...solitude, récif, étoile ... | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 1 in D major | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 2 in B-flat major | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 4 in E-flat major | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 5 in C major | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 7 in D major | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 8 in B-flat major | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 10 in E-flat major | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 11 in C major | | | | | | | |
12 Minuets for Orchestra, WoO 7: No. 12 in F major | | | | | | | |
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) | | - Berliner Symphoniker, Orchestre Symphonique de Dresde, Festivalový orchestr Praha, London Festival Orchestra, Philharmonia Slavonica, Julian Armstrong, Cesare Cantieri, Edvard Kronau, Alfred Scholz, Pavel Urbanek
- Royal Philharmonic Orchestra, Walter Weller
- [unknown]
- Isaac Stern, Columbia Symphony Orchestra, Milton Katims
- (show 61 more)
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21 Hungarian Dances for Orchestra, WoO 1: No. 6 in D major (Vivace) | | | | | | | |
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) | | | | Aria | | | |
Aida: Atto II, scena 2. Ballabile (orchestra) | | | | | | | |
Aida: Atto II, scena 2. Marcia trionfale (orchestra) | | | | | | | |
Al umbral del abismo | | | | | | | |
Alborada del gracioso | | | | | | | |
Andante spianato et Grande polonaise brillante in E-flat major, op. 22 | | | | | | | |
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: I. Andante spianato | | | | | | | |
Andante spianato et Grande polonaise brillante in E-flat major, op. 22: II. Grande polonaise brillante. Allegro molto | | | | | | | |
Aroldo: Atto I, scena 1. N°1 “Ciel ch'io respiri” (Mina) | | | | Aria | | | |
Aroldo: Atto I, scena 1. N°1 “Salvami tu, gran Dio!” (Mina) | | | | Aria | | | |
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) | | | | | | | |
Attila: Atto I. N°6 Scena e romanza “Liberamente or piangi” … “Oh! Nel fuggente nuvolo” (Odabella) | | | | Aria | | | |
Aubade, FP 51 | | | | | | | |
Aubade, FP 51: I. Toccata | | | | | | | |
Aubade, FP 51: II. Recitatif: Les compagnes de Diane | | | | | | | |
Aubade, FP 51: III. Rondeau: Diane et compagnes | | | | | | | |
Aubade, FP 51: IV. Presto: Toilette de Diane | | | | | | | |
Aubade, FP 51: V. Recitatif: Introduction a la variation de Diane | | | | | | | |
Aubade, FP 51: VI. Andante: Variation de Diane | | | | | | | |
Aubade, FP 51: VII. Allegro feroce: Désespoir de Diane | | | | | | | |
Aubade, FP 51: VIII. Conclusion: Adieux et départ de Diane | | | | | | | |
Aufforderung zum Tanz, J. 260 | | | | | | | |
Ballades de François Villon, L. 119: II. Ballade que Villon feit à la requeste de sa mère pour prier Nostre-Dame | | | | Song | | | |
Benvenuto Cellini, op. 23: Overture | | | | Overture | | | |
Boléro | | | | Ballet | | | 5 |
Boris Godunov: Act II. Monologue "I have Attained Supreme Power" (Boris) | | | | | | | |
Boris Godunov: Act IV. "Farewell, my son, I am dying" (Boris) | | | | | | | |
Burleske in D minor, TrV 145 | | | | | | | |
Canciones amatorias, nº 3: Llorad, corazón | | | | Song | | | |
Canciones amatorias, nº 6: Iban al pinar | | | | Song | | | |
Canciones playeras: N.º 1. Rutas | | | | Song | | | |
Canciones playeras: N.º 2. Pregón | | | | Song | | | |
Canciones playeras: N.º 3. Las 12 | | | | Song | | | |
Canciones playeras: N.º 4. El pescador sin dinero | | | | Song | | | |
Canciones playeras: N.º 5. Coplilla | | | | Song | | | |
Capriccio italien, op. 45 | | | | | | | |
Carmen : Prélude | | | | Overture | | | |
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
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Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
Carmen Suite no. 2: IV. Chanson du toréador | | | | | | | |
Cello Concerto: I. Andante | | | | | | | |
Cello Concerto: II. Lento | | | | | | | |
Cello Concerto: III. Allegro marcato - Lento - Presto | | | | | | | |
Chamber Concerto: I. Thema scherzoso con variazioni | | - Daniel Barenboim, Ensemble intercontemporain, Pinchas Zukerman, Pierre Boulez
- Олег Каган, Sviatoslav Richter, Moscow Conservatory Chamber Orchestra, Yuri Nicolaevsky
- Christian Tetzlaff, Mitsuko Uchida, Ensemble intercontemporain, Pierre Boulez
- Pierre Barbizet, Christian Ferras, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
- (show 5 more)
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Chamber Concerto: II. Adagio | | | | | | | |
Chamber Concerto: III. Rondo ritmico con introduzione | | - Daniel Barenboim, Ensemble intercontemporain, Pinchas Zukerman, Pierre Boulez
- Олег Каган, Sviatoslav Richter, Moscow Conservatory Chamber Orchestra, Yuri Nicolaevsky
- Christian Tetzlaff, Mitsuko Uchida, Ensemble intercontemporain, Pierre Boulez
- Pierre Barbizet, Christian Ferras, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre
- (show 3 more)
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Chant de joie, H. 47 | | | | | | | |
Chants populaires: IV. Chanson hébraïque | | | | | | | |
Cinco canciones negras, nº 1: Cuba dentro de un piano | | | | Song | | | |
Cinco canciones negras, nº 2: Punto de habanera | | | | Song | | | |
Cinco canciones negras, nº 3: Chévere | | | | Song | | | |
Cinco canciones negras, nº 4: Canción de cuna para dormir a un negrito | | | | Song | | | |
Cinco canciones negras, nº 5: Canto negro | | | | Song | | | |
Cinq Mélodies populaires grecques: I. Chanson de la mariée | | | | Song | | | |
Cinq Mélodies populaires grecques: II. Là-bas, vers l'église | | | | Song | | | |
Cinq Mélodies populaires grecques: III. Quel galant m'est comparable | | | | Song | | | |
Cinq Mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques | | | | Song | | | |
Cinq Mélodies populaires grecques: V. Tout gai! | | | | Song | | | |
Concert champêtre, FP 49 : I. Allegro molto - Adagio - Allegro molto | | | | | | | |
Concert champêtre, FP 49 : II. Andante, Mouvement de Sicilienne | | | | | | | |
Concert champêtre, FP 49 : III. Finale, Presto très gai | | | | | | | |
Concerto for Piano and Orchestra for the Left Hand in D major | | | | Concerto | | | |
Concerto for Piano and Orchestra in F major: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto | | | | | | | |
Concerto for Piano and Orchestra in F major: III. Allegro agitato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | | | | | | | |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
Concerto for Piano and Orchestra no. 1, op. 127: I. Très vif | | | | | | | |
Concerto for Piano and Orchestra no. 1, op. 127: II. Mouvement de Barcarolle | | | | | | | |
Concerto for Piano and Orchestra no. 1, op. 127: III. Final. Animé | | | | | | | |
Concerto for Piano and Orchestra no. 2 in A major, S. 125 | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro | | | | | | | |
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso | | | | | | | |