| Canon and Gigue in D major, T. 377: I. Canon | | | | | | | |
| Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
| Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
| Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
| Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
| Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
| Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
| Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
| Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
| Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
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| Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
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| Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
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| Cavalleria rusticana: “Regina coeli laetare” (Coro) | | - Vittore Veneziani, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Chorus of the Royal Opera House, Covent Garden, Helen Field, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Maria Callas
- (show 46 more)
| | Aria | | | |
| Daphnis et Chloé, Suite no. 2: I. Lever du jour | | | | | | | |
| Daphnis et Chloé, Suite no. 2: III. Danse générale | | | | | | | |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) | | | | Aria | | | |
| Jesu, Joy of Man’s Desiring | | | | Aria | | | |
| La Damoiselle élue, L. 62, CD 69 | | | | Cantata | | | |
| Land of Hope and Glory | | | | Song | | | |
| Messe solennelle en la majeur, op. 12 : V. Panis Angelicus | | | | Song | | | |
| Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) | | | | | | | |
| Nocturnes, L. 91, CD 98 : III. Sirènes | | | | | | | |
| Pavane in F-sharp minor, op. 50 | | | | | | | |
| Petite Messe solennelle: II. Gloria: Cum Sancto Spiritu | | - Ensemble Vocal de Lausanne, Jean-François Antonioli, Philippe Corboz, Michel Corboz
- Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano
- Coro del Teatro alla Scala di Milano, Mirella Freni, Luciano Pavarotti, Ruggero Raimondi, Lucia Valentini Terrani, Leone Magiera, Vittorio Rosetta, Romano Gandolfi
- Steve Davislim, Hanno Müller‐Brachmann, RIAS Kammerchor, Birgit Remmert, Krassimira Stoyanova, Philip Mayers, Phillip Moll, Ryoko Morooka, Marcus Creed
- (show 14 more)
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| Samson, HWV 57: Act III, no. 107. “Let the Bright Seraphim” (Israelite Woman) | | - Kiri Te Kanawa, Crispian Steele‐Perkins, English Chamber Orchestra, Barry Rose
- Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Harry Dilley, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari‐Pradelli
- Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam
- Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson
- (show 40 more)
| | Aria | | | |
| Samson, HWV 57: Act III, no. 108. “Let Their Celestial Concerts All Unite” | | - Kiri Te Kanawa
- Mormon Tabernacle Choir
- Dr. Newell B. Weight, Phyllis Curtin, Louise Parker, Jan Peerce, Roy Samuelsen, Malcolm Smith, University of Utah Symphonic Chorus, Kenny Whitelock, Dr. Alexander Schreiner, Utah Symphony, Maurice Abravanel
- George Frideric Handel
- (show 5 more)
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| Symphony no. 1 "A Sea Symphony": I. A Song for All Seas, All Ships | | | | | | | |
| Symphony no. 1 "A Sea Symphony": II. On the Beach at Night, Alone | | | | | | | |
| Symphony no. 1, "A Sea Symphony": III. Scherzo. The Waves | | | | | | | |
| Symphony no. 1, "A Sea Symphony": IV. The Explorers | | | | | | | |
| Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') | | - Martha Lipton, Boys’ Choir of the Church of the Transfiguration, Women’s Chorus of the Schola Cantorum, New York Philharmonic, Leonard Bernstein
- New York Philharmonic, Leonard Bernstein
- Gerhard Schmidt‐Gaden, Wolfgang Schubert, Chor des Bayerischen Rundfunks, Marjorie Thomas, Tölzer Knabenchor, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
- Berliner Philharmonic Orchestra, Claudio Abbado
- (show 86 more)
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| Symphony no. 7, "Sinfonia antartica": I. Prelude: Andante maestoso | | | | | | | |
| Symphony no. 7, "Sinfonia antartica": V. Epilogue: Alla marcia, moderato (non troppo allegro) | | | | | | | |
| The Dream of Gerontius, op. 38 | | | | Oratorio | | | |
| The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death | | | | Oratorio | | | |
| The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul | | | | | | | |
| The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus | | | | Oratorio | | | |
| The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana | | | | Oratorio | | | |
| The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub | | | | Oratorio | | | |
| The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits | | | | Oratorio | | | |
| The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony | | | | | | | |
| The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near | | | | Oratorio | | | |
| The Dream of Gerontius, op. 38: Part II, VII. I go before my judge | | | | Oratorio | | | |
| The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul | | - Sir Edward Elgar
- City of Birmingham Symphony Orchestra, Simon Rattle
- John Alldis, John Alldis Choir, London Philharmonic Choir, Helen Watts, Philharmonia Orchestra, Sir Adrian Boult
- Choir of King’s College, Cambridge, London Symphony Chorus, Yvonne Minton, London Symphony Orchestra, Benjamin Britten
- (show 7 more)
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| The Dream of Gerontius, op. 38: Part Two. VII. “Dispossessed, aside thrust” (chorus) | | | | | | | |
| The Dream of Gerontius: Part 2: And now the threshold as we traverse it | | | | | | | |
| The Dream of Gerontius: Part 2: Jesu! by that shuddering dread which fell on Thee | | | | | | | |
| The Dream of Gerontius: Part 2: Lord, Thou hast been our refuge | | | | | | | |
| The Dream of Gerontius: Part 2: Low-born clods of brute earth | | | | | | | |
| The Dream of Gerontius: Part 2: Praise to His name! | | | | | | | |
| The Dream of Gerontius: Part 2: Praise to the Holiest in the height | | | | | | | |
| The Dream of Gerontius: Part 2: The mind bold and independent | | | | | | | |
| The Kingdom, op. 51: I. In the Upper Room | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
- Susan Bickley, Hallé Choir, John Hudson, Iain Paterson, Claire Rutter, Sir Mark Elder
| | Oratorio | | | |
| The Kingdom, op. 51: II. At the Beautiful Gate | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
| | Oratorio | | | |
| The Kingdom, op. 51: III. Pentecost | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
- London Philharmonic Orchestra, Leonard Slatkin
| | Oratorio | | | |
| The Kingdom, op. 51: IV. The Sign of Healing | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
- London Philharmonic Orchestra, Leonard Slatkin
| | Oratorio | | | |
| The Kingdom, op. 51: Prelude | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- BBC Symphony Orchestra, Sir Edward Elgar
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
| | Oratorio | | | |
| The Kingdom, op. 51: V. The Upper Room | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
| | Oratorio | | | |
| The Music Makers, op. 69: Allegretto. "We, in the ages lying" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Edward Elgar
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- Linda Finnie, London Philharmonic Choir, London Philharmonic Orchestra, Bryden Thomson
- (show 3 more)
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| The Music Makers, op. 69: Allegro molto. "And therefor today is thrilling" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- Linda Finnie, London Philharmonic Choir, London Philharmonic Orchestra, Bryden Thomson
- London Symphony Chorus, London Symphony Orchestra, Richard Hickox
- (show 2 more)
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| The Music Makers, op. 69: Allegro. "Great hail! we cry to the comers" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Edward Elgar
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- Linda Finnie, London Philharmonic Choir, London Philharmonic Orchestra, Bryden Thomson
- (show 3 more)
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| The Music Makers, op. 69: Allegro. "With wonderful deathless ditties" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Three Choirs Festival Chorus, London Symphony Orchestra, Sir Edward Elgar
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- Linda Finnie, London Philharmonic Choir, London Philharmonic Orchestra, Bryden Thomson
- (show 3 more)
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| The Music Makers, op. 69: Andantino. "But we, with our dreaming and singing" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Edward Elgar
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- Linda Finnie, London Philharmonic Choir, London Philharmonic Orchestra, Bryden Thomson
- (show 3 more)
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| The Music Makers, op. 69: Come prima. "For we are afar with the dawning" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Edward Elgar
- Three Choirs Festival Chorus, London Symphony Orchestra, Sir Edward Elgar
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- (show 4 more)
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| The Music Makers, op. 69: Contralto solo, lento, quasi recitativo. "They had no vision amazing" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Edward Elgar
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- Linda Finnie, London Philharmonic Choir, London Philharmonic Orchestra, Bryden Thomson
- (show 3 more)
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| The Music Makers, op. 69: Larghetto. "We are the music makers" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Edward Elgar
- Three Choirs Festival Chorus, London Symphony Orchestra, Sir Edward Elgar
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- (show 4 more)
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| The Music Makers, op. 69: Moderato e nobilmente | | | | | | | |
| The Music Makers, op. 69: Molto tranquillo. "A breath of our inspiration" | | - Frederic Jackson, Dame Janet Baker, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult
- Edward Elgar
- Three Choirs Festival Chorus, London Symphony Orchestra, Sir Edward Elgar
- Greg Beardsell, Bournemouth Symphony Chorus, Sarah Connolly, Bournemouth Symphony Orchestra, Simon Wright
- (show 4 more)
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| The Planets, op. 32: VII. Neptune, the Mystic | | | | | | | |
| The Planets, op. 32: VII. Neptune, The Mystic | | | | | | | |
| The Spirit of England, op. 80: I. The Fourth of August | | - London Symphony Chorus, Felicity Lott, Northern Sinfonia, Richard Hickox
- London Symphony Chorus, Dame Felicity Lott, Northern Sinfonia of England, Richard Hickox
- Royal Scottish National Orchestra, Sir Alexander Gibson
- Hallé Choir, Rachel Nicholls, Hallé Orchestra, Sir Mark Elder
- (show 2 more)
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| The Spirit of England, op. 80: II. To Women | | - London Symphony Chorus, Felicity Lott, Northern Sinfonia, Richard Hickox
- Royal Scottish National Orchestra, Sir Alexander Gibson
- Hallé Choir, Rachel Nicholls, Hallé Orchestra, Sir Mark Elder
- BBC National Chorus of Wales, Susan Gritton, Andrew Kennedy, BBC National Orchestra of Wales, David Lloyd-Jones
- Igor Yuzefovich, Andrew Staples, BBC Symphony Orchestra, Sir Andrew Davis
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| The Spirit of England, op. 80: III. For the Fallen | | | | | | | |
| We Wish You a Merry Christmas | | | | Song | | | |
