2 Csárdás, S. 225 | | | | | | | |
2 Rhapsodies, op. 79: No. 1 in B minor. Agitato | | | | | | | |
2 Rhapsodies, op. 79: No. 2 in G minor. Molto passionato, ma non troppo allegro | | | | | | | |
3 Rondos on Slovak Folktunes, Sz. 84, BB 92, No. 1: Andante | | | | | | | |
3 Rondos on Slovak Folktunes, Sz. 84, BB 92, No. 2: Vivacissimo | | | | | | | |
3 Rondos on Slovak Folktunes, Sz. 84, BB 92, No. 3: Allegro molto | | | | | | | |
6 Klavierstücke, op. 118: Nr. 1. Intermezzo in a-Moll: Allegro non assai, ma molto appassionato | | | | | | | |
6 Klavierstücke, op. 118: Nr. 2. Intermezzo in A-Dur. Andante teneramente | | | | | | | |
6 Klavierstücke, op. 118: Nr. 3. Ballade in g-Moll. Allegro energico | | | | | | | |
6 Klavierstücke, op. 118: Nr. 4. Intermezzo in f-Moll. Allegretto un poco agitato | | | | | | | |
6 Klavierstücke, op. 118: Nr. 5. Romanze in F-Dur. Andante | | | | | | | |
6 Klavierstücke, op. 118: Nr. 6. Intermezzo in es-Moll. Andante, largo e mesto | | | | | | | 3 |
6 Moments musicaux for Piano, op. 94, D. 780: No. 1 in C major. Moderato | | | | | | | |
6 Moments musicaux for Piano, op. 94, D. 780: No. 2 in A-flat major. Andantino | | | | | | | |
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato | | | | | | | |
6 Moments musicaux for Piano, op. 94, D. 780: No. 4 in C-sharp minor. Moderato | | | | | | | |
6 Moments musicaux for Piano, op. 94, D. 780: No. 5 in F minor. Allegro vivace | | | | | | | |
6 Moments musicaux for Piano, op. 94, D. 780: No. 6 in A-flat major. Allegretto | | | | | | | |
6 moments musicaux, op. 16: No. 1. Andantino in B-flat minor | | | | | | | |
6 moments musicaux, op. 16: No. 2. Allegretto in E-flat minor | | | | | | | |
6 moments musicaux, op. 16: No. 3. Andante cantabile in B minor | | | | | | | |
6 moments musicaux, op. 16: No. 4. Presto in E minor | | | | | | | |
6 moments musicaux, op. 16: No. 5. Adagio sostenuto in D-flat major | | | | | | | |
6 moments musicaux, op. 16: No. 6. Maestoso in C major | | | | | | | |
7 Sketches, op. 9b, Sz. 44: No. 1. Portrait of a Young Girl: Andante | | | | | | | |
7 Sketches, op. 9b, Sz. 44: No. 2. See - Saw: Comodo | | | | | | | |
7 Sketches, op. 9b, Sz. 44: No. 3. Lento | | | | | | | |
7 Sketches, op. 9b, Sz. 44: No. 4. Non troppo lento | | | | | | | |
7 Sketches, op. 9b, Sz. 44: No. 5. Romanian Folksong: Andante | | | | | | | |
7 Sketches, op. 9b, Sz. 44: No. 6. In Wallachian Style: Allegretto | | | | | | | |
7 Sketches, op. 9b, Sz. 44: No. 7. Poco lento | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 1: Variation I | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 2: Variation II | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 3: Variation III | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 4: Variation IV | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 5: Variation V. Si prenda il tempo un poco più vivace | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 6: Variation VI. Adagio | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 no. 7: Variation VII. Allegro ma non troppo | | | | | | | |
7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 1: Variation I | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 2: Variation II | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 3: Variation III | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 4: Variation IV | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 5: Variation V | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 6: Variation VI | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 7: Variation VII | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 8: Variation VIII | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 9: Variation IX | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 10: Variation X. Adagio | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 11: Variation XI. Poco adagio quasi andante | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66 no. 12: Variation XII. Allegro | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", op. 66: Thema. Allegretto | | | | | | | |
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66 | | | | | | | |
12 Variations in G on "See the Conqu'ring Hero Comes" From Handel's Judas Maccabaeus, WoO 45 | | | | | | | |
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 18 in F-sharp minor, S. 244 no. 18 | | | | | | | |
À la manière de Borodine | | | | | | | |
À la manière de Chabrier | | | | | | | |
Cello Sonata in C major, op. 65: I. Dialogo | | | | | | | |
Cello Sonata in C major, op. 65: II. Scherzo: pizzicato | | | | | | | |
Cello Sonata in C major, op. 65: III. Elegia | | | | | | | |
Cello Sonata in C major, op. 65: IV. Marcia | | | | | | | |
Cello Sonata in C major, op. 65: V. Moto perpetuo | | | | | | | |
Cello Sonata in D minor, op. 40: I. Allegro non troppo – Largo | | | | | | | |
Cello Sonata in D minor, op. 40: II. Allegro | | | | | | | |
Cello Sonata in D minor, op. 40: III. Largo | | | | | | | |
Cello Sonata in D minor, op. 40: IV. Allegro | | | | | | | |
Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo | | | | | | | |
Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto | | | | | | | |
Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | | | | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | | | | | |
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
- (show 65 more)
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Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 71 more)
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Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: III. Rondo alla polacca | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Yo‐Yo Ma, Anne‐Sophie Mutter, Mark Zeltser, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
- (show 66 more)
| | | | | |
Erlkönig, S. 558 Nr. 4 | | | | | | | |
Fantasia in D major, Wq 117 no. 14, H 160 | | | | | | | |
Five Waltzes: No. 1. Rather fast and nervous | | | | | | | |
Five Waltzes: No. 2. Quick, with wit | | | | | | | |
Five Waltzes: No. 3. Dramatic | | | | | | | |
Five Waltzes: No. 4. Rhythmic: not fast | | | | | | | |
Five Waltzes: No. 5. Variations: Quiet and simple; Flowing, slow and sad | | | | | | | |
Holiday Diary, op. 5: I. Early Morning Bath | | | | | | | |
Holiday Diary, op. 5: II. Sailing | | | | | | | |
Holiday Diary, op. 5: III. Fun-Fair | | | | | | | |
Holiday Diary, op. 5: IV. Night | | | | | | | |
Isoldens Liebestod, S. 447 | | | | | | | |
Konzert-Paraphrase über Verdis "Rigoletto", S. 434 | | | | | | | |
Le tombeau de Couperin: I. Prélude | | | | | | | |
Le tombeau de Couperin: II. Fugue | | | | | | | |
Le tombeau de Couperin: III. Forlane | | | | | | | |
Le tombeau de Couperin: IV. Rigaudon | | | | | | | |
Le tombeau de Couperin: V. Menuet | | | | | | | |
Le tombeau de Couperin: VI. Toccata | | | | | | | |
Les Jeux d'eaux à la Villa d'Este, S. 163 no. 4 | | | | | | | |
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” | | | | | | | |
Marcia funèbre from Kossuth, Sz. 21, BB 31, DD 75b | | | | | | | |