[crossfade] | | | | | | | |
By-By Huey | | | | | | | |
Cast | | | | | | | |
Catch, op. 4 | | | | | | | |
Cheating, Lying, Stealing | | | | | | | |
Checkered Shade | | | | | | | |
Come Round: I. | | | | | | | |
Come Round: II. | | | | | | | |
Come Round: III. | | | | | | | |
Conduit: I. Touch | | | | | | | |
Conduit: II. Pulse | | | | | | | |
Conduit: III. Send | | | | | | | |
Critical Moments 2: I. Dotted eighth note = 120 | | | | | | | |
Critical Moments 2: II. Quarter note: 104 | | | | | | | |
Critical Moments 2: III. Eighth note = 88 | | | | | | | |
Critical Moments 2: IV. Eighth note = 112 | | | | | | | |
Critical Moments 2: IX. Dotted eighth note = 126 | | | | | | | |
Critical Moments 2: V. Quarter note = 88 | | | | | | | |
Critical Moments 2: VI. Dotted quarter note = 112 | | | | | | | |
Critical Moments 2: VII. Quarter note = 44 | | | | | | | |
Critical Moments 2: VIII. Quarter note = 63 | | | | | | | |
Divinum Mysterium: I. Beginnings | | | | | | | |
Divinum Mysterium: II. The Spirit of God Moved Upon the Face of the Waters | | | | | | | |
Divinum Mysterium: III. Light | | | | | | | |
Divinum Mysterium: IV. Rest | | | | | | | |
Divinum Mysterium: Prelude | | | | | | | |
Divinum Mysterium: V. Rejoicing | | | | | | | |
Double Sextet | | | | | | | |
Double Sextet: I. Fast | | | | | | | |
Double Sextet: II. Slow | | | | | | | |
Double Sextet: III. Fast | | | | | | | |
Doublespeak | | | | | | | |
Evanescence | | | | | | | |
Fantasy Etudes | | | | | | | |
Friction Systems | | | | | | | |
Indigenous Instruments: I. | | | | | | | |
Indigenous Instruments: II. | | | | | | | |
Indigenous Instruments: III. | | | | | | | |
Mine, Mime, Meme | | | | | | | |
Murder Ballades: Brushy Fork | | | | | | | |
Murder Ballades: Dark Holler | | | | | | | |
Murder Ballades: Omie Wise | | | | | | | |
Murder Ballades: Pretty Polly | | | | | | | |
Murder Ballades: Tears for Sister Polly | | | | | | | |
Murder Ballades: Wave the Sea | | | | | | | |
Murder Ballades: Young Emily | | | | | | | |
Olagón: Part I: A Queen Bee | | | | | | | |
Olagón: Part I: Being Only A Dame | | | | | | | |
Olagón: Part I: Introductions | | | | | | | |
Olagón: Part I: Marbhan’s Shadow | | | | | | | |
Olagón: Part I: Pillow Talk | | | | | | | |
Olagón: Part II: For Eons and Eons | | | | | | | |
Olagón: Part II: Marbhan and Guaire | | | | | | | |
Olagón: Part II: Motet for Medhbh | | | | | | | |
Olagón: Part II: Níl Aon Ton-Ton | | | | | | | |
Olagón: Part II: Stirrings I | | | | | | | |
Olagón: Part II: Stirrings II | | | | | | | |
Olagón: Part II: Stirrings III | | | | | | | |
Olagón: Part II: Stirrings IV | | | | | | | |
Olagón: Part II: You Know It’s a Salmagundi | | | | | | | |
Olagón: Part III: Ailíll | | | | | | | |
Olagón: Part III: Only on Medhbh | | | | | | | |
Olagón: Part III: Pillow Talk Reprise | | | | | | | |
Olagón: Part III: Reelings Reels | | | | | | | |
Olagón: Part III: Restless Rest | | | | | | | |
Olagón: Part III: The Book of Lamentations | | | | | | | |
Olagón: Part III: Ululations I | | | | | | | |
Olagón: Part III: Ululations II | | | | | | | |
Olagón: Part III: Zeus to my Demeter | | | | | | | |
On a Wire | | | | Concerto | | | |
Petroushskates | | | | | | | |
Singing in the Dead of Night | | | | | | | |
Slide: Addiction | | | | | | | |
Slide: Depending | | | | | | | |
Slide: Fog | | | | | | | |
Slide: Ghosts | | | | | | | |
Slide: Lonely Motel | | | | | | | |
Slide: Processional | | | | | | | |
Slide: Running Dog | | | | | | | |
Slide: She Walks as if… | | | | | | | |
Slide: Slide of Dog | | | | | | | |
Slide: Stare | | | | | | | |
Slide: Stare Prelude/Overture | | | | | | | |
South Catalina | | | | | | | |
Strange Imaginary Remix | | | | | | | |
The Light of the Dark | | | | | | | |
The Time Gallery: I. Bells: Devotional Hours | | | | | | | |
The Time Gallery: II. Time Machine | | | | | | | |
The Time Gallery: III. Pulse: The Feeling of What Happens | | | | | | | |
The Time Gallery: IV. Overtime: Memory Sings | | | | | | | |
These Broken Wings | | | | | | | |
These Broken Wings: Part 1 | | | | | | | |
These Broken Wings: Part 2 | | | | | | | |
These Broken Wings: Part 3 | | | | | | | |
Thirteen Ways: I. Leaden, bleak | | | | | | | |
Thirteen Ways: II. Aloof, persistent | | | | | | | |
Thirteen Ways: III. Nimble, capricious | | | | | | | |
Thirteen Ways: IV. Sensuous, relaxed | | | | | | | |
Thirteen Ways: IX. Spacious, detached | | | | | | | |
Thirteen Ways: V. Feely, like a birdsong | | | | | | | |