| H.M.S. Pinafore: Act I Finale, no. 12 “Oh Joy, Oh Rapture Unforeseen” (Josephine, Hebe, Ralph) | | | | | | | |
| Iolanthe: Act II, No. 22, Duet “If We’re Weak Enough to Tarry” (Phyllis, Strephon) | | | | | | | |
| Iolanthe: Act II, No. 25, Finale, “Soon as We May, Off and Away” (Ensemble) | | - Gilbert & Sullivan
- Kate Flowers, Beverley Mills, Anne Collins, Thomas Hemsley, Derek Hammond-Stroud, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Sir Malcolm Sargent, Full Cast & Chorus
- Phil Blake, Philip Blake-Jones, Philip Creasy, D'Oyly Carte Opera Chorus, Jill Pert, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- (show 5 more)
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| J.C. Bach: Sei Canzonette a due, Op. 4 - 1. "Già la notta s'avvicina | | | | | | | |
| J.C. Bach: Sei Canzonette a due, Op. 4 - 2. "Ah, rammenta, O bella Irene | | | | | | | |
| J.C. Bach: Sei Canzonette a due, Op. 4 - 3. "Pur nel sonno" | | | | | | | |
| J.C. Bach: Sei Canzonette a due, Op. 4 - 4. "T'intendo si mio cor" | | | | | | | |
| J.C. Bach: Sei Canzonette a due, Op. 4 - 5. "Che ciascun" | | | | | | | |
| J.C. Bach: Sei Canzonette a due, Op. 4 - 6. "Ascoltami, O Clori" | | | | | | | |
| L'Enfance du Christ: Première Partie: Scène V: L'étable de Béthléem | | | | | | | |
| L'Enfance du Christ: Première Partie: Scène VI: Choeur d'anges | | - Gilles Cachemaille, Monteverdi Choir, Anne Sofie von Otter, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- Lorna Cooke deVaron, Florence Kopleff, New England Conservatory Chorus, Gérard Souzay, Boston Symphony Orchestra, Charles Munch
- Orchestre symphonique de Montréal, Charles Dutoit
- Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
- (show 9 more)
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| L'Enfance du Christ: Troisième Partie : No. 11. L’Intérieur de la ville de Saïs « Dans cette ville immense » (La Vierge Marie, Joseph, Chœur) | | - Jules Bastin, Gilles Cachemaille, Monteverdi Choir, Anne Sofie von Otter, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- Lorna Cooke deVaron, Florence Kopleff, New England Conservatory Chorus, Gérard Souzay, Boston Symphony Orchestra, Charles Munch
- Orchestre symphonique de Montréal, Charles Dutoit
- Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
- (show 8 more)
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| L'Enfance du Christ: Troisième Partie: Scène II: No. 14 "Vous pleurez, jeune mère" | | - Jules Bastin, Gilles Cachemaille, Monteverdi Choir, Anne Sofie von Otter, Orchestre de l'Opéra de Lyon, Sir John Eliot Gardiner
- Lorna Cooke deVaron, Florence Kopleff, New England Conservatory Chorus, Gérard Souzay, Giorgio Tozzi, Boston Symphony Orchestra, Charles Munch
- Orchestre symphonique de Montréal, Charles Dutoit
- Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis
- (show 8 more)
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| Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- Sara Macliver, Orchestra of the Antipodes, Antony Walker
- (show 77 more)
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| Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) | | | | | | | |
| Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) | | - Margaret Price, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- Helen Donath, London Philharmonic Orchestra, Karl Richter
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 73 more)
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| Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) | | | | Aria | | | |
| Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) | | | | | | | |
| Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) | | - Yvonne Minton, Margaret Price, English Chamber Orchestra, Johannes Somary
- Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- April Cantelo, London Philharmonic Orchestra, Walter Süsskind
- Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent
- (show 93 more)
| | Aria | | | |
| Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) | | | | Aria | | | |
| Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) | | - Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti
- Arleen Augér, The English Concert, Trevor Pinnock
- (show 100 more)
| | Aria | | | |
| Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” | | - Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Amor Artis Chorus, English Chamber Orchestra, Johannes Somary
- Frederic Jackson, London Philharmonic Choir, London Philharmonic Orchestra, Walter Süsskind
- The English Concert Choir, The English Concert, Trevor Pinnock
- (show 77 more)
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| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": I. Kyrie | | | | | | | |
| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria | | | | | | | |
| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": III. Credo | | - New York Philharmonic, Leonard Bernstein
- Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein
- April Cantelo, Choir of St John’s College, Cambridge, Barry McDaniel, Robert Tear, Helen Watts, Academy of St Martin in the Fields, George Guest
- Collegium Musicum 90, Richard Hickox
- (show 12 more)
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| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": IV. Sanctus | | | | | | | |
| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": V. Benedictus | | - April Cantelo, Choir of St John’s College, Cambridge, Barry McDaniel, Robert Tear, Helen Watts, Academy of St Martin in the Fields, George Guest
- New York Philharmonic, Leonard Bernstein
- Symphonieorchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Leonard Bernstein
- Württembergisches Kammerorchester Heilbronn, Frieder Bernius
- (show 11 more)
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| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": VI. Agnus Dei | | | | | | | |
| Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ | | | | | | | |
| The Mikado: Act II, no. 13. “The sun, whose rays are all ablaze” (Yum-Yum) | | | | | | | |
| The Mikado: Act II, no. 24. Finale “For He’s Gone and Married Yum-Yum” (Ensemble) | | - Gilbert & Sullivan
- John McCarthy, Ambrosian Opera Chorus, Cynthia Buchan, Kate Flowers, Clive Revill, John Stewart, London Symphony Orchestra, Alexander Faris
- Thomas Edmonds, Dennis Olsen, Adelaide Symphony Orchestra, James Christiansen
- Colin Wright, John Reed, Kenneth Sandford, Michael Rayner, Pauline Wales, Peggy Ann Jones, Valerie Masterson, D’Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash
- (show 3 more)
| | Song | | | |
| The Pirates of Penzance: Act I, no. 8. “Poor wand’ring one …” (Mabel, Girls) | | - Gilbert & Sullivan
- Janis Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Elsie Griffin, Derek Oldham, Chorus, Sir Malcolm Sargent
- Jane Gilchrist, London Voices, Terry Edwards, English National Opera Orchestra, Paul Daniel
- (show 16 more)
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| The Yeoman of the Guard: Act II Finale, no. 22 “I Have a Song to Sing, O!” (Jack, Elsie, Chorus) | | | | Song | | | |
