| vocals |
---|
1957 | H.M.S. Pinafore: Act II. “Never mind the why and wherefore” (Captain Corcoran, Sir Joseph, Josephine) | lead vocals [Josephine] | Gilbert & Sullivan | 2:54 |
1957 | The Gondoliers: Act I. “Then one of us will be a queen” (Gianetta, Tessa, Marco, Giuseppe, Chorus) | lead vocals [Gianetta] | Gilbert & Sullivan | 2:52 |
1957 | The Gondoliers: Act II. “In a contemplative fashion” (Gianetta, Tessa, Marco, Giuseppe) | lead vocals [Gianetta] | Gilbert & Sullivan | 2:06 |
1957 | The Mikado: Act I. "So please you, sir, we much regret" (Yum-Yum, Peep-Bo, Pitti-Sing, Poo-Bah, Girls) | soprano vocals | Gilbert & Sullivan | 2:02 |
1957 | The Mikado: Act I. "Three little maids from school" (Yum-Yum, Peep-Bo, Pitti-Sing, Girls) | soprano vocals | Gilbert & Sullivan | 1:31 |
1957 | The Mikado: Act I. "Were you not to Ko-Ko plighted" (Nanki-Poo, Yum-Yum) | soprano vocals | Gilbert & Sullivan | 2:29 |
1957 | The Mikado: Act I. "With aspect stern" (Nobles, Girls, Poo-Bah, Ko-Ko, Nanki-Poo, Yum-Yum, Others) | soprano vocals | Gilbert & Sullivan | 6:31 |
1957 | The Mikado: Act I. "Your revels cease" (Katisha, Nanki-Poo, Pitti-Sing, Yum-Yum, Others) | soprano vocals | Gilbert & Sullivan | 8:27 |
1957 | The Mikado: Act II. "Brightly dawns our wedding day" (Yum-Yum, Pitti-Sing, Nanki-Poo, Pish-Tush) | soprano vocals | Gilbert & Sullivan | 4:18 |
1957 | The Mikado: Act II. "For he's gone and married Yum-Yum" (Pitti-Sing, Ko-Ko, Nanki-Poo, Yum-Yum, Others) | soprano vocals | Gilbert & Sullivan | 2:05 |
1957 | The Mikado: Act II. "Here's a how-de-do!" (Yum-Yum, Nanki-Poo, Ko-Ko) | soprano vocals | Gilbert & Sullivan | 1:19 |
1957 | The Mikado: Act II. "The flowers that bloom in the spring" (Nanki-Poo, Yum-Yum, Pitti-Sing, Poo-Bah, Ko-Ko) | soprano vocals | Gilbert & Sullivan | 1:50 |
1957 | The Mikado: Act II. "The sun, whose rays are all ablaze" (Yum-Yum) | soprano vocals | Gilbert & Sullivan | 3:01 |
1957 | The Yeomen of the Guard: Act I. “’Tis done! I am a bride” (Elsie) | lead vocals [Elsie Maynard] | Gilbert & Sullivan | 4:23 |
1957 | The Yeomen of the Guard: Act I. “I have a song to sing, O!” (Elsie, Point, Crowd) | lead vocals [Elsie Maynard] | Gilbert & Sullivan | 3:42 |
1957 | The Yeomen of the Guard: Act II. “A man who would woo a fair maid” (Fairfax, Elsie, Phœbe) | lead vocals [Elsie Maynard] | Gilbert & Sullivan | 3:44 |
1957 | The Yeomen of the Guard: Act II. “When a wooer goes a-wooing” (Elsie, Fairfax, Point, Phœbe) | lead vocals [Elsie Maynard] | Gilbert & Sullivan | 2:56 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: And suddenly there was with the angel | soprano vocals | Elsie Morison, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:24 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: And the angel said unto them, fear not | soprano vocals | Elsie Morison, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:51 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: He shall feed his flock | soprano vocals | Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 6:32 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: How beautiful are the feet (Soprano) | soprano vocals | Elsie Morison, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 3:01 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: I know that my redeemer liveth (Soprano) | soprano vocals | Herbert Bardgett, Elsie Morison, Royal Liverpool Philharmonic Orchestra, Malcolm Sargent | 7:49 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: Rejoice greatly | soprano vocals | Elsie Morison, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 4:59 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: Since by Man came death (Chorus) | soprano vocals | Huddersfield Choral Society, Richard Lewis, James Milligan, Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 2:21 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: Then Shall the Eyes of the Blind / He Shall Feed his Flock | soprano vocals | Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 7:05 |
1959-06-15 – 1959-06-19 | Messiah, HWV 56: There were shepherds | soprano vocals | Elsie Morison, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent | 0:52 |
1960 | L’Enfance du Christ, Première Partie - Le Songe d’Hérode: V. O mon cher fils | soprano vocals [Marie] | John Cameron, Elsie Morison, The Goldsbrough Orchestra, Sir Colin Davis | 7:53 |
1960 | L’Enfance du Christ, Première Partie - Le Songe d’Hérode: VI. Joseph! Marie! | soprano vocals [Marie] | John Cameron, Elsie Morison, St. Anthony Singers, The Goldsbrough Orchestra, Sir Colin Davis | 4:44 |
1960 | L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: II. Dans cette ville immense | soprano vocals [Marie] | John Cameron, Elsie Morison, St. Anthony Singers, The Goldsbrough Orchestra, Sir Colin Davis | 5:42 |
1960 | L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: VI. Vous pleurez, jeune mere | soprano vocals [Marie] | John Cameron, Elsie Morison, Joseph Rouleau, St. Anthony Singers, The Goldsbrough Orchestra, Sir Colin Davis | 4:36 |
1961-02-24 | Fidelio: Akt I. „Aber Marzelline” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 1:48 |
1961-02-24 | Fidelio: Akt I. „Abscheulicher! Wo eilst du hin?” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 7:44 |
1961-02-24 | Fidelio: Akt I. „Ach! Vater, eilt!” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 7:18 |
1961-02-24 | Fidelio: Akt I. „Gut, Söhnchen, gut, hab immer Mut” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 6:46 |
1961-02-24 | Fidelio: Akt I. „Höre, Fidelio, wenn ich auch nicht weiß” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 0:34 |
1961-02-24 | Fidelio: Akt I. „Ihr könnt das leicht sagen, Meister Rocco” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 2:42 |
1961-02-24 | Fidelio: Akt I. „Jetzt, Schätzchen, jetzt sind wir allein” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 4:45 |
1961-02-24 | Fidelio: Akt I. „Mir ist so wunderbar” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 4:09 |
1961-02-24 | Fidelio: Akt I. „O wär ich schon mit dir vereint” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 4:06 |
1961-02-24 | Fidelio: Akt I. „Wenn ich diese Tür heute nicht schon” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 1:05 |
1961-02-24 | Fidelio: Akt II. „Du schlossest auf des Edlen Grab” | solo and soprano vocals [Marzelline] | Ludwig van Beethoven | 8:33 |
1961-02-24 | Fidelio: Akt II. „Heil sei dem Tag, Heil sei der Stunde” | solo and soprano vocals [Marzelline] | Orchestra of the Royal Opera House, Covent Garden, Otto Klemperer | 6:10 |
1963-07 | Missa in tempore belli in C major, Hob. XXll:9: 1. Kyrie | soprano vocals | Elsie Morison, Marjorie Thomas, Peter Witsch, Karl‐Christian Kohn, Bedřich Janáček, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 5:06 |
1963-07 | Missa in tempore belli in C major, Hob. XXll:9: 2. Gloria | soprano vocals | Elsie Morison, Marjorie Thomas, Peter Witsch, Karl‐Christian Kohn, Bedřich Janáček, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 10:43 |
1963-07 | Missa in tempore belli in C major, Hob. XXll:9: 3. Credo | soprano vocals | Elsie Morison, Marjorie Thomas, Peter Witsch, Karl‐Christian Kohn, Bedřich Janáček, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 9:37 |
1963-07 | Missa in tempore belli in C major, Hob. XXll:9: 4. Sanctus | soprano vocals | Elsie Morison, Marjorie Thomas, Peter Witsch, Karl‐Christian Kohn, Bedřich Janáček, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 2:22 |
1963-07 | Missa in tempore belli in C major, Hob. XXll:9: 5. Benedictus | soprano vocals | Elsie Morison, Marjorie Thomas, Peter Witsch, Karl‐Christian Kohn, Bedřich Janáček, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 6:19 |
1963-07 | Missa in tempore belli in C major, Hob. XXll:9: 6. Agnus Dei | soprano vocals | Elsie Morison, Marjorie Thomas, Peter Witsch, Karl‐Christian Kohn, Bedřich Janáček, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 6:06 |
1968-04 | Symphony no. 4: IV. Sehr behaglich “Wir genießen die himmlischen Freuden” | soprano vocals | Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 8:01 |
| H.M.S. Pinafore: Act II, Finale, Quartette, “Oh Joy, Oh Rapture Unforeseen” | soprano vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 3:09 |
| H.M.S. Pinafore: Act II. Finale “Oh Joy, oh Rapture” | soprano vocals | Owen Brannigan, Glyndebourne Festival Chorus, Richard Lewis, Elsie Morison, Marjorie Thomas, Pro Arte Orchestra, Sir Malcolm Sargent | 3:10 |
| Iolanthe: Act II, Duet, “If we’re Weak Enough to Tarry” | soprano vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 1:33 |
| Iolanthe: Act II, Finale “Soon as we May, Off and Away” | soprano vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 2:13 |
| Iolanthe: Act II. “If We’re Weak Enough to Tarry” | soprano vocals | John Cameron, Elsie Morison, Pro Arte Orchestra, Sir Malcolm Sargent | 1:33 |
| Iolanthe: Act II. Finale “Soon as We May, Off and Away” | soprano vocals | George Baker, Glyndebourne Festival Chorus, Elsie Morison, Monica Sinclair, Marjorie Thomas, Ian Wallace, Alexander Young, Pro Arte Orchestra, Sir Malcolm Sargent | 2:10 |
| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": I. Kyrie (Largo - Allegro moderato) | soprano vocals | Sinfonie-Orchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Rafael Kubelík | 5:05 |
| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria (Vivace - Adagio - Allegro) | soprano vocals | Sinfonie-Orchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Rafael Kubelík | 10:37 |
| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": III. Credo (Allegro - Adagio - Allegro - Vivace) | soprano vocals | Sinfonie-Orchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Rafael Kubelík | 9:34 |
| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": V. Benedictus (Andante) | soprano vocals | Sinfonie-Orchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Rafael Kubelík | 6:17 |
| Missa in tempore belli, Hob. XXII:9 "Paukenmesse": VI. Agnus Dei (Adagio - Allegro con spirito) | soprano vocals | Sinfonie-Orchester des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Rafael Kubelík | 6:02 |
| Symphony no. 4 in G major: 4. Sehr behaglich: ‘’Wir genießen die himmlischen Freuden’’ | soprano vocals | Elsie Morison, Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík | 8:05 |
| The Gondoliers: Act I. “And now to choose our brides” (Marco, Giuseppe, Fiametta, Vittoria, Gianetta, Tessa, Chorus) | soprano vocals | Gilbert & Sullivan | 3:06 |
| The Gondoliers: Act I. “Come, let’s away” (Marco, Giuseppe, Gianetta, Tessa) | soprano vocals | Gilbert & Sullivan | 4:22 |
| The Gondoliers: Act I. “Do not give way” (Don Alhambra, Gianetta, Tessa, Marco, Giuseppe) | soprano vocals | Gilbert & Sullivan | 0:41 |
| The Gondoliers: Act I. “Kind sir, you cannot have the heart” (Gianetta) | soprano vocals | Gilbert & Sullivan | 2:50 |
| The Gondoliers: Act I. “Thank you, gallant gondolieri” (Gianetta, Tessa, Chorus) | soprano vocals | Gilbert & Sullivan | 2:32 |
| The Gondoliers: Act I. “Then one of us will be a queen” (Gianetta, Tessa, Marco, Giuseppe, Chorus) | soprano vocals | Gilbert & Sullivan | 2:55 |
| The Gondoliers: Act II. “Here is a case unprecedented” (Casilda, Gianetta, Tessa, Marco, Giuseppe) | soprano vocals | Gilbert & Sullivan | 1:42 |
| The Gondoliers: Act II. “Here we are, at the risk of our lives” (Chorus, Gianetta, Tessa, Marco, Giuseppe) | soprano vocals | Gilbert & Sullivan | 3:13 |
| The Gondoliers: Act II. “In a contemplative fashion” (Gianetta, Tessa, Marco, Giuseppe) | soprano vocals | Gilbert & Sullivan | 2:06 |
| The Gondoliers: Act II. “Now let the loyal lieges gather round” (Don Alhambra, All) | soprano vocals | Gilbert & Sullivan | 1:10 |
| The Gondoliers: Act II. “The Royal Prince” (Inez, All) | soprano vocals | Gilbert & Sullivan | 4:35 |
| The Mikado: Act II, Finale | soprano vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 2:09 |
| The Mikado: Act II, Song “The sun Whose rays” | soprano vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 3:02 |
| The Mikado: Act II. “The Sun, Whose Rays” | soprano vocals | Elsie Morison, Pro Arte Orchestra, Sir Malcolm Sargent | 3:02 |
| The Mikado: Act II. Finale “For He’s Gone and Married Yum‐Yum” | soprano vocals | Geraint Evans, Glyndebourne Festival Chorus, Richard Lewis, Elsie Morison, Marjorie Thomas, Pro Arte Orchestra, Sir Malcolm Sargent | 2:04 |
| The Pirates of Penzance: Act I, Song “Oh, is There not one Maiden Breast” / Recit and Song “Poor Wandering One” | soprano vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 7:35 |
| The Pirates of Penzance: Act I. “Poor Wandering One” | soprano vocals | Glyndebourne Festival Chorus, Elsie Morison, Pro Arte Orchestra, Sir Malcolm Sargent | 2:56 |
| The Yeoman of the Guard: Act I, Duet “I Have a Song to Sing, O!” | soprano vocals | Glyndebourne Festival Chorus, Pro Arte Orchestra, Sir Malcolm Sargent | 3:43 |
| The Yoemen of The Guard: Act I. “I have a Song to Sing, O!” | soprano vocals | Geraint Evans, Elsie Morison, Pro Arte Orchestra, Sir Malcolm Sargent | 3:40 |
| vocals |
---|
1958 | The Yeomen of the Guard (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | soprano vocals | Gilbert & Sullivan | |
| The Pirates of Penzance | soprano vocals [Mabel] | Gilbert & Sullivan | |