| 5 Pieces for Orchestra, op. 10: I. Sehr ruhig und zart | | | | | | | |
| 5 Pieces for Orchestra, op. 10: II. Lebhaft und zart bewegt | | | | | | | |
| 5 Pieces for Orchestra, op. 10: III. Sehr langsam und äußerst ruhig | | | | | | | |
| 5 Pieces for Orchestra, op. 10: IV. Fliessend, äußerst zart | | | | | | | |
| 5 Pieces for Orchestra, op. 10: V. Sehr fließend | | | | | | | |
| A Colour Symphony, op. 24: I. Purple. Andante maestoso | | | | | | | |
| A Colour Symphony, op. 24: II. Red. Allegro vivace | | | | | | | |
| A Colour Symphony, op. 24: III. Blue. Gently flowing | | | | | | | |
| A Colour Symphony, op. 24: IV. Green. Moderato | | | | | | | |
| A Comedy Overture | | | | | | | |
| A John Field Suite: I. Polka | | | | Suite | | | |
| A John Field Suite: II. Nocturne | | | | Suite | | | |
| A John Field Suite: III. Slow Waltz "Rembrance" | | | | Suite | | | |
| A John Field Suite: IV. Rondo "Midi" | | | | Suite | | | |
| A Song of Agincourt, op. 168 | | | | | | | |
| A Welcome March, op. 87 | | | | | | | |
| A Winter Idyll, H. 31 | | | | | | | |
| Accompaniment to a Cinematographic Scene, op. 34 | | | | | | | |
| Air for String Orchestra | | | | | | | |
| Akhnaten: Act I. Prelude | | | | | | | |
| Akhnaten: Act II, Scene III. Dance | | | | | | | |
| Alborada del gracioso | | | | | | | |
| An Irish Symphony: I. On the Shores of Lough Neagh. Allegro molto | | | | | | | |
| An Irish Symphony: II. The Fair Day. Vivace ma non troppo presto | | | | | | | |
| An Irish Symphony: III. In the Antrim Hills. Lento ma non troppo | | | | | | | |
| An Irish Symphony: IV. The Twelfth of July. Con molto brio | | | | | | | |
| Appalachian Spring Suite | | | | Suite | | | |
| Bachianas Brasileiras nº 9, W449 | | | | | | | |
| Beckus the Dandipratt, op. 5 | | | | Overture | | | |
| Berceuse for Violin (or Cello) and Piano in D major, op. 16 | | | | | | | |
| Boléro | | | | Ballet | | | 5 |
| Caprice for Violin and Orchestra | | | | | | | |
| Capriol Suite: I. Basse-danse | | | | | | | |
| Capriol Suite: II. Pavanne | | | | | | | |
| Capriol Suite: III. Tordion | | | | | | | |
| Capriol Suite: IV. Bransles | | | | | | | |
| Capriol Suite: V. Pieds‐en‐l’air | | | | | | | |
| Capriol Suite: VI. Mattachins (Sword Dance) | | | | | | | |
| Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
| | | | | |
| Carnival Overture, op. 92, B. 169 | | | | | | | |
| Cello Concerto, op. 40: I. Allegro moderato | | | | | | | |
| Cello Concerto, op. 40: II. Andante maestoso | | | | | | | |
| Cello Concerto, op. 40: III. Intermezzo: Andante innocente, con moto quasi allegretto | | | | | | | |
| Cello Concerto, op. 40: IV. Rondo: Allegro giocoso | | | | | | | |
| Cello Concerto, op. 120: I. Allegro deciso | | | | | | | |
| Cello Concerto, op. 120: II. Larghetto | | | | | | | |
| Cello Concerto, op. 120: III. Allegro | | | | | | | |
| Cello Concerto: I. Moderato | | | | | | | |
| Cello Concerto: II. Adagio | | | | | | | |
| Cello Concerto: III. Allegretto deciso, alla marcia | | | | | | | |
| Chamber Symphony no. 2, op. 38: I. Adagio | | | | | | | |
| Chamber Symphony no. 2, op. 38: II. Con fuoco | | | | | | | |
| Checkmate, op. 57: Ceremony of the Red Bishops | | | | | | | |
| Checkmate, op. 57: Dance of the Four Knights | | | | | | | |
| Checkmate, op. 57: Entry of the Black Queen | | | | | | | |
| Checkmate, op. 57: Finale. Checkmate | | | | | | | |
| Checkmate, op. 57: Prologue. The Players | | | | | | | |
| Checkmate, op. 57: The Red Knight's Mazurka | | | | | | | |
| Children's Corner: I. Doctor Gradus ad Parnassum | | | | | | | |
| Children's Corner: II. Jimbo's Lullaby | | | | | | | |
| Children's Corner: III. Serenade for the Doll | | | | | | | |
| Children's Corner: IV. The Snow is Dancing | | | | | | | |
| Children's Corner: V. The Little Shepherd | | | | | | | |
| Children's Corner: VI. Golliwogg's Cake-Walk | | | | | | | |
| Clair de lune from Suite bergamasque | | | | | | | |
| Collage sur B-A-C-H: I. Toccata | | | | | | | |
| Collage sur B-A-C-H: II. Sarabande | | | | | | | |
| Collage sur B-A-C-H: III. Ricercar | | | | | | | |
| Company: I. | | | | | | | |
| Company: II. | | | | | | | |
| Company: III. | | | | | | | |
| Company: IV. | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Introduction. Lento - Allegro moderato | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Thema. Allegro vivace | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 1. Tranquillo | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 2. Poco più moto | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 3. Poco meno mosso | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 4. Presto | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 5 | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 6. Poco a poco più sostenuto | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 7. Intermezzo | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 8. Andante tranquilo | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 9 | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 10 | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 11. Lento | | | | | | | |
| Concert Variations Upon an English Theme "Down Among the Dead Men", op. 71: Variation 12. Finale. Allegro moderato e deciso | | | | | | | |
| Concertino pour piano et orchestre: I. Presto leggiero | | | | | | | |
| Concertino pour piano et orchestre: II. Lent | | | | | | | |
| Concertino pour piano et orchestre: III. Allegretto | | | | | | | |
| Concertino pour piano et orchestre: IV. Rondeau | | | | | | | |
| Concerto for 2 Pianos (3 Hands), op. 104: I. Allegro moderato | | - Sir Malcolm Arnold
- David Nettle, Richard Markham, Royal Philharmonic Orchestra, Vernon Handley
- Phyllis Sellick, Cyril Smith, City of Birmingham Symphony Orchestra, Malcolm Arnold
- Phillip Dyson, Kevin Sargent, Ulster Orchestra, Esa Heikkilä
- Phyllis Sellick, Cyril Smith, BBC Symphony Orchestra, Malcolm Arnold
| | | | | |
| Concerto for 2 Pianos (3 Hands), op. 104: II. Andante moderato | | - Sir Malcolm Arnold
- David Nettle, Richard Markham, Royal Philharmonic Orchestra, Vernon Handley
- Phyllis Sellick, Cyril Smith, City of Birmingham Symphony Orchestra, Malcolm Arnold
- Phillip Dyson, Kevin Sargent, Ulster Orchestra, Esa Heikkilä
- Phyllis Sellick, Cyril Smith, BBC Symphony Orchestra, Malcolm Arnold
| | | | | |
| Concerto for 2 Pianos (3 Hands), op. 104: III. Allegro | | - Phyllis Sellick, Cyril Smith, City of Birmingham Symphony Orchestra, Malcolm Arnold
- Sir Malcolm Arnold
- David Nettle, Richard Markham, Royal Philharmonic Orchestra, Vernon Handley
- Phillip Dyson, Kevin Sargent, Ulster Orchestra, Esa Heikkilä
- Phyllis Sellick, Cyril Smith, BBC Symphony Orchestra, Malcolm Arnold
| | | | | |
| Concerto for Piano and Orchestra in C minor: I. Allegro non troppo | | | | | | | |
| Concerto for Piano and Orchestra in C minor: II. Largo | | | | | | | |
| Concerto for Piano and Orchestra in C minor: III. Maestoso con moto moderato | | | | | | | |
| Concerto for Piano Duet and Strings, op. 32: I. Allegro | | | | | | | |
| Concerto for Piano Duet and Strings, op. 32: II. Larghetto | | | | | | | |
| Concerto for Piano Duet and Strings, op. 32: III. Vivace | | | | | | | |
| Concerto for Piano no. 1: I. Capriccio. Allegro molto | | | | | | | |
