| vocals |
|---|
| 1970 | The Marriage of Figaro: Act 4. “Gente, gente, all’armi, all’armi” - Finale (Count, Countess, Figaro, Basilio, Curzio, Antonio, Bartolo, Susanna, Cherubino, …) | bass vocals | Gabriel Bacquier, Teresa Berganza, Willi Brokmeier, Geraint Evans, Clifford Grant, Reri Grist, Werner Hollweg, Michael Langdon, Elisabeth Söderström, New Philharmonia Orchestra, Otto Klemperer | 5:13 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) / Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina) | bass vocals | Maria Casula, Wladimiro Ganzarolli, Clifford Grant, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:38 |
| 1971-04 | Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna) | bass vocals | Maria Casula, Mirella Freni, Clifford Grant, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:52 |
| 1971-04 | Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) | bass vocals | Maria Casula, Mirella Freni, Wladimiro Ganzarolli, Clifford Grant, Jessye Norman, Robert Tear, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 3:43 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) | bass vocals | Maria Casula, Wladimiro Ganzarolli, Clifford Grant, David Lennox, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 2:04 |
| 1971-04 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 19 Sestetto "Riconosci in questo amplesso" / Act III, Scene VIII-IX. Recitativi "Eccovi, o caro amico... Io vi dico" (Marcellina, Bartolo, Susanna, Figaro, Antonio, Il Conte, Don Curzio) | bass vocals | Maria Casula, Mirella Freni, Wladimiro Ganzarolli, Clifford Grant, Paul Hudson, David Lennox, Ingvar Wixell, John Constable, BBC Symphony Orchestra, Sir Colin Davis | 6:38 |
| 1971-04 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) | bass vocals | Wladimiro Ganzarolli, Clifford Grant, Paul Hudson, David Lennox, Robert Tear, Ingvar Wixell, BBC Symphony Orchestra, Sir Colin Davis | 5:00 |
| 1971-04 | Le nozze di Figaro, K. 492: Act IV, Scene V. Recitativo "Nel padiglione a manca" (Barbarina) / Scene VI. Recitativo "È Barbarina..." (Figaro, Basilio, Bartolo) / Scene VII. Recitativo "Ha I diavoli nel corpo" (Basilio, Bartolo) | bass vocals | Wladimiro Ganzarolli, Clifford Grant, Robert Tear, BBC Symphony Orchestra, Sir Colin Davis | 2:03 |
| 1971-06 | Rigoletto: Atto I. "Ch'io gli parli" (Monterone) | bass vocals [Il Conte di Monterone] | John McCarthy, Ambrosian Opera Chorus, Ricardo Cassinelli, John Gibbs, Clifford Grant, Sherrill Milnes, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | 4:22 |
| 1971-06 | Rigoletto: Atto II. "Schiudete, ire al carcere" (Usciere) | bass vocals [Il Conte di Monterone] | Clifford Grant, Sherrill Milnes, John Noble, Joan Sutherland, London Symphony Orchestra, Richard Bonynge | 3:07 |
| 1971-07 | I Lombardi: Atto II. Coro “È dunque vero?” | bass-baritone vocals [Acciano] | John McCarthy, Ambrosian Singers, Clifford Grant, Neville Taweel, Royal Philharmonic Orchestra, Lamberto Gardelli | 2:44 |
| 1972-08 | Tosca: Atto I: “Ah! Finalmente!” | bass vocals [Angelotti] | Clifford Grant, New Philharmonia Orchestra, Zubin Mehta | 2:02 |
| 1972-08 | Tosca: Atto I: “È buona la mia Tosca” | bass vocals [Angelotti] | Plácido Domingo, Clifford Grant, New Philharmonia Orchestra, Zubin Mehta | 4:05 |
| 1972-08 | Tosca: Atto I: “Voi! Cavaradossi!” | bass vocals [Angelotti] | Plácido Domingo, Clifford Grant, Leontyne Price, New Philharmonia Orchestra, Zubin Mehta | 1:00 |
| 1972-08 | Tosca: Atto I. “Ah! Finalmente!” | bass vocals [Angelotti] | Clifford Grant, New Philharmonia Orchestra, Zubin Mehta | 2:02 |
| 1972-08 | Tosca: Atto I. “È buona la mia Tosca” | bass vocals [Angelotti] | Plácido Domingo, Clifford Grant, New Philharmonia Orchestra, Zubin Mehta | 4:06 |
| 1972-08 | Tosca: Atto I. “Voi! Cavaradossi!” | bass vocals [Angelotti] | Plácido Domingo, Clifford Grant, Leontyne Price, New Philharmonia Orchestra, Zubin Mehta | 1:01 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: I. The Calling of the Apostles: And it came to pass in those days | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 8:23 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: Morning Psalm | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 4:47 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Dawn | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 1:27 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Lord hath chosen them | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 7:43 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: II. By the Wayside | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 8:13 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: And straightaway Jesus constrained his disciples | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 1:44 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: Fantasy: This shall ye have of mine hand | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 8:07 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: And I will give unto thee | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 7:12 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: When Jesus came into the parts of Caesarea Philippi | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 4:02 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Capernaum: Turn you to the stronghold | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 6:40 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 1: III. By the Sea of Galilee: In the Tower of Magdala | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 6:07 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: Introduction | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 4:20 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 1:59 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master! | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 5:01 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 3:57 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 9:04 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 3:24 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: V. Golgotha | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 4:37 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: VI. At the Sepulchre | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 4:24 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 9:21 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 5:15 |
| 1973-10-23 – 1974-07-02 | The Apostles, op. 49: Prologue | bass vocals [Judas] | Dorothy Dickinson, John Alldis, Choir of Downe House School, Clifford Grant, London Philharmonic Choir, Sheila Armstrong, John Carol Case, Robert Tear, Helen Watts, Benjamin Luxon, London Philharmonic Orchestra, Sir Adrian Boult | 6:16 |
| 1975-02 | Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 4 Schlußgesang "Jeder Künstler strebt nach Ehre" (Mlle Silberklang, Mme Herz, M. Vogelsang, Buff) | bass vocals | Ileana Cotrubaş, Clifford Grant, Anthony Rolfe Johnson, Ruth Welting, London Symphony Orchestra, Sir Colin Davis | 4:57 |
| 1975-07-02 – 1975-07-15 | Esclarmonde : Acte IV. « Donc, pour sauver la vie » | bass vocals [L'Empereur Phorcas] | National Philharmonic Orchestra, Richard Bonynge | 2:29 |
| 1975-07-02 – 1975-07-15 | Esclarmonde : Acte IV. « Elle a voulu choisir » | bass vocals [L'Empereur Phorcas] | National Philharmonic Orchestra, Richard Bonynge | 3:11 |
| 1975-07-02 – 1975-07-15 | Esclarmonde : Acte IV. « Les temps vont s’accomplir » | bass vocals [L'Empereur Phorcas] | National Philharmonic Orchestra, Richard Bonynge | 3:26 |
| 1975-07-02 – 1975-07-15 | Esclarmonde : Acte IV. « Ne plus te voir ! » | bass vocals [L'Empereur Phorcas] | National Philharmonic Orchestra, Richard Bonynge | 5:11 |
| 1975-07-02 – 1975-07-15 | Esclarmonde : Acte IV. « Où suis‐je maintenant ? » | bass vocals [L'Empereur Phorcas] | National Philharmonic Orchestra, Richard Bonynge | 2:42 |
| 1975-07-02 – 1975-07-15 | Esclarmonde : Épilogue: « Dignitaires ! Guerriers ! Sous ces augustes voûtes » | bass vocals [L'Empereur Phorcas] | National Philharmonic Orchestra, Richard Bonynge | 9:31 |
| 1975-07-02 – 1975-07-15 | Esclarmonde : Prologue. « Dignitaires ! Guerriers ! » | bass vocals [L'Empereur Phorcas] | National Philharmonic Orchestra, Richard Bonynge | 9:34 |
| 1975-08 | Il corsaro: Atto I, scena 1. Coro, Scena ed Aria “Ah! sì ben dite … Tutto parea sorridere … Della brezza col favore“ | bass vocals | John McCarthy, Ambrosian Singers, José Carreras, Clifford Grant, Philharmonia Orchestra, Lamberto Gardelli | 4:51 |
| 1975-08 | Il corsaro: Atto II, scena 2. Finale “Audace cotanto mostrarti pur sai?” | bass vocals | John McCarthy, Ambrosian Singers, Montserrat Caballé, José Carreras, Clifford Grant, Gian-Piero Mastromei, Philharmonia Orchestra, Lamberto Gardelli | 3:01 |
| 1975-08 | Il corsaro: Atto II, scena 2. Finale “Signor, trafitti giacciono” | bass vocals | John McCarthy, Ambrosian Singers, Montserrat Caballé, José Carreras, Clifford Grant, Gian-Piero Mastromei, John Noble, Philharmonia Orchestra, Lamberto Gardelli | 4:18 |
| 1975-10-31 | Norma: Atto I, scena 1. “Ah, bello, a me ritorna” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, San Francisco Opera Orchestra, Carlo Felice Cillario | 3:09 |
| 1975-10-31 | Norma: Atto I, scena 1. “Fine al rito” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, San Francisco Opera Orchestra, Carlo Felice Cillario | 1:34 |
| 1975-10-31 | Norma: Atto I, scena 1. “Ite sul colle” | bass vocals [Oroveso] | San Francisco Opera Chorus, Clifford Grant, San Francisco Opera Orchestra, Carlo Felice Cillario | 7:05 |
| 1975-10-31 | Norma: Atto I, scena 1. “Sediziose voci” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, San Francisco Opera Orchestra, Carlo Felice Cillario | 3:46 |
| 1975-10-31 | Norma: Atto II, scena 2. “Ah, del Tebro al giogo indegno” | bass vocals [Oroveso] | San Francisco Opera Chorus, Clifford Grant, San Francisco Opera Orchestra, Carlo Felice Cillario | 2:27 |
| 1975-10-31 | Norma: Atto II, scena 2. “Guerrieri, a voi venirne” | bass vocals [Oroveso] | San Francisco Opera Chorus, Clifford Grant, San Francisco Opera Orchestra, Carlo Felice Cillario | 1:31 |
| 1975-10-31 | Norma: Atto II, scena 3. “All'ira vostra” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, Robleto Merolla, San Francisco Opera Orchestra, Carlo Felice Cillario | 2:39 |
| 1975-10-31 | Norma: Atto II, scena 3. “Deh, non volerli vittime” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, Robleto Merolla, San Francisco Opera Orchestra, Carlo Felice Cillario | 4:43 |
| 1975-10-31 | Norma: Atto II, scena 3. “Guerra, guerra” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, San Francisco Opera Orchestra, Carlo Felice Cillario | 0:57 |
| 1975-10-31 | Norma: Atto II, scena 3. “Ne compi il rito, o Norma” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Janice Felty, Clifford Grant, Robleto Merolla, San Francisco Opera Orchestra, Carlo Felice Cillario | 3:21 |
| 1975-10-31 | Norma: Atto II, scena 3. “Norma, deh~ Norma, scolpati” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, Robleto Merolla, San Francisco Opera Orchestra, Carlo Felice Cillario | 2:13 |
| 1975-10-31 | Norma: Atto II, scena 3. “Qual cor tradisti" | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, Robleto Merolla, San Francisco Opera Orchestra, Carlo Felice Cillario | 4:11 |
| 1975-10-31 | Norma: Atto II, scena 3. “Squilla il bronzo del Dio~ Norma, che fu” | bass vocals [Oroveso] | San Francisco Opera Chorus, Cristina Deutekom, Clifford Grant, San Francisco Opera Orchestra, Carlo Felice Cillario | 2:09 |
| 1978-09-15 | Norma: Atto I, Scena I. Cabaletta "Ah! bello a me ritorna" (Norma, Oroveso, Coro) | bass vocals | Shirley Verrett, Clifford Grant | 2:46 |
| 1978-09-15 | Norma: Atto I, Scena I. Coro d'introduzione "Ite sul colle, o Druidi" (Oroveso, Coro) | bass vocals | Clifford Grant, San Francisco Opera Chorus | 7:52 |
| 1978-09-15 | Norma: Atto I, Scena I. Recitativo "Fine al rito" (Norma, Oroveso, Coro) | bass vocals | Shirley Verrett, Clifford Grant | 1:58 |
| 1978-09-15 | Norma: Atto I, Scena I. Recitativo "Sediziose voci" (Norma, Oroveso, Coro) | bass vocals | Shirley Verrett, Clifford Grant | 3:55 |
| 1978-09-15 | Norma: Atto II, Scena II. Recitativo "Guerrieri! a voi venirne" (Oroveso, Coro) | bass vocals | Clifford Grant | 1:29 |
| 1978-09-15 | Norma: Atto II, Scena II. Scena "Ah! del Tebro al giogo indegno" (Oroveso, Coro) | bass vocals | Clifford Grant | 2:24 |
| 1978-09-15 | Norma: Atto II, Scena III. Coro "Guerra! Guerra!" (Coro, Oroveso, Norma) | bass vocals | Clifford Grant, Shirley Verrett | 0:52 |
| 1978-09-15 | Norma: Atto II, Scena III. Finale "All'ira vostra" (Norma, Pollione, Oroveso, Coro) | bass vocals | Shirley Verrett, Nunzio Todisco, Clifford Grant | 2:50 |
| 1978-09-15 | Norma: Atto II, Scena III. Finale "Deh! non volerli vittime" (Norma, Oroveso, Coro, Pollione) | bass vocals | Shirley Verrett, Nunzio Todisco, Clifford Grant | 4:29 |
| 1978-09-15 | Norma: Atto II, Scena III. Finale "Norma!.. deh! Norma, scòlpati!.." (Coro, Norma, Pollione, Oroveso) | bass vocals | Shirley Verrett, Nunzio Todisco, Clifford Grant | 2:15 |
| 1978-09-15 | Norma: Atto II, Scena III. Finale "Qual cor tradisti" (Norma, Pollione, Oroveso, Coro) | bass vocals | Shirley Verrett, Nunzio Todisco, Clifford Grant | 4:29 |
| 1978-09-15 | Norma: Atto II, Scena III. Recitativo "Nè compi il rito, o Norma?" (Oroveso, Norma, Clotilde, Coro, Pollione) | bass vocals | Clifford Grant, Shirley Verrett, Gwendolyn Jones, Nunzio Todisco | 3:29 |
| 1978-09-15 | Norma: Atto II, Scena III. Scena "Squilla il bronzo del Dio!" (Coro, Oroveso, Norma) | bass vocals | Clifford Grant, Shirley Verrett | 1:52 |
| Casta Diva (Chaste Goddess) From Norma | bass vocals | Clifford Grant, Australian Opera Chorus, Joan Sutherland, Elizabethan Sydney Orchestra, Richard Bonynge | 6:09 |
| Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene I. No. 1 Quartetto "Ah, ah che ridere! Voi siete sposo" (Pulcherio, Bocconio, Bettina, Don Asdrubale) | bass vocals | Ileana Cotrubaș, Clifford Grant, Anthony Rolfe Johnson, Robert Tear, London Symphony Orchestra, Sir Colin Davis | 5:07 |
| Lo sposo deluso, ossia La rivalità di tre donne per un solo amante, K. 424a/430 (Erik Smith Completion): Act I, Scene IX. No. 4 Terzetto "Che accidenti! che tragedia!" (Bocconio, Don Asdrubale, Eugenia) | bass vocals | Clifford Grant, Felicity Palmer, Anthony Rolfe Johnson, London Symphony Orchestra, Sir Colin Davis | 3:28 |
| Lucia di Lammermoor: “Chi mi frena in tal momento?” | bass vocals | Sergei Baigildin, Malcolm Donnelly, Clifford Grant, Richard Greager, The Australian Opera Chorus, Patricia Price, Joan Sutherland, Elizabethan Sydney Orchestra, Richard Bonynge | 4:14 |
| Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": I. "Kyrie" | bass vocals | Ryland Davies, Helen Donath, Clifford Grant, The John Alldis Choir, Gillian Knight, John Constable, London Symphony Orchestra, Sir Colin Davis | 2:24 |
| Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": II. "Gloria" | bass vocals | Ryland Davies, Helen Donath, Clifford Grant, Gillian Knight, John Constable, London Symphony Orchestra, Sir Colin Davis, The John Alldis Choir | 3:18 |
| Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": III. "Credo in unum Deum" | bass vocals | Ryland Davies, Helen Donath, Clifford Grant, Gillian Knight, John Constable, London Symphony Orchestra, Sir Colin Davis, The John Alldis Choir | 7:42 |
| Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VI. "Benedictus" | bass vocals | Ryland Davies, Helen Donath, Clifford Grant, Gillian Knight, John Constable, London Symphony Orchestra, Sir Colin Davis, The John Alldis Choir | 5:22 |
| Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VII. "Agnus Dei" | bass vocals | Ryland Davies, Helen Donath, Clifford Grant, Gillian Knight, John Constable, London Symphony Orchestra, Sir Colin Davis, The John Alldis Choir | 6:31 |
| Norma: “Casta diva” | bass vocals | Clifford Grant, Opera Australia Chorus, Joan Sutherland, Elizabethan Sydney Orchestra, Richard Bonynge | 6:17 |
| Siegfried: Act II Scene 1: Fafner! Fafner! You Dragon, Wake! (Wanderer, Alberich, Fafner) | bass vocals [Fafner] | Norman Bailey, Derek Hammond-Stroud & Clifford Grant | 3:05 |
| Siegfried: Act II Scene 2: Ha Ha! At Last With My Call (Siegfried, Fafner) | bass vocals [Fafner] | Alberto Remedios & Clifford Grant | 3:33 |
| Siegfried: Act II Scene 2: Who Are You, Youthful Hero (Fafner, Siegfried) | bass vocals [Fafner] | Clifford Grant & Alberto Remedios | 4:53 |
| The Rhinegold: Scene 2: And I Should Possess It! (Wotan, Loge, Donner, Froh, Fricka, Fafner) | bass vocals [Fafner] | Norman Bailey, Robert Ferguson, Emile Belcourt, Clifford Grant, Norman Welsby, Katherine Pring | 4:38 |
| The Rhinegold: Scene 2: God of Light, Light of Spirit! (Fasolt, Wotan, Fafner, Freia) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey, Clifford Grant, Lois McDonall | 5:09 |
| The Rhinegold: Scene 2: Hear, Wotan: I'll Speak My Last Word! (Fafner, Wotan, Fasolt, Freia, Froh, Donner) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey, Robert Ferguson, Clifford Grant, Norman Welsby & Lois McDonall | 2:29 |
| The Rhinegold: Scene 2: So I Promised I'd Tell You the Story (Loge, Wotan, Fasolt, Fafner) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey, Emile Belcourt,Clifford Grant | 1:05 |
| The Rhinegold: Scene 2: Soft Sleep Closed Your Eyes (Fasolt, Wotan, Fafner) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey & Clifford Grant | 3:20 |
| The Rhinegold: Scene 2: To Me, Freia! Back from Her, Giant! (Froh, Donner, Fafner, Fasolt, Wotan) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey, Robert Ferguson, Clifford Grant, Norman Welsby | 1:17 |
| The Rhinegold: Scene 2: What? How Am I Concerned in a Contract? (Loge, Wotan, Fricka, Froh, Donner, Fafner, Fasolt) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey, Robert Ferguson, Emile Belcourt, Clifford Grant, Norman Welsby, Katherine Pring | 4:15 |
| The Rhinegold: Scene 4: Far Too Loose You're Piling the Gold (Fafner, Loge, Wotan, Fricka, Donner) | bass vocals [Fafner] | Norman Bailey, Emile Belcourt, Clifford Grant, Norman Welsby, Katherine Pring | 2:44 |
| The Rhinegold: Scene 4: Freia, the Fair One, See I No More (Fasolt, Fafner, Loge, Wotan, Freia, Fricka, Froh, Donner) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey, Robert Ferguson, Emile Belcourt, Clifford Grant, Norman Welsby, Katherine Pring, Lois McDonall | 3:07 |
| The Rhinegold: Scene 4: Stop, You Greedy One! (Fasolt, Fafner, Loge, Wotan) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey, Emile Belcourt,Clifford Grant | 2:25 |
| The Rhinegold: Scene 4: Wait! Don't Touch Her Yet! (Fasolt, Wotan, Fafner, Loge, Froh) | bass vocals [Fafner] | Robert Lloyd, Norman Bailey, Robert Ferguson, Emile Belcourt, Clifford Grant | 3:12 |
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