| Carmen: Act I. “But why hasn’t she come, our Carmencita?” (Soldiers, Young Men, Cigarette Girls, Carmen) | | | | | | | |
| Carmen: Act I. “Careful—it’s the lieutenant” (Don José, Zuniga, Carmen) | | | | | | | |
| Carmen: Act I. “Carmen! We will follow you high and low!” (Young Men, Carmen, Don José, Cigarette Girls) | | | | | | | |
| Carmen: Act I. “Love’s a bird wild as any rebel” (Carmen, Cigarette Girls, Young Men, Soldiers) | | | | | | | |
| Carmen: Act I. “There’s an old bar in the city” (Carmen, Don José) | | | | | | | |
| Carmen: Act I. “Well, Carmencita: what do you have to say for yourself?” (Zuniga, Carmen) | | | | | | | |
| Carmen: Act I. “Where are you taking me?” (Carmen, Don José) | | | | | | | |
| Carmen: Act II. “Back to camp!… Go at once!” (Carmen, Don José) | | | | | | | |
| Carmen: Act II. “Being in love is not a reason” (Dancaïre, Carmen, Frasquita, Mercédès, Don José) | | | | | | | |
| Carmen: Act II. “Bravo! bravo! More! Keep dancing!” (Zuniga, Frasquita, Mercédès, Carmen) | | | | | | | |
| Carmen: Act II. “From far away mysterious sounds” (Carmen, Frasquita, Mercédès) | | | | | | | |
| Carmen: Act II. “Hello! Carmen!” (Zuniga, Don José, Carmen) | | | | | | | |
| Carmen: Act II. “Hurrah! Hurrah! The Torero!” (Zuniga, Officers, Friends of Escamillo, Mercédès, Frasquita, Carmen, Moralès, Escamillo) | | | | | | | |
| Carmen: Act II. “La la la la la la la…” (Carmen, Don José) | | | | | | | |
| Carmen: Act II. “Lieutenant fair, it’s true” (Carmen, Remendado, Dancaïre, Gipsies, Zuniga, Don José, Frasquita, Mercédès) | | | | | | | |
| Carmen: Act II. “No, it’s not love at all!” (Carmen, Don José) | | | | | | | |
| Carmen: Act II. “The sky above the open road” (Gipsies, Frasquita, Mercédès, Carmen, Don José, Remendado, Dancaïre) | | | | | | | |
| Carmen: Act II. “There’s a little job that we're starting!” (Dancaïre, Mercédès, Frasquita, Remendado, Carmen) | | | | | | | |
| Carmen: Act II. “To bid you welcome to our bar” (Carmen) | | | | | | | |
| Carmen: Act II. “We’ll come with you, Señor Torero” (Zuniga, Escamillo, Friends of Escamillo, Carmen, Frasquita, Mercédès) | | | | | | | |
| Carmen: Act II. “You’re most kind” (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Officers, Friends of Escamillo) | | | | | | | |
| Carmen: Act III. “As for that man, it should be easy!” (Frasquita, Mercédès, Carmen, Gipsies, Remendado, Dancaïre) | | | | | | | |
| Carmen: Act III. “Holà! holà! José!” (Carmen, Escamillo, Dancaïre) | | | | | | | |
| Carmen: Act III. “In vain you would avoid the bitter things they’re saying” (Carmen, Frasquita, Mercédès) | | | | | | | |
| Carmen: Act III. “Keep going, dear old friend keep going!” (Gipsies, Frasquita, Mercédès, Carmen, Don José, Remendado, Dancaïre) | | | | | | | |
| Carmen: Act III. “Right! Let’s stop for a while” (Dancaïre, Don José, Carmen) | | | | | | | |
| Carmen: Act III. “Shuffle! Cut them!” (Frasquita, Mercédès, Carmen) | | | | | | | |
| Carmen: Act III. “You should take care, Carmen” (Don José, Dancaïre, Gipsies, Remendado, Carmen, Micaëla, Frasquita, Mercédès) | | | | | | | |
| Carmen: Act III. “You're back!” (Frasquita, Dancaïre, Mercédès, Carmen, Remendado, Don José) | | | | | | | |
| Carmen: Act IV. “If you love me, Carmen” (Escamillo, Carmen, Cordeliers, Frasquita, Mercédès) | | | | | | | |
| Carmen: Act IV. “It’s you! — It’s me!” (Carmen, Don José) | | | | | | | |
| Carmen: Act IV. “Viva!, Viva! What a corrida!” (Crowd, Don José, Carmen) | | | | | | | |
| Elijah, op. 70: Air - "Woe unto them who forsake Him" | | | | | | | |
| Elijah, op. 70: Air (Angel) - "O rest in the Lord" | | | | | | | |
| Elijah, op. 70: Recitative (Angel) - "Elijah! Get thee hence" | | | | | | | |
| Elijah, op. 70: Recitative (Elijah, Angel) - "Night falleth 'round me" | | | | | | | |
| Elijah, op. 70: Recitative, Quartet and Chorus - "Above him stood the seraphim" | | | | | | | |
| Ermione: Act I, scena I. “Io ti perdei!” (Andromaca, Cefisa, Fenicio, Attalo, Chorus) | | | | | | | |
| Ermione: Act I, scena I. Cavatina "Mia delizia! un solo istante" (Andromaca, Cefisa, Fenicio, Attalo, Chorus) | | - Josef Veselka, Simone Alaimo, Mario Bolognesi, Chœur philharmonique de Prague, Elisabetta Tandura, Margarita Zimmermann, Orchestre Philharmonique de Monte‐Carlo, Claudio Scimone
- Patricia Bardon, Graeme Broadbent, Loïc Félix, Geoffrey Mitchell Choir, Victoria Simmonds, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act I, scena I. Coro d'introduzione "Troia! qual fosti un di!" (Fenicio, Andromaca, Cefisa, Attalo) | | - Simone Alaimo, Mario Bolognesi, Elisabetta Tandura, Margarita Zimmermann, Orchestre Philharmonique de Monte‐Carlo, Claudio Scimone
- Patricia Bardon, Graeme Broadbent, Loïc Félix, Victoria Simmonds, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act I, scena I. Scena "All' ombra del tuo sposo" (Attalo, Fenicio, Andromaca, Cefisa) | | - Simone Alaimo, Mario Bolognesi, Elisabetta Tandura, Margarita Zimmermann, Orchestre Philharmonique de Monte‐Carlo, Claudio Scimone
- Patricia Bardon, Graeme Broadbent, Loïc Félix, Victoria Simmonds, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act I, scena IV. Allegro "Non pavento: quest'alma" (Pirro, Chorus, Ermione, Andromaca, Oreste, Pilade, Attalo, Fenicio) | | - Josef Veselka, Simone Alaimo, Mario Bolognesi, Cecilia Gasdia, William Matteuzzi, Chris Merritt, Ernesto Palacio, Chœur philharmonique de Prague, Margarita Zimmermann, Orchestre Philharmonique de Monte‐Carlo, Claudio Scimone
- Patricia Bardon, Bülent Bezdüz, Graeme Broadbent, Loïc Félix, Geoffrey Mitchell Choir, Carmen Giannattasio, Colin Lee, Paul Nilon, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act I, scena IV. Aria "Balena in man del figlio" (Pirro, Ermione, Andromaca, Pilade, Oreste, Fenicio, Chorus) | | - Josef Veselka, Simone Alaimo, Cecilia Gasdia, William Matteuzzi, Chris Merritt, Ernesto Palacio, Chœur philharmonique de Prague, Margarita Zimmermann, Orchestre Philharmonique de Monte‐Carlo, Claudio Scimone
- Patricia Bardon, Bülent Bezdüz, Graeme Broadbent, Geoffrey Mitchell Choir, Carmen Giannattasio, Colin Lee, Paul Nilon, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act I, scena IV. Recitativo "Mi guarda, e impallidisce!" (Ermione, Pilade, Oreste, Andromaca, Pirro, Fenicio) | | - Simone Alaimo, Cecilia Gasdia, William Matteuzzi, Chris Merritt, Ernesto Palacio, Margarita Zimmermann, Orchestre Philharmonique de Monte‐Carlo, Claudio Scimone
- Patricia Bardon, Bülent Bezdüz, Graeme Broadbent, Carmen Giannattasio, Colin Lee, Paul Nilon, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act I, scena IV. Scena "Periglioso e il restar" (Pilade, Andromaca, Fenicio) | | | | | | | |
| Ermione: Act I, scena VI. “Dal valor de’ detti tuoi” (Pirro, Ermione, Cleone, Andromaca, Cefisa, Oreste, Pilade, Attalo, Fenicio) | | - Patricia Bardon, Bülent Bezdüz, Rebecca Bottone, Graeme Broadbent, Loïc Félix, Carmen Giannattasio, Colin Lee, Paul Nilon, Victoria Simmonds, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act I, scena VI. “Pirro, deh serbami” (Ermione, Cleone, Andromaca, Cefisa, Oreste, Pilade, Pirro, Attalo, Fenicio, Chorus) | | - Patricia Bardon, Bülent Bezdüz, Rebecca Bottone, Graeme Broadbent, Loïc Félix, Geoffrey Mitchell Choir, Carmen Giannattasio, Colin Lee, Paul Nilon, Victoria Simmonds, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act I, scena VI. Andante "Sperar poss'io ?" (Ermione, Pirro, Cleone, Andromaca, Cefisa, Oreste, Pilade, Attalo, Fenicio) | | - Simone Alaimo, Mario Bolognesi, Cecilia Gasdia, William Matteuzzi, Chris Merritt, Ernesto Palacio, Elisabetta Tandura, Margarita Zimmermann, Orchestre Philharmonique de Monte‐Carlo, Claudio Scimone
- Patricia Bardon, Bülent Bezdüz, Rebecca Bottone, Graeme Broadbent, Loïc Félix, Carmen Giannattasio, Colin Lee, Paul Nilon, Victoria Simmonds, London Philharmonic Orchestra, David Parry
| | | | | |
| Ermione: Act II, scena I. Duetto "Ombra del caro sposo" (Andromaca, Pirro) | | | | | | | |
| Ermione: Act II, scena I. Duetto "Vieni a giurar" (Pirro, Andromaca) | | | | | | | |
| Ermione: Act II, scena I. Recitativo "Liete novelle" (Attalo, Pirro, Andromaca) | | | | | | | |
| Ermione: Act II, scena II. Recitativo "Sia compiuto il mio fato" (Andromaca, Ermione, Fenicio, Cleone) | | - Simone Alaimo, Cecilia Gasdia, Elisabetta Tandura, Margarita Zimmermann, Orchestre Philharmonique de Monte‐Carlo, Claudio Scimone
- Patricia Bardon, Rebecca Bottone, Graeme Broadbent, Carmen Giannattasio, London Philharmonic Orchestra, David Parry
| | | | | |
| Mass "Cum jubilo", op. 11: I. Kyrie | | - Chorale Stéphane Caillat, Roger Soyer, Marie-Madeleine Duruflé, Orchestre national de l’O.R.T.F., Maurice Duruflé
- Choir of Trinity College, Mark Griffiths, Richard Pearce, London Musici, Richard Marlow
- Thomas Hampson, Orfeón Donostiarra, Marie‐Claire Alain, Orchestre national du Capitole de Toulouse, Michel Plasson
- The Choir of Manchester Cathedral, Jeffrey Makinson, Christopher Stokes
- (show 15 more)
| | | | | |
| Mass "Cum jubilo", op. 11: II. Gloria | | - Chorale Stéphane Caillat, Roger Soyer, Marie-Madeleine Duruflé, Orchestre national de l’O.R.T.F., Maurice Duruflé
- Choir of Trinity College, Mark Griffiths, Richard Pearce, London Musici, Richard Marlow
- Thomas Hampson, Orfeón Donostiarra, Marie‐Claire Alain, Orchestre national du Capitole de Toulouse, Michel Plasson
- The Choir of Manchester Cathedral, Jeffrey Makinson, Christopher Stokes
- (show 14 more)
| | | | | |
| Mass "Cum jubilo", op. 11: III. Sanctus | | - Chorale Stéphane Caillat, Roger Soyer, Marie-Madeleine Duruflé, Orchestre national de l’O.R.T.F., Maurice Duruflé
- Choir of Trinity College, Mark Griffiths, Richard Pearce, London Musici, Richard Marlow
- Thomas Hampson, Orfeón Donostiarra, Marie‐Claire Alain, Orchestre national du Capitole de Toulouse, Michel Plasson
- The Choir of Manchester Cathedral, Jeffrey Makinson, Christopher Stokes
- (show 15 more)
| | | | | |
| Mass "Cum jubilo", op. 11: IV. Benedictus | | - Chorale Stéphane Caillat, Roger Soyer, Marie-Madeleine Duruflé, Orchestre national de l’O.R.T.F., Maurice Duruflé
- Choir of Trinity College, Mark Griffiths, Richard Pearce, London Musici, Richard Marlow
- Thomas Hampson, Orfeón Donostiarra, Marie‐Claire Alain, Orchestre national du Capitole de Toulouse, Michel Plasson
- The Choir of Manchester Cathedral, Jeffrey Makinson, Christopher Stokes
- (show 14 more)
| | | | | |
| Mass "Cum jubilo", op. 11: V. Agnus Dei | | - Chorale Stéphane Caillat, Roger Soyer, Marie-Madeleine Duruflé, Orchestre national de l’O.R.T.F., Maurice Duruflé
- Choir of Trinity College, Mark Griffiths, Richard Pearce, London Musici, Richard Marlow
- Thomas Hampson, Orfeón Donostiarra, Marie‐Claire Alain, Orchestre national du Capitole de Toulouse, Michel Plasson
- The Choir of Manchester Cathedral, Jeffrey Makinson, Christopher Stokes
- (show 14 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) | | - Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- Anna Reynolds, London Philharmonic Orchestra, Karl Richter
- Yvonne Minton, English Chamber Orchestra, Johannes Somary
- Yoshikazu Mera, Bach Collegium Japan, Masaaki Suzuki
- (show 80 more)
| | | | | |
| Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) | | - The English Concert Choir, Anne Sofie von Otter, The English Concert, Trevor Pinnock
- Simon Preston, Christ Church Cathedral Choir, Oxford, Carolyn Watkinson, Academy of Ancient Music, Christopher Hogwood
- London Philharmonic Orchestra, Karl Richter
- Academy of St. Martin in the Fields Chorus, Anna Reynolds, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 100 more)
| | Aria | | | |
| Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) | | | | | | | |
| Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) | | - Yvonne Minton, Margaret Price, English Chamber Orchestra, Johannes Somary
- Judith Nelson, Academy of Ancient Music, Christopher Hogwood
- April Cantelo, London Philharmonic Orchestra, Walter Süsskind
- Elsie Morison, Marjorie Thomas, Royal Liverpool Philharmonic Orchestra, Sir Malcolm Sargent
- (show 93 more)
| | Aria | | | |
| Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) | | | | Aria | | | |
| Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) | | | | | | | |
| Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) | | - Yvonne Minton, Alexander Young, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Michael Chance, Howard Crook, The English Concert, Trevor Pinnock
- John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
- (show 61 more)
| | | | | |
| Quatre motets sur des thèmes grégoriens, op. 10: No. 1. Ubi caritas et amor | | | | Motet | | | |
| Quatre motets sur des thèmes grégoriens, op. 10: No. 2: Tota pulchra es | | | | Motet | | | |
| Quatre motets sur des thèmes grégoriens, op. 10: No. 3: Tu es Petrus | | | | Motet | | | |
| Quatre motets sur des thèmes grégoriens, op. 10: No. 4: Tantum ergo | | | | Motet | | | |
| Requiem, op. 9: I. Introït | | | | | | | |
| Requiem, op. 9: II. Kyrie | | - Dame Janet Baker, Choir of King’s College, Cambridge, Stephen Roberts, John Butt, Timothy Hugh, Philip Ledger
- Jean Sourisse, Chœur de l'Orchestre Colonne, Ensemble Vocal “Audite Nova” de Paris, Philippe Corboz, Orchestre Colonne, Michel Corboz
- Choir of St John’s College, Cambridge, George Guest
- Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest
- (show 16 more)
| | | | | |
| Requiem, op. 9: III. Domine Jesu Christe | | - Jean Sourisse, Chœur de l'Orchestre Colonne, Ensemble Vocal “Audite Nova” de Paris, Philippe Corboz, Orchestre Colonne, Michel Corboz
- Corydon Singers, English Chamber Orchestra, Matthew Best
- Choir of New College Oxford, David Burchell, Edward Higginbottom
- The Choir of Magdalen College, Oxford, Peter Harvey, Martin Ford, English Sinfonia, Bill Ives
- (show 13 more)
| | | | | |
| Requiem, op. 9: IV. Sanctus | | - Ensemble vocal Michel Piquemal, Éric Lebrun, Orchestre de la Cité, Michel Piquemal
- Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw
- Choir of New College Oxford, Edward Higginbottom
- Choir of King’s College, Cambridge, Peter Barley, English Chamber Orchestra, Stephen Cleobury
- (show 13 more)
| | | | | |
| Requiem, op. 9: IX. In Paradisum | | - Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest
- Dame Janet Baker, Choir of King’s College, Cambridge, Stephen Roberts, John Butt, Timothy Hugh, Philip Ledger
- Jean Sourisse, Chœur de l'Orchestre Colonne, Ensemble Vocal “Audite Nova” de Paris, Philippe Corboz, Orchestre Colonne, Michel Corboz
- The Gents, Erwin Wiersinga, Peter Dijkstra
- (show 16 more)
| | | | | |
| Requiem, op. 9: V. Pie Jesu | | - Atlanta Symphony Orchestra Chorus, Atlanta Symphony Orchestra, Robert Shaw
- Béatrice Uria‐Monzon, Eric Lebrun, François Poly, Michel Piquemal
- Jean Sourisse, Chœur de l'Orchestre Colonne, Ensemble Vocal “Audite Nova” de Paris, Philippe Corboz, Orchestre Colonne, Michel Corboz
- Ann Murray, Thomas Trotter, Matthew Best
- (show 15 more)
| | | | | |
| Requiem, op. 9: VI. Agnus Dei | | - Dame Janet Baker, Choir of King’s College, Cambridge, Stephen Roberts, John Butt, Timothy Hugh, Philip Ledger
- Jean Sourisse, Chœur de l'Orchestre Colonne, Ensemble Vocal “Audite Nova” de Paris, Philippe Corboz, Orchestre Colonne, Michel Corboz
- Choir of St John’s College, Cambridge, George Guest
- Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest
- (show 16 more)
| | | | | |
| Requiem, op. 9: VII. Lux aeterna | | - Dame Janet Baker, Choir of King’s College, Cambridge, Stephen Roberts, John Butt, Timothy Hugh, Philip Ledger
- Jean Sourisse, Chœur de l'Orchestre Colonne, Ensemble Vocal “Audite Nova” de Paris, Philippe Corboz, Orchestre Colonne, Michel Corboz
- Choir of St John’s College, Cambridge, George Guest
- Choir of St John’s College, Cambridge, Stephen Cleobury, George Guest
- (show 14 more)
| | | | | |
| Requiem, op. 9: VIII. Libera me | | - Dame Janet Baker, Choir of King’s College, Cambridge, Stephen Roberts, John Butt, Timothy Hugh, Philip Ledger
- Jean Sourisse, Chœur de l'Orchestre Colonne, Ensemble Vocal “Audite Nova” de Paris, Philippe Corboz, Orchestre Colonne, Michel Corboz
- The Gents, Mattijs van de Woerd, Erwin Wiersinga, Peter Dijkstra
- Choir of St John’s College, Cambridge, George Guest
- (show 14 more)
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