| vocals |
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1993-09-02 – 1993-09-04 | The Prophetess, Z. 627, "The History of Dioclesian" - Masque: Duet: Come, come away (Bacchanalian, Silvan) | | Nathan Berg, Michael George, Collegium Musicum 90, Richard Hickox | 1:06 |
1993-09-02 – 1993-09-04 | The Prophetess, Z. 627, "The History of Dioclesian" - Masque: Make room (Bacchanals, Bacchus) | | Nathan Berg, Matthew Brook, Michael George, Collegium Musicum 90, Richard Hickox | 2:55 |
1994-11-22 – 1994-11-24 | Requiem, KV 626 (Süßmayr version): Benedictus | bass vocals | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | 4:57 |
1994-11-22 – 1994-11-24 | Requiem, KV 626 (Süßmayr version): Domine Jesu | bass vocals | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | 3:42 |
1994-11-22 – 1994-11-24 | Requiem, KV 626 (Süßmayr version): Recordare | bass vocals | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | 6:09 |
1994-11-22 – 1994-11-24 | Requiem, KV 626 (Süßmayr version): Tuba mirum | bass vocals | Anna Maria Panzarella, Nathalie Stutzmann, Christoph Prégardien, Nathan Berg, Les Arts Florissants, William Christie | 3:16 |
1997-02-20 – 1997-02-22 | Abschiedslied der Zugvögel, op. 63 no. 2 | baritone vocals | Nathan Berg, Sophie Daneman, Eugene Asti | 1:57 |
1997-02-20 – 1997-02-22 | Altdeutsches Frühlingslied, op. 86 no. 6 | baritone vocals | Nathan Berg, Eugene Asti | 2:53 |
1997-02-20 – 1997-02-22 | Auf der Wanderschaft, op. 71 no. 5 | baritone vocals | Nathan Berg, Eugene Asti | 1:56 |
1997-02-20 – 1997-02-22 | Da lieg’ ich unter den Bäumen, op. 84 no. 1 | baritone vocals | Nathan Berg, Eugene Asti | 4:00 |
1997-02-20 – 1997-02-22 | Der Blumenkranz | baritone vocals | Nathan Berg, Eugene Asti | 2:33 |
1997-02-20 – 1997-02-22 | Frühlingslied, op. 19a no. 1 | baritone vocals | Nathan Berg, Eugene Asti | 1:26 |
1997-02-20 – 1997-02-22 | Gruss, op. 63 no. 3 | baritone vocals | Nathan Berg, Sophie Daneman, Eugene Asti | 2:08 |
1997-02-20 – 1997-02-22 | Herbstlied, op. 63 no. 4 | baritone vocals | Nathan Berg, Sophie Daneman, Eugene Asti | 1:50 |
1997-02-20 – 1997-02-22 | Ich wollt’ meine Lieb’ ergösse sich, op. 63 no. 1 | baritone vocals | Nathan Berg, Sophie Daneman, Eugene Asti | 2:02 |
1997-02-20 – 1997-02-22 | Jagdlied, op. 84 no. 3 | baritone vocals | Nathan Berg, Eugene Asti | 2:23 |
1997-02-20 – 1997-02-22 | Maiglöckchen und die Blümelein, op. 63 no. 6 | baritone vocals | Nathan Berg, Sophie Daneman, Eugene Asti | 1:56 |
1997-02-20 – 1997-02-22 | Minnelied, op. 34 no. 1 | baritone vocals | Nathan Berg, Eugene Asti | 1:49 |
1997-02-20 – 1997-02-22 | Reiselied, op. 19a no. 6 | baritone vocals | Nathan Berg, Eugene Asti | 2:42 |
1997-02-20 – 1997-02-22 | Reiselied, op. 34 no. 6 | baritone vocals | Nathan Berg, Eugene Asti | 2:33 |
1997-02-20 – 1997-02-22 | Scheidend, op. 9 no. 6 | baritone vocals | Nathan Berg, Sophie Daneman, Eugene Asti | 3:20 |
1997-02-20 – 1997-02-22 | Venezianisches Gondellied, op. 57 no. 5 | baritone vocals | Nathan Berg, Eugene Asti | 2:17 |
1997-02-20 – 1997-02-22 | Verlust, op. 9 no. 10 | baritone vocals | Nathan Berg, Eugene Asti | 1:28 |
1997-02-20 – 1997-02-22 | Volkslied, op. 63 no. 5 | baritone vocals | Nathan Berg, Sophie Daneman, Eugene Asti | 1:57 |
1998-10-31 – 1998-11-01 | Stabat Mater, op. 58: I. Stabat Mater dolorosa | bass-baritone vocals and solo | Christine Goerke, Marietta Simpson, Stanford Olsen, Nathan Berg, Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw | 19:13 |
1998-10-31 – 1998-11-01 | Stabat Mater, op. 58: II. Quis est homo, qui non fleret | bass-baritone vocals and solo | Christine Goerke, Marietta Simpson, Stanford Olsen, Nathan Berg, Atlanta Symphony Orchestra, Robert Shaw | 11:22 |
1998-10-31 – 1998-11-01 | Stabat Mater, op. 58: IV. Fac, ut ardeat cor meun | bass-baritone vocals and solo | Nathan Berg, Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw | 8:40 |
1998-10-31 – 1998-11-01 | Stabat Mater, op. 58: X. Quando corpus morietur | bass-baritone vocals and solo | Christine Goerke, Marietta Simpson, Stanford Olsen, Nathan Berg, Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw | 8:47 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte I Scène 1: "Non, je ne puis assez punir" (Abramane) | bass vocals | Jean-Philippe Rameau | 1:09 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte I Scène 2: "On approche, quittons ces lieux" (Abramane) | bass vocals | Jean-Philippe Rameau | 0:49 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte I Scène 2: "Princesse, avec Phaères" (Abramane) | bass vocals | Jean-Philippe Rameau | 2:30 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte I Scène 2: "Unissons nos fureurs" (Érinice, Abramane) / "Des Bactriens l'ingrate entraînait" (Abramane) | bass vocals | Jean-Philippe Rameau | 1:33 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte III Scène 1: "Arrêtez, modérez cette fureur extrême" (Abramane) | bass vocals | Jean-Philippe Rameau | 3:24 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte III Scène 1: "Un cœur fier qui brise sa chaîne" (Abramane) | bass vocals | Jean-Philippe Rameau | 0:58 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte III Scène 2: "Osons achever de grands crimes" (Abramane) | bass vocals | Jean-Philippe Rameau | 2:50 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte III Scène 6-8: "Je vous jure" (Zoroastre, Amélite) / "Dieux, armez-vous" (Abramane) / "Amélite! Elle expire, ô Ciel!" (Zoroastre) / "Nous périssons" (Chœur) | bass vocals | Jean-Philippe Rameau | 4:15 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte IV Scène 1: "Cruels tyrans" (Abramane) | bass vocals | Jean-Philippe Rameau | 2:28 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte IV Scène 4-5: "C'en est donc fait, perfide" (Érinice) / "Ô dieux! quelle douleur mortelle!" (Érinice, Abramane) / "Qu'une double porte d'airain" (Abramane) | bass vocals | Jean-Philippe Rameau | 3:25 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte IV Scène 5: "Épuisons le flanc" (Abramane) | bass vocals | Jean-Philippe Rameau | 0:20 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte IV Scène 5: "Ministres redoutés" (Abramane, Érinice) | bass vocals | Jean-Philippe Rameau | 1:37 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte IV Scène 5: "Princesse, tout m'annonce" (Abramane) | bass vocals | Jean-Philippe Rameau | 0:30 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte IV Scène 5: "Suprême quteur des maux" (Abramane) / "On attaque ta gloire" (Narbanor, Zopire, Chœur) | bass vocals | Jean-Philippe Rameau | 3:05 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte IV Scène 8: "Courez aux armes" (Érinice, La Vengeance, Abramane, Zopire, Narbanor, Furies, Prêtres, Démons) | bass vocals | Jean-Philippe Rameau | 1:24 |
2001-08-28 – 2001-09-10 | Zoroastre, Acte V Scène 4-5: "Que la fière Érinice" (Chœur de prêtres armés) / "Que tout cède, que tout fléchisse" (Érinice, Abramane) | bass vocals | Jean-Philippe Rameau | 1:58 |
2012-06-27 – 2012-06-30 | Symphony no. 9 in D minor, op. 125: IV. Finale: Ode, "To Joy" | bass vocals and solo | San Francisco Symphony, Michael Tilson Thomas | 26:08 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Agnus Dei (Soli and Chorus) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 11:12 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Introitus. Requiem æternam – Kyrie eleison (Soli and Chorus) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 10:44 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Offertorium. Domine Jesu Christe (Soli and Chorus) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 10:53 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Offertorium. Hostias (Soli and Chorus) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 10:14 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Sanctus – Benedictus (Soli and Chorus) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 5:54 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Sequentia. Lacrimosa (Soli and Chorus) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 6:33 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Sequentia. Quid sum miser (Soli and Chorus) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 6:03 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Sequentia. Recordare, Jesu pie (Soli) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 7:03 |
2014-04-28 – 2014-04-30 | Requiem, op. 89: Sequentia. Tuba mirum (Soli and Chorus) | bass vocals | Nathan Berg, Collegium Vocale Gent, Ilse Eerens, Bernarda Fink, Maximilian Schmitt, deFilharmonie, Philippe Herreweghe | 8:36 |
| Dido and Aeneas: Act I. "If not for mine, for Empire's sake" (Aeneas) - "Pursue thy conquest, Love" (Belinda) - "To the hills and the vales" (Chorus) | bass-baritone vocals | Nathan Berg, Sophie Marin-Degor, Les Arts Florissants, William Christie | 2:15 |
| Dido and Aeneas: Act I. "See our royal guest appears" (Belinda, Aeneas) - "Cupid only throws the dart" (Chorus) | bass-baritone vocals | Nathan Berg, Sophie Marin-Degor, Les Arts Florissants, William Christie | 1:10 |
| Dido and Aeneas: Act II, Scene II. "Behold upon my bending spear" (Aeneas, Dido) - "Haste, haste to town" (Belinda, chorus) | bass-baritone vocals | Nathan Berg, Véronique Gens, Sophie Marin-Degor, Les Arts Florissants, William Christie | 1:13 |
| Dido and Aeneas: Act II, Scene II. "Stay Prince" (Spirit, Aeneas) | bass-baritone vocals | Nathan Berg, Jean-Paul Fouchécourt, Les Arts Florissants, William Christie | 2:04 |
| Dido and Aeneas: Act III, Scene II. "Your counsel all is urged in vain" (Dido, Belinda, Aeneas) | bass-baritone vocals | Nathan Berg, Véronique Gens, Sophie Marin-Degor, Les Arts Florissants, William Christie | 3:35 |
| Einsamkeit, D. 620: Verse 1. Gib mir die Fülle der Einsamkeit! | baritone vocals | Nathan Berg, Graham Johnson | 3:53 |
| Einsamkeit, D. 620: Verse 2. Gib mir die Fülle der Tätigkeit! | baritone vocals | Nathan Berg, Graham Johnson | 3:00 |
| Einsamkeit, D. 620: Verse 3. Gib mir das Glück der Geselligkeit! | baritone vocals | Nathan Berg, Graham Johnson | 2:48 |
| Einsamkeit, D. 620: Verse 4. Gib mir die Fülle der Seligkeit! | baritone vocals | Nathan Berg, Graham Johnson | 2:59 |
| Einsamkeit, D. 620: Verse 5. Gib mir die Fülle der Düsterkeit! | baritone vocals | Nathan Berg, Graham Johnson | 2:45 |
| Einsamkeit, D. 620: Verse 6. Gib mir die Weihe der Einsamkeit! | baritone vocals | Nathan Berg, Graham Johnson | 3:43 |
| Messiah, HWV 56: Part I, IX. Recitative (Bass) "For behold, darkness shall cover the earth" / X. Air (Bass) "The people that walked in darkness" | bass vocals | Nathan Berg, Les Arts Florissants, William Christie | 5:46 |
| Messiah, HWV 56: Part I, V. Recitative (Bass) "Thus saith the Lord of Hosts" | bass vocals | Nathan Berg, Les Arts Florissants, William Christie | 1:40 |
| Messiah, HWV 56: Part II, XXXVI. Air (Bass) "Why do the nations so furiously rage together" | bass vocals | Nathan Berg, Les Arts Florissants, William Christie | 2:41 |
| Messiah, HWV 56: Part III, XLII. Accompagnato (Bass) "Behold, I tell you a mystery" / XLIIIa. Air (Bass) "The trumpet shall sound" | bass vocals | Nathan Berg, Les Arts Florissants, William Christie | 9:19 |
| Theodora | baritone vocals [Valens] | Fiona Shaw | 10:15 |
| Theodora, Part I Scene 1: "Racks, Gibbets, Sword and Fire" | bass vocals [Valens] | Les Arts Florissants, William Christie | 3:36 |