Adagio for Strings | | | | | | | |
Alcina, HWV 34: Atto III, XXI. Tamburino | | | | | | | |
Aria from Overture no. 3, BWV 1068 | | | | | | | |
Armide, Wq. 45 | | | | Opera | | | |
Chorale from the Easter Cantata | | | | | | | |
Clair de lune from Suite bergamasque | | | | | | | |
Country Gardens | | | | Song | | - W-000209623 (BUMA/STEMRA ID)
- 20584AP (PRS tune code)
- (show 2 more)
- 221343 (SPA ID)
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Danny Boy | | | | Song | | | |
Early One Morning | | | | Song | | | |
Ein feste Burg is unser Gott | | | | | | | |
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I | | | | | | | |
Escales: I. Rome-Palermo. Calme | | | | | | | |
Escales: II. Tunis-Nefta. Modéré très rythmé | | | | | | | |
Escales: III. Valencia. Animé | | | | | | | |
Fantasia on a Theme by Thomas Tallis | | | | | | | |
Fugue in G minor, BWV 578 ("Little") | | | | | | | |
Geistliches Lied, BWV 478 “Komm, süßer Tod” | | | | | | | |
Goyescas: Intermezzo | | | | | | | |
Handel in the Strand | | | | | | | |
In the Steppes of Central Asia | | | | Symphonic poem | | | 3 |
Iphigénie en Aulide, Wq. 40 | | | | Opera | | | |
Irish Tune from County Derry | | | | | | | |
Jesu, Joy of Man’s Desiring, BWV 147/10 | | | | | | | |
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" | | | | | | | |
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” | | | | Song | | | |
Khovanshchina: Act 1 Prelude "Dawn on the Moscow River" | | | | | | | |
Khovanshchina: Act IV, Scene I. Dance of the Persian Slave Girls | | | | | | | |
Khovanshchina: Galitsyn's Journey | | | | | | | |
L’Oiseau de feu: I. Introduction | | | | | | | |
L’Oiseau de feu: I. L’Oiseau de feu et sa danse | | | | | | | |
L’Oiseau de feu: I. Variation de l’Oiseau de feu | | | | | | | |
L’Oiseau de feu: II. Ronde des princesses (Khorovode) | | | | | | | |
L’Oiseau de feu: III. Berceuse | | | | | | | |
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï | | | | | | | |
L’Oiseau de feu: III. Finale | | | | | | | |
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen | | | | | | | |
Les Préludes, S. 97 | | | | Symphonic poem | | | |
Mein Jesu, was für Seelenweh, BWV 487 | | | | | | | |
Mock Morris | | | | | | | |
Molly on the Shore | | | | | | | |
Moto perpetuo, op. 11, MS 72 | | | | | | | |
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo | | | | | | | |
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro | | | | | | | |
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio | | | | | | | |
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto | | | | | | | |
Nocturnes, L. 91, CD 98 : I. Nuages | | | | | | | |
Nocturnes, L. 91, CD 98 : II. Fêtes | | | | | | | |
Nocturnes, L. 91, CD 98 : III. Sirènes | | | | | | | |
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture | | - Musica Antiqua Köln, Reinhard Goebel
- Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
- Edith Picht‐Axenfeld, Karlheinz Zöller, Berliner Philharmoniker, Herbert von Karajan
- Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 94 more)
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Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau | | - Musica Antiqua Köln, Reinhard Goebel
- Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
- Aurèle Nicolet, Münchener Bach‐Orchester, Karl Richter
- Berliner Philharmoniker, Herbert von Karajan
- (show 103 more)
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Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande | | - Musica Antiqua Köln, Reinhard Goebel
- Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
- William Bennett, Thurston Dart, Academy of St Martin in the Fields, Sir Neville Marriner
- Berliner Philharmoniker, Herbert von Karajan
- (show 102 more)
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Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II | | - Musica Antiqua Köln, Reinhard Goebel
- Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
- Camerata Rhenania, Eugen Duvier
- Berliner Philharmoniker, Herbert von Karajan
- (show 94 more)
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Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double | | - Musica Antiqua Köln, Reinhard Goebel
- Monica Huggett, Trevor Jones, Trevor Pinnock, Anthony Pleeth, Stephen Preston, Simon Standage, Richard Webb, The English Concert
- Berliner Philharmoniker, Herbert von Karajan
- Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 108 more)
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Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet | | | | | | | |
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie | | | | | | | |
Passacaglia and Fugue in C minor, BWV 582 | | | | | | | |
Passacaglia and Fugue in C minor, BWV 582: Fugue | | | | | | | |
Passacaglia and Fugue in C minor, BWV 582: Passacaglia | | | | | | | |
Pétrouchka : Tableau I. Fête populaire de la semaine grasse | | | | | | | |
Pétrouchka : Tableau Ib. Le Tour de passe-passe | | | | | | | |
Pétrouchka : Tableau II. Chez Pétrouchka | | | | | | | |
Pétrouchka : Tableau III. Chez le Maure | | | | | | | |
Pétrouchka : Tableau IIIb. Danse de la ballerine | | | | | | | |
Pétrouchka : Tableau IIIc. Valse de la ballerine et du Maure | | | | | | | |
Pétrouchka : Tableau IVa. Fête populaire de la semaine grasse (vers le soir) | | | | | | | |
Pétrouchka : Tableau IVb. Danse de nounous | | | | | | | |
Pétrouchka : Tableau IVc. L’Ours et un paysan | | | | | | | |
Pétrouchka : Tableau IVe. Danse des personnalités et de leurs suivants | | | | | | | |
Pétrouchka : Tableau IVf. Les Artistes de théâtre | | | | | | | |
Pétrouchka : Tableau IVg. Le Combat entre le Maure et Pétrouchka | | | | | | | |
Pétrouchka : Tableau IVh. Mort de Pétrouchka | | | | | | | |
Pétrouchka : Tableau IVi. La Police et le charlatan | | | | | | | |
Pétrouchka : Tableau IVj. Apparition du double de Pétrouchka | | | | | | | |
Prélude à l’après‐midi d’un faune, L. 86, CD 87 | | | | Symphonic poem | | | |
Prelude in B minor no. 24, BWV 869/1 | | | | | | | |
Russian Easter Festival Overture, op. 36 | | | | Overture | | | |
Sheep May Safely Graze (from Cantata 208) | | | | | | | |
Shepherd’s Hey | | | | | | | |
String Quartet no. 2 in D major: III. Notturno. Andante | | | | | | | |
Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico | | | | | | | |
Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) | | | | | | | |
Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro | | | | | | | |
Symphony no. 1 in E minor, op. 39: IV. Finale. (Quasi una Fantasia). Andante - Allegro molto | | | | | | | |
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse | | | | | | | |
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio") | | | | | | | |
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: b. Danse des demoiselles d’honneur et des pages | | | | | | | |
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: c. Variation d’Aurore | | | | | | | |
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: d. Coda | | | | | | | |
The Sleeping Beauty, op. 66: Acte I, no. 9. Finale | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 12. a. Scène | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 12. b. Danse des duchesses | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 12. c. Danse des baronnes | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 12. e. Danse des marquises | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 13. Farandole: b. Danse | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 15. Pas d’action: a. Scène d’Aurore et de Désiré | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 15. Pas d’action: b. Variation d’Aurore | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 16. Scène | | | | | | | |
The Sleeping Beauty, op. 66: Acte II, no. 17. Panorama | | | | | | | |
The Sleeping Beauty, op. 66: Acte III | | | | | | | |
The Sleeping Beauty, op. 66: Acte III, no. 22. Polacca | | | | | | | |