| Ach, bleib bei uns, Herr Jesu Christ | | | | Cantata | | | |
| Ascendo ad patrem meum | | | | | | | |
| Befiehl dem Engel, daß er komm, BuxWV 10 | | | | | | | |
| Cantata "Jesu, meine Freude", BuxWV 60: II. Jesu meine Freude | | | | | | | |
| Cantata "Jesu, meine Freude", BuxWV 60: III. Unter deinen Schirmen | | | | | | | |
| Cantata "Jesu, meine Freude", BuxWV 60: IV. Trotz dem alten Drachen | | | | | | | |
| Cantata "Jesu, meine Freude", BuxWV 60: V. Weg mit allen Schätzen | | | | | | | |
| Cantata "Jesu, meine Freude", BuxWV 60: VI. Gute Nacht, o Wesen | | | | | | | |
| Cantata "Jesu, meine Freude", BuxWV 60: VII. Weicht, ihr Trauergeister | | | | | | | |
| Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" (Actus tragicus): Sonatina | | | | | | | |
| Canticum Simeonis, SWV 432 | | | | | | | |
| Canticum Simeonis, SWV 433 | | | | | | | |
| Christ ist erstanden | | | | | | | |
| Christ lag in Todesbanden | | | | | | | |
| Das alte Jahr vergangen ist | | | | | | | |
| Das ist je gewißlich wahr, SWV 277 | | | | | | | |
| Der du bist drei in Einigkeit | | | | | | | |
| Deus misereatur nostri | | | | | | | |
| Die deutsche Passion nach Johannes: Dritter Teil | | | | | | | |
| Die deutsche Passion nach Johannes: Erster Teil | | | | | | | |
| Die deutsche Passion nach Johannes: Zweiter Teil | | | | | | | |
| Die Furcht des Herren ist der Weisheit Anfang | | | | Cantata | | | |
| Die mit Tränen säen | | | | | | | |
| Dixit Dominus in G minor, HWV 232: I. Chorus "Dixit Dominus" | | | | | | | |
| Dixit Dominus in G minor, HWV 232: II. Aria "Virgam virtutus tuae" | | | | Aria | | | |
| Dixit Dominus in G minor, HWV 232: III. Aria "Tecum principium" | | | | Aria | | | |
| Dixit Dominus in G minor, HWV 232: IV. Chorus "Juravit Dominus" | | - Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- (show 19 more)
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| Dixit Dominus in G minor, HWV 232: IX. Chorus "Gloria Patri, et Filio" | | - Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- (show 19 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: V. Chorus "Tu es sacerdos in aeternum" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Monteverdi Choir, Monteverdi Orchestra, Sir John Eliot Gardiner
- Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- (show 19 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: VI. "Dominus a dextris tuis" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- Arleen Augér, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Margaret Marshall, Monteverdi Choir, Richard Morton, Felicity Palmer, Alastair Thompson, David Wilson‐Johnson, Monteverdi Orchestra, Sir John Eliot Gardiner
- (show 19 more)
| | | | | |
| Dixit Dominus in G minor, HWV 232: VII. Chorus "Judicabit in nationibus" | | | | | | | |
| Dixit Dominus in G minor, HWV 232: VIII. Duet & Chorus "De torrente in via bibet" | | - Choir of King’s College, Cambridge, English Chamber Orchestra, Sir David Willcocks
- Arleen Augér, Lynne Dawson, Choir of Westminster Abbey, Orchestra of Westminster Abbey, Simon Preston
- Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm
- Choir of King’s College, Cambridge, English Chamber Orchestra, Stephen Cleobury
- (show 22 more)
| | | | | |
| Ein feste Burg ist unser Gott | | | | | | | |
| Es erhub sich ein Streit im Himmel | | | | Cantata | | | |
| Es ist ein Ros entsprungen | | | | Song | | | |
| Fader vor ud i Himmerig | | | | | | | |
| Freude, Freude, große Freude | | | | | | | |
| Funeral Music on the Death of Queen Mary: I. March, Z. 860 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- The Taverner Choir, Consort & Players, Andrew Parrott
- The King’s Consort, Robert King
- Baroque Brass of London, David Hill
- (show 22 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: II. Anthem, Z. 27 “Man that is born of a woman" | | - Christ Church Cathedral Choir, Oxford, The English Concert, Simon Preston
- Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Charles Brett, Choir of St John’s College, Cambridge, Ian Partridge, Forbes Robinson, Stephen Cleobury, Jane Ryan, George Guest
- Henry Purcell
- (show 16 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: III. Canzona, Z. 860 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
- Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- English Baroque Soloists, John Eliot Gardiner
- (show 6 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: IV. In the midst of life, Z. 17 | | - Sir Thomas Allen, Charles Brett, Felicity Lott, Monteverdi Choir, John Williams, Equale Brass Ensemble, Monteverdi Orchestra, John Eliot Gardiner
- Charles Brett, Choir of St John’s College, Cambridge, Ian Partridge, Forbes Robinson, Stephen Cleobury, Jane Ryan, George Guest
- The Taverner Choir, Consort & Players, Andrew Parrott
- Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock
- (show 13 more)
| | | | | |
| Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" | | - Choir of King’s College, Cambridge, Philip Jones Brass Ensemble, Philip Ledger
- Choir of King’s College, Cambridge, Academy of Ancient Music, Stephen Cleobury
- Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
- The King’s Consort, Robert King
- (show 7 more)
| | | | | |
| Gott hilf mir, BuxWv 34: II. Aria: Gott, hilf mir (Baritone) | | | | | | | |
| Gott hilf mir, BuxWv 34: III. Fürchte dich nicht! (Chorus) | | | | | | | |
| Gott hilf mir, BuxWv 34: IV. Aria: Israel, Israel (Baritone) | | | | | | | |
| Gott hilf mir, BuxWv 34: V. Wer hofft in Gott (Chorus) | | | | | | | |
| Gott hilf mir, BuxWv 34: VI. Aria: Ach ja, mein Gott (Soprano, Mezzo-Soprano) | | | | | | | |
| Gott hilf mir, BuxWv 34: VII. Israel, Israel (Chorus) | | | | | | | |
| Hear My Prayer, O Lord, Z. 15 | | | | | | | |
| Herr, der König freuet sich | | | | | | | |
| Herr, nun lässest du deinen Diener | | | | Motet | | | |
| Herr, wende dich und sei mir gnädig | | | | Cantata | | | |
| Herre, nun lässt du deinen Diener in Frieden fahren | | | | | | | |
| Herzlich lieb hab ich dich, o Herr, BuxWV 41 | | | | Cantata | | | |
| Ich bin die Auferstehung und das Leben, SWV 464 | | | | | | | |
| Ich danke dir, Gott | | - Hermann Max, Rheinische Kantorei, Musica Antiqua Köln, Reinhard Goebel
- Vox Luminis, Lionel Meunier
- David Cordier, Paul Eliott, Ulla Groenewold, Rheinische Kantorei, Michael Schopper, Maria Zedelius, Musica Antiqua Köln, Reinhard Goebel
- Heinrich Bach
| | | | | |
| Jesu, Meines Lebens Leben, BuxWV 62: 2. Aria | | | | | | | |
| Kaiserrequiem: I. Introitus (Requiem aeternam - Te decet hymnus - Requiem aeternam) | | | | | | | |
| Kaiserrequiem: II. Kyrie | | | | | | | |
| Kaiserrequiem: III. Sequenza | | | | | | | |
| Kaiserrequiem: IV. Offertorium (Domine Jesu Christe - Sed signifer - Quam olim Abrahae) | | | | | | | |
| Kaiserrequiem: V. Sanctus - Benedictus - Hosanna | | | | | | | |
| Kaiserrequiem: VI. Agnus Dei | | | | | | | |
| Kaiserrequiem: VII. Communio (Lux aeterna) | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" | | | | | | | |
| Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria "Kreuz und Krone sind verbunden" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" | | | | | | | |
| Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" | | | | | | | |
| Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" | | | | | | | |
| Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" | | | | | | | |
| Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" | | | | | | | |
| Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" | | - Netherlands Bach Collegium, Pieter Jan Leusink
- Nancy Argenta, Monteverdi Choir, Anthony Rolfe Johnson, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Edmund Brownless, Ann Monoyios, Jan Opalach, Steven Rickards, Joshua Rifkin, The Bach Ensemble
- (show 21 more)
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| Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" | | - Michael Chance, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Edmund Brownless, Ann Monoyios, Jan Opalach, Steven Rickards, Joshua Rifkin, The Bach Ensemble
- (show 24 more)
| | | | | |
| Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" | | - Michael Chance, Monteverdi Choir, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Edmund Brownless, Ann Monoyios, Jan Opalach, Steven Rickards, Joshua Rifkin, The Bach Ensemble
- (show 21 more)
| | | | | |
| Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" | | | | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia e Coro "Aus der Tiefen rufe ich, Herr, zu dir" | | - Netherlands Bach Collegium, Pieter Jan Leusink
- Edmund Brownless, Ann Monoyios, Jan Opalach, Steven Rickards, Joshua Rifkin, The Bach Ensemble
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Gerhard Schmidt‐Gaden, Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 14 more)
| | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso (Bass) con Choral "So du willst, Herr, Sünde zurechnen" | | | | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn, meine Seele harret" | | | | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenor) con Choral "Meine Seele wartet auf den Herrn" | | | | | | | |
| Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel hoffe auf den Herrn" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": III. Aria (Sopran) "Doch bin und bleibe ich vergnügt" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": V. Aria (Terzetto Alt, Tenor, Bass) "Zedern müssen von den Winden" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VI. Coro "Meine Augen sehen stets zu dem Herrn" | | | | | | | |
| Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" | | | | | | | |
| King Arthur, Z. 628: Act I, no. 1. Ouverture | | | | | | | |
| King Arthur, Z. 628: Act I, no. 2. Air | | | | | | | |
| King Arthur, Z. 628: Act I, no. 3. Symphony | | | | | | | |
