| Cain, overo il primo omicidio: Aria "Bramo, insieme, e morte e vita" | | | | | | | |
| Cain, overo il primo omicidio: Aria "Mascheratevi, o miei sdegni" | | | | | | | |
| Cain, overo il primo omicidio: Aria "Miei genitori, addio" | | | | | | | |
| Cain, overo il primo omicidio: Aria "Perchè mormora il ruscello" | | | | | | | |
| Cantata for Alto voice and Continuo, RV 677 "Qual per ignoto calle": I. Recitativo "Qual per ignoto calle" | | | | | | | |
| Cantata for Alto voice and Continuo, RV 677 "Qual per ignoto calle": II. Aria. Andante "Quel passagier son io" | | | | | | | |
| Cantata for Alto voice and Continuo, RV 677 "Qual per ignoto calle": III. Recitativo "Deh, più non regni nel tuo gentil petto" | | | | | | | |
| Cantata for Alto voice and Continuo, RV 677 "Qual per ignoto calle": IV. Aria. Allegro "Qual dopo lampi e turbini" | | | | | | | |
| Cantata, BuxWV 53 "In te, Domine, speravi" | | | | Cantata | | | |
| Cantata, HWV 132b "Mi palpita il cor": I. Arioso e recitativo "Mi palpita il cor ... Tormento e gelosia" | | | | | | | |
| Cantata, HWV 132b "Mi palpita il cor": II. Aria "Ho tanti affani in petto" | | | | | | | |
| Cantata, HWV 132b "Mi palpita il cor": III. Recitativo "Clori, di te mi lagno" | | | | | | | |
| Cantata, HWV 132b "Mi palpita il cor": IV. Aria. Allegro "Se un dì m'adora la mia crudele" | | | | | | | |
| Gesù al Calvario, ZWV 62: Aria: A che riserbano i cieli | | | | Aria | | | |
| Gesù al Calvario, ZWV 62: Aria: Se in te fosse | | | | Aria | | | |
| Gesù al Calvario, ZWV 62: Introduzione | | | | | | | |
| h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi | | | | Mass | | | |
| h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum | | | | Mass | | | |
| h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei | | | | Mass | | | |
| Jesu meine Freud und Lust, BuxWV 59 | | | | Cantata | | | |
| Jubilate Domino, omnis terra, BuxWV 64 | | - Alfred Deller, Michel Chapuis, Raphaël Perulli
- James Bowman, The King’s Consort, Robert King
- Heinz Hennig, Knabenchor Hannover, Amsterdam Baroque Orchestra, Ton Koopman
- Daniel Taylor, Jonathan Manson, Amsterdam Baroque Orchestra, Ton Koopman
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| | Cantata | | | |
| Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Aria “Agitata infido flatu” (Juditha) | | | | | | | |
| Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. Aria “Noli o cara te adorantis” (Holofernes) | | | | Aria | | | |
| Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern" | | | | | | | |
| Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh" | | | | | | | |
| Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" | | | | | | | |
| Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" | | | | | | | |
| Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ | | | | | | | |
| Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ | | | | Aria | | | |
| Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ | | | | | | | |
| Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ | | | | | | | |
| Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ | | - Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
- Münchener Bach‐Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter
- The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
- Gerhard Schmidt‐Gaden, Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt
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| Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": II. Recitativo (Alt) "Was Menschenkraft und -witz anfäht" | | | | | | | |
| Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": V. Choral e Recitativo (Coro, Bass, Tenor, Alt) "Auf sperren sie den Rachen weit" | | | | | | | |
| La Passione di Gesù Cristo Signor Nostro: Parte I. Aria "Giacché mi tremi in seno" (Pietro) | | | | | | | |
| La Passione di Gesù Cristo Signor Nostro: Parte I. Introduzione | | | | | | | |
| Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- Anna Reynolds, London Philharmonic Orchestra, Karl Richter
- Yvonne Minton, English Chamber Orchestra, Johannes Somary
- Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki
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| Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
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| | Aria | | | |
| Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) | | | | | | | |
| Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) | | - Yvonne Minton, Alexander Young, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Michael Chance, Howard Crook, The English Concert, Trevor Pinnock
- John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
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| Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" | | | | | | | |
| Stabat Mater, RV 621: II. Adagissimo "Cuius animam" | | | | | | | |
| Stabat Mater, RV 621: III. Andante "O quam tristis" | | | | | | | |
| Stabat Mater, RV 621: IV. Largo "Quis est homo" | | | | | | | |
| Stabat Mater, RV 621: IX. Allegro "Amen" | | | | | | | |
| Stabat Mater, RV 621: V. Adagissimo "Quis non posset" | | | | | | | |
| Stabat Mater, RV 621: VI. Andante "Pro peccatis" | | | | | | | |
| Stabat Mater, RV 621: VII. Largo "Eja Mater" | | | | | | | |
| Stabat Mater, RV 621: VIII. Lento "Fac ut ardeat" | | | | | | | |
| Was frag' ich nach der Welt und allen ihren Schatzen, BuxWV 104 | | | | Cantata | | | |
| Wenn ich, Herr Jesu, habe dich, BuxWV 107 | | | | Cantata | | | |
| Wie schmekt es so lieblich und wohl, BuxWV 108 | | | | Cantata | | | |
