| vocals |
---|
| Ali Baba: C’en est donc fait | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 2:39 |
| Ali Baba: C’est de toi, ma Delie | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 4:38 |
| Amica: (Amica!) Vous restez á l’ècart | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 1:48 |
| Amica: Pourquoi garder ce silence obstiné? | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 3:46 |
| Dante, Op. 111: "Ah! de tous mes espoirs" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 0:50 |
| Dante, Op. 111: "Tout est fini" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 2:51 |
| Dom Sébastien: Seul sur la terre | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 5:09 |
| Don Carlos: Dieu, tu semas dans nos âmes | tenor vocals | Benjamin Bernheim, Florian Sempey, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 4:26 |
| Don Carlos: Fontainebleau! Forêt immense | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 2:19 |
| Don Carlos: Je l'ai vue | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 2:35 |
| Don Carlos: Le voilà! ... Toi, mon Rodrigue | tenor vocals | Benjamin Bernheim, Florian Sempey, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 5:55 |
| Douce France (Arr. Leuenberger for Tenor and Piano) | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 3:19 |
| Eugene Onegin, Op. 24, TH 5: "Kuda, kuda, kuda vi udalilis" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 5:53 |
| Eugene Onegin, Op. 24, TH 5: Introduction to Lensky's Aria | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 0:30 |
| Extase | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 3:22 |
| Faust, CG 4: "Quel trouble inconnu me pénètre?" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 1:12 |
| Faust, CG 4: "Salut! demeure chaste et pure" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 4:33 |
| Jérusalem: Je veux encore entendre ta voix | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 3:12 |
| Jérusalem: L'Emir auprès de lui m'appelle | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 2:39 |
| L'invitation au voyage | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 4:18 |
| L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima”(Nemorino) | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 4:39 |
| La Bohème: "Che gelida manina" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 4:45 |
| La Damnation de Faust, Op. 24, H 111: "Nature immense, impénétrable et fière" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 4:33 |
| La Favorite: Ange si pur | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 3:23 |
| La fille du régiment: Pour me rapprocher de Marie | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 3:21 |
| La Traviata: "De' miei bollenti spiriti" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 2:11 |
| La Traviata: "Lunge da lei" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 1:45 |
| La vestale: Qu'ai-je vu! ... Julia va mourir! | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 3:08 |
| La vie antérieure | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 4:17 |
| Les feuilles mortes (Arr. Leuenberger for Tenor and Piano) | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 2:42 |
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): I. Villanelle | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 2:03 |
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): II. Le spectre de la rose | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 5:47 |
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): III. Sur les lagunes | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 6:05 |
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): IV. Absence | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 4:48 |
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): V. Au cimetière (Clair de lune) | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 4:41 |
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): VI. L'île inconnue | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 3:43 |
| Les vêpres siciliennes: Ô toi que j'ai chérie | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 3:45 |
| Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 3:37 |
| Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 4:11 |
| Luisa Miller: "Oh! fede negar potessi" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 1:54 |
| Luisa Miller: "Quando le sere al placido" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 3:45 |
| Madama Butterfly, SC 74: Adieu, sejour fleuri | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 2:17 |
| Manon Lescaut: Act I. “Ave, sera gentile” | solo and tenor vocals [Edmondo] | Konzertvereinigung Wiener Staatsopernchor, Münchner Rundfunkorchester, Marco Armiliato | 4:47 |
| Manon Lescaut: Act I. “Cavalli pronti avete?” | solo and tenor vocals [Edmondo] | Konzertvereinigung Wiener Staatsopernchor, Armando Piña, Münchner Rundfunkorchester, Marco Armiliato | 3:13 |
| Manon Lescaut: Act I. “Discendono, vediam!” | solo and tenor vocals [Edmondo] | Yusif Eyvazov, Konzertvereinigung Wiener Staatsopernchor, Armando Piña, Münchner Rundfunkorchester, Marco Armiliato | 2:04 |
| Manon Lescaut: Act I. “L’amor?! L’amor?!” | solo and tenor vocals [Edmondo] | Konzertvereinigung Wiener Staatsopernchor, Münchner Rundfunkorchester, Marco Armiliato | 1:00 |
| Manon Lescaut: Act I. “La tua Proserpina” | solo and tenor vocals [Edmondo] | Yusif Eyvazov, Münchner Rundfunkorchester, Marco Armiliato | 2:15 |
| Manon Lescaut: Act I. “La tua ventura ci rassicura” | solo and tenor vocals [Edmondo] | Konzertvereinigung Wiener Staatsopernchor, Armando Piña, Münchner Rundfunkorchester, Marco Armiliato | 6:20 |
| Manon Lescaut: Act I. “Ma bravo!” | solo and tenor vocals [Edmondo] | Konzertvereinigung Wiener Staatsopernchor, Münchner Rundfunkorchester, Marco Armiliato | 1:52 |
| Manon Lescaut: Act I. “Non c’è più vino?” | solo and tenor vocals [Edmondo] | Yusif Eyvazov, Анна Юрьевна Нетребко, Armando Piña, Münchner Rundfunkorchester, Marco Armiliato | 3:02 |
| Manon Lescaut: Act I. “Tra voi, belle, brune e bionde” | solo and tenor vocals [Edmondo] | Konzertvereinigung Wiener Staatsopernchor, Münchner Rundfunkorchester, Marco Armiliato | 1:17 |
| Manon: "En fermant les yeux" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 2:46 |
| Manon: "Instant charmant" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 0:55 |
| Phidylé | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 4:56 |
| Poème de l'amour et de la mer, Op. 19 (Transcr. Matheson for Tenor and Piano): I. La fleur des eaux | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 10:27 |
| Poème de l'amour et de la mer, Op. 19 (Transcr. Matheson for Tenor and Piano): II. Interlude | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 2:43 |
| Poème de l'amour et de la mer, Op. 19 (Transcr. Matheson for Tenor and Piano): III. La mort de l'amour | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 12:35 |
| Quand on n'a que l'amour (Arr. Leuenberger for Tenor and Piano) | tenor vocals | Benjamin Bernheim, Carrie-Ann Matheson | 3:14 |
| Rigoletto: "Ella mi fu rapita!" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 2:29 |
| Rigoletto: "Parmi veder le lagrime" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 2:40 |
| Roméo et Juliette, CG 9: "Ah! lève-toi, soleil!" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 2:57 |
| Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 1:00 |
| Tosca, SC 69: O de beautés égales | tenor vocals | Benjamin Bernheim, Orchestra del Teatro Comunale di Bologna, Frédéric Chaslin | 2:56 |
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | tenor vocals | Benjamin Bernheim, Pražská komorní filharmonie, Emmanuel Villaume | 3:17 |