Wolfgang Amadeus Mozart (classical composer)

~ Person

Relationships

children:Franz Xaver Wolfgang Mozart
Karl Thomas Mozart
parents:Leopold Mozart (composer)
married:Constanze Mozart (from 1782-08-04 until 1791-12-05)
students:Thomas Attwood (ended)
Franziska Jacquin (ended)
Johann Nepomuk Hummel (composer)
Ignaz von Seyfried
teachers:Johann Ernst Eberlin
inspired the name of:Amadeus Quartet
Génération Mozart
Wiener Mozart-Trio
inspired the name of:Conservatoire municipal W. A. Mozart du centre de Paris (Les Halles, since 2016) in Paris, Île-de-France, France
has catalogue:K. deest catalog (works without K number)
Köchelverzeichnis (original numbering)
Köchelverzeichnis (sixth edition, 1964, K⁶)
Köchelverzeichnis (third edition, 1937, K³)
Köchelverzeichnis (second edition, 1905, K²)
Nannerl Notenbuch
NMA volume of Fragments ([Fr])
part of:Death by Kidney Failure (order: 94)
picture:https://commons.wikimedia.org/wiki/File:Croce-Mozart-Detail.jpg [info]
purchase music for mail-order:US: B000APY3QW [info]
purchase music for download:https://itunes.apple.com/artist/id12374 [info]
IMDb:https://www.imdb.com/name/nm0003665/ [info]
Discogs:https://www.discogs.com/artist/95546 [info]
biographies:http://www.pbs.org/wnet/gperf/education/mozart.html [info]
other databases:http://id.loc.gov/authorities/names/n80022788 [info]
http://musicmoz.org/Composition/Composers/M/Mozart,_Wolfgang_Amadeus/ [info]
http://snaccooperative.org/ark:/99166/w6h41q6m [info]
http://soundtrackcollector.com/composer/30/ [info]
https://adp.library.ucsb.edu/names/102711 [info]
https://catalogue.bnf.fr/ark:/12148/cb14027233b [info]
https://d-nb.info/gnd/118584596 [info]
https://ibdb.com/person.php?id=485475 [info]
https://nla.gov.au/nla.party-927318 [info]
https://openlibrary.org/works/OL5017833A [info]
https://rateyourmusic.com/artist/wolfgang_amadeus_mozart [info]
https://www.animenewsnetwork.com/encyclopedia/people.php?id=64140 [info]
https://www.worldcat.org/identities/lccn-n80022788 [info]
BBC Music:https://www.bbc.co.uk/music/artists/b972f589-fb0e-474e-b64a-803b0364fa75 [info] (until 2020-11-19)
VGMdb:https://vgmdb.net/artist/174 [info]
stream for free:https://open.spotify.com/artist/4NJhFmfw43RLBLjQvxDuRS [info]
https://www.deezer.com/artist/5695 [info]
Allmusic:https://www.allmusic.com/artist/mn0000026350 [info]
VIAF ID:32197206 [info]
Wikidata:Q254 [info]
IMSLP:imslp: Category:Mozart, Wolfgang Amadeus [info]
Songkick:https://www.songkick.com/artists/8344253 [info]
Last.fm:https://www.last.fm/music/Wolfgang+Amadeus+Mozart [info]
streaming page:https://music.apple.com/us/artist/12374 [info]
https://tidal.com/artist/3518587 [info]

Appearances

DateTitleCredited asAttributesArtistLength
arranged
Fuge E-dur (aus dem 'Wohltemperierten Klavier' Teil II No.9 E-dur BWV)Festival Strings Lucerne, Rudolf Baumgartner3:14
Fugue from WTC II, arranged for string quartet, in C minor (B-flat minor, BWV 891)The Bach Players3:17
Fugue in E-flat major, BWV 876Danish String Quartet2:02
Requiem in D minor, K. 626: 1. Introitus: Requiem / 2. KyrieNorbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Edith Mathis, Wiener Philharmoniker, Karl Böhm9:37
instruments arranged
Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": I. Allegropiano [two pianos]Radu Lupu, Murray Perahia, English Chamber Orchestra8:11
Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": II. Adagiopiano [two pianos]Radu Lupu, Murray Perahia, English Chamber Orchestra7:11
Concerto for 3 Pianos and Orchestra No. 7 in F major, K. 242 "Lodron": III. Rondeau. Tempo di menuettopiano [two pianos]Radu Lupu, Murray Perahia, English Chamber Orchestra5:20
orchestrated
For Unto Us a Child Is BornBrian Kay, Huddersfield Choral Society, The Royal Philharmonic Orchestra, Sir Charles Mackerras4:00
Hallelujah! ChorusBrian Kay, Huddersfield Choral Society, The Royal Philharmonic Orchestra, Sir Charles Mackerras3:44
Timotheus oder Die Gewalt der Musik: Part I. No. 1 OvertureGeorge Frideric Handel7:01
Timotheus oder Die Gewalt der Musik: Part I. No. 2 Recitative: “Am königlichen Feste” (tenor)George Frideric Handel1:04
Timotheus oder Die Gewalt der Musik: Part I. No. 3 Aria & Chorus: “Selig, selig, selig Paar!” (tenor)George Frideric Handel5:53
Timotheus oder Die Gewalt der Musik: Part I. No. 4 Recitative: “Der Sänger ragt hervor” (tenor)George Frideric Handel0:27
Timotheus oder Die Gewalt der Musik: Part I. No. 5 Accompagnato: “Das Lied begann vom Zeus” (soprano)George Frideric Handel1:01
Timotheus oder Die Gewalt der Musik: Part I. No. 6 Chorus: “Den stillen Trupp entzückt das hohe Lied”George Frideric Handel2:33
Timotheus oder Die Gewalt der Musik: Part I. No. 7 Aria: “Der König horcht mit stolzem Ohr” (soprano)George Frideric Handel3:55
Timotheus oder Die Gewalt der Musik: Part I. No. 8 Recitative: “Des Bacchus Lob stimmt nun der süße Künstler an” (bass)George Frideric Handel0:48
Timotheus oder Die Gewalt der Musik: Part I. No. 9 Aria & Chorus: “Bacchus, ewig jung und schön” (bass)George Frideric Handel4:53
Timotheus oder Die Gewalt der Musik: Part I. No. 10 Recitative: “Siegprangend fühlt der Held das Lied!” (tenor)George Frideric Handel0:48
Timotheus oder Die Gewalt der Musik: Part I. No. 11 Accompagnato: “Nun flößt sein Tauerton” (soprano)George Frideric Handel1:21
Timotheus oder Die Gewalt der Musik: Part I. No. 12 Aria: “Er sang den Perser groß und gut” (soprano)George Frideric Handel3:10
Timotheus oder Die Gewalt der Musik: Part I. No. 13 Accompagnato: “Gesenkt das Haupt, sitzt traurig da der Held” (soprano)George Frideric Handel1:20
Timotheus oder Die Gewalt der Musik: Part I. No. 14 Chorus: “Seht an den Perser, groß und gut”George Frideric Handel2:51
Timotheus oder Die Gewalt der Musik: Part I. No. 15 Recitative: “Der Meister lächelt, weil er sieht” (soprano)George Frideric Handel0:35
Timotheus oder Die Gewalt der Musik: Part I. No. 16 Arioso: “Töne sanft, du lydisch Brautlied!” (soprano)George Frideric Handel3:32
Timotheus oder Die Gewalt der Musik: Part I. No. 17 Aria: “Krieg, o Held, ist Sort und Arbeit” (tenor)George Frideric Handel5:05
Timotheus oder Die Gewalt der Musik: Part I. No. 18 Chorus: “Die ganze Schar erhebt ein Lobgeschrei”George Frideric Handel4:34
Timotheus oder Die Gewalt der Musik: Part I. No. 19 Aria: “Der Held, der seine Glut umsonst verhehlt” (soprano)George Frideric Handel6:43
Timotheus oder Die Gewalt der Musik: Part I. No. 20 Chorus da capo: “Die ganze Schar erhebt ein Lobgeschrei”George Frideric Handel5:02
Timotheus oder Die Gewalt der Musik: Part II. No. 20 Accompagnato: “Erschalle, goldnes Saitenspiel” (tenor) / Chorus: “Brich die Bande seines Schlummers” / Accompagnato: “Sieh da! Der Donneschlag hat ihn aufgeschreckt” (tenor)George Frideric Handel4:59
Timotheus oder Die Gewalt der Musik: Part II. No. 21 Aria: “Gib Rach'!” (bass)George Frideric Handel8:26
Timotheus oder Die Gewalt der Musik: Part II. No. 22 Accompagnato: “Rache, Rache gib deinem wackren Heer!” (tenor)George Frideric Handel1:44
Timotheus oder Die Gewalt der Musik: Part II. No. 23 Aria: “Es jauchzen die Krieger” (tenor)George Frideric Handel2:15
Timotheus oder Die Gewalt der Musik: Part II. No. 24 Aria: “Thais führt ihn an” (soprano) / Chorus: “Die Krieger, sie jauchzen”George Frideric Handel5:24
Timotheus oder Die Gewalt der Musik: Part II. No. 25 Accompagnato: “So stimmte vor” (tenor) / Chorus: “Vom Himmel kam Caecilia”George Frideric Handel6:31
Timotheus oder Die Gewalt der Musik: Part II. No. 26 Recitative: “Timotheus, entsag dem Preis!” (tenor, bass)George Frideric Handel0:25
Timotheus oder Die Gewalt der Musik: Part II. No. 27 Soloists & Chorus: “Timotheus, entsag dem Preis!”George Frideric Handel5:06
Timotheus oder Die Gewalt der Musik: Part II. Speech by Nikolaus Harnoncourt / Audience singalongGeorge Frideric Handel6:00
produced material that was sampled in
RZA IntroRZA1:20
arranged
1789MessiahHandel; La Grande Écurie et la Chambre du Roy, Jean‐Claude Malgoire
composed
Berliner Philharmoniker >> Im Takt der Zeit 1996, CD 10Wolfgang Amadeus Mozart & Claudio Abbado
Die Entführung aus dem SerailMozart; Kenny, Watson, Schreier, Gahmlich, Salminen, Chor und Mozartorchester des Opernhauses Zürich, Harnoncourt
Die ZauberflöteMozart; Berliner Philharmoniker, Sir Thomas Beecham
Die ZauberflöteWolfgang Amadeus Mozart
Die ZauberflöteWolfgang Amadeus Mozart; Arnold Östman, Drottningholm Court Theatre Orchestra, Drottningholm Theatre Chorus
Don Giovanni (Prague and Vienna versions)Mozart; Roger Norrington, Andreas Schmidt, Alastair Miles, Amanda Halgrimson, Lynne Dawson, John Mark Ainsley, Gregory Yurisich, Nancy Argenta, Gerald Finley, The London Classical Players & The Schütz Choir of London
Don GiovanniMozart; Hampson, Alexander, Bonney, Blochwitz, Polgár, Scharinger, Holl, Royal Concertgebouw Orchestra Amsterdam, Harnoncourt
Eine kleine Zauberflöte - Kinderoper nach W.A. MozartWolfgang Amadeus Mozart
FantasiaDanyloM & Wolfgang Lohr
Lucio SillaMozart; Peter Schreier, Edita Gruberová, Cecilia Bartoli, Dawn Upshaw, Yvonne Kenny, Concentus Musicus Wien, Nikolaus Harnoncourt
Mass in CMozart; Natalie Dessay, Véronique Gens, Topi Lehtipuu, Luca Pisaroni, Le Concert d'Astrée, Louis Langrée
MozartWolfgang Amadeus Mozart; Concerto Köln
Mozart - 3 Quartette Für Klarinette, Violine, Viola Und VioloncelloEric Hoeprich & Les Adieux
Mozart for Your Mind: Boost Your Brain Power With Wolfgang AmadeusWolfgang Amadeus Mozart
Mozart. Eine Biographie.Martin Geck
Sacred MusicMozart; Sir Colin Davis
Wolfgang Amadeus Mozart - Concerto in do minore K. 419, Concerto in si bemolle maggiore K. 595Wolfgang Amadeus Mozart & Riccardo Muti & Святослав Теофилович Рихтер & Orchestra del Maggio Musicale Fiorentino
tribute albums
Eine kleine Zauberflöte - Kinderoper nach W.A. MozartGraziano Mandozzi, Wolfgang Bücker und Jürgen Nola
Mozart: Opera & Concert AriasKarina Gauvin
MozartovicUwaga!
arranged
1782Fugue for Four Voices after J.S. Bach, K. 405 no. 1 in C minor (BWV 871)
1782Fugue for Four Voices after J.S. Bach, K. 405 no. 2 in E-flat major (BWV 876)
1782Fugue for Four Voices after J.S. Bach, K. 405 no. 3 in E major (BWV 878)
1782Fugue for Four Voices after J.S. Bach, K. 405 no. 4 in D minor (BWV 877)
1782Fugue for Four Voices after J.S. Bach, K. 405 no. 5 in D major (BWV 874)
1789Der Messias: 1. Sinfonia. Grave - Allegro moderato
1789Der Messias: 2a. Arioso (Tenor): Tröste dich, mein Volk
1789Der Messias: 2b. Arie (Tenor): Alle Tale macht hoch erhaben
1789Der Messias: 3. Chor: Denn die Herrlichkeit Gottes
1789Der Messias: 4a. Rezitativ (Baß): So spricht der Herr, Gott Zebaoth
1789Der Messias: 4b. Arie (Alt): Doch wer wird ertragen den Tag seiner Ankunft
1789Der Messias: 5a. Chor: Und er wird reinigen und läutern das Volk des Bundes
1789Der Messias: 5b. Rezitativ (Alt): Denn sieh, der Verheißene des Herrn erscheint
1789Der Messias: 6a. Arie (Alt): O du, die Wonne verkündet in Zion
1789Der Messias: 6b. Chor: O du, die Wonne verkündet in Zion
1789Der Messias: 7a. Rezitativ (Baß): Denn blick auf: Finsternis deckt alle Welt
1789Der Messias: 7b. Arie (Baß): Das Volk, das da wandelt im Dunkel
1789Der Messias: 8. Chor: Denn es ist uns ein Kind geboren
1789Der Messias: 9a. Hirtenmusik. Larghetto e mezzo piano
1789Der Messias: 9b. Rezitativ (Sopran): Es waren Hirten beisammen auf dem Felde
1789Der Messias: 10. Rezitativ (Sopran): Und sieh, der Engel des Herrn
1789Der Messias: 11. Rezitativ (Sopran): Und alsobald war da bei dem Engel
1789Der Messias: 12. Chor: Ehre sei Gott in der Höhe
1789Der Messias: 13a. Arie (Sopran): Erwach, frohlocke, o Tochter von Zion
1789Der Messias: 13b. Rezitativ (Alt): Dann wird das Auge des Blinden sich auftun
1789Der Messias: 14. Duett (Sopran, Alt): Er weidet seine Herde
1789Der Messias: 15. Chor: Sein Joch ist sanft
1789Der Messias: 16. Chor: Seht an das Gotteslamm
1789Der Messias: 17. Arie (Alt): Er ward verschmähet und verachtet
1789Der Messias: 18. Chor: Wahrlich, er trug unsre Qual
1789Der Messias: 19. Chor: Durch seine Wunden sind wir geheilet
1789Der Messias: 20. Chor: Der Herde gleich, vom Hirten fern
1789Der Messias: 21. Rezitativ (Tenor): Und alle, die ihn sehen, sprechen ihm Hohn
1789Der Messias: 22. Chor: Er trauete Gott, dass er würd’ erretten ihn
1789Der Messias: 23a. Rezitativ (Tenor): Diese Schmach brach ihm sein Herz
1789Der Messias: 23b. Arioso (Tenor): Schau hin und sieh
1789Der Messias: 24a. Rezitativ (Tenor): Er ist dahin aus dem Lande des Lebens
1789Der Messias: 24b. Arie (Tenor): Doch du ließest ihn im Grabe nicht
1789Der Messias: 25a. Chor: Hoch tut euch auf
1789Der Messias: 25b. Rezitativ (Tenor): Zu welchen von den Engeln
1789Der Messias: 26. Chor: Der Herr gab das Wort
1789Der Messias: 27. Arie (Sopran): Wie lieblich ist der Boten Schritt
1789Der Messias: 28. Chor: Ihr Schall gehet aus in jedes Land
1789Der Messias: 29. Arie (Baß): Warum denn rasen und toben die Heiden
1789Der Messias: 30a. Chor: Brecht entzwei die Ketten alle
1789Der Messias: 30b. Rezitativ (Tenor): Der da wohnet im Himmel
1789Der Messias: 31. Arie (Tenor): Du zerschlägst sie mit dem eisernen Zepter
1789Der Messias: 32. Chor: Halleluja
1789Der Messias: 33. Arie (Sopran): Ich weiß, daß mein Erlöser lebet
1789Der Messias: 34. Chor: Wie durch Einen der Tod
1789Der Messias: 35a. Rezitativ (Baß): Vernehmt, ich künd’ ein Geheimnis an
1789Der Messias: 35b. Arie (Baß): Sie schallt, die Posaun’
1789Der Messias: 35c. Rezitativ (Alt): Dann wird erfüllt, was da geschrieben stehet
1789Der Messias: 36. Duet: O Tod, wo ist dein Pfeil
1789Der Messias: 37a. Chorus: Doch Dank dir, Dank sei dir, Gott
1789Der Messias: 37b. Recitative acc.: Wenn Gott ist für uns
1789Der Messias: 38a. Chor: Würdig ist das Lamm
1789Der Messias: 38b. Chor: Amen
1789Der Messias: Part II (arr. W.A. Mozart)
3 Quartets, op. 79 (arr. [unknown])
Acis und Galatea, K. 566 (arr. Mozart)
Acis und Galatea, K. 566: Aufzug I (arr. Mozart)
Acis und Galatea, K. 566: Aufzug II (arr. Mozart)
Das Alexander-Fest, K. 591: Part I
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Das Lied begann vom Zeus"
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Gesenkt das Haupt sitzt traurig da der Held"
Das Alexander-Fest, K. 591: Part I. Acc. Recit: "Nun flößt sein Trauerton"
Das Alexander-Fest, K. 591: Part I. Aria: "Bacchus ewig jung und schön"
Das Alexander-Fest, K. 591: Part I. Aria: "Der Fürst, der Seine Glut umsonst vorhehlt"
Das Alexander-Fest, K. 591: Part I. Aria: "Der König horcht mit stolzem Ohr"
Das Alexander-Fest, K. 591: Part I. Aria: "Er sang den Perser groß und gut"
Das Alexander-Fest, K. 591: Part I. Aria: "Krieg, O Held, ist Sorg' und Arbeit"
Das Alexander-Fest, K. 591: Part I. Aria: "Selig, selig, selig, Paar!"
Das Alexander-Fest, K. 591: Part I. Aria: "Töne sanft, du lydisch Brautlied"
Das Alexander-Fest, K. 591: Part I. Chorus - da capo: "Die ganze Schar erhebt ein Lobgeschrei"
Das Alexander-Fest, K. 591: Part I. Chorus: "Bacchus' Schlauch ist unser Erbteil"
Das Alexander-Fest, K. 591: Part I. Chorus: "Den stillen Trupp enzücht das hohe Lied"
Das Alexander-Fest, K. 591: Part I. Chorus: "Die ganze Schar erhebt ein Lobgeschrei"
Das Alexander-Fest, K. 591: Part I. Chorus: "Seht an, den Perser groß und gut"
Das Alexander-Fest, K. 591: Part I. Chorus: "Selig, selig, selig, Paar!"
Das Alexander-Fest, K. 591: Part I. Overture
Das Alexander-Fest, K. 591: Part I. Recit: "Am königlichen Fest"
Das Alexander-Fest, K. 591: Part I. Recit: "Der Meister lächelt, weil er sieht"
Das Alexander-Fest, K. 591: Part I. Recit: "Der Sänger ragt hervor"
Das Alexander-Fest, K. 591: Part I. Recit: "Des Bacchus Lob stimmt nun der süße Künstler an"
Das Alexander-Fest, K. 591: Part I. Recit: "Siegprandend fühlt der Held das Lied"
Das Alexander-Fest, K. 591: Part II
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Erschalle, goldnes Saitenspiel"
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Rache gib deinem wackern Heer!"
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "Sieh da! Der Donnerton hat ihn aufgeschrekt!"
Das Alexander-Fest, K. 591: Part II. Acc. Recit: "So stimmte vor, als Bälge noch nicht atmeten"
Das Alexander-Fest, K. 591: Part II. Aria - da capo: "Gib rach'! heult alles laut"
Das Alexander-Fest, K. 591: Part II. Aria: "Es jauchzen die Krieger voll trunk'ner Wut"
Das Alexander-Fest, K. 591: Part II. Aria: "Gib rach'! heult alles laut"
Das Alexander-Fest, K. 591: Part II. Aria: "Ha! welche bleiche Schar"
Das Alexander-Fest, K. 591: Part II. Aria: "Thaïs führt ihn an"
Das Alexander-Fest, K. 591: Part II. Chorus: "Brich die Bande seines Schlummers"
Das Alexander-Fest, K. 591: Part II. Chorus: "Die Krieger, sie jauchzen voll trunk'ner Wut"
Das Alexander-Fest, K. 591: Part II. Chorus: "Timotheus, entsag' dem Preis!"
Das Alexander-Fest, K. 591: Part II. Chorus: "Vom Himmel kam Caecilia"
See all 174 relationships
composed
1761Allegro in C major (K. 1b)
1761Andante in C major (K. 1a)
1762-01Minuet for Keyboard in F major (K. 2)
1762-03-04Allegro for Keyboard in B-flat major (K. 3)
1762-05-11Menuett in F major (K. 4)
1762-07-16Menuett in F major
1762 – 1764Violin Sonata in C major, K. 6
1762 – 1764Violin Sonata in D major, K. 7
1763-10Andante in F major
1763-10Menuett in C major, K. 6
1763-11-21Allegro in B-flat major
1763-11-30Menuett in D major
1763Allegro in C major
1764-01Violin Sonata in B-flat major, K. 8
1764Andante in B-flat for Piano (K² 9b; K³ 5b; K⁶ 5b)
1764Symphony no. 1 in E-flat major, K. 16
1764Symphony no. 1 in E-flat major, K. 16: I. Allegro molto
1764Symphony no. 1 in E-flat major, K. 16: II. Andante
1764Symphony no. 1 in E-flat major, K. 16: III. Presto
1764Violin Sonata in A major, K. 12
1764Violin Sonata in B-flat major, K. 10
1764Violin Sonata in B-flat major, K. 15
1764Violin Sonata in C major, K. 14
1764Violin Sonata in F major, K. 13
1764Violin Sonata in G major, K. 9
1764Violin Sonata in G major, K. 9: I. Allegro spiritoso
1764Violin Sonata in G major, K. 9: II. Andante
1764Violin Sonata in G major, K. 9: III. Minuet I & II
1764Violin Sonata in G major, K. 11
1764 – 1765The London Sketchbook, K. 15a-15ss (orch. by Smith)
1764 – 1765The London Sketchbook, K. 15a-15ss
1765Symphony in C major (K. 19b)
1765Symphony in F major, K. 19a / Anh 223: I. Allegro assai
1765Symphony in F major, K. 19a / Anh 223: II. Andante
1765Symphony in F major, K. 19a / Anh 223: III. Presto
1765Symphony in F major, K. 19a / Anh. 223
1765Symphony no. 4 in D major, K. 19
1765Symphony no. 4 in D major, K. 19: I. Allegro
1765Symphony no. 4 in D major, K. 19: II. Andante
1765Symphony no. 4 in D major, K. 19: III. Presto
1765Symphony no. 5 in B-flat major, K. 22
1765Symphony no. 5 in B-flat major, K. 22: I. Allegro
1765Symphony no. 5 in B-flat major, K. 22: II. Andante
1765Symphony no. 5 in B-flat major, K. 22: III. Allegro molto
1766-02Violin Sonata in B-flat major, K. 31
1766-02Violin Sonata in C major, K. 28
1766-02Violin Sonata in D major, K. 29
1766-02Violin Sonata in E-flat major, K. 26
1766-02Violin Sonata in F major, K. 30
1766-02Violin Sonata in G major, K. 27
1766-02Violin Sonata in G major, K. 27: I. Andante poco Adagio
1766-02Violin Sonata in G major, K. 27: II. Allegro
17666 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180: Menuetto Andante. Thema
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Air - Allegro
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation I
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation II
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation III
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation IV
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation V Adagio
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VI
17667 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25: Variation VII
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Tema. Allegretto
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation I
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation II
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation III
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation IV
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation V
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VI
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VII Adagio
17668 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24: Variation VIII Tempo I
1767-10-15Ach, was müssen wir erfahren!, K. 43a/Anh. 24a (fragment, for 2 sopranos)
1767Apollo et Hyacinthus, K. 38
1767Apollo et Hyacinthus, K. 38: Act I
1767Apollo et Hyacinthus, K. 38: Act II
1767Apollo et Hyacinthus, K. 38: Act III
1767Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel)
1767Concerto for Piano no. 1 in F major, K. 37
1767Concerto for Piano no. 2 in B-flat major, K. 39
1767Concerto for Piano no. 3 in D major, K. 40
1767Concerto for Piano no. 4 in G major, K. 41
1767Offertorium in Festo S. Benedicti „Scande coeli limina“ (K. 34)
1768Violin Sonata in F major, K. 46e
1769Cassation for Orchestra in B-flat major, K. 63a/99
1769Cassation for Orchestra in G major, K. 63
1769Cassation for Orchestra in G major, K. 63: I. Marche
1769Cassation for Orchestra in G major, K. 63: II. Allegro
1769Cassation for Orchestra in G major, K. 63: III. Andante
1769Cassation for Orchestra in G major, K. 63: IV. Minuett
1769Cassation for Orchestra in G major, K. 63: V. Adagio
1769Cassation for Orchestra in G major, K. 63: VI. Minuett
1769Cassation for Orchestra in G major, K. 63: VII. Finale
1769Mass no. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse"
1769Minuet in D major (K. 64)
1769Serenade no. 1 for Orchestra in D major, K. 62a/100
1769Serenade no. 1 for Orchestra in D major, K. 62a/100: I. Allegro
1769Serenade no. 1 for Orchestra in D major, K. 62a/100: II. Andante
1769Serenade no. 1 for Orchestra in D major, K. 62a/100: III. Minuetto
1769Serenade no. 1 for Orchestra in D major, K. 62a/100: IV. Allegro
See all 4,866 relationships
instruments arranged
12 Menuette, K. 61d/103 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 1 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 2 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 3 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 4 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 5 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 6 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 7 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 8 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 9 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 10 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 11 (for piano)piano
12 Menuette, K. 61d/103: Menuetto no. 12 (for piano)piano
Die Entführung aus dem Serail (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail, K. 384: Ouvertüre (for piano, arr. by Mozart?)
Die Entführung aus dem Serail: Nr. 1. “Hier soll ich dich denn sehen” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 2. “Solche hergelauf'ne Laffen” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 3. “O wie ängstlich” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 4. “Doch wie schnell schwand meine Freude” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 5. “Durch Zärtlichkeit und Schmeicheln” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 6. “Ich gehe, doch rate ich dir” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 7. “Martern aller Arten” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 8. “Welche Wonne, welche Lust” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 9. “Frisch zum Kampfe!” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 10. “Vivat Bacchus! Bacchus lebe!” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 11. “Wenn der Freude Tränenflie ßen” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 12. “Ach Belmonte!” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 13. “Ich baue ganz auf Deine Stärke” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 14. “O, wie will ich triumphieren” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 15. “Welch ein Geschick! Oo Qual der Seele!” (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Nr. 16. Finale (for wind band, Donaueschingen Harmoniemusik)wind instruments
Die Entführung aus dem Serail: Ouvertüre (for wind band, Donaueschingen Harmoniemusik)wind instruments
libretto
1797Vogelstar
lyrics
Concerto for Piano no. 12 in A major, K. 385p / K3 386a / KV 414: I. Allegro (catch-all for arrangements)
Don Giovanni: IV. "Madamina, il catalogo è questo" (for wind ensemble, arr. Triebensee)
Greife nach dem Wind
Letters from Composers: II. W. A. Mozart to his father
Symphony no. 40 in G minor, K. 550 “Great” (catch-all for arrangements and unknown versions)
orchestrated
Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen"
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Overture
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Aria: “Erwach' zu Liedern der Wonne” (tenor)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Denn di Herrlichkeit” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Sein Joch ist sanft” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Und er wird” / Recitativo: “Denn sieh!” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Coro: “Uns ist zum” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Pifa
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Blick auf!” / Aria: “Das Volk” (bass)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “So spricht der Her” / Aria: “Doch wer mag” (bass)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo accompagnato ed Aria: “Trostet Zion!”
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo ed Aria: “Dann tut das Auge des Blinden sich auf” / Aria: “Er weidet seine Herde” (soprano I)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo, Aria & Coro: “Denn sieh!” / Aria: “O du, die Wonne” (soprano II, chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part I. Recitativo: “Es waren Hirten” / Recitativo accompagnato: “Und sief!” / Coro: “Ehre sei Gott” (Angel, chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Er ward verschmähet” (soprano II)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Warum entbrennen” (bass)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Aria: “Wie lieblich” (soprano I)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Brecht entzwei” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Durch seine Wunden” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Hallelujah” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Ihr Schall ging aus” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Kommt her” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Machet das Tor weit” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wahrlich” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Coro: “Wie Schafe geh'n” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Die Schmach bricht ihm sein Herz” / Aria: “Schautr hin und sieh!” (soprano II)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Er ist dahin aus dem Lande der Lebenden” / Aria: “Doch du liessest ihn” (soprano I)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo accompagnato: “Und alle” (soprano I) / Coro: “Er trauete Gott” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Der da wohnet im Himmel” / Aria: “Du zerschlägst sie” (tenor)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part II. Recitativo: “Zu welchen” / Aria: “Der Herr gab das Wort” (soprano II)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Aria: “Ich weiß” (soprano I)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Doch Dank sei Dir Gott” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Wie durch Einen der Tod” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Coro: “Würdig ist das Lamm” / “Amen” (chorus)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo accompagnato ed Aria: “Sie schallt” (bass)
Messiah, KV 572, oratorio in three parts for soloists, choir and orchestra: Part III. Recitativo ed Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor)
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo)
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir)
Violin Concerto in E minor, K. 470a (orch. Mozart)
Violin Concerto in E minor, K. 470a: I. Adagio non troppo (orch. Mozart)
Violin Concerto in E minor, K. 470a: II. Adagio (orch. Mozart)
Violin Concerto in E minor, K. 470a: III. Rondo. Allegro (orch. Mozart)
previous attribution
6 Minuets for Orchestra, K. 61e/104
6 Minuets for Orchestra, K. 61e/104: No. 1 in C major
6 Minuets for Orchestra, K. 61e/104: No. 2 in F major
6 Minuets for Orchestra, K. 61e/104: No. 3 in C major
6 Minuets for Orchestra, K. 61e/104: No. 4 in A major
6 Minuets for Orchestra, K. 61e/104: No. 5 in G major
6 Minuets for Orchestra, K. 61e/104: No. 6 in G major
6 Minuets for Orchestra, K. 61f/105
6 Minuets for Orchestra, K. 61f/105: No. 1 in D major
6 Minuets for Orchestra, K. 61f/105: No. 2 in D major
6 Minuets for Orchestra, K. 61f/105: No. 3 in D major
6 Minuets for Orchestra, K. 61f/105: No. 4 in G major
6 Minuets for Orchestra, K. 61f/105: No. 5 in G major
6 Minuets for Orchestra, K. 61f/105: No. 6 in G major
Abendruhe, K. Anh. C 9.10
Adoramus te
Allegro for Piano in B-flat major, K. Anh. C 25.04/(K3) 498a/Anh 137
Brüder reicht die Hand zum Bunde
Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält"
Canon in 3 Parts in B-flat major, K. 382d/233: "Leck mir den Arsch fein recht schön sauber"
Cibavit eos, K. 73u/44
Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a
Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: I. Allegro
Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: II. Adagio
Concerto for Violin and Orchestra in D "Adelaide", K. Anh. C 14.05/Anh. 294a: III. Allegro
Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04
Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: I. Allegro moderato
Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: II. Un poco adagio
Concerto for Violin and Orchestra no. 6 in E-flat major, K. 268/365b/Anh. C. 14.04: III. Rondo: Allegretto
Convertentur sedentes, K. Anh C 3.09 (for soprano, tenor and orchestra)
De profundis clamavi (Previously attributed to Mozart)
Divertimento in C major "Kindersinfonie", Hob. II:47
Divertimento in C major "Kindersinfonie", Hob. II:47: I. Allegro
Divertimento in C major "Kindersinfonie", Hob. II:47: II. Menuetto. Trio
Divertimento in C major "Kindersinfonie", Hob. II:47: III. Finale. Allegro
Divertimento in C major, K. Anh. C 17.12/187
Divertimento in C major, K. Anh. C 17.12/187: I. Allegro moderato
Divertimento in C major, K. Anh. C 17.12/187: II. Menuetto
Divertimento in C major, K. Anh. C 17.12/187: III. Adagio
Divertimento in C major, K. Anh. C 17.12/187: IV. Menuetto
Divertimento in C major, K. Anh. C 17.12/187: V. Allegro
Divertimento in C major, K. Anh. C 17.12/187: VI. Allegro moderato
Divertimento in C major, K. Anh. C 17.12/187: VII. Allegro molto
Divertimento in C major, K. Anh. C 17.12/187: VIII. Allegro non troppo
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious)
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): I. Serenade: Rondo. Larghetto. Le nozze di Figaro “Al descio, di che t’adora"
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): II. Serenade: Le Nozze di Figaro: "Voi che sapete"
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): III. Serenade: Le nozze di Figaro: "Non più andrai"
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano"
Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): V. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Vedrai, carino"
La Tartine de beurre
Land der Berge, Land am Strome
Lasst uns mit geschlungnen Händen (K⁶ 623a)
Minuet for Piano in B-flat major, K. Anh. C 25.05/(K3) 498a/Anh 137
Schlafe mein Prinzchen
Sinfonia concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon and Orchestra, K. Anh. 9 / Anh. C 14.01 (spurious or doubtful)
Sonata in B-flat major, K. 498a/Anh. 136
String Quartet in A major, K. Anh. C 20.01/Anh. 212
String Quartet in A major, K. Anh. C 20.01/Anh. 212: I. Allegro assai
String Quartet in A major, K. Anh. C 20.01/Anh. 212: II. Thema con variazioni
String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210
String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: I. Allegro di molto
String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: II.Tempo di minuetto poco Andante
String Quartet in B-flat major, K. Anh. C 20.01/Anh. 210: III. Presto
Symphony in A minor “Odense”
Symphony in A minor “Odense”: I. Allegro moderato
Symphony in A minor “Odense”: II. Andantino
Symphony in A minor “Odense”: III. Rondo. Allegro moderato
Symphony in E-flat major, op. 7 no. 6
Symphony in E-flat major, op. 7 no. 6: I. Allegro
Symphony in E-flat major, op. 7 no. 6: II. Andante
Symphony in E-flat major, op. 7 no. 6: III. Presto
Symphony no. 2 in B-flat major, K. 17
Symphony no. 2 in B-flat major, K. 17: I. Allegro
Symphony no. 2 in B-flat major, K. 17: II. Andante
Symphony no. 2 in B-flat major, K. 17: III. Menuetto: I. & II
Symphony no. 2 in B-flat major, K. 17: IV. Presto
Theme, Variations and Rondo Pastorale
Vergiss mein nicht
Violin Concerto in E-flat major, K. 268/365b/Anh. C. 14.04 (catch-all for arrangements)
Violin Sonata in C minor, K 59: I. Andante
Violin Sonata in C minor, K 59: II. Menuetto
Violin Sonata in C minor, K 59: III. Allegro
Violin Sonata in C minor, K. 59
Violin Sonata in E-flat major, K 58 (Anh. C23.04): I. Adagio
Violin Sonata in E-flat major, K 58 (Anh. C23.04): II. Menuetto (Moderato)
Violin Sonata in E-flat major, K 58 (Anh. C23.04): III. Rondo (Allegro assai)
Violin Sonata in E-flat major, K. 58 (Anh. C23.04)
Wiegenlied, K. 350 (spurious)
Zehn Variationen über »Zu Steffen sprach im Traume«
revised
1782Serenade no. 11 for Winds in E-flat major, K. 375 (for wind octet, revision)
1782Serenade no. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso (for wind octet, revision)
1782Serenade no. 11 for Winds in E-flat major, K. 375: II. Minuetto (for wind octet, revision)
1782Serenade no. 11 for Winds in E-flat major, K. 375: III. Adagio (for wind octet, revision)
1782Serenade no. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio (for wind octet, revision)
1782Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro (for wind octet, revision)
1788Sonata for Piano no. 15 in F major, K. 533: III. Rondeau
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (Salzburg revision)
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
wrote
Concerto for Horn no. 3 in E-flat major, K. 447
Sonata for Violin & Piano no. 29 in A major, K. 385e/402 (Maximilian Stadler completion)
Welterusten goeienacht / De drommedarisW.A. Mozart