| 2 Caprices, op. 111 | | | | | | | |
| 2 Elégies, op. 149 | | | | | | | |
| 2 Elégies, op. 149: No. 1. Andante con moto | | | | | | | |
| 2 Elégies, op. 149: No. 2. Andante | | | | | | | |
| 2 Études mélodiques, op. 130 | | | | | | | |
| 2 Fantasie-Stücke für Cello und Piano, op. 86 | | | | | | | |
| 2 Fantasie-Stücke für Cello und Piano, op. 86: No. 1. Begegnung | | | | | | | |
| 2 Fantasie-Stücke für Cello und Piano, op. 86: No. 2. Erinnerung | | | | | | | |
| 2 Fantasiestücke, op. 58 | | | | | | | |
| 2 Fantasiestücke, op. 58: No. 1. Andantino | | | | | | | |
| 2 Fantasiestücke, op. 58: No. 2. Andantino quasi larghetto | | | | | | | |
| 2 Méditations, op. 147 | | | | | | | |
| 2 Morceaux lyriques, op. 115 | | | | | | | |
| 2 Morceaux lyriques, op. 115: No. 1. Moderato | | | | | | | |
| 2 Morceaux lyriques, op. 115: No. 2. Allegro vivace | | | | | | | |
| 2 Paraphrases de Salon, op. 65 | | | | | | | |
| 2 Piano Pieces, op. 157 | | | | | | | |
| 2 Piano Pieces, op. 157: No. 1. Cavatine | | | | | | | |
| 2 Piano Pieces, op. 157: No. 2. La Fileuse | | | | | | | |
| 2 Piano Quartets, op. 202 | | | | | | | |
| 2 Pieces, op. 166 | | | | | | | |
| 2 Pieces, op. 166: No. 1. Idylle: Andante | | | | | | | |
| 2 Pieces, op. 166: No. 2. Valse Champêtre: Allegro | | | | | | | |
| 2 Pieces, op. 169 | | | | | | | |
| 2 Pieces, op. 169: No. 1. Romance. Quasi adagio | | | | | | | |
| 2 Pieces, op. 169: No. 2. Valse brillante. Allegro | | | | | | | |
| 2 Romances, op. 152 | | | | | | | |
| 2 Romances, op. 152: No. 1. Andante con moto | | | | | | | |
| 2 Romances, op. 152: No. 2. Andante | | | | | | | |
| 2 Romances, op. 182 | | | | | | | |
| 3 Duos on Themes from Richard Wagner’s Operas, op. 63 | | | | | | | |
| 3 Piano Pieces, op. 125 | | | | | | | |
| 3 Piano Pieces, op. 126 | | | | | | | |
| 3 Piano Pieces, op. 164 | | | | | | | |
| 3 Sonatilles, op. 99 | | | | | | | |
| 3 String Quartets, op. 192 | | | | | | | |
| 4 Galops brillants, op. 5 | | | | | | | |
| 4 Galops brillants, op. 5 | | | | | | | |
| 4 Galops brillants, op. 5: No. 1. Allegro | | | | | | | |
| 4 Galops brillants, op. 5: No. 1. La Capricieuse | | | | | | | |
| 4 Galops brillants, op. 5: No. 2. Allegro | | | | | | | |
| 4 Galops brillants, op. 5: No. 2. La Coquette | | | | | | | |
| 4 Galops brillants, op. 5: No. 3. Allegro | | | | | | | |
| 4 Galops brillants, op. 5: No. 3. La Gracieuse | | | | | | | |
| 4 Galops brillants, op. 5: No. 4. Allegro | | | | | | | |
| 4 Galops brillants, op. 5: No. 4. La Baccante | | | | | | | |
| 6 Gesänge, op. 184 | | | | | | | |
| 6 Morceaux, op. 85 | | | | | | | |
| 6 Poèmes, op. 15 | | | | | | | |
| 6 Poèmes, op. 15: No. 1. Passion calmé. Andantino – Allegretto non troppo vivo – Tempo primo – Presto giojoso | | | | | | | |
| 6 Poèmes, op. 15: No. 2. De loin. Andante quasi larghetto | | | | | | | |
| 6 Poèmes, op. 15: No. 3. Les amoureux. Scherzo a due: Allegretto quasi allegro – Quasi andante (Cadenza) – Tempo I | | | | | | | |
| 6 Poèmes, op. 15: No. 4. La larme. Quasi larghetto | | | | | | | |
| 6 Poèmes, op. 15: No. 5. Chanson suisse. Andante | | | | | | | |
| 6 Poèmes, op. 15: No. 6. Gigue. Presto – A tempo – Più mosso | | | | | | | |
| 8 Gesänge, op. 173 | | | | | | | |
| 10 Gesänge für gemischten Chor, op. 198 | | | | | | | |
| 12 Romances en forme d’etudes, op. 8 | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 1. L’Abbandonata: Allegro moderato | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 2. Pastorale: Andante | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 3. Il Fuggitivo: Allegro agitato quasi presto | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 4. L’Amicizia: Andantino | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 5. Il Pianto dell’ Amante: Adagio ma non troppo | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 6. Il Delirio: Allegro molto agitato cioè smanioso | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 7. Barcarola: Allegretto | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 8. Preghiera: Andante religioso | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 9. Il Gladiatori: Presto di bravura | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 10. Mazurka: Allegro moderato | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 11. La Contentezza: Andante | | | | | | | |
| 12 Romances en forme d’etudes, op. 8: No. 12. Polonaise: Alla Polacca | | | | | | | |
| Abends, op. 163b | | | | | | | |
| Abendsegen, op. 122 no. 9 | | | | Song | | | |
| Album lyrique, op. 17 | | | | | | | |
| Album lyrique, op. 17: No. 1. Rêverie. Larghetto rubato | | | | | | | |
| Album lyrique, op. 17: No. 2. Rêverie. Lento | | | | | | | |
| Album lyrique, op. 17: No. 3. Rêverie. Andante con moto, quasi allegretto | | | | | | | |
| Album lyrique, op. 17: No. 4. Romance. Moderato | | | | | | | |
| Album lyrique, op. 17: No. 5. Ballade. Allegro | | | | | | | |
| Album lyrique, op. 17: No. 6. Nocturne. Lento | | | | | | | |
| Album lyrique, op. 17: No. 7. Nocturne. Larghetto | | | | | | | |
| Album lyrique, op. 17: No. 8. Scherzo. Allegro | | | | | | | |
| Album lyrique, op. 17: No. 9. Introduction and Fugue. Allegro | | | | | | | |
| Allegro agitato, op. 151 | | | | | | | |
| Alpenjägerlied, op. 195 no. 3 | | | | Song | | | |
| Andante Finale und Marsch aus der Oper König Alfred, S. 421 | | | | | | | |
| Andante finale und Marsch aus der Oper König Alfred, S. 421: Nr. 1. Andante finale | | | | | | | |
| Andante finale und Marsch aus der Oper König Alfred, S. 421: Nr. 2. Marsch | | | | | | | |
| Aus dem Tanzsalon, op. 174 | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 1. Präludium | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 2. Quadrille | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 3. Walzer | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 4. Galopp | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 5. Ländler | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 6. Polka | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 7. Ungarischer | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 8. Mazurka | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 9. Spanisch | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 10. Tarantella | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 11. Polonaise | | | | | | | |
| Aus dem Tanzsalon, op. 174: No. 12. Russisch | | | | | | | |
