| performed |
|---|
| 1987-01 | Christmas Oratorio, BWV 248: no. 38. Recitativo (Basso): "Immanuel, o süßes Wort" / Arioso (Soprani, Basso): "Jesu, du mein liebstes Leben" | | English Baroque Soloists, John Eliot Gardiner | 2:16 |
| 1987-01 | Christmas Oratorio, BWV 248: no. 40. Recitativo (Basso): "Wohlan, dein Name soll allein" / Choral (Soprani): "Jesu, meine Freud und Wonne" | | English Baroque Soloists, John Eliot Gardiner | 1:22 |
| 1992-01 | "Nun komm, der Heiden Heiland", BWV 62: 5. Recitative "Wir ehren diese Herrlichkeit" (Soprano, Mezzo-Soprano) | | Johann Sebastian Bach | 0:49 |
| 1992-01 | "Nun komm, der Heiden Heiland", BWV 62: 6. Chorale "Lob sei Gott, dem Vater" (Choir) | | Johann Sebastian Bach | 0:40 |
| 1992-01 | Nun komm, der Heiden Heiland, Cantata BWV 61: 5. "Öffne dich, mein ganzes Herz" | | Johann Sebastian Bach | 3:47 |
| 1992-01 | Nun komm, der Heiden Heiland, Cantata BWV 61: 6. "Amen" | | Johann Sebastian Bach | 0:54 |
| 1992-01 | Schwingt freudig euch empor, Cantata BWV 36: 2. "Nun komm, der Heiden Heiland" | | Johann Sebastian Bach | 3:21 |
| 1992-01 | Schwingt freudig euch empor, Cantata BWV 36: 4. "Zwingt die Saiten" | | Johann Sebastian Bach | 1:19 |
| 1992-01 | Schwingt freudig euch empor, Cantata BWV 36: 6. "Der du bist dem Vater gleich" | | Johann Sebastian Bach | 1:44 |
| 1992-01 | Schwingt freudig euch empor, Cantata BWV 36: 7. "Auch mit gedämpften, schwachen Stimmen" | | Johann Sebastian Bach | 8:54 |
| 1992-01 | Schwingt freudig euch empor, Cantata BWV 36: 8. "Lob sei Gott, dem Vater" | | Johann Sebastian Bach | 0:47 |
| vocals |
|---|
| 1983-11 | Magnificat, BWV 243: III. Aria (soprano I) "Quia respexit humilitatem" | soprano vocals | Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists | 2:14 |
| 1983-11 | Magnificat, BWV 243: X. Aria (Terzetto) (sopranos I & II, alto) "Suscepit Israel" | soprano vocals | Nancy Argenta, Sir John Eliot Gardiner, English Baroque Soloists, Patrizia Kwella, Charles Brett | 2:02 |
| 1984-06 | Solomon, HWV 67: Act I, Scene II. "Bless'd the day" | soprano vocals | Nancy Argenta, English Baroque Soloists, Sir John Eliot Gardiner | 4:45 |
| 1984-06 | Solomon, HWV 67: Act I, Scene II. "Thou fair inhabitant - Welcome as the dawn of day" | soprano vocals | Carolyn Watkinson, Nancy Argenta, English Baroque Soloists, Sir John Eliot Gardiner | 3:58 |
| 1984-06 | Solomon, HWV 67: Act I, Scene II. "When thou art absent - With thee th'unshelter'd moor I'd tread" | soprano vocals | Nancy Argenta, English Baroque Soloists, Sir John Eliot Gardiner | 2:21 |
| 1985-02 | Iphigénie en Tauride: Act I, Scene 1. Récitatif "Iphigénie, ô ciel!" / Choeur "Ô songe affreux!" / Récitatif "Ô race de Pélops" | soprano vocals [Première Prêtresse] | Christoph Willibald Gluck | 6:30 |
| 1985-02 | Mass in B minor BWV 232: I. Kyrie: Kyrie eleison | soprano vocals | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 9:29 |
| 1985-02 | Mass in B minor BWV 232: V. Gloria: Et in terra pax | soprano vocals | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 4:05 |
| 1985-02 | Mass in B minor BWV 232: VI. Gloria: Laudamus te | soprano vocals | Nancy Argenta, Elizabeth Wilcock, English Baroque Soloists, Sir John Eliot Gardiner | 3:53 |
| 1985-02 | Mass in B minor BWV 232: VIII. Gloria: Domine Deus (attacca) | soprano vocals | Nancy Argenta, Howard Milner, Lisa Beznosiuk, English Baroque Soloists, Sir John Eliot Gardiner | 5:18 |
| 1985-12 | L'Orfeo: Atto primo. "In questo lieto e fortunato giorno" / "Vieni, Imeneo" / "Muse, onor di Parnaso" | soprano vocals [Ninfa] | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker | 3:28 |
| 1985-12 | L'Orfeo: Atto primo. "Ma se il nostro gioir" / "Ecco Orfeo, cui pur" | soprano vocals [Ninfa] | John Eliot Gardiner, The English Baroque Soloists, The Monteverdi Choir, Nancy Argenta, Mark Tucker, Nigel Robson, Michael Chance, Simon Birchall | 5:09 |
| 1986-03 | Johannes-Passion, BWV 245: Teil II, XXXV. Aria (Soprano) "Zerfließe, mein Herze, in Fluten" | soprano vocals | English Baroque Soloists, Sir John Eliot Gardiner | 6:57 |
| 1987-01 | Christmas Oratorio, BWV 248: no. 29. Duetto (Soprano, Basso): "Herr, dein Mitleid, dein Erbarmen" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 6:49 |
| 1987-01 | Christmas Oratorio, BWV 248: no. 39. Aria (Soprano, Echo Soprano): "Flößt, mein Heiland, flößt dein Namen" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 5:40 |
| 1987-01 | Christmas Oratorio, BWV 248: no. 51. Terzetto (Soprano, Alto, Tenore): "Ach, wenn wird die Zeit erscheinen" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 5:34 |
| 1987-01 | Christmas Oratorio, BWV 248: no. 56. Recitativo (Soprano): "Du Falscher, suche nur den Herrn zu fällen" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 0:56 |
| 1987-01 | Christmas Oratorio, BWV 248: no. 57. Aria (Soprano): "Nur ein Wink von seinen Händen" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 4:25 |
| 1987-01 | Christmas Oratorio, BWV 248: no. 63. Recitativo (Soprano, Alto, Tenore, Basso): "Was will der Höllen Schrecken nun" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 0:37 |
| 1987-02 | Dixit Dominus: De torrente in via bibet | soprano vocals | Nancy Argenta, Ashley Stafford, The English Concert, The English Concert Choir, Trevor Pinnock | 2:50 |
| 1987-02 | Dixit Dominus: Vigram virtutis | soprano vocals | Nancy Argenta, The English Concert, The English Concert Choir, Trevor Pinnock | 2:33 |
| 1987-02 | Gloria, RV 589: Domine Deus, Rex caelestis | soprano vocals | Nancy Argenta, David Reichenberg, The English Concert, The English Concert Choir, Trevor Pinnock | 3:44 |
| 1987-02 | Gloria, RV 589: Laudamus te | soprano vocals | Nancy Argenta, Ingrid Attrot, The English Concert, The English Concert Choir, Trevor Pinnock | 2:15 |
| 1989-06-09 – 1989-06-12 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: I. Kyrie eleison | soprano vocals | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | 4:49 |
| 1989-06-09 – 1989-06-12 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: II. Pater de coelis | soprano vocals | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta | 5:00 |
| 1989-06-09 – 1989-06-12 | Litaniae Lauretanae "Salus infirmorum", ZWV 152: V. Virgo prudentissima II | soprano vocals | Frieder Bernius, Tafelmusik, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | 2:01 |
| 1989-06-09 – 1989-06-12 | Missa Dei Filii, ZWV 20: II. Kyrie: Christe eleison | soprano vocals | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta | 4:51 |
| 1989-06-09 – 1989-06-12 | Missa Dei Filii, ZWV 20: IV. Gloria: Gloria in excelsis Deo | soprano vocals | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Michael Chance, Christoph Prégardien, Gordon Jones | 9:37 |
| 1989-06-09 – 1989-06-12 | Missa Dei Filii, ZWV 20: V. Gloria: Qui tollis peccata mundi | soprano vocals | Frieder Bernius, Tafelmusik, Kammerchor Stuttgart, Nancy Argenta, Christoph Prégardien, Gordon Jones | 9:52 |
| 1989-09 | Gottes Zeit ist die allerbeste Zeit, BWV 106: Chorus & Soli: Gottes Zeit ist die allerbeste Zeit | soprano vocals | Nancy Argenta, Monteverdi Choir, Anthony Rolfe Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner | 7:56 |
| 1989-09 | Lass, Fürstin, lass noch einen Strahl, BWV 198: Aria (soprano) "Verstummt, verstummt, ihr holden Saiten" | soprano vocals | English Baroque Soloists, Sir John Eliot Gardiner | 3:35 |
| 1989-09 | Lass, Fürstin, lass noch einen Strahl, BWV 198: Recitative (soprano) "Dein Sachsen, dein bestürztes Meissen" | soprano vocals | English Baroque Soloists, Sir John Eliot Gardiner | 1:01 |
| 1990-04 | Alexander's Feast: Accompanied Recitative (Soprano) "He Chose Mournful Muse" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 1:25 |
| 1990-04 | Alexander's Feast: Accompanied Recitative (Soprano) "With Downcast Looks" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 0:55 |
| 1990-04 | Alexander's Feast: Aria (Soprano) - Chorus "Thais Led the Way" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 5:13 |
| 1990-04 | Alexander's Feast: Aria (Soprano) "He Sung Darius, Great and Good" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 2:48 |
| 1990-04 | Alexander's Feast: Aria (Soprano) "The Prince, Unable to Conceal His Pain" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 6:27 |
| 1990-04 | Alexander's Feast: Aria (Soprano) "War, He Sung, Is Toil and Trouble" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 4:38 |
| 1990-04 | Alexander's Feast: Aria (Soprano) "With Ravish'd Ears" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 3:35 |
| 1990-04 | Alexander's Feast: Arioso (Soprano) "Softly Sweet, in Lydian Measures" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 3:35 |
| 1990-04 | Alexander's Feast: Recitative (Soprano) "The Song Began From Jove" | soprano vocals | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | 1:01 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 1 Introduktion „Ich sollte fort!“ (Die drei Damen) | soprano vocals [1. Dame] | Nancy Argenta, Catherine Denley, Eirian James, London Classical Players, Sir Roger Norrington | 2:32 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 1 Introduktion „Zu Hilfe! Zu Hilfe!“ (Tamino, Die drei Damen) | soprano vocals [1. Dame] | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, London Classical Players, Sir Roger Norrington | 3:15 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 2 Aria „Papageno!“ (Die drei Damen, Papageno, Tamino) | soprano vocals [1. Dame] | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | 1:43 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 3 Dialog „Rüste dich mit Mut und Standhaftigkeit“ (Die drei Damen, Tamino) | soprano vocals [1. Dame] | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson | 1:23 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 5 Quintett „Hm! Hm! Hm!“ (Papageno, Tamino, Die drei Damen) | soprano vocals [1. Dame] | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | 5:44 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 12 Quintetto „Wie? Wie? Wie? Ihr an diesem Schreckensort?“ (Die drei Damen, Papageno, Tamino, Eingeweihte) | soprano vocals [1. Dame] | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | 2:54 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 21 Finale „Nur stille! Stille! Die Strahlen der Sonne“ (Monostatos, Königin der Nacht, Die drei Damen) | soprano vocals [1. Dame] | Nancy Argenta, Catherine Denley, Beverly Hoch, Eirian James, Guy de Mey, London Classical Players, Sir Roger Norrington | 2:09 |
| 1991-02-26 – 1991-02-28 | Don Gayseros I, D. 93 no. 1 | soprano vocals | Adrian Thompson, John Mark Ainsley, Nancy Argenta, Graham Johnson | 4:16 |
| 1991-02-26 – 1991-02-28 | Don Gayseros II, D. 93 no. 2 | soprano vocals | Adrian Thompson, John Mark Ainsley, Richard Jackson, Graham Johnson | 3:21 |
| 1991-05-06 – 1991-05-09 | Orfeo ed Euridice: Atto III, Scena 1. Aria: “Che fiero momento” (Euridice) | soprano vocals [Euridice] | Nancy Argenta, Tafelmusik, Frieder Bernius | 2:50 |
| 1991-05-06 – 1991-05-09 | Orfeo ed Euridice: Atto III, Scena 1. Duetto: “Vieni, appaga il tuo consorte!” (Orfeo, Euridice) | soprano vocals [Euridice] | Nancy Argenta, Michael Chance, Tafelmusik, Frieder Bernius | 3:01 |
| 1991-05-06 – 1991-05-09 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Ecco un nuovo tormento” (Orfeo, Euridice) | soprano vocals [Euridice] | Nancy Argenta, Michael Chance, Tafelmusik, Frieder Bernius | 3:33 |
| 1991-05-06 – 1991-05-09 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Qual, vita è questa mai” (Euridice) | soprano vocals [Euridice] | Nancy Argenta, Tafelmusik, Frieder Bernius | 1:34 |
| 1991-05-06 – 1991-05-09 | Orfeo ed Euridice: Atto III, Scena 1. Recitativo: “Vieni, segui i miei passi” (Orfeo, Euridice) | soprano vocals [Euridice] | Nancy Argenta, Michael Chance, Tafelmusik, Frieder Bernius | 5:12 |
| 1991-05-06 – 1991-05-09 | Orfeo ed Euridice: Atto III, Scena 2. Recitativo: “Orfeo, che fai?” (Amore, Orfeo, Euridice) | soprano vocals [Euridice] | Nancy Argenta, Stefan Beckerbauer, Michael Chance, Tafelmusik, Frieder Bernius | 1:46 |
| 1991-05-06 – 1991-05-09 | Orfeo ed Euridice: Atto III, Scena 3. Coro: “Trionfi Amore!” (Orfeo, Amore, Euridice, coro) | soprano vocals [Euridice] | Nancy Argenta, Stefan Beckerbauer, Michael Chance, Kammerchor Stuttgart, Tafelmusik, Frieder Bernius | 2:28 |
| 1991-06 | King Arthur: Act III. "'Tis I, 'this I that have warm'd ye" | soprano vocals [Cupid] | Henry Purcell | 2:11 |
| 1991-06 | King Arthur: Act III. "No part of my dominion" | soprano vocals [Cupid] | Henry Purcell | 1:11 |
| 1991-06 | King Arthur: Act III. "Sound a parley" / "'Tis Love, 'tis Love that has warm'd us" | soprano vocals [Cupid] | Henry Purcell | 4:25 |
| 1991-06 | King Arthur: Act III. "Thou doting fool, forbear" | soprano vocals [Cupid] | Henry Purcell | 0:54 |
| 1991-06 | King Arthur: Act III. "What ho!" | soprano vocals [Cupid] | Henry Purcell | 1:08 |
| 1991-06 | King Arthur: Act IV. Passacaglia | soprano vocals [Nymph] | Henry Purcell | 6:08 |
| 1991-06 | King Arthur: Act V. Dance / "Fairest isle" | soprano vocals [Venus] | Henry Purcell | 4:49 |
| 1991-09 | Requiem K 626: Introitus: Requiem Aeternam | soprano vocals | Nancy Argenta, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | 4:01 |
| 1991-09 | Requiem, KV. 626: IIIb. Sequenz: Tuba mirum | soprano vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 2:46 |
| 1991-09 | Requiem, KV. 626: IIId. Sequenz: Recordare | soprano vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 4:35 |
| 1991-09 | Requiem, KV. 626: IVa. Offertorium: Domine Jesu | soprano vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 3:19 |
| 1991-09 | Requiem, KV. 626: Va. Sanctus et Benedictus: Sanctus / Vb. Sanctus et Benedictus: Osanna I | soprano vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The Schütz Choir of London, The London Classical Players | 2:19 |
| 1991-09 | Requiem, KV. 626: VII. Communio | soprano vocals | Nancy Argenta, The Schütz Choir of London, The London Classical Players, Sir Roger Norrington | 5:28 |
| 1992-01 | Cantata, BWV 36 "Schwingt freudig euch empor": Aria (Soprano) "Auch mit gedämpften, schwachen Stimmen" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 8:54 |
| 1992-01 | Cantata, BWV 36 "Schwingt freudig euch empor": Chorale-Duet (Soprano, Mezzo-soprano) "Nun komm, der Heiden Heiland" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 3:21 |
| 1992-01 | Cantata, BWV 61 "Nun komm, der Heiden Heiland": Aria (Soprano) "Öffne dich, mein ganzes Herze" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 3:47 |
| 1992-01 | Cantata, BWV 62 "Nun komm, der Heiden Heiland": Recitative (Soprano, Mezzo-soprano) "Wir ehren diese Herrlichkeit" | soprano vocals | English Baroque Soloists, John Eliot Gardiner | 0:49 |
| 1992-08 | Don Giovanni, K. 527: Atto I. “Là ci darem la mano” | soprano vocals | London Classical Players, Roger Norrington | 2:40 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina) | soprano vocals | London Classical Players, Roger Norrington | 1:42 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro) | soprano vocals | London Classical Players, Roger Norrington | 1:23 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina) | soprano vocals | London Classical Players, Roger Norrington | 2:02 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni) | soprano vocals | London Classical Players, Roger Norrington | 0:44 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina) | soprano vocals | London Classical Players, Roger Norrington | 3:44 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" / "Pace, pace, o vita mia" (Zerlina) | soprano vocals | London Classical Players, Roger Norrington | 3:36 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina) | soprano vocals | London Classical Players, Roger Norrington | 0:39 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto) | soprano vocals | London Classical Players, Roger Norrington | 1:06 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto) | soprano vocals | London Classical Players, Roger Norrington | 1:06 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | soprano vocals | London Classical Players, Roger Norrington | 4:00 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | soprano vocals | London Classical Players, Roger Norrington | 1:15 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | soprano vocals | London Classical Players, Roger Norrington | 3:50 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XV. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | soprano vocals | London Classical Players, Roger Norrington | 4:13 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) | soprano vocals | London Classical Players, Roger Norrington | 0:20 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) | soprano vocals | London Classical Players, Roger Norrington | 0:27 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) / "Ahi ahi! la testa mia" (Masetto, Zerlina) | soprano vocals | London Classical Players, Roger Norrington | 1:44 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina) | soprano vocals | London Classical Players, Roger Norrington | 2:52 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio) | soprano vocals | London Classical Players, Roger Norrington | 0:37 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio) | soprano vocals | London Classical Players, Roger Norrington | 0:41 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Duetto "Per queste tue manine" (Zerlina, Leporello) | soprano vocals | London Classical Players, Roger Norrington | 3:18 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello) | soprano vocals | London Classical Players, Roger Norrington | 1:23 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto) | soprano vocals | London Classical Players, Roger Norrington | 1:04 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | soprano vocals | London Classical Players, Roger Norrington | 2:08 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | soprano vocals | London Classical Players, Roger Norrington | 1:45 |
| 1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) | soprano vocals | London Classical Players, Roger Norrington | 2:44 |
| See all 407 relationships |
| vocals |
|---|
| 1996-11-27 – 1996-11-29 | Harmoniemesse / Salve Regina | soprano vocals | Joseph Haydn; Collegium Musicum 90, Richard Hickox | |
| Advent Cantatas BWV 36, 61, 62 | soprano vocals | Johann Sebastian Bach; The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner | |
| Alexander's Feast | guest and soprano vocals | Handel; The Sixteen, The Symphony of Harmony and Invention, Harry Christophers | |
| Maurerische Trauermusik / Requiem / Ave Verum Corpus | soprano vocals | Wolfgang Amadeus Mozart; Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, Schütz Choir & Consort, The London Classical Players, Sir Roger Norrington | |
| Piano Concerto no. 5 / Choral Fantasia | soprano vocals | Beethoven; The London Classical Players, The Schütz Choir of London, Sir Roger Norrington, Melvyn Tan | |
| Venus & Adonis | soprano vocals [Cupid] | John Blow; London Baroque, Charles Medlam | |
