Affairs of the Heart | | | | Concerto | | | |
African Suite: I. Joyful Day | | | | | | | |
African Suite: II. Nostalgia | | | | | | | |
African Suite: III. Onipe | | | | | | | |
African Suite: IV. Lullaby | | | | | | | |
African Suite: V. Akinla | | | | | | | |
Ancient Airs and Dances Suite no. 1: I. Balletto detto "Il Conte Orlando" | | | | | | | |
Ancient Airs and Dances Suite no. 1: II. Gagliarda | | | | | | | |
Ancient Airs and Dances Suite no. 1: III. Villanella | | | | | | | |
Ancient Airs and Dances Suite no. 1: IV. Passo mezzo e mascherada | | | | | | | |
Ancient Airs and Dances Suite no. 2: I. Laura soave (Balletto con gagliarda, saltarello e canario) | | | | | | | |
Ancient Airs and Dances Suite no. 2: II. Danza rustica | | | | | | | |
Ancient Airs and Dances Suite no. 2: III. Campanae parisienses - Aria | | | | | | | |
Ancient Airs and Dances Suite no. 2: IV. Bergamasca | | | | | | | |
Ancient Airs and Dances Suite no. 3: I. Italiana | | | | | | | |
Ancient Airs and Dances Suite no. 3: II. Arie di corte | | | | | | | |
Ancient Airs and Dances Suite no. 3: III. Siciliana | | | | | | | |
Ancient Airs and Dances Suite no. 3: IV. Passacaglia | | | | | | | |
Apollo: Scene 1. The Birth of Apollo | | | | | | | |
Apollo: Scene 2. Apothéose | | | | | | | |
Apollo: Scene 2. Coda | | | | | | | |
Apollo: Scene 2. Pas d'action | | | | | | | |
Apollo: Scene 2. Pas de deux | | | | | | | |
Apollo: Scene 2. Variation d'Apollon (I) | | | | | | | |
Apollo: Scene 2. Variation d'Apollon (II) | | | | | | | |
Apollo: Scene 2. Variation de Calliope | | | | | | | |
Apollo: Scene 2. Variation de Polymnie | | | | | | | |
Apollo: Scene 2. Variation de Terpsichore | | | | | | | |
Ave verum corpus | | | | | | | |
Canada Mosaics: III. Contented House | | | | | | | |
Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Vladimir Ashkenazy, Daniel Barenboim, English Chamber Orchestra
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Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- London Symphony Orchestra, André Previn
- Academy of St Martin in the Fields, Sir Neville Marriner, Anne Queffélec, Imogen Cooper
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Concerto for 2 Violins, Strings, and Continuo in D major, RV 513: I. Allegro molto | | - Louis Kaufman, Peter Rybar, Musikkollegium Winterthur, Clemens Dahinden
- Giovanni Guglielmo, Carlo Lazari, L'Arte dell'Arco
- Giuliano Carmignola, Amandine Beyer, Gli Incogniti
- Fabio Biondi, Andrea Rognoni, Europa Galante
- CBC Vancouver Orchestra, John Eliot Gardiner
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Concerto for 2 Violins, Strings, and Continuo in D major, RV 513: II. Andante | | - Louis Kaufman, Peter Rybar, Musikkollegium Winterthur, Clemens Dahinden
- Giovanni Guglielmo, Carlo Lazari, L'Arte dell'Arco
- Giuliano Carmignola, Amandine Beyer, Gli Incogniti
- Fabio Biondi, Andrea Rognoni, Europa Galante
- CBC Vancouver Orchestra, John Eliot Gardiner
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Concerto for 2 Violins, Strings, and Continuo in D major, RV 513: III. Allegro | | - Louis Kaufman, Peter Rybar, Musikkollegium Winterthur, Clemens Dahinden
- Giovanni Guglielmo, Carlo Lazari, L'Arte dell'Arco
- Giuliano Carmignola, Amandine Beyer, Gli Incogniti
- Fabio Biondi, Andrea Rognoni, Europa Galante
- CBC Vancouver Orchestra, John Eliot Gardiner
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Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: I. Allegro | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
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Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: II. Adagio | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
- (show 27 more)
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Concerto for 3 (or 2) Pianos and Orchestra no. 7 in F major, K. 242 “Lodron”: III. Rondo. Tempo di minuetto | | - Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Vladimir Ashkenazy, Daniel Barenboim, Fou Ts'ong, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, András Schiff, Nemzeti Filharmonikus zenekar, János Ferencsik
- Malcolm Bilson, Robert Levin, Melvyn Tan, English Baroque Soloists, Sir John Eliot Gardiner
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Concerto for Bassoon & String Orchestra: I. Allegretto giocoso | | | | | | | |
Concerto for Bassoon & String Orchestra: II. Vivacissimo | | | | | | | |
Concerto for Bassoon & String Orchestra: III. Allegretto | | | | | | | |
Concerto for Bassoon and Orchestra: I. Toccata. Allegretto vivace | | | | | | | |
Concerto for Bassoon and Orchestra: II. Recitativo. Lento | | | | | | | |
Concerto for Bassoon and Orchestra: III. Tema e variazioni | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: I. Allegro | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: II. Andante | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai | | | | | | | |
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro | | - Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Jancovic, Renata Modron, Mozart Festival Orchestra, SWR Symphony Orchestra, Wiener Mozart‐Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio
- [unknown]
- Irena Grafenauer, Maria Graf, Academy of St Martin in the Fields, Sir Neville Marriner
- Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm
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Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino | | - James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
- Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Janconvic, Peter Jancovic, Akiko Miyazashi, Renata Modron, Renata Mordon, Taki Ozawa, Mozart Festival Orchestra, Orchestre de Festival Belgique, SWR Symphony Orchestra, Wiener Mozart‐Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio, Pierre Narrato, Kurt Redel
- [unknown]
- Hana Müllerová, Jiří Válek, Capella Istropolitana, Richard Edlinger
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Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegro | | - Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Janconvic, Peter Jancovic, Renata Modron, Renata Mordon, Mozart Festival Orchestra, SWR Symphony Orchestra, Wiener Mozart‐Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio, Kurt Redel
- Irena Grafenauer, Maria Graf, Academy of St Martin in the Fields, Sir Neville Marriner
- Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm
- Nicanor Zabaleta, Karlheinz Zöller, Berliner Philharmoniker, Ernst Märzendorfer
- (show 84 more)
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Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro | | | | | | | |
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo | | | | | | | |
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto | | | | | | | |
Disquiet | | | | | | | |
Divertissement: I. Andante, allegro | | | | | | | |
Divertissement: II. Adagio | | | | | | | |
Divertissement: III. Rondo | | | | | | | |
Earth Songs: I. Et inluminent terram | | | | | | | |
Earth Songs: II. Earth and sky | | | | | | | |
Earth Songs: III. The Butterfly | | | | | | | |
Earth Songs: IV. 湖口望廬山瀑布水 – The Waterfall | | | | | | | |
Earth Songs: V. Danse des pluies | | | | | | | |
Earth Songs: VI. Smile O voluptuous cool-breath'd earth! | | | | | | | |
For the Time Being | | | | | | | |
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" | | | | | | | |
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" | | | | | | | |
Keyboard Concerto in D minor, BWV 1052: I. Allegro | | | | | | | |
Keyboard Concerto in D minor, BWV 1052: II. Adagio | | | | | | | |
Keyboard Concerto in D minor, BWV 1052: III. Allegro | | | | | | | |
Keyboard Concerto no. 2 in E major, BWV 1053: I. Allegro | | | | | | | |
Keyboard Concerto no. 2 in E major, BWV 1053: II. Siciliano | | | | | | | |
Keyboard Concerto no. 2 in E major, BWV 1053: III. Allegro | | | | | | | |
Le Globe-Trotter, op. 358: I. France | | | | | | | |
Le Globe-Trotter, op. 358: II. Portugal | | | | | | | |
Le Globe-Trotter, op. 358: III. Italy | | | | | | | |
Le Globe-Trotter, op. 358: IV. United States | | | | | | | |
Le Globe-Trotter, op. 358: V. Mexico | | | | | | | |
Le Globe-Trotter, op. 358: VI. Brazil | | | | | | | |
Missa Brevis in C minor: I. Kyrie eleison | | | | | | | |
Missa Brevis in C minor: II. Gloria in excelsis Deo | | | | | | | |
Missa Brevis in C minor: III. Sanctus / Benedictus | | | | | | | |
Missa Brevis in C minor: IV. Agnus Dei | | | | | | | |
Petite Suite, L. 65, CD 71b : I. En bateau | | | | | | | |
Picasso Suite: I. Paris circa 1900 | | | | | | | |
Picasso Suite: II. Blue Period | | | | | | | |
Picasso Suite: III. Circus | | | | | | | |
Picasso Suite: IV. Cubism | | | | | | | |
Picasso Suite: IX. Codetta | | | | | | | |
Picasso Suite: V. Neo-Classic | | | | | | | |
Picasso Suite: VI. Etching - The Vollard Suite | | | | | | | |
Picasso Suite: VII. Mural - Temple of Peace | | | | | | | |
Picasso Suite: VIII. Arcadia - Faun with Flute - Innocence | | | | | | | |