Beethoven-Sinfonie | | | | | | | |
Die Seejungfrau: I. Sehr mäßig bewegt | | | | | | | |
Die Seejungfrau: II. Sehr bewegt, rauschend | | | | | | | |
Die Seejungfrau: III. Sehr gedehnt, mit schmerzvollem Ausdruck | | | | | | | |
Double Concerto for Oboe, Harp and Chamber Orchestra: I. Rapsodico | | - Arkadiusz Krupa, Nicolas Tulliez, Polish National Radio Symphony Orchestra, Antoni Wit
- Heinz Holliger, Ursula Holliger, Symphonieorchester des Bayerischen Rundfunks, Witold Lutosławski
- Liszt Ferenc Kamarazenekar, Peskó Zoltán, Margit-Anna Süß, Hansjörg Schellenberger
- Eduard Brunner, Maria Graf, Bamberger Symphoniker, Lothar Zagrosek
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Double Concerto for Oboe, Harp and Chamber Orchestra: II. Dolente | | - Arkadiusz Krupa, Nicolas Tulliez, Polish National Radio Symphony Orchestra, Antoni Wit
- Heinz Holliger, Ursula Holliger, Symphonieorchester des Bayerischen Rundfunks, Witold Lutosławski
- Liszt Ferenc Kamarazenekar, Peskó Zoltán, Margit-Anna Süß, Hansjörg Schellenberger
- Eduard Brunner, Maria Graf, Bamberger Symphoniker, Lothar Zagrosek
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Double Concerto for Oboe, Harp and Chamber Orchestra: III. Marziale e grotesco | | - Arkadiusz Krupa, Nicolas Tulliez, Polish National Radio Symphony Orchestra, Antoni Wit
- Heinz Holliger, Ursula Holliger, Symphonieorchester des Bayerischen Rundfunks, Witold Lutosławski
- Liszt Ferenc Kamarazenekar, Peskó Zoltán, Margit-Anna Süß, Hansjörg Schellenberger
- Eduard Brunner, Maria Graf, Bamberger Symphoniker, Lothar Zagrosek
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Gesungene Zeit | | | | | | | |
Il Bellerofonte: Act 1 | | | | | | | |
Il Bellerofonte: Act 2 | | | | | | | |
Il Bellerofonte: Act 3 | | | | | | | |
Il Bellerofonte: Sinfonia | | | | Overture | | | |
Mahler-Moment | | | | | | | |
Mestizo | | | | | | | |
Missa: Agnus Dei | | | | | | | |
Missa: Credo | | | | | | | |
Missa: Gloria | | | | | | | |
Missa: Kyrie | | | | | | | |
Missa: Sanctus | | | | | | | |
Mozart-Moment | | | | | | | |
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo | | | | | | | |
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio | | | | | | | |
Neither | | | | Opera | | | |
Pentaphone: I. Court-circuit | | | | | | | |
Pentaphone: II. Musique nocturne | | | | | | | |
Pentaphone: III. Idem | | | | | | | |
Pentaphone: IV. Redrum | | | | | | | |
Pentaphone: V. La Mélodie récursive | | | | | | | |
Prelude and Wait | | | | | | | |
Schubert-Phantasie (Re-Visionen I₅) | | | | | | | |
Schumann-Moment | | | | | | | |
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft | | | | | | | |
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig | | | | | | | |
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell | | | | | | | |
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich | | | | | | | |
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft | | | | | | | |
Sound and Fury | | | | | | | |
Symphonie concertante pour hautebois et orchestre à cordes: I. Allegro con moto | | | | | | | |
Symphonie concertante pour hautebois et orchestre à cordes: II. Adagio ma non troppe | | | | | | | |
Symphonie concertante pour hautebois et orchestre à cordes: III. Allegro brillante | | | | | | | |
Symphony no. 103 in E-flat major, Hob. I:103 “Drumroll”: I. Adagio - Allegro con spirito | | | | | | | 4 |
Symphony no. 103 in E-flat major, Hob. I:103 “Drumroll”: II. Andante più tosto allegretto | | | | | | | |
Symphony no. 103 in E-flat major, Hob. I:103 “Drumroll”: III. Menuet - Trio - Menuet | | | | | | | |
Symphony no. 103 in E-flat major, Hob. I:103 “Drumroll”: IV. Finale. Allegro con spirito | | | | | | | |
Tasso: Lamento e Trionfo, S. 96 | | | | Symphonic poem | | | |
Trois danses pour hautebois, harpe, quintette solo et orchestre à cordes: I. Seguiriya: Molto moderato | | | | | | | |
Trois danses pour hautebois, harpe, quintette solo et orchestre à cordes: II. Soledad: Lento | | | | | | | |
Trois danses pour hautebois, harpe, quintette solo et orchestre à cordes: III. Rumba: Allegro | | | | | | | |
Verdi-Moment | | | | | | | |
Wagner-Idyll | | | | | | | |
Webern-Variationen | | | | | | | |