| audio engineered |
|---|
| 1973-04-16 – 1973-04-18 | Toward the Unknown Region | | | London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | 12:09 |
| Concerto Grosso: I. Intrada | | | London Philharmonic Orchestra, Sir Adrian Boult | 2:33 |
| Concerto Grosso: II. Burlesca ostinata | | | London Philharmonic Orchestra, Sir Adrian Boult | 3:06 |
| Concerto Grosso: III. Sarabande | | | London Philharmonic Orchestra, Sir Adrian Boult | 4:01 |
| Concerto Grosso: IV. Scherzo | | | London Philharmonic Orchestra, Sir Adrian Boult | 2:47 |
| Concerto Grosso: V. March | | | London Philharmonic Orchestra, Sir Adrian Boult | 5:02 |
| Concerto in C for Two Pianos and Orchestra: I. Toccata (Allegro moderato) | | | Victor Babin, Vitya Vronsky, London Philharmonic Orchestra, Sir Adrian Boult | 6:04 |
| Concerto in C for Two Pianos and Orchestra: II. Romanza (Lento) | | | Victor Babin, Vitya Vronsky, London Philharmonic Orchestra, Sir Adrian Boult | 9:17 |
| Concerto in C for Two Pianos and Orchestra: IIIa. Fuga chromatica (Allegro) - | | | Victor Babin, Vitya Vronsky, London Philharmonic Orchestra, Sir Adrian Boult | 4:39 |
| Concerto in C for Two Pianos and Orchestra: IIIb. Finale alla tedesca | | | Victor Babin, Vitya Vronsky, London Philharmonic Orchestra, Sir Adrian Boult | 5:46 |
| Dona nobis pacem: I. "Agnus Dei" (lento) | | | Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | 3:32 |
| Dona nobis pacem: II. "Beat! Beat! Drums!" (allegro moderato) | | | Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | 3:48 |
| Dona nobis pacem: III. Reconciliation (andantino) | | | Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | 5:59 |
| Dona nobis pacem: IV. Dirge for Two Veterans (moderato alla marcia | | | Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | 11:10 |
| Dona nobis pacem: V. "The Angel of Death has been abroad" (l'istesso tempo) | | | Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | 3:15 |
| Dona nobis pacem: VI. "O Man Greatly Beloved" | | | Sheila Armstrong, John Carol Case, London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult | 8:28 |
| Partita for Double String Orchestra: I. Prelude | | | London Philharmonic Orchestra, Sir Adrian Boult | 3:55 |
| Partita for Double String Orchestra: II. Scherzo Ostinato | | | London Philharmonic Orchestra, Sir Adrian Boult | 4:36 |
| Partita for Double String Orchestra: III. Intermezzo (Homage to Henry Hall) | | | London Philharmonic Orchestra, Sir Adrian Boult | 4:44 |
| Partita for Double String Orchestra: IV. Fantasia | | | London Philharmonic Orchestra, Sir Adrian Boult | 6:15 |
| Symphony no. 7 in C-sharp minor, op. 131: I. Moderato | | | Сергей Сергеевич Прокофьев | 9:22 |
| Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | | | London Symphony Orchestra, André Previn | 8:06 |
| Symphony no. 7 in C-sharp minor, op. 131: III. Andante expressivo | | | London Symphony Orchestra, André Previn | 6:31 |
| Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace | | | London Symphony Orchestra, André Previn | 8:40 |
| balance engineered |
|---|
| 1953-05 | String Quartet no. 14 in D minor “Death and the Maiden”, D 810: 1. Allegro | | | Amadeus Quartet | 11:12 |
| 1953-05 | String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": II. Andante con moto | | | Amadeus Quartet | 14:05 |
| 1953-05 | String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": III. Scherzo (Allegro molto) | | | Amadeus Quartet | 3:35 |
| 1953-05 | String Quartet no. 14 in D minor, D. 810 "Death and the Maiden": IV. Presto | | | Amadeus Quartet | 8:20 |
| 1953-08-25 – 1953-08-26 | Piano Concerto no. 24 in C minor, KV 491: I. Allegro | | | Walter Gieseking, Philharmonia Orchestra, Herbert von Karajan | 13:03 |
| 1953-08-25 – 1953-08-26 | Piano Concerto no. 24 in C minor, KV 491: II. Larghetto | | | Walter Gieseking, Philharmonia Orchestra, Herbert von Karajan | 9:39 |
| 1953-08-25 – 1953-08-26 | Piano Concerto no. 24 in C minor, KV 491: III. Allegretto | | | Walter Gieseking, Philharmonia Orchestra, Herbert von Karajan | 9:11 |
| 1954-05-19 – 1954-05-23 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato | | | Colin Horsley, Dennis Brain Wind Ensemble | 10:08 |
| 1954-05-19 – 1954-05-23 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: II. Larghetto | | | Colin Horsley, Dennis Brain Wind Ensemble | 7:06 |
| 1954-05-19 – 1954-05-23 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Rondo (Allegro) | | | Colin Horsley, Dennis Brain Wind Ensemble | 5:47 |
| 1955-02-04 – 1955-02-07 | Symphony no. 7 in C-sharp minor, op. 131: I. Moderato | | | Philharmonia Orchestra, Nicolai Malko | 8:30 |
| 1955-02-04 – 1955-02-07 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | | | Philharmonia Orchestra, Nicolai Malko | 7:48 |
| 1955-02-04 – 1955-02-07 | Symphony no. 7 in C-sharp minor, op. 131: III. Andante espressivo | | | Philharmonia Orchestra, Nicolai Malko | 5:22 |
| 1955-02-04 – 1955-02-07 | Symphony no. 7 in C-sharp minor, op. 131: IV. Vivace | | | Philharmonia Orchestra, Nicolai Malko | 8:15 |
| 1955-02-07 – 1955-02-09 | The Love for Three Oranges Suite, op, 33a: I. Les Ridicules | | | Philharmonia Orchestra, Nicolai Malko | 2:53 |
| 1955-02-07 – 1955-02-09 | The Love for Three Oranges Suite, op, 33a: II. Scène infernale | | | Philharmonia Orchestra, Nicolai Malko | 3:40 |
| 1955-02-07 – 1955-02-09 | The Love for Three Oranges Suite, op, 33a: III. Marche | | | Philharmonia Orchestra, Nicolai Malko | 1:33 |
| 1955-02-07 – 1955-02-09 | The Love for Three Oranges Suite, op, 33a: IV. Scherzo | | | Philharmonia Orchestra, Nicolai Malko | 1:23 |
| 1955-02-07 – 1955-02-09 | The Love for Three Oranges Suite, op, 33a: V. Le Prince et la Princesse | | | Philharmonia Orchestra, Nicolai Malko | 3:44 |
| 1955-02-09 – 1955-02-11 | The Nutcracker Suite, op. 71a: I. Miniature Overture | | | Philharmonia Orchestra, Nicolai Malko | 3:36 |
| 1955-02-09 – 1955-02-11 | The Nutcracker Suite, op. 71a: II. March | | | Philharmonia Orchestra, Nicolai Malko | 2:28 |
| 1955-02-09 – 1955-02-11 | The Nutcracker Suite, op. 71a: III. Dance of the Sugar-Plum Fairy | | | Philharmonia Orchestra, Nicolai Malko | 1:56 |
| 1955-02-09 – 1955-02-11 | The Nutcracker Suite, op. 71a: IV. Trepak (Russian Dance) | | | Philharmonia Orchestra, Nicolai Malko | 1:08 |
| 1955-02-09 – 1955-02-11 | The Nutcracker Suite, op. 71a: V. Arabian Dance | | | Philharmonia Orchestra, Nicolai Malko | 3:23 |
| 1955-02-09 – 1955-02-11 | The Nutcracker Suite, op. 71a: VI. Chinese Dance | | | Philharmonia Orchestra, Nicolai Malko | 1:02 |
| 1955-02-09 – 1955-02-11 | The Nutcracker Suite, op. 71a: VII. Dance of the Reed-Flutes | | | Philharmonia Orchestra, Nicolai Malko | 2:35 |
| 1955-02-09 – 1955-02-11 | The Nutcracker Suite, op. 71a: VIII. Waltz of the Flowers | | | Philharmonia Orchestra, Nicolai Malko | 6:35 |
| 1955-02-11 | Symphony no. 1 in D “Classical” , op. 25: I. Allegro | | | Philharmonia Orchestra, Nicolai Malko | 4:16 |
| 1955-02-11 | Symphony no. 1 in D “Classical” , op. 25: II. Larghetto | | | Philharmonia Orchestra, Nicolai Malko | 3:53 |
| 1955-02-11 | Symphony no. 1 in D “Classical” , op. 25: III. Gavotta (Non troppo allegro) | | | Philharmonia Orchestra, Nicolai Malko | 1:30 |
| 1955-02-11 | Symphony no. 1 in D “Classical” , op. 25: IV. Finale (Molto vivace) | | | Philharmonia Orchestra, Nicolai Malko | 4:10 |
| 1955-04-13 – 1955-04-16 | Abendempfindung, K. 523 | | | Elisabeth Schwarzkopf, Walter Gieseking | 5:09 |
| 1955-04-13 – 1955-04-16 | Als Luise die Briefe, KV 520 | | | Elisabeth Schwarzkopf, Walter Wilhelm Gieseking | 1:56 |
| 1955-04-13 – 1955-04-16 | An Chloe, K. 524 | | | Elisabeth Schwarzkopf, Walter Gieseking | 2:04 |
| 1955-04-13 – 1955-04-16 | Dans un bois solitaire, KV 308 | | | Elisabeth Schwarzkopf, Walter Wilhelm Gieseking | 3:00 |
| 1955-04-13 – 1955-04-16 | Das Kinderspiel, K. 598 | | | Elisabeth Schwarzkopf, Walter Gieseking | 1:44 |
| 1955-04-13 – 1955-04-16 | Das Lied der Trennung, KV 519 | | | Elisabeth Schwarzkopf, Walter Wilhelm Gieseking | 5:38 |
| 1955-04-13 – 1955-04-16 | Das Traumbild, KV 530 | | | Elisabeth Schwarzkopf, Walter Wilhelm Gieseking | 4:34 |
| 1955-04-13 – 1955-04-16 | Das Veilchen, KV 476 | | | Elisabeth Schwarzkopf, Walter Wilhelm Gieseking | 2:38 |
| 1955-04-13 – 1955-04-16 | Der Zauberer, K. 472 | | | Elisabeth Schwarzkopf, Walter Gieseking | 2:02 |
| 1955-04-13 – 1955-04-16 | Die Alte, KV 517 | | | Elisabeth Schwarzkopf, Walter Wilhelm Gieseking | 4:39 |
| 1955-04-13 – 1955-04-16 | Die kleine Spinnerin, KV 531 | | | Elisabeth Schwarzkopf, Walter Wilhelm Gieseking | 1:42 |
| 1955-04-13 – 1955-04-16 | Die Verschweigung, KV 518 | | soprano vocals | Elisabeth Schwarzkopf & Walter Gieseking | 2:44 |
| 1955-04-13 – 1955-04-16 | Die Zufriedenheit, K. 349 | | | Elisabeth Schwarzkopf, Walter Gieseking | 1:46 |
| 1955-04-13 – 1955-04-16 | Im Frühlingsanfange, K. 597 | | | Elisabeth Schwarzkopf, Walter Gieseking | 2:49 |
| 1955-04-13 – 1955-04-16 | Oiseux, Si tous les ans, H. 307 | | | Elisabeth Schwarzkopf, Walter Gieseking | 1:21 |
| 1955-04-13 – 1955-04-16 | Ridente la calma, K. 152 | | | Elisabeth Schwarzkopf, Walter Gieseking | 3:21 |
| 1955-04-13 – 1955-04-16 | Sehnsucht nach dem Frühlinge, KV 596 | | | Elisabeth Schwarzkopf, Walter Wilhelm Gieseking | 2:10 |
| 1955-05-20 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | | | Philharmonia Orchestra, Herbert von Karajan | 9:02 |
| 1955-05-20 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | | | Philharmonia Orchestra, Herbert von Karajan | 3:55 |
| 1955-05-20 | Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | | | Philharmonia Orchestra, Herbert von Karajan | 5:49 |
| 1955-05-20 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | | | Philharmonia Orchestra, Herbert von Karajan | 7:37 |
| 1955-07-11 – 1955-07-12 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | | | Glyndebourne Festival Orchestra, Vittorio Gui | 2:52 |
| 1955-11-15 – 1955-11-17 | Tapiola - Symphonic Poem, op. 112 | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 18:00 |
| 1955-11-19 – 1955-11-25 | Pelléas et Mélisande - Incidental Music, op. 46: 1. At the Castle Gate | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 3:32 |
| 1955-11-19 – 1955-11-25 | Pelléas et Mélisande - Incidental Music, op. 46: 2. Mélisande | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 5:04 |
| 1955-11-19 – 1955-11-25 | Pelléas et Mélisande - Incidental Music, op. 46: 4. A Spring in the Park | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 2:18 |
| 1955-11-19 – 1955-11-25 | Pelléas et Mélisande - Incidental Music, op. 46: 5. The Three Blind Sisters | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 2:46 |
| 1955-11-19 – 1955-11-25 | Pelléas et Mélisande - Incidental Music, op. 46: 6. Pastorale | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 1:59 |
| 1955-11-19 – 1955-11-25 | Pelléas et Mélisande - Incidental Music, op. 46: 7. Mélisande at the Spinning-Wheel | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 2:11 |
| 1955-11-19 – 1955-11-25 | Pelléas et Mélisande - Incidental Music, op. 46: 8. Entr'acte | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 3:22 |
| 1955-11-19 – 1955-11-25 | Pelléas et Mélisande - Incidental Music, op. 46: 9. The Death of Mélisande | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 6:34 |
| 1955-11-21 – 1955-11-25 | Symphony no. 7 in C, op. 105: Adagio - | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 6:59 |
| 1955-11-21 – 1955-11-25 | Symphony no. 7 in C, op. 105: Allegro molto moderato - | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 3:59 |
| 1955-11-21 – 1955-11-25 | Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Vivacissimo - Adagio - | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 4:58 |
| 1955-11-21 – 1955-11-25 | Symphony no. 7 in C, op. 105: Vivace - Presto - Adagio | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 4:36 |
| 1955-12-18 – 1955-12-19 | The Oceanides - Symphonic Poem, op. 73 | | | Royal Philharmonic Orchestra, Sir Thomas Beecham | 10:27 |
| 1956-03-05 | Cello Concerto in C minor, op. 66: I. Lento ma non troppo - Andante - Tempo I | | | Mstislav Rostropovich, Philharmonia Orchestra, Sir Malcolm Sargent | 10:59 |
| 1956-03-05 | Cello Concerto in C minor, op. 66: II. Allegro vivace - Più marcato - Meno mosso - Tempo I | | | Mstislav Rostropovich, Philharmonia Orchestra, Sir Malcolm Sargent | 17:02 |
| 1956-04-03 – 1956-04-10 | Goethe-Lieder: Epiphanias | | | Elisabeth Schwarzkopf, Gerald Moore | 4:34 |
| 1956-04-03 – 1956-04-10 | Goethe-Lieder: Frühing übers Jahr | | | Elisabeth Schwarzkopf, Gerald Moore | 1:54 |
| 1956-04-03 – 1956-04-10 | Goethe-Lieder: Mignon I | | | Elisabeth Schwarzkopf, Gerald Moore | 3:49 |
| 1956-04-03 – 1956-04-10 | Goethe-Lieder: Mignon II | | | Elisabeth Schwarzkopf, Gerald Moore | 2:14 |
| 1956-04-03 – 1956-04-10 | Goethe-Lieder: Philine | | | Elisabeth Schwarzkopf, Gerald Moore | 3:13 |
| 1956-04-03 – 1956-04-10 | Goethe-Lieder: Sankt Nepomuks Vorabend | | | Elisabeth Schwarzkopf, Gerald Moore | 2:56 |
| 1956-05-23 – 1956-05-24 | At the Dance (from Summer Days Suite) | | | London Symphony Orchestra, Charles Mackerras | 4:07 |
| 1956-05-23 – 1956-05-24 | By the Sleepy Lagoon | | | London Symphony Orchestra, Charles Mackerras | 3:10 |
| 1956-05-23 – 1956-05-24 | The Merrymakers (Miniature Overture) | | | London Symphony Orchestra, Charles Mackerras | 4:34 |
| 1956-05-23 – 1956-05-24 | The Three Bears Phantasy | | | London Symphony Orchestra, Charles Mackerras | 9:20 |
| 1957-04-15 | Symphony-Concerto in E minor, op. 125: I. Andante | | | Mstislav Rostropovich, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 10:56 |
| 1957-04-15 | Symphony-Concerto in E minor, op. 125: II. Allegro giusto | | | Mstislav Rostropovich, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 17:27 |
| 1957-04-15 | Symphony-Concerto in E minor, op. 125: III. Andante con moto - Allegretto - Allegro marcato | | | Mstislav Rostropovich, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 10:01 |
| 1957-06-08 – 1957-06-10 | Mignon (Poème de Goethe) | | | Elisabeth Schwarzkopf, Gerald Moore | 6:57 |
| 1958-01-11 | Goethe-Lieder: Die Spröde | | | Elisabeth Schwarzkopf, Gerald Moore | 1:56 |
| 1960-11-16 – 1960-11-19 | Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo | | | Philharmonia Orchestra, Otto Klemperer | 14:36 |
| 1960-11-16 – 1960-11-19 | Symphony no. 9 in C major, D. 944: II. Andante con moto | | | Philharmonia Orchestra, Otto Klemperer | 14:59 |
| 1960-11-16 – 1960-11-19 | Symphony no. 9 in C major, D. 944: III. Scherzo (Allegro vivace) & Trio | | | Philharmonia Orchestra, Otto Klemperer | 9:54 |
| 1960-11-16 – 1960-11-19 | Symphony no. 9 in C major, D. 944: IV. Finale (Allegro vivace) | | | Philharmonia Orchestra, Otto Klemperer | 12:43 |
| 1961-08-01 – 1961-08-05 | Fantasie (Obolen auf Beethovens Monument) in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | | | Sviatoslav Richter | 13:53 |
| 1961-08-01 – 1961-08-05 | Fantasie (Obolen auf Beethovens Monument) in C major, op. 17: II. Mässig - Durchaus energisch | | | Sviatoslav Richter | 6:47 |
| 1961-08-01 – 1961-08-05 | Fantasie (Obolen auf Beethovens Monument) in C major, op. 17: III. Langsam getragen - Durchweg leise zu halten | | | Sviatoslav Richter | 11:11 |
| 1961-08-01 – 1961-08-05 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro | | | Sviatoslav Richter | 9:25 |
| 1961-08-01 – 1961-08-05 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio | | | Sviatoslav Richter | 7:18 |
| 1961-08-01 – 1961-08-05 | Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto | | | Sviatoslav Richter | 7:01 |
| 1964-04-20 – 1964-04-21 | Symphony no. 2 in E-flat, op. 63: I. Allegro vivace e nobilmente | | | Hallé Orchestra, Sir John Barbirolli | 19:25 |
| 1964-04-20 – 1964-04-21 | Symphony no. 2 in E-flat, op. 63: II. Larghetto | | | Hallé Orchestra, Sir John Barbirolli | 13:50 |
| 1964-04-20 – 1964-04-21 | Symphony no. 2 in E-flat, op. 63: III. Rondo: Presto | | | Hallé Orchestra, Sir John Barbirolli | 8:20 |
| 1964-04-20 – 1964-04-21 | Symphony no. 2 in E-flat, op. 63: IV. Moderato e maestoso | | | Hallé Orchestra, Sir John Barbirolli | 14:27 |
| 1964-06-01 | Falstaff Symphonic Study in C minor, op. 68: I. Falstaff and Prince Henry | | | Hallé Orchestra, Sir John Barbirolli | 3:15 |
| 1964-06-01 | Falstaff Symphonic Study in C minor, op. 68: II. Dream Interlude: "Jack Falstaff, now Sir John, a boy, and page to Thomas Mowbray, Duke of Norfolk" | | | Hallé Orchestra, Sir John Barbirolli | 2:19 |
| See all 2,024 relationships |
| engineered |
|---|
| 1955-05 | The Road to Mandalay | | | Peter Dawson, Edward Greenfield, London Symphony Orchestra, Charles Mackerras | 3:42 |
| 1956-12-10 – 1956-12-22 | Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin) | | | Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | 5:17 |
| 1957-07-02 – | Concerto in A minor, op. 28: I. Allegro moderato | | | Nathan Milstein, Philharmonia Orchestra, Harry Blech | 14:04 |
| 1957-07-02 – | Concerto in A minor, op. 28: II. Andante | | | Nathan Milstein, Philharmonia Orchestra, Harry Blech | 5:58 |
| 1957-07-02 – | Concerto in A minor, op. 28: III. Moderato – Allegro | | | Nathan Milstein, Philharmonia Orchestra, Harry Blech | 11:35 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act 2: No. 12. Divertissement: (a) Chocolate / (b) Coffee (Arab Dance) / (c) Tea (Chinese Dance) / (d) Trepak (Russian Dance) / (e) Flutes / (f) Mother Gigogne | | | London Symphony Orchestra, André Previn | ?:?? |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act 2: No. 14. (a) Pas de deux / (b) Variation 1: Tarantella / (c) Variation 2: Sugar Plum Fairy & Coda | | | London Symphony Orchestra, André Previn | ?:?? |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene I: March | | | London Symphony Orchestra, André Previn | 2:24 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene I. Arrival of Drosselmeyer | | | London Symphony Orchestra, André Previn | 5:43 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene I. Children's Galop and Entry of the Parents | | | London Symphony Orchestra, André Previn | 2:27 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene I. Clara and the Nutcracker | | | London Symphony Orchestra, André Previn | 6:36 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene I. Grandfather Dance | | | London Symphony Orchestra, André Previn | 5:43 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene I. The Decoration of the Christmas Tree | | | London Symphony Orchestra, André Previn | 4:17 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene II. Battle | | | London Symphony Orchestra, André Previn | 3:21 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene II. In the Pine Forest | | | London Symphony Orchestra, André Previn | 3:58 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act I, Scene II. Waltz of the Snowflakes | | | Ambrosian Singers, London Symphony Orchestra, André Previn | 6:21 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Act II, Scene III. Divertissement: Dance of the reed pipes | | | London Symphony Orchestra, André Previn | 2:17 |
| 1972-05-01 – 1972-05-04 | The Nutcracker, op. 71: Overture | | | London Symphony Orchestra, André Previn | 3:28 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Clara and the Prince | | | London Symphony Orchestra, André Previn | 4:34 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Divertissement A: Chocolate (Spanish dance) | | | London Symphony Orchestra, André Previn | 1:11 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Divertissement B: Coffee (Arab dance) | | | London Symphony Orchestra, André Previn | 3:12 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Divertissement C: Tea (Chinese dance) | | | London Symphony Orchestra, André Previn | 1:07 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Divertissement D: Trepak (Russian dance) | | | London Symphony Orchestra, André Previn | 1:07 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Divertissement F: Mother Gigogne | | | London Symphony Orchestra, André Previn | 2:56 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Final Waltz and Apotheosis | | | London Symphony Orchestra, André Previn | 5:00 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Pas de Deux | | | London Symphony Orchestra, André Previn | 4:57 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Pas de Deux: Variation I: Tarantella | | | London Symphony Orchestra, André Previn | 0:40 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Pas de Deux: Variation II: Dance of the Sugar-Plum Fairy | | | London Symphony Orchestra, André Previn | 3:29 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II: Scene III: Waltz of the Flowers | | | London Symphony Orchestra, André Previn | 6:54 |
| 1972-05-01 – 1972-05-04 | The Nutcracker: Act II. Scene II: The Kingdom of Sweets | | | London Symphony Orchestra, André Previn | 4:30 |
| 1976 | A Little Pretty Bonny Lass | | | The King’s Singers | 1:16 |
| 1976 | Shoot, False Love | | | The King’s Singers | 2:32 |
| 1976 | Weep No More Thou Sorry Boy | | | The King’s Singers | 2:54 |
| 1977-02 | Coronation Ode, op. 44: I. Crown the King | | | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | 10:11 |
| 1977-02 | Coronation Ode, op. 44: IIa. The Queen | | | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | 2:21 |
| 1977-02 | Coronation Ode, op. 44: IIb. Daughter of ancient Kings | | | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | 1:34 |
| 1977-02 | Coronation Ode, op. 44: III. Britain, ask thyself | | | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | 3:49 |
| 1977-02 | Coronation Ode, op. 44: IV. Hark, upon the hallowed air…Only let the heart be pure | | | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | 7:25 |
| 1977-02 | Coronation Ode, op. 44: V. Peace, gentle Peace | | | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | 3:34 |
| 1977-02 | Coronation Ode, op. 44: VI. Land of Hope and Glory | | | Cambridge University Musical Society Chorus, Choir of King’s College, Cambridge, Alfreda Hodgson, Felicity Lott, Richard Morton, Stephen Roberts, Band of the Royal Military School of Music (Kneller Hall), New Philharmonia Orchestra, Philip Ledger | 4:28 |
| 1978-07-14 | Daphnes et Chloé, Suite no. 2: Lever du jour / Pantomime / Danse générale | | | London Symphony Orchestra, André Previn | 17:13 |
| 1979-08-23 – 1979-09-01 | Werther : Acte I. « Noël ! Jésus vient de naître » | | | Jules Bastin, Tatiana Troyanos, [theatre], London Philharmonic Orchestra, Michel Plasson | 1:57 |
| 1979 | Werther : Acte I. « Alors, c'est bien ici » … « Je ne sais si je veille » | | | Alfredo Kraus, London Philharmonic Orchestra, Michel Plasson | 11:32 |
| 1979 | Werther : Acte I. « Bravo pour les enfants ! » | | | Christine Barbaux, Jules Bastin, Jean‐Philippe Lafont, Philip Langridge, London Philharmonic Orchestra, Michel Plasson | 5:08 |
| 1979 | Werther : Acte I. « Elle m'aime ! » … « Quelle prière de reconnaissance » | | | Matteo Manuguerra, London Philharmonic Orchestra, Michel Plasson | 2:22 |
| 1979 | Werther : Acte I. « Il faut nous séparer » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 2:22 |
| 1979 | Werther : Acte I. « Mon âme a reconnu votre âme » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 0:53 |
| 1979 | Werther : Acte I. « O spectacle idéal d'amour et d'innocence » | | | Jules Bastin, Alfredo Kraus, London Philharmonic Orchestra, Michel Plasson | 5:23 |
| 1979 | Werther : Acte I. « Rêve ! Extase ! » | | | Alfredo Kraus, London Philharmonic Orchestra, Michel Plasson | 3:55 |
| 1979 | Werther : Acte I. « Vous avez dit vrai ! » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 2:54 |
| 1979 | Werther : Acte I. Clair de lune | | | London Philharmonic Orchestra, Michel Plasson | 2:43 |
| 1979 | Werther : Acte II. « Ah ! Qu'il est loin ce jour » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 7:51 |
| 1979 | Werther : Acte II. « Frère, voyez ! » … « Du gai soleil » | | | Christine Barbaux, London Philharmonic Orchestra, Michel Plasson | 1:38 |
| 1979 | Werther : Acte II. « Heureux ! Pourrai je l'être encore ? » | | | Christine Barbaux, Alfredo Kraus, Matteo Manuguerra, London Philharmonic Orchestra, Michel Plasson | 3:27 |
| 1979 | Werther : Acte II. « Lorsque l'enfant revient d'un voyage » | | | Alfredo Kraus, London Philharmonic Orchestra, Michel Plasson | 3:53 |
| 1979 | Werther : Acte II. « Mais celle qui devint ma femme » | | | Alfredo Kraus, Matteo Manuguerra, London Philharmonic Orchestra, Michel Plasson | 2:58 |
| 1979 | Werther : Acte II. « Trois mois ! Voici trois mois » | | | Matteo Manuguerra, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 2:24 |
| 1979 | Werther : Acte II. « Un autre est son époux » | | | Alfredo Kraus, London Philharmonic Orchestra, Michel Plasson | 4:52 |
| 1979 | Werther : Acte II. « Vivat Bacchus » | | | Jean‐Philippe Lafont, Philip Langridge, London Philharmonic Orchestra, Michel Plasson | 4:14 |
| 1979 | Werther : Acte II. Prélude | | | London Philharmonic Orchestra, Michel Plasson | 1:06 |
| 1979 | Werther : Acte III. « Ah ! Ah ! Moi, dans ces bras ! » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 1:24 |
| 1979 | Werther : Acte III. « Ah ! Le rire est béni » | | | Christine Barbaux, London Philharmonic Orchestra, Michel Plasson | 2:45 |
| 1979 | Werther : Acte III. « Ah ! Mon courage m'abandonne ! » | | | Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 3:08 |
| 1979 | Werther : Acte III. « Bonjour, grande soeur ! » … « Mais souffres-tu ? » | | | Christine Barbaux, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 1:27 |
| 1979 | Werther : Acte III. « Ces lettres ! Ces lettres ! » | | | Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 6:01 |
| 1979 | Werther : Acte III. « Ciel ! Ai-je compris ? » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 2:29 |
| 1979 | Werther : Acte III. « Les larmes qu'on ne pleure pas » | | | Christine Barbaux, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 3:33 |
| 1979 | Werther : Acte III. « Oui, c'est moi ! » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 5:22 |
| 1979 | Werther : Acte III. « Soit ! Adieu donc ! » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 1:34 |
| 1979 | Werther : Acte III. « Toute mon âme est là ! » … « Pourquoi me réveiller » | | | Alfredo Kraus, London Philharmonic Orchestra, Michel Plasson | 3:07 |
| 1979 | Werther : Acte III. « Werther ! Werther ! » … « Qui m'aurait dit » | | | Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 1:24 |
| 1979 | Werther : Acte III. « Werther est de retour » | | | Matteo Manuguerra, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 2:46 |
| 1979 | Werther : Acte III. Prélude | | | London Philharmonic Orchestra, Michel Plasson | 3:43 |
| 1979 | Werther : Acte IV. « Écoute bien ! Là-bas, au fond du cimetière » | | | Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 3:03 |
| 1979 | Werther : Acte IV. « Et moi, Werther, et moi, je t'aime ! » | | | Christine Barbaux, Alfredo Kraus, Tatiana Troyanos, [theatre], London Philharmonic Orchestra, Michel Plasson | 7:21 |
| 1979 | Werther : Acte IV. « Jésus vient de naître » | | | Tatiana Troyanos, [theatre], London Philharmonic Orchestra, Michel Plasson | 0:34 |
| 1979 | Werther : Acte IV. « Werther ! Werther ! » … « Rien ! » | | | Tatiana Troyanos, London Philharmonic Orchestra, Michel Plasson | 5:53 |
| 1979 | Werther : Acte IV. Symphonie | | | London Philharmonic Orchestra, Michel Plasson | 5:46 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 1 No. 1: The Decoration of the Christmas Tree | | | Philharmonia Orchestra, John Lanchbery | 3:54 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 1 No. 2: March | | | Philharmonia Orchestra, John Lanchbery | 2:24 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 1 No. 3: Children's Galop and Entry of the Parents | | | Philharmonia Orchestra, John Lanchbery | 2:28 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 1 No. 4: Arrival of Drosselmeyer | | | Philharmonia Orchestra, John Lanchbery | 5:54 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 1 No. 5: Grandfather Dance | | | Philharmonia Orchestra, John Lanchbery | 6:17 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 1 No. 6: Departure of the Guests: Night | | | Philharmonia Orchestra, John Lanchbery | 6:32 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 1 No. 7: The Battle | | | Philharmonia Orchestra, John Lanchbery | 3:29 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 1 No. 9: The Forest of Fir Trees in Winter | | | Philharmonia Orchestra, John Lanchbery | 3:53 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 10: Confiturembourg (The Kingdom Of Sweets) | | | Philharmonia Orchestra, John Lanchbery | 3:41 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 11: Entry Of Clara And The Nutcracker | | | Philharmonia Orchestra, John Lanchbery | 4:43 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 12: Divertissement A: Chocolate | | | Philharmonia Orchestra, John Lanchbery | 1:12 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 12: Divertissement B: Coffee (Arab Dance) | | | Philharmonia Orchestra, John Lanchbery | 3:35 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 12: Divertissement C: Tea (Chinese Dance) | | | Philharmonia Orchestra, John Lanchbery | 0:59 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 12: Divertissement D: Gigue (English Dance) | | | Philharmonia Orchestra, John Lanchbery | 0:42 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 12: Divertissement E: Trepak | | | Philharmonia Orchestra, John Lanchbery | 1:09 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 12: Divertissement F: Flutes | | | Philharmonia Orchestra, John Lanchbery | 2:34 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 12: Divertissement G: Mother Gigogne | | | Philharmonia Orchestra, John Lanchbery | 2:36 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 13: Waltz Of The Flowers | | | Philharmonia Orchestra, John Lanchbery | 7:27 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 14: A: Pas De Deux | | | Philharmonia Orchestra, John Lanchbery | 5:31 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 14: B: Variation 1: Tarantella | | | Philharmonia Orchestra, John Lanchbery | 0:44 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 14: C: Variation 2: Sugar-Plum Fairy And Coda | | | Philharmonia Orchestra, John Lanchbery | 3:44 |
| 1982-03-01 – 1982-04-19 | The Nutcracker, Op. 71 Act 2 No. 15: Final Waltz And Apotheosis | | | Philharmonia Orchestra, John Lanchbery | 4:49 |
| See all 283 relationships |
| recording engineer for |
|---|
| 1959-09-01 – 1959-09-06 | Carmen : Acte II. « Le fleur que tu m’avais jetée » (Flower Song) | | | Nicolai Gedda, Orchestre National de la Radiodiffusion Française, Sir Thomas Beecham | 4:46 |
| 1967-07-25 – 1967-07-26 | Valse oubliée no. 1, S. 215 no. 1 | | | John Ogdon | 2:35 |
| 1973-09-28 – 1973-09-29 | Egdon Heath (Homage to Hardy), op. 47 | | | André Previn, London Symphony Orchestra | 14:40 |
| 1973-09-28 – 1973-09-29 | The Perfect Fool, op. 39: Andante | | | André Previn, London Symphony Orchestra | 0:58 |
| 1973-09-28 – 1973-09-29 | The Perfect Fool, op. 39: Dance of Spirits of Earth | | | André Previn, London Symphony Orchestra | 3:39 |
| 1973-09-28 – 1973-09-29 | The Perfect Fool, op. 39: Dance of Spirits of Fire | | | André Previn, London Symphony Orchestra | 3:22 |
| 1973-09-28 – 1973-09-29 | The Perfect Fool, op. 39: Dance of Spirits of Water | | | André Previn, London Symphony Orchestra | 2:39 |
| 1973-09-28 – 1973-09-29 | The Planets, op. 32: I. Mars, the Bringer of War | | | André Previn, London Symphony Orchestra | 7:11 |
| 1973-09-28 – 1973-09-29 | The Planets, op. 32: II. Venus, the Bringer of Peace | | | André Previn, London Symphony Orchestra | 8:50 |
| 1973-09-28 – 1973-09-29 | The Planets, op. 32: III. Mercury, the Winged Messenger | | | André Previn, London Symphony Orchestra | 3:58 |
| 1973-09-28 – 1973-09-29 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | | | André Previn, London Symphony Orchestra | 7:48 |
| 1973-09-28 – 1973-09-29 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | | | André Previn, London Symphony Orchestra | 9:59 |
| 1973-09-28 – 1973-09-29 | The Planets, op. 32: VI. Uranus, the Magician | | | André Previn, London Symphony Orchestra | 6:10 |
| 1973-09-28 – 1973-09-29 | The Planets, op. 32: VII. Neptune, the Mystic | | | André Previn, London Symphony Orchestra | 7:30 |
| 1973-11-26 | Sinfonia da Requiem, op. 20: Lacrymosa – Dies Irae – Requiem aeternam | | | London Symphony Orchestra, André Previn | ?:?? |
| 1974-10-27 – 1974-10-28 | Four Sea Interludes, op. 33a (From “Peter Grimes”): Dawn – Sunday Morning – Moonlight – Storm | | | London Symphony Orchestra, André Previn | ?:?? |
| 1974-12-12 – 1974-12-14 | Symphonic Dances, op. 45: I. Non allegro | | | London Symphony Orchestra, André Previn | 11:33 |
| 1974-12-12 – 1974-12-14 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse) | | | London Symphony Orchestra, André Previn | 9:56 |
| 1974-12-12 – 1974-12-14 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace | | | London Symphony Orchestra, André Previn | 13:24 |
| 1975-12-11 – 1975-12-13 | Piano Concerto no. 1 in E-flat major, G. 124: 1st Movement: Allegro maestoso / 2nd Movement: Quasi adagio – Allegretto vivace – Allegro animato / 3rd Movement: Allegro marziale animato | | | Horacio Gutierrez, London Symphony Orchestra, André Previn | ?:?? |
| 2017-07-17 – 2017-07-18 | Adiemus | Chris Parker | assistant | Karl Jenkins | 4:03 |
| 2017-07-17 – 2017-07-18 | Chorale: Cantilena | Chris Parker | assistant | Karl Jenkins | 3:25 |
| 2017-07-17 – 2017-07-18 | Chorale: Elegia | Chris Parker | assistant | Karl Jenkins | 4:19 |
| 2017-07-17 – 2017-07-18 | Chorale: Hymn | Chris Parker | assistant | Karl Jenkins | 4:09 |
| 2017-07-17 – 2017-07-18 | Chorale: Za Ma Ba | Chris Parker | assistant | Karl Jenkins | 1:56 |
| 2017-07-17 – 2017-07-18 | In caelum fero | Chris Parker | assistant | Karl Jenkins | 6:24 |
| 2017-07-17 – 2017-07-18 | Kayama | Chris Parker | assistant | Karl Jenkins | 5:24 |
| 2017-07-17 – 2017-07-18 | Song of the Plains | Chris Parker | assistant | Karl Jenkins | 10:18 |
| 2017-07-17 – 2017-07-18 | Song of the Spirit | Chris Parker | assistant | Karl Jenkins | 5:29 |
| 2017-07-17 – 2017-07-18 | Tintinnabulum, Part 1 | Chris Parker | assistant | Karl Jenkins | 2:58 |
| 2017-07-17 – 2017-07-18 | Tintinnabulum, Part 2 | Chris Parker | assistant | Karl Jenkins | 5:54 |
| 2017-07-17 – 2017-07-18 | Zarabanda (Sarabande) | Chris Parker | assistant | Karl Jenkins | 4:39 |
| Across the Sea | | assistant | Leaves’ Eyes | 3:50 |
| Across the Sea (instrumental) | | assistant | Leaves’ Eyes | 3:50 |
| Arabesque, L. 66 No. 2: Allegretto scherzando | | | Walter Gieseking | 2:52 |
| Arabesque, L. 66: No. 1. Andantino con moto | | | Walter Gieseking | 3:37 |
| Ballade, L. 70 | | | Walter Gieseking | 6:23 |
| Beowulf | | assistant | Leaves’ Eyes | 4:07 |
| Berceuse heroïque, L. 132 | | | Walter Gieseking | 4:41 |
| Children’s Corner, L. 113 No. 1: Doctor Gradus ad Parnassum | | | Walter Gieseking | 2:20 |
| Children’s Corner, L. 113 No. 2: Jimbo’s Lullaby | | | Walter Gieseking | 3:25 |
| Children’s Corner, L. 113 No. 3: Serenade for the Doll | | | Walter Gieseking | 3:08 |
| Children’s Corner, L. 113 No. 4: The Snow is Dancing | | | Walter Gieseking | 2:20 |
| Children’s Corner, L. 113 No. 5: The Little Shepherd | | | Walter Gieseking | 2:08 |
| Children’s Corner, L. 113 No. 6: Golliwog’s Cake‐walk | | | Walter Gieseking | 2:45 |
| Danse bohémienne, L. 9 | | | Walter Gieseking | 1:52 |
| Estampes, L. 100 No. 1: Pagodes | | | Walter Gieseking | 4:10 |
| Estampes, L. 100 No. 2: Soirée dans Grenade | | | Walter Gieseking | 4:20 |
| Estampes, L. 100 No. 3: Jardins sous la pluie | | | Walter Gieseking | 3:19 |
| Fairer Than the Sun | | assistant | Leaves’ Eyes | 4:20 |
| Fairer Than the Sun (instrumental) | | assistant | Leaves’ Eyes | 4:20 |
| Fire on Fire | Christopher Park | assistant and strings | Sam Smith | 4:07 |
| Fires in the North | | assistant | Leaves’ Eyes | 4:22 |
| Fires in the North (instrumental) | | assistant | Leaves’ Eyes | 4:22 |
| Hommage à Joseph Haydn, L. 115 | | | Walter Gieseking | 1:44 |
| Images for Piano, Set I, L. 110 No. 1: Reflets dans l’eau | | | Walter Gieseking | 5:04 |
| Images for Piano, Set I, L. 110 No. 2: Hommage à Rameau | | | Walter Gieseking | 6:27 |
| Images for Piano, Set I, L. 110 No. 3: Mouvement | | | Walter Gieseking | 3:01 |
| Images for Piano, Set II, L. 111 No. 1: Cloches à travers les feuilles | | | Walter Gieseking | 3:50 |
| Images for Piano, Set II, L. 111 No. 2: Et la lune descend sur le temple qui fut | | | Walter Gieseking | 4:53 |
| Images for Piano, Set II, L. 111 No. 3: Poissons d’or | | | Walter Gieseking | 3:13 |
| Jomsborg | | assistant | Leaves’ Eyes | 3:26 |
| Jomsborg (instrumental) | | assistant | Leaves’ Eyes | 3:26 |
| L’isle joyeuse, L. 106 | | | Walter Gieseking | 5:00 |
| La plus que lente, L. 121 | | | Walter Gieseking | 3:25 |
| Le petit nègre, L. 114 | | | Walter Gieseking | 1:31 |
| Like a Mountain | | assistant | Leaves’ Eyes | 4:45 |
| Like a Mountain (instrumental) | | assistant | Leaves’ Eyes | 4:45 |
| Masques, L. 105 | | | Walter Gieseking | 4:14 |
| Mazurka, L. 67 | | | Walter Gieseking | 2:19 |
| Nocturne in D flat major, L. 82 | | | Walter Gieseking | 5:46 |
| Pour le piano, L. 95 No. 1: Prelude | | | Walter Gieseking | 3:27 |
| Pour le piano, L. 95 No. 2: Sarabande | | | Walter Gieseking | 4:43 |
| Pour le piano, L. 95 No. 3: Toccata | | | Walter Gieseking | 3:35 |
| Preludes, Book I, L. 117 No. 1: Danseuses de Delphes | | | Walter Gieseking | 3:14 |
| Preludes, Book I, L. 117 No. 2: Voiles | | | Walter Gieseking | 2:43 |
| Preludes, Book I, L. 117 No. 3: Le vent dans la plaine | | | Walter Gieseking | 1:58 |
| Preludes, Book I, L. 117 No. 4: Les sons et les parfums tourent dans l’air du soir | | | Walter Gieseking | 3:31 |
| Preludes, Book I, L. 117 No. 5: Les collines d’Anacapri | | | Walter Gieseking | 2:48 |
| Preludes, Book I, L. 117 No. 6: Des pas sur la neige | | | Walter Gieseking | 3:29 |
| Preludes, Book I, L. 117 No. 7: Ce qu’a vu le vent d’ouest | | | Walter Gieseking | 2:47 |
| Preludes, Book I, L. 117 No. 8: La fille aux cheveux de lin | | | Walter Gieseking | 2:25 |
| Preludes, Book I, L. 117 No. 9: La sérénade interrompue | | | Walter Gieseking | 2:16 |
| Preludes, Book I, L. 117 No. 10: La cathédrale engloutie | | | Walter Gieseking | 6:34 |
| Preludes, Book I, L. 117 No. 11: La danse de Puck | | | Walter Gieseking | 2:27 |
| Preludes, Book I, L. 117 No. 12: Minstrels | | | Walter Gieseking | 2:14 |
| Rêverie, L. 68 | | | Walter Gieseking | 3:37 |
| Riders on the Wind | | assistant | Leaves’ Eyes | 3:54 |
| Riders on the Wind (instrumental) | | assistant | Leaves’ Eyes | 3:54 |
| Rulers of Wind and Waves | | assistant | Leaves’ Eyes | 3:01 |
| Rulers of Wind and Waves (instrumental) | | assistant | Leaves’ Eyes | 3:01 |
| Shadows in the Night | | assistant | Leaves’ Eyes | 3:48 |
| Shadows in the Night (instrumental) | | assistant | Leaves’ Eyes | 3:48 |
| Sign of the Dragonhead | | assistant | Leaves’ Eyes | 4:07 |
| Sign of the Dragonhead (instrumental) | | assistant | Leaves’ Eyes | 4:07 |
| String Quartet in C major, K. 465 "Dissonant": 1. Adagio - Allegro | | | Amadeus Quartet | 7:58 |
| String Quartet in C major, K. 465 "Dissonant": 2. Andante cantabile | | | Amadeus Quartet | 7:02 |
| String Quartet in C major, K. 465 "Dissonant": 3. Menuetto. Allegretto | | | Amadeus Quartet | 4:39 |
| String Quartet in C major, K. 465 "Dissonant": 4. Allegro | | | Amadeus Quartet | 5:43 |
| String Quartet in D major, K. 575 "Prussian": 1. Allegretto | | | Amadeus Quartet | 5:11 |
| See all 119 relationships |
| sound engineered |
|---|
| 1966-09-19 – 1966-09-29 | Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | | | Daniel Barenboim | 5:55 |
| 1966-09-19 – 1966-09-29 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | | | Daniel Barenboim | 9:42 |
| 1966-09-19 – 1966-09-29 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | | | Daniel Barenboim | 4:54 |
| 1966-09-19 – 1966-09-29 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto | | | Daniel Barenboim | 7:06 |
| 1966-09-19 – 1966-09-29 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | | | Daniel Barenboim | 2:25 |
| 1966-09-19 – 1966-09-29 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | | | Daniel Barenboim | 7:46 |
| 1966-09-19 – 1966-09-29 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai - Più allegro | | | Daniel Barenboim | 10:40 |
| 1966-09-19 – 1966-09-29 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | | | Daniel Barenboim | 8:05 |
| 1966-09-19 – 1966-09-29 | Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | | | Daniel Barenboim | 5:25 |
| 1979-12 | Concerto pour violon en ré mineur, op. 47: Adagio di molto | | | Pierre Amoyal, Philharmonia Orchestra, Charles Dutoit | 7:55 |
| 1979-12 | Concerto pour violon en ré mineur, op. 47: Allegro | | | Pierre Amoyal, Philharmonia Orchestra, Charles Dutoit | 7:34 |
| 1979-12 | Concerto pour violon en ré mineur, op. 47: Allegro moderato | | | Pierre Amoyal, Philharmonia Orchestra, Charles Dutoit | 16:08 |
| 1981-04 | Concerto pour violin en ré majeur, op. 35: Allegro moderato | | | Pierre Amoyal, Philharmonia Orchestra, Charles Dutoit | 19:10 |
| 1981-04 | Concerto pour violin en ré majeur, op. 35: Canzonetta (Andante) | | | Pierre Amoyal, Philharmonia Orchestra, Charles Dutoit | 7:23 |
| 1981-04 | Concerto pour violin en ré majeur, op. 35: Finale (Allegro vivacissimo) | | | Pierre Amoyal, Philharmonia Orchestra, Charles Dutoit | 9:32 |
| Adagio for Strings | | | London Symphony Orchestra, André Previn | 9:37 |
| And You & I | | | Rick Wakeman | 3:17 |
| Bohemian Rhapsody | | | Rick Wakeman | 5:19 |
| Coronation March 1953 "Orb and Sceptre" | | | London Symphony Orchestra, André Previn | 7:31 |
| Cyril Wolverine | | | Rick Wakeman | 4:55 |
| Die Meistersinger von Nürnberg: Act I (Conclusion) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 24:21 |
| Die Meistersinger von Nürnberg: Act I (Part 2) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 28:28 |
| Die Meistersinger von Nürnberg: Act II (Conclusion) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 28:34 |
| Die Meistersinger von Nürnberg: Act II (Part 1) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 30:16 |
| Die Meistersinger von Nürnberg: Act III (Conclusion) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 23:26 |
| Die Meistersinger von Nürnberg: Act III (Part 2) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 23:03 |
| Die Meistersinger von Nürnberg: Act III (Part 3) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 22:14 |
| Die Meistersinger von Nürnberg: Act III (Part 4) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 29:01 |
| Die Meistersinger von Nürnberg: Prelude and Act I (Part 1) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 31:10 |
| Die Meistersinger von Nürnberg: Prelude and Act III (Part 1) | | | Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan | 25:34 |
| Emperor Waltz, op. 437 | | | London Symphony Orchestra, André Previn | 11:49 |
| Hansel and Gretel: Overture | | | London Symphony Orchestra, André Previn | 7:50 |
| Jane Seymour | | | Rick Wakeman | 2:53 |
| Largos | | | Rick Wakeman | 3:17 |
| Liebesträume / After the Ball | | | Rick Wakeman | 5:40 |
| Prélude à l'après-midi d'un faune | | | William Bennett, London Symphony Orchestra, André Previn | 10:02 |
| Rocky (The Legacy) | | | Rick Wakeman | 5:37 |
| Roundabout | | | Rick Wakeman | 3:17 |
| Russlan and Ludmilla: Overture | | | London Symphony Orchestra, André Previn | 5:08 |
| Slavonic Dance no. 9, op. 72 no. 1 | | | London Symphony Orchestra, André Previn | 4:23 |
| Strawberry Fields Forever | | | Rick Wakeman | 2:52 |
| The Boxer | | | Rick Wakeman | 5:41 |
| The Jig | | | Rick Wakeman | 3:44 |
| The Sorcerer's Apprentice | | | London Symphony Orchestra, André Previn | 11:23 |
| The Wild Eyed Boy From Freecloud | | | Rick Wakeman | 4:34 |
| Three Dances from "The Three-cornered Hat" | | | London Symphony Orchestra, André Previn | 12:44 |
| While My Guitar Gently Weeps | | | Rick Wakeman | 4:07 |
| balance engineered |
|---|
| Images for Orchestra / Prélude à l’après-midi d’un faune | | | Debussy; London Symphony Orchestra, André Previn | |
| engineered |
|---|
| Der Rosenkavalier | | | Richard Strauss; Schwarzkopf, Ludwig, Stich-Randall, Edelmann, Philharmonia Orchestra & Chorus, Herbert von Karajan | |
| Préludes, Books I & II | | | Claude Debussy; Walter Gieseking | |
| Sämtliche Klavierkonzerte | | | Mozart; English Chamber Orchestra; Daniel Barenboim | |
| The Impossible Dream | Chris Parker | assistant | Richard & Adam | |
| mastering |
|---|
| Der Rosenkavalier | | | Richard Strauss; Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Otto Edelmann, Eberhard Wächter, Philharmonia Orchestra, Philharmonia Chorus | |
| Der Rosenkavalier | | | Richard Strauss; Schwarzkopf, Ludwig, Stich-Randall, Edelmann, Philharmonia Orchestra & Chorus, Herbert von Karajan | |
| Vier letzte Lieder / Capriccio / Arabella | | re | R. Strauss; Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Ackermann, Lovro von Matačić | |
| sound engineered |
|---|
| Cello Concerto / Sea Pictures | | | Elgar; Jacqueline du Pré, Sir John Barbirolli, Janet Baker, London Symphony Orchestra | |
| Complete Solo Piano Works | | | Mozart; Walter Gieseking | |
