| vocals |
|---|
| 1957 | The Gondoliers: Act I. “From the sunny Spanish shore” (Duke, Duchess, Casilda, Luiz) | lead vocals [Luiz] | Gilbert & Sullivan | 1:37 |
| 1957 | The Gondoliers: Act I. “I stole the Prince” (Don Alhambra, Casilda, Luiz, Duke, Duchess) | lead vocals [Luiz] | Gilbert & Sullivan | 2:16 |
| 1957 | The Gondoliers: Act I. “In enterprise of martial kind” (Duke, Casilda, Duchess, Luiz) | lead vocals [Luiz] | Gilbert & Sullivan | 1:44 |
| 1959 | Iolanthe: Act II. “If you go in, you’re sure to win” (Tolloller, Mountararat, Lord Chancellor) | lead vocals [Earl Tolloller] | Gilbert & Sullivan | 2:33 |
| 1960-08 | Johannes-Passion, BWV 245, English version by Andrew Raeburn & Peter Pears, Part One: Aria: "Ah! My Soul, O Whither Wilt Thou Fly?" | tenor vocals | Choir of King’s College, Cambridge, Alexander Young, Philomusica of London, Sir David Willcocks | 3:23 |
| 1960-08 | Johannes-Passion, BWV 245, English version by Andrew Raeburn & Peter Pears, Part Two: Arioso: "My heart, behold how all the world" | tenor vocals | Choir of King’s College, Cambridge, Alexander Young, Philomusica of London, Sir David Willcocks | 0:55 |
| 1961-11-14 – 1961-11-16 | Il pirata: Atto I, Scena I. “Sorgete…lo sognai ferito, esangue” | tenor vocals | Maria Callas, Philharmonia Orchestra, Antonio Tonini | 9:23 |
| 1965-05-11 – 1965-05-22 | Every Valley Shall Be Exalted | tenor vocals | Alexander Young | 3:56 |
| 1965-05-11 – 1965-05-22 | Part I: Air - “Every Valley” | tenor vocals | Georg Friedrich Händel | 4:16 |
| 1965-05-11 – 1965-05-22 | Part I: Recit - “Comfort Ye” | tenor vocals | Alexander Young, Arnold Greir, The Royal Choral Society, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 3:36 |
| 1965-05-11 – 1965-05-22 | Part II: Air - “Behold and See If There Be Any Sorrow” | solo and tenor vocals | Georg Friedrich Händel | 2:15 |
| 1965-05-11 – 1965-05-22 | Part II: Air - “But Thou Didst Not Leave His Soul in Hell” | solo and tenor vocals | Alexander Young, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 2:30 |
| 1965-05-11 – 1965-05-22 | Part II: Air - “Thou Shalt Break Them” | solo and tenor vocals | Alexander Young, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 2:15 |
| 1965-05-11 – 1965-05-22 | Part II: Recit - “All That They See Him to Scorn” | solo and tenor vocals | Alexander Young, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 0:50 |
| 1965-05-11 – 1965-05-22 | Part II: Recit - “Thy Rebuke Hath Broken His Heart” | solo and tenor vocals | Alexander Young, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 2:05 |
| 1965-05-11 – 1965-05-22 | Part II: Recitative - “He That Dwelleth in Heaven” | solo and tenor vocals | Alexander Young, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 0:17 |
| 1965-07 | For This Our Truest Interest Is (Tenor Solo) | tenor vocals | Alexander Young, Andrew Davis, John Langdon, Academy of St Martin in the Fields, Sir David Willcocks | 2:40 |
| 1965-07 | Praise Him, All Ye That in This House Attend (Tenor Solo) | tenor vocals | Alexander Young, Andrew Davis, John Langdon, Academy of St Martin in the Fields, Sir David Willcocks | 3:10 |
| 1965-11-27 – 1966-02-10 | Cantata: A Lyke-Wake Dirge (Versus I. Prelude) | tenor vocals | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | 1:47 |
| 1965-11-27 – 1966-02-10 | Cantata: A Lyke-Wake Dirge (Versus II. 1st Interlude) | tenor vocals | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | 1:42 |
| 1965-11-27 – 1966-02-10 | Cantata: A Lyke-Wake Dirge (Versus III. 2nd Interlude) | tenor vocals | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | 1:42 |
| 1965-11-27 – 1966-02-10 | Cantata: A Lyke-Wake Dirge (Versus IV. Postlude) | tenor vocals | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | 2:27 |
| 1965-11-27 – 1966-02-10 | Cantata: Ricercar I (Soprano) The Maidens Came | tenor vocals | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | 4:46 |
| 1965-11-27 – 1966-02-10 | Cantata: Ricercar II (Tenor) Tomorrow Shall Be (Sacred History) | tenor vocals | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | 11:58 |
| 1965-11-27 – 1966-02-10 | Cantata: Westron Wind (Soprano and Tenor) | tenor vocals | Gregg Smith, Adrienne Albert, Gregg Smith Singers, Alexander Young, Columbia Chamber Ensemble, Igor Stravinsky | 2:13 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: I. Einleitung: Die Vorstellung des Chaos / Recitativ mit Chor: Im Anfange schuf Gott Himmel und Erde | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 9:15 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: II. Arie mit Chor: Nun schwanden vor dem heiligen Strahle - Verzweiflung, Wut und Schrecken | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 3:43 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IX. Rezitativ: Und die himmlischen Heerscharen verkündigten | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 0:14 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XI. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 0:44 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XII. Rezitativ: In vollem Glanze steiget jetzt | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 2:46 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XIII. Terzett mit Chor: Die Himmel erzählen die Ehre Gottes / Dem kommenden Tage sagt es der Tag | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 4:45 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: V. Terzett: In holder Anmut stehn | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 4:23 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VI. Terzett mit Chor: Der Herr ist groß in seiner Macht | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 2:18 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: X. Rezitativ: Und Gott schuf den Menschen | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 0:52 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XI. Arie: Mit Würd' und Hoheit angetan | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 3:24 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIV. Terzett: Zu dir, o Herr, blickt alles auf | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 4:49 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: I. Rezitativ: Aus Rosenwolken bricht | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 5:03 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: V. Rezitativ: O glücklich Parr, und glücklich immerfort | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 0:26 |
| 1966-05-17 – 1966-05-20 | Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: VI. Schlußchor (mit Soli): "Singt dem Herren, alle Stimmen! | tenor vocals [Uriel] | New York Philharmonic, Leonard Bernstein | 3:23 |
| 1966-08-04 – 1966-08-05 | Mass in B Flat 'Harmoniemesse': I. Kyrie | tenor vocals | Leader: Neville Marriner, The Choir of St John’s College, Cambridge, Joseph Rouleau, Erna Spoorenberg, Helen Watts, Alexander Young, Brian Runnett, The Academy of St. Martin-in-the-Fields, George Guest | 7:08 |
| 1966-08-04 – 1966-08-05 | Mass in B Flat 'Harmoniemesse': II. Gloria | tenor vocals | Leader: Neville Marriner, The Choir of St John’s College, Cambridge, Joseph Rouleau, Erna Spoorenberg, Helen Watts, Alexander Young, Brian Runnett, The Academy of St. Martin-in-the-Fields, George Guest | 10:25 |
| 1966-08-04 – 1966-08-05 | Mass in B Flat 'Harmoniemesse': III. Credo | tenor vocals | Leader: Neville Marriner, The Choir of St John’s College, Cambridge, Joseph Rouleau, Erna Spoorenberg, Helen Watts, Alexander Young, Brian Runnett, The Academy of St. Martin-in-the-Fields, George Guest | 10:20 |
| 1966-08-04 – 1966-08-05 | Mass in B Flat 'Harmoniemesse': IV. Sanctus | tenor vocals | Leader: Neville Marriner, The Choir of St John’s College, Cambridge, Joseph Rouleau, Erna Spoorenberg, Helen Watts, Alexander Young, Brian Runnett, The Academy of St. Martin-in-the-Fields, George Guest | 2:42 |
| 1966-08-04 – 1966-08-05 | Mass in B Flat 'Harmoniemesse': V. Benedictus | tenor vocals | Leader: Neville Marriner, The Choir of St John’s College, Cambridge, Joseph Rouleau, Erna Spoorenberg, Helen Watts, Alexander Young, Brian Runnett, The Academy of St. Martin-in-the-Fields, George Guest | 4:09 |
| 1966-08-04 – 1966-08-05 | Mass in B Flat 'Harmoniemesse': VI. Agnus Dei | tenor vocals | Leader: Neville Marriner, The Choir of St John’s College, Cambridge, Joseph Rouleau, Erna Spoorenberg, Helen Watts, Alexander Young, Brian Runnett, The Academy of St. Martin-in-the-Fields, George Guest | 5:55 |
| 1967-06 | Johannes-Passion: 13. Arie: Ach, mein Sinn (Tenor) | tenor vocals | Alexander Young, Royal Concertgebouw Orchestra, Eugen Jochum | 3:19 |
| 1967-09 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto Allegro assai | tenor vocals | Heather Harper, London Symphony Chorus, Donald McIntyre, Helen Watts, Alexander Young, London Symphony Orchestra, Leopold Stokowski | 26:09 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 1. Air: “Torments, alas!” (Samson) | tenor vocals [Samson] | George Frideric Handel | 5:10 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 1. Recitative: “This day, a solemn feast” (Samson) | tenor vocals [Samson] | George Frideric Handel | 0:39 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 1. Recitative: “Why by an angel” (Samson) | tenor vocals [Samson] | George Frideric Handel | 0:39 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 2. Air: “Total eclipse!” (Samson) | tenor vocals [Samson] | George Frideric Handel | 4:30 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 2. Recitative: “Whom have I to complain of but myself” (Samson, Micah) | tenor vocals [Samson] | George Frideric Handel | 1:34 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 2. Recitative: “Ye see, my friends” (Samson, Micah) | tenor vocals [Samson] | George Frideric Handel | 1:02 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 3. Air: “Why does the God of Israel sleep?” (Samson) | tenor vocals [Samson] | George Frideric Handel | 5:00 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 3. Recitative: “For thee, my dearest son” (Manoa, Samson) | tenor vocals [Samson] | George Frideric Handel | 1:56 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act I, Scene 3. Recitative: “Justly these evils have befall'n thy son” (Samson) | tenor vocals [Samson] | George Frideric Handel | 1:23 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 1. Recitative: “My evils hopeless are!” (Samson, Micah) | tenor vocals [Samson] | George Frideric Handel | 0:55 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Air: “Your charms to ruin led the way” (Samson) | tenor vocals [Samson] | George Frideric Handel | 3:41 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Duet: “Traitor to love!” (Dalila, Samson) | tenor vocals [Samson] | George Frideric Handel | 1:46 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Recitative: “But who is this?” (Micah, Samson) | tenor vocals [Samson] | George Frideric Handel | 1:14 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Recitative: “Did Love constrain thee?” (Samson) | tenor vocals [Samson] | George Frideric Handel | 0:37 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Recitative: “Ne'er think of that!” (Samson, Dalila) | tenor vocals [Samson] | George Frideric Handel | 1:45 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 2. Recitative: “With doubtful feet” (Dalila, Samson) | tenor vocals [Samson] | George Frideric Handel | 1:45 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 3. Recitative: “Favour'd of heaven is he” (Samson) | tenor vocals [Samson] | George Frideric Handel | 0:31 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 3. Recitative: “She's gone!” (Micah, Samson) | tenor vocals [Samson] | George Frideric Handel | 0:18 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 4. Duet: “Go, baffled coward, go” (Samson, Harapha) | tenor vocals [Samson] | George Frideric Handel | 2:32 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 4. Recitative: “Cam'st thou for this” (Samson, Harapha) | tenor vocals [Samson] | George Frideric Handel | 0:36 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act II, Scene 4. Recitative: “No words of peace” (Micah, Harapha, Samson) | tenor vocals [Samson] | George Frideric Handel | 1:53 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act III, Scene 1. Air: “Thus when the sun from's wat'ry bed” (Samson) | tenor vocals [Samson] | George Frideric Handel | 4:00 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act III, Scene 1. Recitative: “Be of good courage” (Samson, Micah, Harapha) | tenor vocals [Samson] | George Frideric Handel | 2:59 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act III, Scene 1. Recitative: “More trouble is behind” (Micah, Samson, Harapha) | tenor vocals [Samson] | George Frideric Handel | 1:33 |
| 1968-10 – 1968-11 | Samson, HWV 57: Act III, Scene 1. Recitative: “Reflect then, Samson” (Micah, Samson) | tenor vocals [Samson] | George Frideric Handel | 0:49 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: I. In the Upper Room: Men and brethren | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 5:31 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: I. In the Upper Room: O ye priests! | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 3:43 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: I. In the Upper Room: Seek first the Kingdom of God | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 8:37 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: II. At the Beautiful Gate | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 6:39 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: III. Pentecost: And suddenly there came from Heaven | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 15:00 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: III. Pentecost: And when the day of Pentecost | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 4:39 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: III. Pentecost: Repent, and be baptised | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 5:43 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: IV. The Sign of Healing: And as they spake…The Sun goeth down | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 11:09 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: IV. The Sign of Healing: Then they that gladly received his word | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 10:17 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: Prelude | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 7:47 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: V. The Upper Room: Our Father | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 5:29 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: V. The Upper Room: The voice of joy | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 6:46 |
| 1968-12-16 – 1968-12-22 | The Kingdom, op. 51: V. The Upper Room: Thou, Almighty God | tenor vocals [St. John] | John Alldis, London Philharmonic Choir, Yvonne Minton, Margaret Price, John Shirley‐Quirk, Alexander Young, London Philharmonic Orchestra, Sir Adrian Boult | 5:16 |
| 1969-01 | Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor) | tenor vocals | Paul Esswood, Alexander Young, English Chamber Orchestra, Charles Mackerras | 5:39 |
| 1969-01 | Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I) | tenor vocals | Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras | 0:57 |
| 1970-04 | Israel in Egypt, HWV 54, Part I - Exodus: 1. Recitative (Tenor): Now there arose a new king over Egypt | tenor vocals | Alexander Young, English Chamber Orchestra, Charles Mackerras | 0:24 |
| 1970-04 | Israel in Egypt, HWV 54, Part I - Exodus: 3. Recitative (Tenor): Then sent He Moses | tenor vocals | Alexander Young, English Chamber Orchestra, Charles Mackerras | 0:33 |
| 1970-04 | Israel in Egypt, HWV 54, Part II - Moses' Song: 21. Air (Tenor): The enemy said: "I will pursue" | tenor vocals | Alexander Young, English Chamber Orchestra, Charles Mackerras | 2:42 |
| 1970-04 | Israel in Egypt, HWV 54, Part II - Moses' Song: 24. Duet (Countertenor & Tenor): Thou in Thy mercy | tenor vocals | Paul Esswood, Alexander Young, English Chamber Orchestra, Charles Mackerras | 4:20 |
| 1970-04 | Israel in Egypt, HWV 54, Part II - Moses' Song: 28. Recitative (Tenor): For the horse of Pharaoh | tenor vocals | Alexander Young, English Chamber Orchestra, Charles Mackerras | 0:25 |
| 1970-04 | Israel in Egypt, HWV 54, Part II - Moses' Song: 29. Recitative (Tenor): And Miriam, the prophetess | tenor vocals | Alexander Young, English Chamber Orchestra, Charles Mackerras | 0:21 |
| 1970-07 | Messiah: Part I No. 2 Comfort ye my people (tenor recit) | solo and tenor vocals | Alexander Young, English Chamber Orchestra, Johannes Somary | 3:48 |
| 1970-07 | Messiah: Part I No. 2 Comfort ye my people (tenor recit) | tenor vocals | Alexander Young, English Chamber Orchestra, Johannes Somary | 3:48 |
| 1970-07 | Messiah: Part I No. 3 Ev´ry valley shall be exalted (tenor air) | solo and tenor vocals | Alexander Young, English Chamber Orchestra, Johannes Somary | 3:57 |
| 1970-07 | Messiah: Part I No. 3 Ev´ry valley shall be exalted (tenor air) | tenor vocals | Alexander Young, English Chamber Orchestra, Johannes Somary | 3:57 |
| 1970-07 | Messiah: Part II No. 27 All they that see Him (tenor recit) | solo and tenor vocals | Alexander Young, English Chamber Orchestra, Johannes Somary | 0:46 |
| 1970-07 | Messiah: Part II No. 29 Thy rebuke hath broken His Heart (tenor recit) | solo and tenor vocals | Alexander Young, English Chamber Orchestra, Johannes Somary | 1:54 |
| 1970-07 | Messiah: Part II No. 30 Behold, and see if there be any sorrow (tenor air) | solo and tenor vocals | Alexander Young, English Chamber Orchestra, Johannes Somary | 1:45 |
| See all 224 relationships |
| vocals |
|---|
| 1958 | The Yeomen of the Guard (Glyndebourne Festival Chorus, Pro Arte Orchestra feat. conductor: Sir Malcolm Sargent) | tenor vocals | Gilbert & Sullivan | |
| Gurrelieder / Suite for String Orchestra | tenor vocals | Schoenberg; János Ferencsik, Norman Del Mar | |
