'Tamino mein, o welch ein Glück' | Francisco Araiza, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | | | 3:48 | |
Agnus Dei | Margaret Price, Trudeliese Schmidt, Francisco Araiza, Theo Adam, MDR Rundfunkchor Leipzig & Staatskapelle Dresden | | | 3:05 | |
Aria for Tenor and Orchestra in B-flat major, K. 295 (first version): Adagio - allegretto - primo tempo "Se al labbro mio non credi" | Francisco Araiza, Mozarteum Orchester Salzburg, Leopold Hager | | | 11:56 | |
Aria for Tenor and Orchestra in D major, K. 209: Andante - allegro assai - tempo primo "Si mostra la sorte" | Francisco Araiza, Mozarteum Orchester Salzburg, Leopold Hager | | | 4:07 | |
Ave Maria | Francisco Araiza | | | 4:08 | |
Benedictus | Margaret Price, Trudeliese Schmidt, Francisco Araiza, Theo Adam, MDR Rundfunkchor Leipzig & Staatskapelle Dresden | | | 5:13 | |
Canción Blues: Bésame Mucho | Francisco Araiza | | | 4:59 | |
Canción Mexicana: Gratia plena | Francisco Araiza | | | 5:27 | |
Canción Popular Mexicana: La Golondrina | Francisco Araiza | | | 3:22 | |
Canción Ranchera: Ella | Francisco Araiza | | | 3:10 | |
Canción Ranchera: Fiesta Mexicana | Francisco Araiza | | | 3:49 | |
Canción Ranchera: Mexico Lindo | Francisco Araiza | | | 3:30 | |
Canción ranchera: Paloma Querida | Francisco Araiza | | | 3:33 | |
Canción Vals: Dime que Sí | Francisco Araiza | | | 2:45 | |
Canción: Ojos Tapatios | Francisco Araiza | | | 4:39 | |
Canción: Te quiero dijiste | Francisco Araiza | | | 4:12 | |
Cendrillon: Quintette | Francisco Araiza, Alessandro Corbelli, Enzo Dara, Lucia Valentini Terrani, Domenico Trimarchi, Cappella Coloniensis, Gabriele Ferro | | | 10:50 | |
Communio: Lux Aeterna | Margaret Price, Trudeliese Schmidt, Francisco Araiza, Theo Adam, MDR Rundfunkchor Leipzig & Staatskapelle Dresden | | | 5:45 | |
Cosi fan tutte, K. 588: "Un'aura amorosa" (Ferrando) | Francisco Araiza, Wiener Philharmoniker, Riccardo Muti | | | 5:12 | |
Così fan tutte: Act 1. Dammi un baccio, O mio tesero - Pleas for a kiss (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | Francisco Araiza, Agnes Baltsa, Kathleen Battle, Margaret Marshall, James Morris, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | | | 3:32 | |
Così fan tutte: Act 1. Dove son? Che loco e questo? - Feigned delirium (Ferrando, Guglielmo) | Francisco Araiza, James Morris, Vienna Philharmonic Orchestra, Riccardo Muti | | | 3:13 | |
Così fan tutte: Act 1. La mia Dorabelle capace non e - A lively argument (Ferrando, Guglielmo, Don Alfonso) | Francisco Araiza, James Morris, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | | | 2:00 | |
Così fan tutte: Act 1. Un'aura amorosa - Song of hope (Ferrando) | Francisco Araiza, Vienna Philharmonic Orchestra, Riccardo Muti | | | 5:18 | |
Così fan tutte: Act 2. Fortunato l'uom che prende - Finale (All) | Francisco Araiza, Agnes Baltsa, Kathleen Battle, Margaret Marshall, James Morris, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | | | 2:06 | |
Così fan tutte: Act 2. Fra gli amplesse in pochi istanti - A passionate duet (Fiordiligi, Ferrando) | Francisco Araiza, Margaret Marshall, Vienna Philharmonic Orchestra, Riccardo Muti | | | 6:35 | |
Così fan tutte: Atto I. No. 17 Aria "Un'aura amorosa" (Ferrando) | Francisco Araiza, Wiener Philharmoniker, Riccardo Muti | | | 5:18 | |
Cuius animan (Stabat Mater) | Francisco Araiza, Symphonieorchester des Bayerischen Rundfunks, Semyon Bychkov | | | 7:04 | |
Das Land des Lächelns: Dein ist mein ganzes Herz | Francisco Araiza | | | 3:49 | |
Das Land des Lächelns: Dein ist mein ganzes Herz | Francisco Araiza | | | 3:46 | |
Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Brigitte Fassbaender & Francisco Araiza | | | 8:41 | |
Das Lied von der Erde: Das Trinklied vom Jammer der Erde | Francisco Araiza, Wiener Philharmoniker, Carlo Maria Giulini | | | 8:34 | |
Das Lied von der Erde: Der Abschied | Brigitte Fassbaender & Francisco Araiza | | | 30:24 | |
Das Lied von der Erde: Der Einsame im Herbst | Brigitte Fassbaender & Francisco Araiza | | | 9:48 | |
Das Lied von der Erde: Der Trunkene im Frühling | Brigitte Fassbaender & Francisco Araiza | | | 4:26 | |
Das Lied von der Erde: Der Trunkene im Frühling | Francisco Araiza, Wiener Philharmoniker, Carlo Maria Giulini | | | 4:35 | |
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde: Allegro pesante | Francisco Araiza, Berliner Philharmoniker, Carlo Maria Giulini | | | 8:34 | |
Das Lied von der Erde: III. Von der Jugend | Francisco Araiza, Berliner Philharmoniker, Carlo Maria Giulini | | | 3:17 | |
Das Lied von der Erde: V. Der Trunkene im Frühling | Francisco Araiza, Berliner Philharmoniker, Carlo Maria Giulini | | | 4:17 | |
Das Lied von der Erde: Von der Jugend | Brigitte Fassbaender & Francisco Araiza | | | 3:21 | |
Das Lied von der Erde: Von der Jugend | Francisco Araiza, Wiener Philharmoniker, Carlo Maria Giulini | | | 3:22 | |
Das Lied von der Erde: Von der Schönheit | Brigitte Fassbaender & Francisco Araiza | | | 7:38 | |
Dialog: 'Schöner Jüngling' | Francisco Araiza, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 0:46 | |
Die Schöne Müllerin D. 795: Am Feierabend | Francisco Araiza, Irwin Gage | | | 2:50 | |
Die Schöne Müllerin D. 795: Danksagung an den Bach | Francisco Araiza, Irwin Gage | | | 2:31 | |
Die Schöne Müllerin D. 795: Das Wandern | Francisco Araiza, Irwin Gage | | | 2:58 | |
Die Schöne Müllerin D. 795: Der Jäger | Francisco Araiza, Irwin Gage | | | 1:13 | |
Die Schöne Müllerin D. 795: Der Müller und der Bach | Francisco Araiza, Irwin Gage | | | 4:28 | |
Die Schöne Müllerin D. 795: Der Neugierige | Francisco Araiza, Irwin Gage | | | 4:08 | |
Die Schöne Müllerin D. 795: Des Baches Wiegenlied | Francisco Araiza, Irwin Gage | | | 7:05 | |
Die Schöne Müllerin D. 795: Des Müllers Blumen | Francisco Araiza, Irwin Gage | | | 3:35 | |
Die Schöne Müllerin D. 795: Die böse Farbe | Francisco Araiza, Irwin Gage | | | 2:04 | |
Die Schöne Müllerin D. 795: Die liebe Farbe | Francisco Araiza, Irwin Gage | | | 4:35 | |
Die Schöne Müllerin D. 795: Eifersucht und Stolz | Francisco Araiza, Irwin Gage | | | 1:36 | |
Die Schöne Müllerin D. 795: Halt! | Francisco Araiza, Irwin Gage | | | 1:28 | |
Die Schöne Müllerin D. 795: Mein! | Francisco Araiza, Irwin Gage | | | 2:34 | |
Die Schöne Müllerin D. 795: Mit dem grünen Lautenbande | Francisco Araiza, Irwin Gage | | | 1:53 | |
Die Schöne Müllerin D. 795: Morgengruß | Francisco Araiza, Irwin Gage | | | 4:27 | |
Die Schöne Müllerin D. 795: Pause | Francisco Araiza, Irwin Gage | | | 5:50 | |
Die Schöne Müllerin D. 795: Tränenregen | Francisco Araiza, Irwin Gage | | | 4:23 | |
Die Schöne Müllerin D. 795: Trockne Blumen | Francisco Araiza, Irwin Gage | | | 4:09 | |
Die Schöne Müllerin D. 795: Ungeduld | Francisco Araiza, Irwin Gage | | | 2:58 | |
Die Schöne Müllerin D. 795: Wohin? | Francisco Araiza, Irwin Gage | | | 2:22 | |
Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino) | Francisco Araiza, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 6:02 | |
Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno) | Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 2:33 | |
Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | | | 4:29 | |
Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino) | Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 6:27 | |
Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) | John McCarthy, Ambrosian Opera Choir, Francisco Araiza, Olaf Bär, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | | | 3:25 | |
Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino) | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | | | 3:10 | |
Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) | Francisco Araiza, Markus Baur, Christian Fliegner, Christian Günther, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | | | 1:49 | |
Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino) | John McCarthy, Ambrosian Opera Chorus, Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | | | 2:00 | |
Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno) | Francisco Araiza, Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | | | 1:52 | |
Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) | John McCarthy, Ambrosian Opera Chorus, Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | | | 3:01 | |
Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Jüngling! Dein standhaft männliches Betragen" (Papageno, Tamino) | Francisco Araiza, Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | | | 0:39 | |
Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino) | Francisco Araiza, Olaf Bär, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | | | 1:40 | |
Die Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papagena) | Francisco Araiza, Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | | | 1:17 | |
Die Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina) | Francisco Araiza, Olaf Bär, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | | | 0:47 | |
Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) | Francisco Araiza, Samuel Ramey, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | | | 0:19 | |
Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino) | Francisco Araiza, Samuel Ramey, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | | | 2:58 | |
Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina) | Francisco Araiza, Edmund Barham, Harry Peeters, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | | | 4:45 | |
Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino) | John McCarthy, Ambrosian Opera Chorus, Francisco Araiza, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | | | 3:13 | |
Don Giovanni, K.527 / Act 1 : "Dalla sua pace" | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | | | 4:42 | |
Don Giovanni, K.527 / Act 1 : "Don Ottavio... son morta!" | Sharon Sweet, Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | | | 3:17 | |
Don Giovanni, K.527 / Act 2 : "Il mio tesoro intanto" | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | | | 4:08 | |
Don Giovanni, K.527 / Act 2 : "Sola, sola in buio loco" | Karita Mattila, Marie McLaughlin, Sharon Sweet, Francisco Araiza, Claudio Otelli, Simone Alaimo, Academy of St Martin in the Fields, Sir Neville Marriner | | | 7:40 | |
Ecco Ridente In Cielo | Francisco Araiza | | | 4:45 | |
Er kommt, der Bräutigam | Francisco Araiza | | | 1:06 | |
Estrellita | Francisco Araiza | | | 4:42 | |
Evgeny Onegin: Kuda, kuda, kuda, wy udalilish | Francisco Araiza, English Chamber Orchestra, Alberto Zedda | | | 6:24 | |
Falstaff: Atto primo, Parte seconda. "Del tuo barbaro diagnostico" (Dr. Cajus, Pistola, Ford, Bard, Fenton, Alice, Meg, Nannetta, Quickly) | Walter Hagen-Groll, Francisco Araiza, Raina Kabaivanska, Christa Ludwig, Piero de Palma, Rolando Panerai, Janet Perry, Trudeliese Schmidt, Heinz Zednik, Wiener Philharmoniker, Herbert von Karajan | | | 2:24 | |
Falstaff: Atto primo, Parte seconda. "Fulgida Alice! ... Quell'otre! Quel tino! ... È un ribaldo, un furbo, un ladro" (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Pistola, Fenton, Ford) | Walter Hagen-Groll, Francisco Araiza, Federico Davia, Raina Kabaivanska, Christa Ludwig, Piero de Palma, Rolando Panerai, Janet Perry, Trudeliese Schmidt, Heinz Zednik, Wiener Philharmoniker, Herbert von Karajan | | | 4:18 | |
Falstaff: Atto primo, Parte seconda. "Pst, pst, Nannetta / Labbra di foco! ... Falstaff m'ha canzonata ... Torno all'assalto ... Udrai quanta egli sfoggia" (Fenton, Nannetta, Alice, Meg, Quickly, Bard, Ford, Pistola) | Walter Hagen-Groll, Francisco Araiza, Raina Kabaivanska, Christa Ludwig, Rolando Panerai, Janet Perry, Trudeliese Schmidt, Heinz Zednik, Wiener Philharmoniker, Herbert von Karajan | | | 7:01 | |
Falstaff: Atto secondo, Parte seconda. "Mia signora! C'è Mistress Meg ... Vien qua ... Che chiasso! ... Al ladro!" (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola, Nannetta, Fenton, Dr. Cajus) | Walter Hagen-Groll, Francisco Araiza, Federico Davia, Raina Kabaivanska, Christa Ludwig, Piero de Palma, Rolando Panerai, Janet Perry, Trudeliese Schmidt, Giuseppe Taddei, Heinz Zednik, Wiener Philharmoniker, Herbert von Karajan | | | 4:43 | |
Falstaff: Atto terzo, Parte prima. "Reverenza. La bella Alice ... Quando il rintocco della mezzanotte" (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Dr. Cajus, Fenton) | Walter Hagen-Groll, Francisco Araiza, Raina Kabaivanska, Christa Ludwig, Piero de Palma, Rolando Panerai, Janet Perry, Trudeliese Schmidt, Wiener Philharmoniker, Herbert von Karajan | | | 6:23 | |
Falstaff: Atto terzo, Parte prima. "Sarai la fata regina delle fate" (Alice, Nannetta, Meg, Fenton, Ford, Dr. Cajus, Quickly) | Walter Hagen-Groll, Francisco Araiza, Raina Kabaivanska, Christa Ludwig, Piero de Palma, Rolando Panerai, Janet Perry, Trudeliese Schmidt, Wiener Philharmoniker, Herbert von Karajan | | | 4:18 | |
Falstaff: Atto terzo, Parte seconda. "Dal labbro il canto estasiato vola ... Nossignore! Tu indossa questa cappa" (Fenton, Nannetta, Alice, Quickly, Meg) | Walter Hagen-Groll, Francisco Araiza, Raina Kabaivanska, Christa Ludwig, Janet Perry, Trudeliese Schmidt, Wiener Philharmoniker, Herbert von Karajan | | | 5:26 | |
Falstaff: Atto terzo, Parte seconda. "Facciamo il parentado ... Tutto nel mondo è burla" (Ford, Bardolfo, Pistola, Alice, Nannetta, Fenton, Quickly, Meg, Falstaff, Dr. Cajus, coro) | Walter Hagen-Groll, Francisco Araiza, Chor der Wiener Staatsoper, Federico Davia, Raina Kabaivanska, Christa Ludwig, Piero de Palma, Rolando Panerai, Janet Perry, Trudeliese Schmidt, Giuseppe Taddei, Heinz Zednik, Wiener Philharmoniker, Herbert von Karajan | | | 3:34 | |
Falstaff: Atto terzo, Parte seconda. "Ogni sorta di gente dozzinale" (Falstaff, Alice, Meg, Quickly, coro, Ford, Bardolfo, Pistola, Nannetta, Fenton, Dr. Cajus) | Walter Hagen-Groll, Francisco Araiza, Chor der Wiener Staatsoper, Federico Davia, Raina Kabaivanska, Christa Ludwig, Piero de Palma, Rolando Panerai, Janet Perry, Trudeliese Schmidt, Giuseppe Taddei, Heinz Zednik, Wiener Philharmoniker, Herbert von Karajan | | | 3:56 | |
Fantasia Española: Granada | Francisco Araiza | | | 4:57 | |
Faust : Acte V, scène 2. « Alerte, alerte !; Sauvée ! » | Francisco Araiza, Yevgeni Nesterenko, Kiri Te Kanawa | | | 5:29 | |
Faust: Alerte! Alerte! … Anges purs (Final Trio) | Francisco Araiza, Евгений Нестеренко, Kiri Te Kanawa, The Bavarian Radio Symphony Orchestra, Sir Colin Davis | | | 2:53 | |