| 1966 | A Midsummer Night’s Dream | Britten; Alfred Deller, Elizabeth Harwood, Peter Pears, Thomas Hemsley, Josephine Veasey, Heather Harper, Stephen Terry, John Shirley‐Quirk, Helen Watts, Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, London Symphony, Benjamin Britten | | 2 |
| 1973 | La bohème | Puccini; Freni, Pavarotti, Harwood, Panerai, Maffeo, Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | | 8 |
| 1980 | St. Cecilia Mass (1720) | A. Scarlatti; Elizabeth Harwood, Wendy Eathorne, Margaret Cable, Wynford Evans, Christopher Keyte, The Choir of St. John’s College, Cambridge, The Wren Orchestra, George Guest | | 1 |
| 1989 | Le Messie | Haendel; Elizabeth Harwood, Janet Baker, Paul Esswood, Raimund Herincx, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | | 1 |
| 1990 | Szenen aus Goethes Faust | Schumann; Benjamin Britten, Fischer‐Dieskau, Harwood, Pears, Shirley‐Quirk | | 2 |
| 1992 | Die lustige Witwe / Suppé: Ouvertüren | Franz Lehár, Franz von Suppé; Elizabeth Harwood, Teresa Stratas, Werner Hollweg, René Kollo, Milko Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | | 3 |
| 1992 | The Messiah | Handel; Elizabeth Harwood, Norma Procter, Alexander Young, John Shirley‐Quirk, Arnold Greir, The Royal Choral Society, Royal Philharmonic Orchestra, Malcolm Sargent | 5 | 5 |
| 1995 | The Midsummer Marriage: Opera in Three Acts | Tippett: Chorus and Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis, Alberto Remedios, Joan Carlyle, Elizabeth Harwood, Stuart Burrows, Helen Watts, Stafford Dean, Elizabeth Bainbridge | | 1 |
