| 4 Sea Lyrics: No. 3. The Crying of Water | | | | Song | | | |
| 10 Woodland Sketches, op. 51, no. 1: To a Wild Rose | | | | | | | 5 |
| A Nun Takes the Veil, op. 13 no. 1 | | | | Song | | | |
| A Spirit Flower | | | | Song | | | |
| After Words: No. 1. Lied vom Kindsein / Der Leiermann | | | | Song | | | |
| After Words: No. 2. An Artist | | | | Song | | | |
| After Words: No. 3. Widgeon | | | | Song | | | |
| After Words: No. 4. The Rain Stick | | | | Song | | | |
| After Words: No. 5. Rimas - X | | | | Song | | | |
| After Words: No. 6. Da Ich ein Kind War | | | | Song | | | |
| Animal Crackers | | | | Song | | | |
| As I Walked Forth | | | | | | | |
| Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) | | - Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- John Alldis, Plácido Domingo, The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti
- Luciano Pavarotti, Orchester der Wiener Volksoper & Leone Magiera
- Nicolai Gedda, Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre
- (show 125 more)
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| Chansons grises: No. 5. L'Heure exquise | | | | Song | | | |
| Come to the Fair | | | | Song | | | |
| Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando) | | | | Aria | | | |
| Cycle of Life: No. 5. Drift down, drift down (Winter) | | | | Song | | | |
| Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) | | | | | | | |
| Die Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo) | | | | | | | |
| Die lustigen Weiber von Windsor: Akt II. Nr. 7b. „Horch, die Lerche singt am Hain!“ (Romanze des Fenton) | | | | Aria | | | |
| Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) | | | | Aria | | | |
| Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] | | | | Aria | | | |
| Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) | | | | Aria | | | |
| Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro) | | | | Aria | | | |
| Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta) | | - Luigi Alva, Anna Moffo, Philharmonia Orchestra, Herbert von Karajan
- Dorothea Röschmann, Daniil Shtoda, Berliner Philharmoniker, Claudio Abbado
- Giuseppe Valdengo, Herva Nelli, Nan Merriman, Cloë Elmo, Teresa Stich-Randall, NBC Symphony Orchestra, Arturo Toscanini
- Coro della RCA Italiana, Mirella Freni, Alfredo Kraus, Orchestra della RCA Italiana, Sir Georg Solti
- (show 21 more)
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| Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) | | | | Aria | | | |
| Fedora: Atto II. “Amor ti vieta” (Loris, Borov, Fedora, Olga) | | | | Aria | | | |
| First Book of Ayres: It Was a Lover and His Lass | | | | Song | | | |
| Four Dickinson Songs | | | | | | | |
| Four Dickinson Songs: No. 1. Of All the Souls | | | | Song | | | |
| Four Dickinson Songs: No. 2. A Dying Eye | | | | Song | | | |
| Four Dickinson Songs: No. 3. If You Were Coming | | | | Song | | | |
| Four Dickinson Songs: No. 4. Wild Nights | | | | Song | | | |
| Four Irish Folk Songs: No. 1. The Bard of Armagh | | | | Song | | | |
| Four Irish Folk Songs: No. 2. The Praties | | | | Song | | | |
| Four Irish Folk Songs: No. 3. Danny Boy | | | | Song | | | |
| Four Irish Folk Songs: No. 4. Little Boats | | | | Song | | | |
| Gianni Schicchi: Aria “Firenze è come un albero fiorito” (Rinuccio) | | | | Aria | | | |
| How Lovely Are Thy Dwellings | | | | Song | | | |
| Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) | | - Luigi Alva, Philharmonia Orchestra, Alceo Galliera
- John McCarthy, Luigi Alva, Ambrosian Opera Chorus, Renato Cesari, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado
- Nicolai Gedda, London Symphony Orchestra, James Levine
- Ambrosia Opera Chorus, Francisco Araiza, Matthew Best, Academy of St Martin in the Fields, Neville Marriner
- (show 38 more)
| | Aria | | | |
| Iolanthe: Act II, no. 20 “When You’re Lying Awake” (Lord Chancellor) | | | | Song | | | |
| L’arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico) | | | | Aria | | | |
| L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro) | | | | Aria | | | |
| L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) | | | | Aria | | | |
| La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) | | | | Aria | | | |
| La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando) | | | | Aria | | | |
| La pastorella al prato, D. 528 | | | | | | | |
| La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) | | | | Aria | | | |
| Lachen und Weinen, D. 777 | | | | Song | | | |
| Le Roi d'Ys: Acte III. Aubade "Vainement, ma bien-aimée" | | | | | | | |
| Les Pêcheurs de perles : « Je crois entendre encore » | | | | | | | |
| Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) | | - Mario Borriello, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Luciano Pavarotti, Michel Sénéchal, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan
- Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
- Philip Maero, Piero de Palma, Richard Tucker, Orchestra della RCA Italiana, Erich Leinsdorf
- (show 33 more)
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| Manon : Acte II. « Instant charmant » … « En fermant les yeux » (des Grieux) | | | | Aria | | | |
| Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) | | | | Aria | | | |
| O Saviour, Hear Me! | | | | Song | | | |
| On Humber Bank | | | | Song | | | |
| Orpheus with his lute | | | | | | | |
| Paul Bunyan, op. 17: Act I. Scene 2. Inkslinger's Song (Inkslinger) | | | | | | | |
| Petit Noël | | | | | | | |
| Phantoms of Myself: No. 1. I Wake Thinking of Myself as a Man | | | | Song | | | |
| Phantoms of Myself: No. 2. A Story | | | | Song | | | |
| Phantoms of Myself: No. 3. Confession | | | | Song | | | |
| Phantoms of Myself: No. 4. Her Sadness Runs Beside Her Like a Horse | | | | Song | | | |
| Phantoms of Myself: No. 5. Quiet, quiet heart | | | | Song | | | |
| Phantoms of Myself: No. 6. Absence | | | | Song | | | |
| Phantoms of Myself: No. 7. I wake to your gestures | | | | Song | | | |
| Rest, Sweet Nymphe | | | | | | | |
| Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) | | | | Aria | | | |
| Rigoletto: Atto III. “La donna è mobile” (Duca) | | | | Aria | | | |
| Romance, L. 79, CD 65 "L’âme évaporée et souffrante" | | | | Song | | | |
| Seligkeit, D. 433 | | | | Song | | | |
| Selima and Azor: "No flower that blows" | | | | | | | |
| Songs of Experience: No. 1. Youth, Day, Old Age, and Night | | | | Song | | | |
| Songs of Experience: No. 2. Amelia's Song | | | | Song | | | |
| Songs of Experience: No. 3. Wisdom | | | | Song | | | |
| Songs of Experience: No. 4. Elegy for Ray Charles | | | | Song | | | |
| Songs of Experience: No. 5. The Stranger's Grave | | | | Song | | | |
| Songs of Experience: No. 6. Two Butterflies | | | | Song | | | |
| Street Scene: Act I. No. 10 "Lonely House" (Sam Kaplan) | | | | | | | |
| The Children: No. 6. Grandma | | | | Song | | | |
| The Mikado: Act I, no. 5a “As someday it may happen” (Ko-Ko and Men) | | | | Song | | | |
| The Prayer Perfect | | | | | | | |
| The Saint of Bleecker Street: Act II. "I Know That You All Hate Me" (Michele) | | | | Aria | | | |
| The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" | | | | Song | | | |
| The Tempest: Act Two: "Be not afeared" (Caliban) | | | | | | | |
| The Third Booke of Songs or Ayres, No. 9: "What if I never speed?" | | | | Song | | | |
| The Third Booke of Songs or Ayres, No. 15: "Weep you no more, sad fountains" | | | | Song | | | |
| Vanessa, Op. 32: Act II. "Outside this house the world has changed" (Anatol) | | | | Aria | | | |
| Werther: Acte III. « Toute mon âme est là ! Pourquoi me réveiller ? » (Werther) | | | | | | | |
| When Daisies Pied | | | | Song | | | |
| Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Интродукция и сцена "Ну, что же" | | | | | | | |
