"Il duello amoroso", HWV. 82: I. Sonata: Allegro Menuetto | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 2:29 | |
"Il duello amoroso", HWV. 82: II. Recitativo (Daliso) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 0:30 | |
"Il duello amoroso", HWV. 82: III. Aria (Daliso) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 3:50 | |
"Il duello amoroso", HWV. 82: IV. Recitativo (Amarilli) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 0:33 | |
"Il duello amoroso", HWV. 82: IX. Aria (Daliso) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 4:34 | |
"Il duello amoroso", HWV. 82: V. Aria (Amarilli) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 3:29 | |
"Il duello amoroso", HWV. 82: VI. Recitativo (Daliso/Amarilli) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 0:46 | |
"Il duello amoroso", HWV. 82: VII. Aria (Amarilli) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 2:05 | |
"Il duello amoroso", HWV. 82: VIII. Recitativo (Daliso) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 0:30 | |
"Il duello amoroso", HWV. 82: X. Recitativo (Amarilli/Daliso) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 1:42 | |
"Il duello amoroso", HWV. 82: XI. Aria à 2 con Ritornello (Amarilli/Daliso) | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 2:02 | |
Ah! How Sweet It Is to Love | Nancy Argenta | | | 1:52 | |
Alexander's Feast: Accompanied Recitative (Soprano) "He Chose Mournful Muse" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 1:25 | |
Alexander's Feast: Accompanied Recitative (Soprano) "With Downcast Looks" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 0:55 | |
Alexander's Feast: Aria (Soprano) - Chorus "Thais Led the Way" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 5:13 | |
Alexander's Feast: Aria (Soprano) "He Sung Darius, Great and Good" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 2:48 | |
Alexander's Feast: Aria (Soprano) "The Prince, Unable to Conceal His Pain" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 6:27 | |
Alexander's Feast: Aria (Soprano) "War, He Sung, Is Toil and Trouble" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 4:38 | |
Alexander's Feast: Aria (Soprano) "With Ravish'd Ears" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 3:35 | |
Alexander's Feast: Arioso (Soprano) "Softly Sweet, in Lydian Measures" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 3:35 | |
Alexander's Feast: Recitative (Soprano) "The Song Began From Jove" | Nancy Argenta, The Symphony of Harmony and Invention, Harry Christophers | | | 1:01 | |
Amarilli Vezzosa, HWV 82: Aria à 2 con Ritornello "Si, si lasciami, ingrata" | Nancy Argenta, Michael Chance, Freiburger Barockorchester, Gottfried von der Goltz | | | 2:01 | |
Aria "Ma un dolce mio pensiero..." | Nancy Argenta, Tafelmusik, Alan Curtis | | | 2:49 | |
Aria "O quanto è caro amor..." | Nancy Argenta, Tafelmusik, Alan Curtis | | | 5:06 | |
As Cupid Roguishly One Day | Nancy Argenta, Nigel North | | | 2:11 | |
Aure leggiere, fermate il volo | Nancy Argenta, Malcolm Proud, The Chandos Baroque Players | | | 1:58 | |
Beneath a Poplar’s Shadow | Nancy Argenta | | | 1:58 | |
Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Aria. "Dal bel seno d'una stella" | Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players | | | 1:55 | |
Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Aria. "L'Autor d'ogni mio bene" | Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players | | | 4:06 | |
Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Aria. "Toccò la prima sorte a voi, pastori" | Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players | | | 6:59 | |
Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Recit. "Fortunati pastori" | Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players | | | 0:39 | |
Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Recit. "O di Betlemme altera" | Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players | | | 0:38 | |
Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Recit. "Pres d'uomo la forma" | Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players | | | 0:46 | |
Cantata, BWV 84 "Ich bin vergnügt mit meinem Glücke" I. Aria: Ich bin vergnügt mit meinem Glücke | Nancy Argenta, Paul Goodwin, Ensemble Sonnerie, Monica Huggett | | | 5:58 | |
Cantata, BWV 84 "Ich bin vergnügt mit meinem Glücke" II. Recitativo: Gott ist mir ja nichts schuldig | Nancy Argenta, Sonnerie, Monica Huggett | | | 1:08 | |
Cantata, BWV 84 "Ich bin vergnügt mit meinem Glücke" III. Aria: Ich esse mit Freuden mein weniges Brot | Nancy Argenta, Paul Goodwin, Sonnerie, Monica Huggett | | | 4:35 | |
Cantata, BWV 84 "Ich bin vergnügt mit meinem Glücke" IV. Recitativo: Im Schweisse meines Angesichts | Nancy Argenta, Sonnerie, Monica Huggett | | | 0:54 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" I. Aria: Weichet nur, betrübte Schatten | Nancy Argenta, Paul Goodwin, Sonnerie, Monica Huggett | | | 6:26 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" II. Recitativo: Die Welt wird wieder neu | Nancy Argenta, Sonnerie, Monica Huggett | | | 0:28 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" III. Aria: Phoebus eilt mit schnellen Pferden | Nancy Argenta, Sonnerie, Monica Huggett | | | 3:01 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" IV. Recitativo: Drumsucht auch Amor | Nancy Argenta, Sonnerie, Monica Huggett | | | 0:31 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" IX. Gavotte: Sehet in Zufriedenheit | Nancy Argenta, Sonnerie, Monica Huggett | | | 1:45 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" V. Aria: Wenn die Frühlingslüfte | Nancy Argenta, Sonnerie, Monica Huggett | | | 2:21 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" VI. Recitativo: Und dieses ist das Glükke | Nancy Argenta, Sonnerie, Monica Huggett | | | 0:39 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" VII. Aria: Sich üben im Lieben | Nancy Argenta, Paul Goodwin, Sonnerie, Monica Huggett | | | 4:11 | |
Cantata, BWV 202 "Weichet nur, betrübte Schatten" VIII. Recitativo: So sei das Band | Nancy Argenta, Sonnerie, Monica Huggett | | | 0:24 | |
Cantata, BWV 209 "Non sa che sia dolore" II. Recitativo: non sa che sia dolore (S) | Nancy Argenta, Sonnerie, Monica Huggett | | | 0:47 | |
Cantata, BWV 209 "Non sa che sia dolore" III. Aria: Parti pur, e con dolore (S) | Nancy Argenta, Lisa Beznosiuk, Sonnerie, Monica Huggett | | | 8:15 | |
Cantata, BWV 209 "Non sa che sia dolore" IV. Recitativo: Tuo saver al tempo (S) | Nancy Argenta, Sonnerie, Monica Huggett | | | 0:24 | |
Cantata, BWV 209 "Non sa che sia dolore" V. Aria: Riceti gramezza e pavento (S) | Nancy Argenta, Lisa Beznosiuk, Sonnerie, Monica Huggett | | | 5:19 | |
Cantate, L'Amour piqué par une Abeille: Air: Charmant vainqueur | Nancy Argenta, Trio Sonnerie | | | 3:53 | |
Cantate, L'Amour piqué par une Abeille: Air: Qu'à votre gloire tout conspire | Nancy Argenta, Trio Sonnerie | | | 3:16 | |
Cantate, L'Amour piqué par une Abeille: Air: Sous les loix de la jeune Flore | Nancy Argenta, Trio Sonnerie | | | 3:52 | |
Cantate, L'Amour piqué par une Abeille: Dans les Jardins enchantés de Cythere | Nancy Argenta, Trio Sonnerie | | | 1:00 | |
Cantate, L'Amour piqué par une Abeille: L'Amour charmé | Nancy Argenta, Trio Sonnerie | | | 1:04 | |
Cantate, L'Amour piqué par une Abeille: Rien n'est si beau | Nancy Argenta, Trio Sonnerie | | | 1:23 | |
Cantate, L'Amour piqué par une Abeille: Tandis que les Amours | Nancy Argenta, Trio Sonnerie | | | 0:34 | |
Cantate, La Mort de Didon: "Je ne verrai donc plus Enée!" | Nancy Argenta, Trio Sonnerie | | | 2:43 | |
Cantate, La Mort de Didon: Air: O Toi Déesse de Cithère! | Nancy Argenta, Trio Sonnerie | | | 4:05 | |
Cantate, La Mort de Didon: Air: Qu'il est dangereux | Nancy Argenta, Trio Sonnerie | | | 1:47 | |
Cantate, La Mort de Didon: Air: Tirans de l'empire de l'Onde | Nancy Argenta, Trio Sonnerie | | | 3:26 | |
Cantate, La Mort de Didon: Infidele pourquoi quitez vous ce rivage? | Nancy Argenta, Trio Sonnerie | | | 0:47 | |
Che fiero momento (from Orfeo ed Euridice, Act III) | Jeanne Lamon, Nancy Argenta, Tafelmusik Baroque Orchestra, Frieder Bernius | | | 2:54 | |
Christmas Oratorio, BWV 248, Part Five: For The 1st Sunday in The New Year: no. 51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?" | Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, English Baroque Soloists, Sir John Eliot Gardiner | | | 5:34 | |
Christmas Oratorio, BWV 248, Part Four: For New Year's Day: no. 38 Rezitativ (Baß): "Immanuel, o süßes Wort" Arioso (Chor-Sopran, Baß): "Jesu, du mein liebstes Leben"-"Komm ich will dich mit Lust umfassen" | Nancy Argenta, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner | | | 2:15 | |
Christmas Oratorio, BWV 248, Part Four: For New Year's Day: no. 39 Aria (Soprano, Echo-soprano): "Flösst, mein Heiland, flösst dein Namen" | Nancy Argenta, Katie Pringle, Anthony Robson, English Baroque Soloists, Sir John Eliot Gardiner | | | 5:39 | |
Christmas Oratorio, BWV 248, Part Four: For New Year's Day: no. 40 Rezitativ (Baß): "Wohlan, dein Name soll allein" Arioso (Chor-Sopran): "Jesu mein Freud und Wonne" | Nancy Argenta, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner | | | 1:21 | |
Christmas Oratorio, BWV 248, Part Six: For The Feast Of Epiphany: no. 56 Rezitativ (Sopran): "Du Falscher, suche nur den Herrn zu fällen" | Nancy Argenta, English Baroque Soloists, Sir John Eliot Gardiner | | | 0:55 | |
Christmas Oratorio, BWV 248, Part Six: For The Feast Of Epiphany: no. 57 Aria (Sopran): "Nur ein Wink von seinen Händen" | Nancy Argenta, English Baroque Soloists, Sir John Eliot Gardiner | | | 4:23 | |
Christmas Oratorio, BWV 248, Part Six: For The Feast Of Epiphany: no. 63 Rezitativ (Sopran, Alt, Tenor, Baß): "Was will der Hölle Schrecken nun?" | Nancy Argenta, Anne Sofie von Otter, Hans Peter Blochwitz, Olaf Bär, English Baroque Soloists, Sir John Eliot Gardiner | | | 0:37 | |
Christmas Oratorio, BWV 248, Part Three: For The Third Day Of Christmas: no. 29 Duett (Sopran, Baß): "Herr, dein Mitleid, dein Erbarmen" | Nancy Argenta, Olaf Bär, Anthony Robson, Valerie Darke, English Baroque Soloists, Sir John Eliot Gardiner | | | 6:48 | |
Concerto Grosso in G minor, Op.6/6, HWV.324: I. Largo Affettuoso | George Frideric Handel; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 2:54 | |
Concerto Grosso in G minor, Op.6/6, HWV.324: II. A Tempo Giusto | George Frideric Handel; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 1:34 | |
Concerto Grosso in G minor, Op.6/6, HWV.324: III. Musette. Larghetto | George Frideric Handel; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 4:54 | |
Concerto Grosso in G minor, Op.6/6, HWV.324: IV. Allegro | George Frideric Handel; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 2:42 | |
Concerto Grosso in G minor, Op.6/6, HWV.324: V. Allegro | George Frideric Handel; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 2:05 | |
Cupid, the Slyest Rogue Alive | Nancy Argenta | | | 2:35 | |
Dear Pretty Youth | Nancy Argenta | | | 1:59 | |
Der Schmetterling D. 633 | Nancy Argenta, Melvyn Tan | | | 1:31 | |
Der Wachtelschlag D. 742 | Nancy Argenta, Melvyn Tan | | | 1:54 | |
Die Forelle D. 550 | Nancy Argenta, Melvyn Tan | | | 2:16 | |
Die Zauberflöte: Akt II. Nr. 1 Introduktion „Ich sollte fort!“ (Die drei Damen) | Nancy Argenta, Catherine Denley, Eirian James, London Classical Players, Sir Roger Norrington | | | 2:32 | |
Die Zauberflöte: Akt II. Nr. 1 Introduktion „Zu Hilfe! Zu Hilfe!“ (Tamino, Die drei Damen) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, London Classical Players, Sir Roger Norrington | | | 3:15 | |
Die Zauberflöte: Akt II. Nr. 2 Aria „Papageno!“ (Die drei Damen, Papageno, Tamino) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | | | 1:43 | |
Die Zauberflöte: Akt II. Nr. 3 Dialog „Rüste dich mit Mut und Standhaftigkeit“ (Die drei Damen, Tamino) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson | | | 1:23 | |
Die Zauberflöte: Akt II. Nr. 5 Quintett „Hm! Hm! Hm!“ (Papageno, Tamino, Die drei Damen) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | | | 5:44 | |
Die Zauberflöte: Akt II. Nr. 12 Quintetto „Wie? Wie? Wie? Ihr an diesem Schreckensort?“ (Die drei Damen, Papageno, Tamino, Eingeweihte) | Nancy Argenta, Catherine Denley, Eirian James, Anthony Rolfe Johnson, Andreas Schmidt, London Classical Players, Sir Roger Norrington | | | 2:54 | |
Die Zauberflöte: Akt II. Nr. 21 Finale „Nur stille! Stille! Die Strahlen der Sonne“ (Monostatos, Königin der Nacht, Die drei Damen) | Nancy Argenta, Catherine Denley, Beverly Hoch, Eirian James, Guy de Mey, London Classical Players, Sir Roger Norrington | | | 2:09 | |
Dioclesian, Z.627: I. Overture | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 4:12 | |
Dioclesian, Z.627: II. Dance - Song 'If Music Be the Food' | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 3:05 | |
Dioclesian, Z.627: III. Dance of Bacchanals - Trumpet Tune | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 2:14 | |
Dioclesian, Z.627: IV. Prelude - Song 'o How Happy' - Hornpipe | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 3:43 | |
Dioclesian, Z.627: IX. Chaconne | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 2:24 | |
Dioclesian, Z.627: V. Dance of the Furies | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 4:16 | |
Dioclesian, Z.627: VI. First Music | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 1:46 | |
Dioclesian, Z.627: VII. Duet 'Lost Is My Quiet' | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 3:33 | |
Dioclesian, Z.627: VIII. Prelude - Song 'Let the Soldiers Rejoice' - Act Tune | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 2:27 | |
Dioclesian, Z.627: X. Second Music - Paspe - Chair Dance | Henry Purcell; Freiburger Barockorchester, Nancy Argenta & Michael Chance | | | 4:05 | |
Dixit Dominus: De torrente in via bibet | Nancy Argenta, Ashley Stafford, The English Concert, The English Concert Choir, Trevor Pinnock | | | 2:50 | |
Dixit Dominus: Vigram virtutis | Nancy Argenta, The English Concert, The English Concert Choir, Trevor Pinnock | | | 2:33 | |