| 3 German Dances for Orchestra, K. 605: No. 1 in D major. German Dance & Trio | | | | | | | |
| 3 German Dances for Orchestra, K. 605: No. 2 in G major. German Dance & Trio | | | | | | | |
| 3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda | | | | | | | |
| 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: I. "Seele, wie bist du schöner" | | | | | | | |
| 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: II. "Sahst du nach dem Gewitterregen den Wald" | | | | | | | |
| 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: III. "Über die Grenzen des All" | | | | | | | |
| 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: IV. "Nichts ist gekommen" | | | | | | | |
| 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: V. "Hier ist Friede" | | | | | | | |
| A Carlo Scarpa, architetto, ai suoi infiniti possibili | | | | | | | |
| A Christmas Festival Overture | | | | Overture | | | |
| A Night on Bald Mountain | | | | Symphonic poem | | | |
| Adagio on Celtic Themes, op. 56 | | | | | | | |
| Agon: Double Pas de quatre | | | | | | | |
| Agon: First Pas de trois. Coda | | | | | | | |
| Agon: First Pas de trois. Gaillarde | | | | | | | |
| Agon: First Pas de trois. Interlude | | | | | | | |
| Agon: First Pas de trois. Saraband Step | | | | | | | |
| Agon: Pas de quatre | | | | | | | |
| Agon: Prélude | | | | | | | |
| Agon: Second Pas de trois. Bransle double | | | | | | | |
| Agon: Second Pas de trois. Bransle gay | | | | | | | |
| Agon: Second Pas de trois. Bransle simple | | | | | | | |
| Agon: Second Pas de trois. Four Duos | | | | | | | |
| Agon: Second Pas de trois. Four Trios. Coda | | | | | | | |
| Agon: Second Pas de trois. Interlude | | | | | | | |
| Agon: Second Pas de trois. Pas de deux. Coda | | | | | | | |
| Agon: Triple Pas de quatre | | | | | | | |
| Ali Baba: Overture | | | | Overture | | | |
| Alma redemptoris mater | | | | | | | |
| Also sprach Zarathustra, op. 30: I. Einleitung | | | | | | | |
| Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | | | | | | | |
| Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | | | | | | | |
| Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | | | | | | | |
| Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | | | | | | | |
| Also sprach Zarathustra, op. 30: V. Das Grablied | | | | | | | |
| Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | | | | | | | |
| Also sprach Zarathustra, op. 30: VII. Der Genesende | | | | | | | |
| Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | | | | | | | |
| Altar: Drei Minuten für Orchester | | | | | | | |
| Altbau: I. | | | | | | | |
| Altbau: II. | | | | | | | |
| Anaklasis | | | | | | | |
| Apon: I. | | | | | | | |
| Apon: II. | | | | | | | |
| Areae Sonantes | | | | | | | |
| Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi" | | | | Aria | | | |
| Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core" | | | | Aria | | | |
| Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle” | | | | Aria | | | |
| Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano" | | | | | | | |
| Ata | | | | | | | |
| Atmosphères | | | | | | | |
| Aus Italien, op. 16: I. Andante. Auf der Campagna | | | | | | | |
| Aus Italien, op. 16: II. Allegro molto con brio. In Roms Ruinen | | | | | | | |
| Aus Italien, op. 16: III. Andantino. Am Strande von Sorrent | | | | | | | |
| Aus Italien, op. 16: IV. Finale: Allegro molto. Neapolitanisches Volksleben | | | | | | | |
| Ausstrahlung | | | | | | | |
| Ave Maria, op. 61 | | | | | | | |
| Ave maris stella | | | | | | | |
| Boccaccio, oder Der Prinz von Palermo: Ouvertüre | | | | Overture | | | |
| Boléro | | | | Ballet | | | 5 |
| Canzone, op. 55 | | | | | | | |
| Caprice basque, op. 24 | | | | | | | |
| Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) | | - Robert Massard, Jane Berbié, Nadine Sautereau, Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
- [unknown]
- Bryn Terfel, London Symphony Orchestra, Barry Wordsworth
- Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- (show 109 more)
| | | | | |
| Carmen Fantasy, op. 25 | | | | | | | |
| Cello Concerto in E minor, op. 85: I. Adagio – Moderato | | | | | | | |
| Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | | | | | | | |
| Cello Concerto in E minor, op. 85: III. Adagio | | | | | | | |
| Cello Concerto: I. Allegro moderato | | | | | | | |
| Cello Concerto: II. Andante, alla marcia | | | | | | | |
| Cello Concerto: III. Tempo di minuetto | | | | | | | |
| Central Park in the Dark, S. 34 | | | | | | | |
| Chamber Symphony no. 1, op. 9 | | | | Symphony | | | 5 |
| Chamber Symphony no. 2, op. 38: I. Adagio | | | | | | | |
| Chamber Symphony no. 2, op. 38: II. Con fuoco | | | | | | | |
| Champagner Polka, op. 211 | | | | | | | |
| Changeant | | | | | | | |
| Chant sacré, op. 2b no. 6, H. 44A | | - Rolando Villazón, Les Éléments, David Bismuth, Michel Plasson
- Claire Brua, Jérôme Corréas, Vincent Deliau, Jean-François Lombard, Jean-François Novelli, Marie-Bénédicte Souquet, Arthur Schoonderwoerd
- Joël Suhubiette, Choeur Les Éléments, Rolando Villazón, David Bismuth
- SWR Vokalensemble Stuttgart, Alexander Yudenkov, SWR Sinfonieorchester Baden‐Baden und Freiburg, Sylvain Cambreling
| | Song | | | |
| Chronochromie, I/43: Antistrophe I | | | | | | | |
| Chronochromie, I/43: Antistrophe II | | | | | | | |
| Chronochromie, I/43: Coda | | | | | | | |
| Chronochromie, I/43: Epode | | | | | | | |
| Chronochromie, I/43: Introduction | | | | | | | |
| Chronochromie, I/43: Strophe I | | | | | | | |
| Chronochromie, I/43: Strophe II | | | | | | | |
| Concert Piece for Orchestra | | | | | | | |
| Concert Waltz (from Faust) | | | | | | | |
| Concerto for Clarinet and Viola, op. 88: I. Andante con moto | | - London Symphony Orchestra, Alun Francis, Dame Thea King, 今井信子
- Gérard Caussé, Paul Meyer, Orchestre de l’Opéra de Lyon, Kent Nagano
- Karl Schlechta, Eckart Schloifer, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Boder
- Sharon Kam, Ori Kam, Sinfonia Varsovia, Gregor Bühl
- Eduard Brunner, Tabea Zimmermann, Bamberger Symphoniker, Lothar Zagrosek
| | | | | |
| Concerto for Clarinet and Viola, op. 88: II. Allegro moderato | | - London Symphony Orchestra, Alun Francis, Dame Thea King, 今井信子
- Gérard Caussé, Paul Meyer, Orchestre de l’Opéra de Lyon, Kent Nagano
- Karl Schlechta, Eckart Schloifer, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Boder
- Sharon Kam, Ori Kam, Sinfonia Varsovia, Gregor Bühl
- Eduard Brunner, Tabea Zimmermann, Bamberger Symphoniker, Lothar Zagrosek
| | | | | |
| Concerto for Clarinet and Viola, op. 88: III. Allegro molto | | - London Symphony Orchestra, Alun Francis, Dame Thea King, 今井信子
- Gérard Caussé, Paul Meyer, Orchestre de l’Opéra de Lyon, Kent Nagano
- Karl Schlechta, Eckart Schloifer, SWR Sinfonieorchester Baden‐Baden und Freiburg, Michael Boder
- Sharon Kam, Ori Kam, Sinfonia Varsovia, Gregor Bühl
- (show 2 more)
| | | | | |
| Concerto for Clarinet in A major, K. 622: I. Allegro | | | | | | | |
| Concerto for Clarinet in A major, K. 622: II. Adagio | | | | | | | |
| Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | | | | | | | |
| Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro | | | | | | | |
| Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | | | | | | | |
| Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | | | | | | | |
| Concerto for Jazz Band and Symphony Orchestra | | | | Concerto | | | |
| Concerto for Lute in D major, RV 93: I. Allegro giusto | | | | | | | |
| Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
| Concerto for Lute in D major, RV 93: III. Allegro | | | | | | | |
| Concerto for Orchestra | | | | Concerto | | | 5 |
