfonie", Hob. II:47 | | | | |
| Divertimento in C major "Kindersinfonie", Hob. II:47: I. Allegro | | | | |
| Divertimento in C major "Kindersinfonie", Hob. II:47: II. Menuetto. Trio | | | | |
| Divertimento in C major "Kindersinfonie", Hob. II:47: III. Finale. Allegro | | | | |
| Divertimento in C major, K. Anh. C 17.12/187 | | | | |
| Divertimento in C major, K. Anh. C 17.12/187: I. Allegro moderato | | | | |
| Divertimento in C major, K. Anh. C 17.12/187: II. Menuetto | | | | |
| Divertimento in C major, K. Anh. C 17.12/187: III. Adagio | | | | |
| Divertimento in C major, K. Anh. C 17.12/187: IV. Menuetto | | | | |
| Divertimento in C major, K. Anh. C 17.12/187: V. Allegro | | | | |
| Divertimento in C major, K. Anh. C 17.12/187: VI. Allegro moderato | | | | |
| Divertimento in C major, K. Anh. C 17.12/187: VII. Allegro molto | | | | |
| Divertimento in C major, K. Anh. C 17.12/187: VIII. Allegro non troppo | | | | |
| Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious) | | | | |
| Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): I. Serenade: Rondo. Larghetto. Le nozze di Figaro “Al descio, di che t’adora" | | | | |
| Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): II. Serenade: Le Nozze di Figaro: "Voi che sapete" | | | | |
| Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): III. Serenade: Le nozze di Figaro: "Non più andrai" | | | | |
| Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano" | | | | |
| Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): V. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Vedrai, carino" | | | | |
| La Tartine de beurre | | | | |
| Land der Berge, Land am Strome | | | | |
| Lasst uns mit geschlungnen Händen | | | | |
| Minuet for Piano in B-flat major, K. Anh. C 25.05/(K3) 498a/Anh 137 | | | | |
| Schlafe mein Prinzchen | | | | |
| Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon and Orchestra, K. Anh. 9 / Anh. C 14.01 | | | | |
| Sonata in B-flat major, K. 498a/Anh. 136 | | | | |
| String Quartet in A major, K. Anh. C 20.01/Anh. 212 | | | | |
| String Quartet in A major, K. Anh. C 20.01/Anh. 212: I. Allegro assai | | | | |
| String Quartet in A major, K. Anh. C 20.01/Anh. 212: II. Thema con variazioni | | | | |
| String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210 | | | | |
| String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: I. Allegro di molto | | | | |
| String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: II.Tempo di minuetto poco Andante | | | | |
| String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: III. Presto | | | | |
| Symphony in A minor “Odense” | | | | |
| Symphony in A minor “Odense”: I. Allegro moderato | | | | |
| Symphony in A minor “Odense”: II. Andantino | | | | |
| Symphony in A minor “Odense”: III. Rondo. Allegro moderato | | | | |
| Symphony in E-flat major, op. 7 no. 6 | | | | |
| Symphony in E-flat major, op. 7 no. 6: I. Allegro | | | | |
| Symphony in E-flat major, op. 7 no. 6: II. Andante | | | | |
| Symphony in E-flat major, op. 7 no. 6: III. Presto | | | | |
| Symphony no. 2 in B-flat major, K. 17 | | | | |
| Symphony no. 2 in B-flat major, K. 17: I. Allegro | | | | |
| Symphony no. 2 in B-flat major, K. 17: II. Andante | | | | |
| Symphony no. 2 in B-flat major, K. 17: III. Menuetto: I. & II | | | | |
| Symphony no. 2 in B-flat major, K. 17: IV. Presto | | | | |
| Theme, Variations and Rondo Pastorale | | | | |
| Vergiss mein nicht | | | | |
| Violin Concerto in E-flat major, K. 268/365b/Anh. C. 14.04 | | | | |
| Violin Sonata in C minor, K 59: I. Andante | | | | |
| Violin Sonata in C minor, K 59: II. Menuetto | | | | |
| Violin Sonata in C minor, K 59: III. Allegro | | | | |
| Violin Sonata in C minor, K. 59 | | | | |
| Violin Sonata in E-flat major, K 58 (Anh. C23.04): I. Adagio | | | | |
| Violin Sonata in E-flat major, K 58 (Anh. C23.04): II. Menuetto (Moderato) | | | | |
| Violin Sonata in E-flat major, K 58 (Anh. C23.04): III. Rondo (Allegro assai) | | | | |
| Violin Sonata in E-flat major, K. 58 (Anh. C23.04) | | | | |
| Wiegenlied, K. 350 | | | | |
| Zehn Variationen über »Zu Steffen sprach im Traume« | | | | |
| revised |
---|
1782 | Serenade no. 11 for Winds in E-flat major, K. 375 | | | | |
1782 | Serenade no. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso | | | | |
1782 | Serenade no. 11 for Winds in E-flat major, K. 375: II. Minuetto | | | | |
1782 | Serenade no. 11 for Winds in E-flat major, K. 375: III. Adagio | | | | |
1782 | Serenade no. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio | | | | |
1782 | Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro | | | | |
1788 | Sonata for Piano no. 15 in F major, K. 533: III. Rondeau | | | | |
| Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate | | | | |
| Symphony no. 40 in G minor, K. 550 “Great” | | | | |
| wrote |
---|
| Concerto for Horn no. 3 in E-flat major, K. 447 | | | | |
| Sonata for Violin & Piano no. 29 in A major, K. 385e/402 (Maximilian Stadler completion) | | | | |
| Welterusten goeienacht / De drommedaris | W.A. Mozart | | | |