2 Pictures, op. 10, Sz. 46: 1. In voller Blüte | | | | | | | |
2 Pictures, op. 10, Sz. 46: 2. Dorftanz | | | | | | | |
6 Hungarian Rhapsodies for Orchestra, S. 359 | | | | | | | |
A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" | | | | | | | |
A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" | | | | | | | |
A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" | | | | | | | |
A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" | | | | | | | |
A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" | | | | | | | |
A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- (show 18 more)
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A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- László Polgár, Chicago Symphony Orchestra, Pierre Boulez
- (show 14 more)
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A Kékszakállú herceg vára: Opening "Megérkeztünk" | | | | | | | |
A Night on the Bare Mountain | | | | Symphonic poem | | | |
An American in Paris | | | | Symphonic poem | | | |
Bánk bán | | | | Opera | | | |
Boccaccio-Marsch | | | | | | | |
Capriccio Espagnol, op. 34: II. Variazioni | | | | | | | |
Carmen : Prélude | | | | Overture | | | |
Carmen Suite no. 1 | | | | Suite | | | 4 |
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
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Carmen Suite no. 1: IV. Séguedille. Allegretto | | | | | | | |
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
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Carmen Suite no. 2: I. Marche des contrebandiers | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Royal Philharmonic Orchestra, Mark Ermler
- Orchestre des Concerts Lamoureux, Igor Markevitch
- New York Philharmonic, Leonard Bernstein
- (show 36 more)
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Carmen Suite no. 2: II. Habanera | | - Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor
- [unknown]
- New York Philharmonic, Leonard Bernstein
- Orchestre des Concerts Lamoureux, Igor Markevitch
- (show 70 more)
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Carmen Suite no. 2: III. Nocturne | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Anton Nanut, Alfred Scholz, János Sándor
- Orchestre des Concerts Lamoureux, Igor Markevitch
- New York Philharmonic, Leonard Bernstein
- Royal Philharmonic Orchestra, Mark Ermler
- (show 26 more)
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Carmen Suite no. 2: IV. Chanson du toréador | | | | | | | |
Carmen Suite no. 2: V. La Garde montante | | | | | | | |
Carmen Suite no. 2: VI. Danse bohème | | | | | | | |
Carmen: Act II. Entr'acte. Les Dragons d’Alcala | | | | | | | |
Cavalleria rusticana: Intermezzo | | | | | | | |
Church Sonata in F major, K. 241a/224 | | - Daniel Chorzempa, Deutsche Bachsolisten, Helmut Winschermann
- Collegium Českých Filharmoniků, Collegium Jaroslav Tuma, Bohuslav Matoušek, Jaroslav Tůma
- [unknown]
- Peter Hurford, Henk Rubingh, Johan Kracht, Wim Straesser, Brian Pollard, Margaret Urquhart
- (show 11 more)
| | Sonata | | | |
Concert Waltz (from Faust) | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace – Allegro animato | | | | | | | |
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | | | | | | | |
Concerto for Piano and Orchestra no. 2 in A major, S. 125 | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio | | | | | | | |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo | | | | | | | |
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | | | | | |
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 19 in F major, K. 459: I. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 19 in F major, K. 459: II. Allegretto | | | | | | | |
Concerto for Piano and Orchestra no. 19 in F major, K. 459: III. Allegro assai | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino | | | | | | | |
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: I. Allegro | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: II. Andante | | | | | | | |
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai | | | | | | | |
Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: I. Moderato | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: II. Adagio religioso | | | | | | | |
Concerto for Viola and Orchestra, Sz. 120, BB 128: III. Allegro vivace | | | | | | | |
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a: I. Andante sostenuto | | | | | | | |
Concerto for Violin and Orchestra no. 1, Sz. 36, BB 48a: II. Allegro giocoso | | | | | | | |
Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato | | | | | | | |
Coppélia : Tableau I, no. 7a. Czárdás (Danse hongroise) | | | | | | | |
Coppélia : Tableau III, No. 20a. Valse des heures | | | | | | | |
Coppélia : Tableau III, No. 20g. (7b) Danse de fête | | | | | | | |
Csárdás aus 'Ritter Pasman', op. 441-1 | | | | | | | |
Dance Suite, Sz. 77, BB 86a: I. Moderato | | | | | | | |
Dance Suite, Sz. 77, BB 86a: II. Allegro molto | | | | | | | |
Dance Suite, Sz. 77, BB 86a: III. Allegro vivace | | | | | | | |
Dance Suite, Sz. 77, BB 86a: IV. Molto tranquillo | | | | | | | |
Dance Suite, Sz. 77, BB 86a: V. Comodo | | | | | | | |
Dance Suite, Sz. 77, BB 86a: VI. Finale. Allegro | | | | | | | |
Das Land des Lächelns: Akt I. Finale I „Lisa! Ich liebe dich!” … „Von Apfelblüten einen Kranz” (Lisa, Sou-Chong) | | | | | | | |
Das Land des Lächelns: Akt I. Nr. 3 „Immer nur lächeln und immer vergnügt” (Sou-Chong) | | | | Aria | | | |
Das Land des Lächelns: Akt II. „Wer hat die Liebe uns ins Herz gesenkt?” (Sou-Chong, Lisa) | | | | | | | |
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) | | - Plácido Domingo, Orchestra del Maggio Musicale Fiorentino, Orchestra del Teatro dell’Opera di Roma, Zubin Mehta
- Plácido Domingo, English Chamber Orchestra, Julius Rudel
- Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges
- Vera Schwarz, Richard Tauber, Staatskapelle Berlin, Franz Lehár
- (show 53 more)
| | Aria | | | |
Das Land des Lächelns: Ouvertüre | | | | Overture | | | |
Der Bettelstudent | | | | Operetta | | | |
Der Bettelstudent: Akt I. Auftritt Ollendorf: „Und da soll man doch galant sein“ – „Ach ich hab’ sie ja nur auf die Schulter geküßt“ … „Mir ist manches schon passiert“ | | | | Aria | | | |
Der fliegende Holländer, WWV 63: Ouvertüre | | | | Overture | | | |
Der Obersteiger | | | | Operetta | | | |
Der Vogelhändler | | | | Operetta | | | |
Der Vogelhändler: Akt I. "Schenkt man sich Rosen in Tirol" (Kurfürstin, Adam) | | | | | | | |
Der Zarewitsch: Akt I. Nr. 6 Finale I „Ein Weib! Du ein Weib!“ – „Champagner ist ein Feuerwein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch, Sonja) | | | | | | | |
Die Csardasfürstin: Akt II. Duett „Tanzen möcht’ ich“ (Sylva, Edwin) | | | | | | | |
Die lustige Witwe | | | | Operetta | | | |
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo) | | - Peter Alexander
- Plácido Domingo, English Chamber Orchestra, Julius Rudel
- Berliner Philharmoniker, Herbert von Karajan
- Sir John Eliot Gardiner, Wiener Philharmoniker, Monteverdi Choir, Bryn Terfel, Barbara Bonney, Bo Skovhus, Cheryl Studer, Rainer Trost, Karl-Magnus Fredriksson & Heinz Zednik
- (show 27 more)
| | Aria | | | |
Die lustige Witwe: Akt II. “Sieh dort den kleinen Pavillon” (Valencienne, Camille) | | | | | | | |
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) | | - Berliner Philharmoniker, Herbert von Karajan
- Lesley Garrett, The Royal Philharmonic Concert Orchestra, James Holmes
- Sir John Eliot Gardiner, Wiener Philharmoniker, Monteverdi Choir, Bryn Terfel, Barbara Bonney, Bo Skovhus, Cheryl Studer, Rainer Trost, Karl-Magnus Fredriksson & Heinz Zednik
- Chor der Wiener Volksoper, Orchester der Wiener Volksoper, Franz Bauer-Theussl
- (show 41 more)
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Die lustige Witwe: Akt II. N°9. Marsch-Septett: „Wie die Weiber man behandelt” … „Ja, das Studium der Weiber ist schwer” (Danilo, Zeta, Cascada, St. Brioche, Kromow, Bogdanowitsch, Pritschitsch) | | - Berliner Philharmoniker, Herbert von Karajan
- Sir John Eliot Gardiner, Wiener Philharmoniker, Monteverdi Choir, Bryn Terfel, Barbara Bonney, Bo Skovhus, Cheryl Studer, Rainer Trost, Karl-Magnus Fredriksson & Heinz Zednik
- Chor der Wiener Volksoper, Orchester der Wiener Volksoper, Franz Bauer-Theussl
- Philharmonia Orchestra, Lovro von Matačić
- (show 12 more)
| | Song | | | |
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) | | | | | | | |
Die lustige Witwe: Introduktion | | | | Overture | | | |