| “Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” | | - The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
- Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras
- (show 10 more)
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| Cantata: A Lyke-Wake Dirge (Versus I. Prelude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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| Cantata: A Lyke-Wake Dirge (Versus II. 1st Interlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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| Cantata: A Lyke-Wake Dirge (Versus III. 2nd Interlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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| Cantata: A Lyke-Wake Dirge (Versus IV. Postlude) | | - London Sinfonietta Chorus, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Choir of St. Mary's Cathedral, Edinburgh, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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| Cantata: Ricercar I (Soprano) The Maidens Came | | - Yvonne Kenny, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Ruby Hughes, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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| Cantata: Ricercar II (Tenor) Tomorrow Shall Be (Sacred History) | | - John Aler, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Nicholas Mulroy, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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| Cantata: Westron Wind (Soprano and Tenor) | | - Yvonne Kenny, John Aler, London Sinfonietta, Esa-Pekka Salonen
- Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky
- Ruby Hughes, Nicholas Mulroy, Scottish Chamber Orchestra Soloists, Duncan Ferguson
- Schönberg Ensemble, Nederlands Kamerkoor, Reinbert de Leeuw, Rosemary Hardy, Ian Bostridge
- (show 3 more)
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| Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: II. Praise Him, All Ye That in His House | | | | | | | |
| Chandos Anthem no. 9 in E-flat major "O Praise the Lord With One Consent", HWV 254: III. For This Our Truest Int'rest Is | | | | | | | |
| Eine Faust-Symphonie, S. 108: III. Mephistopheles. Allegro vivace, ironico | | | | | | | |
| Eine Faust-Symphonie, S. 108: IV. Chorus mysticus | | - Boston Symphony Orchestra, Tanglewood Festival Chorus, Leonard Bernstein, Kenneth Riegel
- Charles Bressler, Choral Art Society, New York Philharmonic, Leonard Bernstein
- Vinson Cole, Chor der Staatsoper Dresden, Staatskapelle Dresden, Giuseppe Sinopoli
- Hungarian State Choir, András Molnar, Orchestra of the Ferenc Liszt Academy, András Ligeti
- (show 16 more)
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| Gurre-Lieder | | | | Cantata | | | 5 |
| Gurre-Lieder: Part III: Orchestral Prelude - Waldemar: "Erwacht, König Waldemars Mannen Wert!" | | - Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado
- Yvonne Minton, BBC Singers, Jess Thomas, Kenneth Bowen, Goldsmith's Choral Union, BBC Symphony Chorus, Marita Napier, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Boston Symphony Orchestra, Seiji Ozawa
- Philharmonia Orchestra, Robert Craft
- (show 14 more)
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| Gurre-Lieder: Part III: Waldemar: "Du strenger Richter droben" | | - Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado
- Yvonne Minton, BBC Singers, Jess Thomas, Kenneth Bowen, Goldsmith's Choral Union, BBC Symphony Chorus, Marita Napier, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Boston Symphony Orchestra, Seiji Ozawa
- Philharmonia Orchestra, Robert Craft
- (show 13 more)
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| Gurre-Lieder: Part III: Waldemar: "Mit Toves Stimme flüstert der Wald" | | - Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado
- Yvonne Minton, BBC Singers, Jess Thomas, Kenneth Bowen, Goldsmith's Choral Union, BBC Symphony Chorus, Marita Napier, Siegmund Nimsgern, Günter Reich, BBC Symphony Orchestra, Pierre Boulez
- Berliner Philharmoniker, Sir Simon Rattle
- Boston Symphony Orchestra, Seiji Ozawa
- (show 14 more)
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| Harmoniemesse, Hob. XXII:14: Agnus Dei: Agnus Dei | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Agnus Dei: Dona nobis pacem | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Benedictus | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Credo: Credo in unum Deum | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Credo: Et incarnatus est | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Credo: Et resurrexit | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Gloria: Gloria in excelsis Deo | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Gloria: Gratias agimus tibi | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Gloria: Quoniam tu solus Sanctus | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Kyrie | | | | | | | |
| Harmoniemesse, Hob. XXII:14: Sanctus | | | | | | | |
| Iolanthe: Act II, No. 25, Finale, “Soon as We May, Off and Away” (Ensemble) | | - Gilbert & Sullivan
- Kate Flowers, Beverley Mills, Anne Collins, Thomas Hemsley, Derek Hammond-Stroud, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Sir Malcolm Sargent, Full Cast & Chorus
- Phil Blake, Philip Blake-Jones, Philip Creasy, D'Oyly Carte Opera Chorus, Jill Pert, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- (show 5 more)
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| Israel in Egypt, HWV 54: Part II, no. 1: Recitative "Now these arose a new king over Egypt" (tenor) | | | | | | | |
| Israel in Egypt, HWV 54: Part II, no. 3: Recitative "Then sent he Moses" (tenor) | | | | | | | |
| Israel in Egypt, HWV 54: Part III, no. 28: Air "The enemy said" (tenor) | | | | | | | |
| Israel in Egypt, HWV 54: Part III, no. 32: Duet "Thou in thy mercy" (alto I, tenor) | | | | | | | |
| Israel in Egypt, HWV 54: Part III, no. 36: Recitative "For the horse of Pharaoh" (tenor) | | | | | | | |
| Israel in Egypt, HWV 54: Part III, no. 38: Recitative "And Miriam the prophetess (tenor) | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil I. No. 13 Aria (Tenor) "Ach, mein Sinn" | | | | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 34 Arioso (Tenor) "Mein Herz, in dem die ganze Welt" | | | | | | | |
| Judas Maccabaeus, HWV 63: No. 1: Overture | | | | Overture | | | |
| Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) | | - Alexander Young, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- Howard Crook, The English Concert, Trevor Pinnock
- (show 70 more)
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| Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) | | | | | | | |
| Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) | | | | | | | |
| Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) | | - Yvonne Minton, Alexander Young, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Michael Chance, Howard Crook, The English Concert, Trevor Pinnock
- John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
- (show 61 more)
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| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | | | | | | | |
| The Kingdom, op. 51: I. In the Upper Room | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
- Susan Bickley, Hallé Choir, John Hudson, Iain Paterson, Claire Rutter, Sir Mark Elder
| | Oratorio | | | |
| The Kingdom, op. 51: II. At the Beautiful Gate | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
| | Oratorio | | | |
| The Kingdom, op. 51: III. Pentecost | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
- London Philharmonic Orchestra, Leonard Slatkin
| | Oratorio | | | |
| The Kingdom, op. 51: IV. The Sign of Healing | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
- London Philharmonic Orchestra, Leonard Slatkin
| | Oratorio | | | |
| The Kingdom, op. 51: Prelude | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- BBC Symphony Orchestra, Sir Edward Elgar
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
| | Oratorio | | | |
| The Kingdom, op. 51: V. The Upper Room | | - John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult
- London Philharmonic Orchestra, Leonard Slatkin
- Hallé Orchestra, Sir Mark Elder, Hallé Choir
| | Oratorio | | | |
| Theodora, HWV 68: Act I, Scene 2, no. 10. Recitative “I know thy virtues” (Septimius) | | | | | | | |
| Theodora, HWV 68: Act I, Scene 2, no. 11. Air “Descend, kind pity” (Septimius) | | | | Aria | | | |
| Theodora, HWV 68: Act I, Scene 5, no. 20. Recitative “Mistaken wretches” (Septimius) | | - Stuart Jackson, Arcangelo, Jonathan Cohen
- Amor Artis Chorale, Heather Harper, Alexander Young, Harold Lester, English Chamber Orchestra, Johannes Somary
- George Frideric Handel
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Michael Spyres, Il Pomo d’Oro, Maxim Emelyanychev
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| Theodora, HWV 68: Act II, Scene 1, no. 30. Chorus “Queen of summer, queen of love” (Chorus of Heathens) | | - Arcangelo, Jonathan Cohen
- Amor Artis Chorale, John Lawrenson, Harold Lester, English Chamber Orchestra, Johannes Somary
- Amor Artis Chorale, Alexander Young, Harold Lester, English Chamber Orchestra, Johannes Somary
- Gabrieli Consort & Players, Paul McCreesh
- (show 2 more)
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| Theodora, HWV 68: Act II, Scene 3, no. 40. Recitative “Long have I known thy friendly social soul” (Didymus, Septimius) | | - Amor Artis Chorale, Alexander Young, Harold Lester, English Chamber Orchestra, Johannes Somary
- Stuart Jackson, Tim Mead, Arcangelo, Jonathan Cohen
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Paul Agnew, Robin Blaze, Gabrieli Consort & Players, Paul McCreesh
- Paul-Antoine Bénos-Djian, Michael Spyres, Il Pomo d’Oro, Maxim Emelyanychev
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| Theodora, HWV 68: Act II, Scene 3, no. 42. Recitative “Oh, save her then” (Didymus, Septimius) | | - Amor Artis Chorale, Maureen Forrester, Alexander Young, Harold Lester, English Chamber Orchestra, Johannes Somary
- Stuart Jackson, Tim Mead, Arcangelo, Jonathan Cohen
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Paul Agnew, Robin Blaze, Gabrieli Consort & Players, Paul McCreesh
- Paul-Antoine Bénos-Djian, Michael Spyres, Il Pomo d’Oro, Maxim Emelyanychev
| | | | | |
| Theodora, HWV 68: Act III, Scene 4–5, no. 62. Recitative “Is it a Christian virtue then” (Valens, Didymus, Theodora, Septimius) | | - Amor Artis Chorale, Maureen Forrester, Heather Harper, Alexander Young, Harold Lester, English Chamber Orchestra, Johannes Somary
- Tim Mead, Adam Plachetka, Arcangelo, Jonathan Cohen
- Louise Alder, Stuart Jackson, Arcangelo, Jonathan Cohen
- Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 2 more)
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| Theodora, HWV 68: Act III, Scene 5, no. 63. Air “From virtue springs each gen’rous deed” (Septimius) | | - Stuart Jackson, Arcangelo, Jonathan Cohen
- Amor Artis Chorale, Maureen Forrester, Heather Harper, Alexander Young, Harold Lester, English Chamber Orchestra, Johannes Somary
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Paul Agnew, Gabrieli Consort & Players, Paul McCreesh
- Michael Spyres, Il Pomo d’Oro, Maxim Emelyanychev
| | | | | |
| Theodora, HWV 68: Act III, Scene 5, no. 67. Recitative “On me your frowns” (Didymus, Theodora, Valens) | | - Amor Artis Chorale, Maureen Forrester, Heather Harper, John Lawrenson, Alexander Young, Harold Lester, English Chamber Orchestra, Johannes Somary
- Louise Alder, Tim Mead, Adam Plachetka, Arcangelo, Jonathan Cohen
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Robin Blaze, Neal Davies, Susan Gritton, Gabrieli Consort & Players, Paul McCreesh
- Paul-Antoine Bénos-Djian, John Chest, Lisette Oropesa, Il Pomo d’Oro, Maxim Emelyanychev
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| Theodora, HWV 68: Act III, Scene 6, no. 69. Recitative “And must such beauty suffer?” (Didymus, Theodora, Septimius) | | - Amor Artis Chorale, Maureen Forrester, Heather Harper, John Lawrenson, Alexander Young, Harold Lester, English Chamber Orchestra, Johannes Somary
- Louise Alder, Stuart Jackson, Tim Mead, Arcangelo, Jonathan Cohen
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Paul Agnew, Robin Blaze, Susan Gritton, Gabrieli Consort & Players, Paul McCreesh
- Paul-Antoine Bénos-Djian, Lisette Oropesa, Michael Spyres, Il Pomo d’Oro, Maxim Emelyanychev
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