| balance engineered |
|---|
| 2001-06 – 2001-07 | Le prophète: Act III. Roi du ciel | | Ben Heppner, London Voices, London Symphony Orchestra, Myung-Whun Chung | 3:47 |
| 2002-02 | Ave Maria | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:56 |
| 2002-02 | Ave Maria | | Plácido Domingo, Luisa Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:45 |
| 2002-02 | Ave Maria | | Plácido Domingo, Sissel, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:18 |
| 2002-02 | Bist du bei mir | | Plácido Domingo, Sissel, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:44 |
| 2002-02 | Climb Ev'ry Mountain | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:30 |
| 2002-02 | Der Engel | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:53 |
| 2002-02 | Domie Deus | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:01 |
| 2002-02 | Frondi tenere e belle - Ombra mai fu | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:47 |
| 2002-02 | Kyrie | | Romano Gandolfi, Coro Sinfonica di Milano Giuseppe Verdi, Plácido Domingo, Paolo Rustichelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:39 |
| 2002-02 | Mille cherubini in coro | | Romano Gandolfi, Coro Sinfonico di Milano Giuseppe Verdi, Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:00 |
| 2002-02 | Panis angelicus | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:41 |
| 2002-02 | Plegaria (Los Tres Amores) | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:05 |
| 2002-02 | Preghiera | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:21 |
| 2002-02 | Repentir | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:24 |
| 2002-02 | Sanctus | | Romano Gandolfi, Coro Sinfonica di Milano Giuseppe Verdi, Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:10 |
| 2002-02 | Ye people, rend your hearts - if with all your hearts | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:06 |
| 2003-10 | Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro | | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | 17:59 |
| 2003-10 | Concerto for Violin and Orchestra in B minor, op. 61: II. Andante | | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | 12:18 |
| 2003-10 | Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto | | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | 19:32 |
| 2003-11 | [applause] | | [no artist] | 0:26 |
| 2003-11 | Abegg Variations, op. 1 | | Lang Lang | 8:18 |
| 2003-11 | Eight Memories in Watercolour, op. 1: I. Missing Moon | | Lang Lang | 2:56 |
| 2003-11 | Eight Memories in Watercolour, op. 1: II. Beans | | Lang Lang | 1:20 |
| 2003-11 | Eight Memories in Watercolour, op. 1: III. Herdboy's Song | | Lang Lang | 1:41 |
| 2003-11 | Eight Memories in Watercolour, op. 1: IV. Blue Nun | | Lang Lang | 1:07 |
| 2003-11 | Eight Memories in Watercolour, op. 1: V. Ancient Burial | | Lang Lang | 2:45 |
| 2003-11 | Eight Memories in Watercolour, op. 1: VI. Floating Clouds | | Lang Lang | 1:43 |
| 2003-11 | Eight Memories in Watercolour, op. 1: VII. Red Wilderness | | Lang Lang | 1:48 |
| 2003-11 | Eight Memories in Watercolour, op. 1: VIII. Sunrain | | Lang Lang | 1:39 |
| 2003-11 | Fantasy in C major, D. 760 "Wanderer": I. Allegro con fuoco ma non troppo | | Lang Lang | 6:12 |
| 2003-11 | Fantasy in C major, D. 760 "Wanderer": II. Adagio | | Lang Lang | 7:46 |
| 2003-11 | Fantasy in C major, D. 760 "Wanderer": III. Presto | | Lang Lang | 4:46 |
| 2003-11 | Fantasy in C major, D. 760 "Wanderer": IV. Allegro | | Lang Lang | 4:07 |
| 2003-11 | Horses | | Lang Guo-Ren, Lang Lang | 2:52 |
| 2003-11 | Liebestraum no. 3 in A-flat, S. 541 no. 3 | | Lang Lang | 5:46 |
| 2003-11 | Nocturne no. 8 in D-flat major, op. 27 no. 2 | | Lang Lang | 6:41 |
| 2003-11 | Nocturne No. 8 in D-flat major, Op. 27 No. 2 | | Frédéric Chopin | 6:44 |
| 2003-11 | Piano Sonata in C major, Hob. XVI:50: I. Allegro | | Lang Lang | 5:22 |
| 2003-11 | Piano Sonata in C major, Hob. XVI:50: II. Adagio | | Lang Lang | 7:12 |
| 2003-11 | Piano Sonata in C major, Hob. XVI:50: III. Allegro molto | | Lang Lang | 2:37 |
| 2003-11 | Reminiscences du Don Juan de Mozart, S. 418 | | Lang Lang | 16:24 |
| 2003-11 | Träumerei | | Lang Lang | 4:11 |
| 2003-12 | The Lark Ascending | | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | 16:19 |
| 2004-02 – 2004-11 | Sonata in A major, K. 526: I. Allegro molto | | Hilary Hahn, Natalie Zhu | 7:10 |
| 2004-02 – 2004-11 | Sonata in A major, K. 526: II. Andante | | Hilary Hahn, Natalie Zhu | 10:50 |
| 2004-02 – 2004-11 | Sonata in A major, K. 526: III. Presto | | Hilary Hahn, Natalie Zhu | 7:08 |
| 2004-02 – 2004-11 | Sonata in E minor, K. 304 (300c): I. Allegro | | Hilary Hahn, Natalie Zhu | 7:03 |
| 2004-02 – 2004-11 | Sonata in E minor, K. 304 (300c): II. Tempo di minuetto | | Hilary Hahn, Natalie Zhu | 5:39 |
| 2004-02 – 2004-11 | Sonata in F major, K. 376 (374d): I. Allegro | | Hilary Hahn, Natalie Zhu | 5:07 |
| 2004-02 – 2004-11 | Sonata in F major, K. 376 (374d): II. Andante | | Hilary Hahn, Natalie Zhu | 6:09 |
| 2004-02 – 2004-11 | Sonata in F major, K. 376 (374d): III. Rondo. Allegretto | | Hilary Hahn, Natalie Zhu | 6:26 |
| 2004-02 – 2004-11 | Sonata in G major, K. 301 (293a): I. Allegro con spirito | | Hilary Hahn, Natalie Zhu | 8:34 |
| 2004-02 – 2004-11 | Sonata in G major, K. 301 (293a): II. Allegro | | Hilary Hahn, Natalie Zhu | 5:48 |
| 2004-07 | Piano Concerto no. 2 in C minor, op. 18: I. Moderato - Più vivo - Allegro - Maestoso (alla marcia) - Moderato | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 11:45 |
| 2004-07 | Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 12:27 |
| 2004-07 | Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 12:20 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:09 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Tema. L'istesso tempo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:21 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation I (Precedente) | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:21 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation II. L'istesso tempo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:20 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation III. L'istesso tempo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:26 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation IV. Più vivo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:29 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation IX. L'istesso tempo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:32 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation V. Tempo precedente | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:30 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation VI. L'istesso tempo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:08 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:13 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo I | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:35 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation X | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:57 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XI. Moderato | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:44 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XII. Tempo di minuetto | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:14 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XIII. Allegro | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:29 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XIV. L'istesso tempo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:43 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XIX. L'istesso tempo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:26 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XV. più vivo. Scherzando | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:11 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XVI. Allegretto | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:31 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XVII | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:58 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 2:48 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XX. Un poco più vivo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:35 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XXI. Un poco più vivo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:26 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XXII. Un poco più vivo (alla breve) | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:39 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIII. L'istesso tempo | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 0:52 |
| 2004-07 | Rhapsody on a Theme of Paganini, op. 43: Variation XXIV. A tempo un poco meno mosso | | Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | 1:22 |
| 2004-12 | Barcarolle in F‐sharp major, op. 60: Allegretto | | Hélène Grimaud | 8:37 |
| 2004-12 | Berceuse in D‐flat major, op. 57: Andante | | Hélène Grimaud | 4:53 |
| 2004-12 | Piano Sonata no. 2 in B‐flat minor, op. 35: I. Grave – Doppio Movimento | | Hélène Grimaud | 7:32 |
| 2004-12 | Piano Sonata no. 2 in B‐flat minor, op. 35: II. Scherzo | | Hélène Grimaud | 6:44 |
| 2004-12 | Piano Sonata no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento | | Hélène Grimaud | 9:25 |
| 2004-12 | Piano Sonata no. 2 in B‐flat minor, op. 35: IV. Finale. Presto | | Hélène Grimaud | 1:41 |
| 2004-12 | Piano Sonata no. 2 in B‐flat minor, op. 36: I. Allegro agitato | | Hélène Grimaud | 9:50 |
| 2004-12 | Piano Sonata no. 2 in B‐flat minor, op. 36: II. Non allegro – Lento | | Hélène Grimaud | 7:26 |
| 2004-12 | Piano Sonata no. 2 in B‐flat minor, op. 36: III. L’istesso tempo – Allegro molto | | Hélène Grimaud | 5:58 |
| 2006-11 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | | Hélène Grimaud, Staatskapelle Dresden, Vladimir Jurowski | 20:09 |
| 2006-11 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso - Attacca: | | Hélène Grimaud, Staatskapelle Dresden, Vladimir Jurowski | 8:05 |
| 2006-11 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | | Hélène Grimaud, Staatskapelle Dresden, Vladimir Jurowski | 10:08 |
| 2007-01 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | | Lang Lang, Orchestre de Paris, Christoph Eschenbach | 18:18 |
| 2007-01 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | | Lang Lang, Orchestre de Paris, Christoph Eschenbach | 11:26 |
| 2007-01 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro | | Lang Lang, Orchestre de Paris, Christoph Eschenbach | 9:14 |
| 2007-01 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | Lang Lang, Orchestre de Paris, Christoph Eschenbach | 19:12 |
| 2007-01 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | Lang Lang, Orchestre de Paris, Christoph Eschenbach | 5:45 |
| See all 384 relationships |
| edited |
|---|
| 2002-02 | Ave Maria | | Plácido Domingo, Sissel, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:18 |
| 2002-02 | Ave Maria | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:56 |
| 2002-02 | Ave Maria | | Plácido Domingo, Luisa Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:45 |
| 2002-02 | Bist du bei mir | | Plácido Domingo, Sissel, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:44 |
| 2002-02 | Climb Ev'ry Mountain | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:30 |
| 2002-02 | Der Engel | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:53 |
| 2002-02 | Domie Deus | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:01 |
| 2002-02 | Frondi tenere e belle - Ombra mai fu | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:47 |
| 2002-02 | Kyrie | | Romano Gandolfi, Coro Sinfonica di Milano Giuseppe Verdi, Plácido Domingo, Paolo Rustichelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:39 |
| 2002-02 | Mille cherubini in coro | | Romano Gandolfi, Coro Sinfonico di Milano Giuseppe Verdi, Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:00 |
| 2002-02 | Panis angelicus | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:41 |
| 2002-02 | Plegaria (Los Tres Amores) | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:05 |
| 2002-02 | Preghiera | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:21 |
| 2002-02 | Repentir | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:24 |
| 2002-02 | Sanctus | | Romano Gandolfi, Coro Sinfonica di Milano Giuseppe Verdi, Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:10 |
| 2002-02 | Ye people, rend your hearts - if with all your hearts | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:06 |
| Af lotusdoft och månens sken | | Anne Sofie von Otter, Bengt Forsberg | 1:04 |
| Afskedet | | Anne Sofie von Otter, Bengt Forsberg | 1:56 |
| Anthèmes 2: I. Très lent, avec beaucoup de flexibilité. Libre | | Hae-Sun Kang, Andrew Gerzso | 1:15 |
| Anthèmes 2: II. Rapide, dynamique, très rythmique, rigide. Libre | | Hae-Sun Kang, Andrew Gerzso | 2:30 |
| Anthèmes 2: III. Lent, régulier. Nerveux, irrégulier. Libre | | Hae-Sun Kang, Andrew Gerzso | 1:52 |
| Anthèmes 2: IV. Agité,instable. Libre | | Hae-Sun Kang, Andrew Gerzso | 2:06 |
| Anthèmes 2: Libre | | Hae-Sun Kang, Andrew Gerzso | 0:42 |
| Anthèmes 2: V. Très lent, avec beaucoup de flexibilité. Subitement nerveux et extrêmement irrégulier. Libre | | Hae-Sun Kang, Andrew Gerzso | 1:31 |
| Anthèmes 2: VI-I. Allant, assez serré dans le tempo | | Hae-Sun Kang, Andrew Gerzso | 2:21 |
| Anthèmes 2: VI-II. Calme, régulier. Agité. Brusque | | Hae-Sun Kang, Andrew Gerzso | 5:20 |
| Anthèmes 2: VI-III. Calme, sans traîner, d'un mouvement trèsrégulier. Libre | | Hae-Sun Kang, Andrew Gerzso | 2:49 |
| Aspåkers-polska | | Anne Sofie von Otter, Bengt Forsberg | 1:29 |
| Återkomst | | Anne Sofie von Otter, Bengt Forsberg | 2:07 |
| Böljeby-vals | | Anne Sofie von Otter, Bengt Forsberg | 2:59 |
| Bön till natten | | Anne Sofie von Otter, Bengt Forsberg | 2:55 |
| Carmina Burana: Blanziflor et Helena: 24. Ave, formosissima | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:13 |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:32 |
| Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:42 |
| Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:33 |
| Carmina Burana: I. Primo vere: 3. Veris leta facies | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 4:26 |
| Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | | Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:23 |
| Carmina Burana: I. Primo vere: 5.Ecce gratum | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:43 |
| Carmina Burana: II. In taberna: 11. Estuans interius | | Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:23 |
| Carmina Burana: II. In taberna: 12. Olim lacus colueram | | Chor der Deutschen Oper Berlin, David Kuebler, Orchester der Deutschen Oper Berlin, Christian Thielemann | 3:32 |
| Carmina Burana: II. In taberna: 13. Ego sum abbas | | Chor der Deutschen Oper Berlin, Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | 1:30 |
| Carmina Burana: II. In taberna: 14. In taberna quando sumus | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 3:13 |
| Carmina Burana: III. Cour d’amours: 15. Amor volat undique | | Berliner Knabenchor, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | 3:31 |
| Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia | | Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:27 |
| Carmina Burana: III. Cour d’amours: 17. Stetit puella | | Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:06 |
| Carmina Burana: III. Cour d’amours: 18. Circa mea pectora | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:07 |
| Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula | | Chor der Deutschen Oper Berlin, Simon Keenlyside, Orchester der Deutschen Oper Berlin, Christian Thielemann | 1:05 |
| Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 0:58 |
| Carmina Burana: III. Cour d’amours: 21. In trutina | | Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:26 |
| Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | | Berliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | 2:22 |
| Carmina Burana: III. Cour d’amours: 23. Dulcissime | | Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann | 0:29 |
| Carmina Burana: Uf dem anger: 6. Tanz | | Orchester der Deutschen Oper Berlin, Christian Thielemann | 1:48 |
| Carmina Burana: Uf dem anger: 7. Floret silva nobilis | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 3:24 |
| Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 3:29 |
| Carmina Burana: Uf dem anger: 9. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 5:20 |
| Carmina Burana: Uf dem anger: 10. Were diu werlt alle min | | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Christian Thielemann | 1:00 |
| Cello Suite no. 1, BWV 1007: I. Prelude | | Alon Sariel | 3:32 |
| Cello Suite no. 1, BWV 1007: II. Allemande | | Alon Sariel | 5:32 |
| Cello Suite no. 1, BWV 1007: III. Courante | | Alon Sariel | 3:26 |
| Cello Suite no. 1, BWV 1007: IV. Sarabande | | Alon Sariel | 2:37 |
| Cello Suite no. 1, BWV 1007: V. Menuets I & II | | Alon Sariel | 3:53 |
| Cello Suite no. 1, BWV 1007: VI. Gigue | | Alon Sariel | 1:55 |
| Cello Suite no. 2, BWV 1008: I. Prélude | | Alon Sariel | 4:18 |
| Cello Suite no. 2, BWV 1008: II. Allemande | | Alon Sariel | 4:05 |
| Cello Suite no. 2, BWV 1008: III. Courante | | Alon Sariel | 2:37 |
| Cello Suite no. 2, BWV 1008: IV. Sarabande | | Alon Sariel | 4:03 |
| Cello Suite no. 2, BWV 1008: IV. Sarabande | | Alon Sariel | 4:17 |
| Cello Suite no. 2, BWV 1008: V. Menuets I & II | | Alon Sariel | 2:51 |
| Cello Suite no. 2, BWV 1008: VI. Gigue | | Alon Sariel | 3:21 |
| Cello Suite no. 5, BWV 1011: I. Prelude | | Alon Sariel | 6:03 |
| Cello Suite no. 6, BWV 1012: V. Gavottes I & II | | Alon Sariel | 4:06 |
| Concerto for Piano no. 1 in G minor, op. 25: Andante | | Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | 6:32 |
| Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro | | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | 17:59 |
| Concerto for Violin and Orchestra in B minor, op. 61: II. Andante | | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | 12:18 |
| Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto | | Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | 19:32 |
| Concerto for Violin and Orchestra No. 2, Sz. 112: I. Allegro non troppo | | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | 16:39 |
| Concerto for Violin and Orchestra No. 2, Sz. 112: II. Andante tranquillo | | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | 10:50 |
| Concerto for Violin and Orchestra No. 2, Sz. 112: III. Allegro molto | | Gil Shaham, Chicago Symphony Orchestra, Pierre Boulez | 13:06 |
| De vilda svanarna: De vilda svanarna | | Anne Sofie von Otter, Bengt Forsberg | 2:01 |
| De vilda svanarna: Människans lott | | Anne Sofie von Otter, Bengt Forsberg | 2:56 |
| De vilda svanarna: Vårnattsregnet | | Anne Sofie von Otter, Bengt Forsberg | 3:24 |
| Det far ett skepp, op. 26 No. 5 | | Anne Sofie von Otter, Bengt Forsberg | 1:34 |
| Du schaust mich an mit stummen Fragen, op. 12 no. 1 | | Anne Sofie von Otter, Bengt Forsberg | 3:49 |
| En strandvisa, op. 26 no. 9 | | Anne Sofie von Otter, Bengt Forsberg | 2:37 |
| Gammalsvenskt | | Anne Sofie von Otter, Bengt Forsberg | 2:37 |
| Hab' ein Röslein dir gebrochen, op. 12 no. 4 | | Anne Sofie von Otter, Bengt Forsberg | 1:18 |
| I lönnens skymning, op. 37 no. 2 | | Anne Sofie von Otter, Bengt Forsberg | 2:24 |
| I månaden Tjaitra | | Anne Sofie von Otter, Bengt Forsberg | 2:54 |
| Ich möchte schweben über Tal und Hügel, op. 12 no. 6 | | Anne Sofie von Otter, Bengt Forsberg | 2:35 |
| In nativitatem Domini canticum, H. 416: Nuit | | Les Musiciens du Louvre, Marc Minkowski | 4:50 |
| Intet är som väntanstider | | Anne Sofie von Otter, Bengt Forsberg | 1:51 |
| Jag kysser din vita hand, op. 28 no. 3 | | Anne Sofie von Otter, Bengt Forsberg | 4:39 |
| Jungfru Blond och jungfru Brunett, op. 26 no. 4 | | Anne Sofie von Otter, Bengt Forsberg | 3:36 |
| Jutta kommer till Folkungarna | | Anne Sofie von Otter, Bengt Forsberg | 1:25 |
| La Damnation de Faust, op. 24 : Épilogue, scène 20. « Laus ! Laus ! Hosanna ! Hosanna ! » (Chœur, Voix céleste) | | David Nicklass, Philharmonia Chorus, Philharmonia Orchestra, Myung-Whun Chung | 1:08 |
| La Damnation de Faust, op. 24 : Épilogue, scène 20. Apothéose de Marguerite « Remonte au ciel, âme naïve » (Chœur) | | Philharmonia Chorus, Philharmonia Orchestra, Myung-Whun Chung | 1:00 |
| La Damnation de Faust, op. 24 : Épilogue, scène 20. Apothéose de Marguerite « Viens ! Les vierges divines » (Chœur) | | Philharmonia Chorus, Philharmonia Orchestra, Myung-Whun Chung | 2:31 |
| La Damnation de Faust, op. 24 : Épilogue. « Alors, l’enfer se tut » (Chœur) | | Philharmonia Chorus, Philharmonia Orchestra, Myung-Whun Chung | 1:17 |
| La Damnation de Faust, op. 24 : Première partie, scène 1. « Le vieil hiver a fait place au printemps » (Faust) | | Keith Lewis, Philharmonia Orchestra, Myung-Whun Chung | 5:57 |
| La Damnation de Faust, op. 24 : Première partie, scène 2. Ronde de paysans « Les bergers laissent leurs troupeaux » (Chœur, Faust)) | | Keith Lewis, Philharmonia Chorus, Philharmonia Orchestra, Myung-Whun Chung | 3:22 |
| See all 242 relationships |
| engineered |
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| 2003-02 | Concerto for Piano no. 1 in G minor, op. 25: Andante | | Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | 6:32 |
| 2003-02 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito | | Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | 23:01 |
| 2003-02 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I | | Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | 8:13 |
| 2003-02 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | 7:10 |
| 2003-02 | Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | | Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | 7:31 |
| 2003-02 | Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro e vivace | | Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | 6:46 |
| 2005-08 | La clemenza di Tito: Act I, no. 1. Duetto "Come ti piace imponi" (Sesto, Vitellia) | | Magdalena Kožená, Hillevi Martinpelto, Scottish Chamber Orchestra, Charles Mackerras | 2:49 |
| 2005-08 | La clemenza di Tito: Act I, no. 2. Aria "Deh, se piacermi vuoi" (Vitellia) | | Hillevi Martinpelto, Scottish Chamber Orchestra, Charles Mackerras | 5:20 |
| 2005-08 | La clemenza di Tito: Act I, no. 3. Duettino "Deh prendi un dolce amplesso" (Annio, Sesto) | | Magdalena Kožená, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 0:58 |
| 2005-08 | La clemenza di Tito: Act I, no. 4. Marcia da capo | | Scottish Chamber Orchestra, Charles Mackerras | 1:05 |
| 2005-08 | La clemenza di Tito: Act I, no. 5. Coro "Serbate, o Dei custodi" | | Scottish Chamber Chorus, Scottish Chamber Orchestra, Charles Mackerras | 1:40 |
| 2005-08 | La clemenza di Tito: Act I, no. 6. Aria "Del più sublime soglio" (Tito) | | Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 2:55 |
| 2005-08 | La clemenza di Tito: Act I, no. 7. Duetto "Ah, perdona al primo affetto" (Annio, Servilia) | | Lisa Milne, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 2:46 |
| 2005-08 | La clemenza di Tito: Act I, no. 8. Aria "Ah, se fosse intorno al trono" (Tito) | | Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 2:08 |
| 2005-08 | La clemenza di Tito: Act I, no. 9. Aria "Parto, ma tu, ben mio" (Sesto) | | Magdalena Kožená, Scottish Chamber Orchestra, Charles Mackerras | 6:19 |
| 2005-08 | La clemenza di Tito: Act I, no. 10. Terzetto "Vengo... aspettate... Sesto!..." (Vitellia, Annio, Publio) | | Magdalena Kožená, Hillevi Martinpelto, John Relyea, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 2:16 |
| 2005-08 | La clemenza di Tito: Act I, no. 11. Recitativo accompagnato "Oh dei, che smania è questa" (Sesto) | | Magdalena Kožená, Scottish Chamber Orchestra, Charles Mackerras | 3:28 |
| 2005-08 | La clemenza di Tito: Act I, no. 12. Quintetto con coro "Deh, conservate, o Dei" (Sesto, Annio, Servilia, Coro, Publio, Vitellia) | | Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, John Relyea, Christine Rice, Scottish Chamber Chorus, Scottish Chamber Orchestra, Charles Mackerras | 6:24 |
| 2005-08 | La clemenza di Tito: Act I. no. 4. Marcia | | Scottish Chamber Orchestra, Charles Mackerras | 1:52 |
| 2005-08 | La clemenza di Tito: Act I. Recitativo "Adesso, o Sesto, parla per me" (Annio, Sesto, Tito) | | Magdalena Kožená, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 3:09 |
| 2005-08 | La clemenza di Tito: Act I. Recitativo "Amico, ecco il momento" (Annio, Sesto) | | Magdalena Kožená, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 0:28 |
| 2005-08 | La clemenza di Tito: Act I. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto) | | Magdalena Kožená, Hillevi Martinpelto, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 1:33 |
| 2005-08 | La clemenza di Tito: Act I. Recitativo "Di Tito al piè" (Servilia, Tito) | | Lisa Milne, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 1:51 |
| 2005-08 | La clemenza di Tito: Act I. Recitativo "Non ci pentiam" (Annio, Servilia) | | Lisa Milne, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 1:43 |
| 2005-08 | La clemenza di Tito: Act I. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) | | John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 1:47 |
| 2005-08 | La clemenza di Tito: Act I. Recitativo "Vedrai, Tito, vedrai" (Vitellia, Publio, Annio) | | Hillevi Martinpelto, John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 0:46 |
| 2005-08 | La clemenza di Tito: Act II, no. 13. Aria "Torna di Tito a lato" (Annio) | | Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 2:20 |
| 2005-08 | La clemenza di Tito: Act II, no. 14. Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) | | Magdalena Kožená, Hillevi Martinpelto, John Relyea, Scottish Chamber Orchestra, Charles Mackerras | 4:40 |
| 2005-08 | La clemenza di Tito: Act II, no. 15. Coro "Ah, grazie si rendano" (Coro, Tito) | | Scottish Chamber Chorus, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 3:23 |
| 2005-08 | La clemenza di Tito: Act II, no. 16. Aria "Tardi s'avvede d'un tradimento" (Publio) | | John Relyea, Scottish Chamber Orchestra, Charles Mackerras | 1:43 |
| 2005-08 | La clemenza di Tito: Act II, no. 17. Aria "Tu fosti tradito" (Annio) | | Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 3:10 |
| 2005-08 | La clemenza di Tito: Act II, no. 18. Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) | | Magdalena Kožená, John Relyea, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 3:44 |
| 2005-08 | La clemenza di Tito: Act II, no. 19. Rondò "Deh, per questo istante solo" (Sesto) | | Magdalena Kožená, Scottish Chamber Orchestra, Charles Mackerras | 6:59 |
| 2005-08 | La clemenza di Tito: Act II, no. 20. "Se all'impero, amici Dei" (Tito) | | Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 4:57 |
| 2005-08 | La clemenza di Tito: Act II, no. 21. Aria "S'altro che lagrime per lui on tenti" (Servilia) | | Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras | 2:15 |
| 2005-08 | La clemenza di Tito: Act II, no. 22. Recitative accompagnato "Ecco il punto, o Vitellia" (Vitellia) | | Hillevi Martinpelto, Scottish Chamber Orchestra, Charles Mackerras | 2:18 |
| 2005-08 | La clemenza di Tito: Act II, no. 23. Rondò "Non più di fiori vaghe catene" (Vitellia) | | Hillevi Martinpelto, Scottish Chamber Orchestra, Charles Mackerras | 7:11 |
| 2005-08 | La clemenza di Tito: Act II, no. 24. Coro "Che del ciel, che degli Dei" | | Scottish Chamber Chorus, Scottish Chamber Orchestra, Charles Mackerras | 1:51 |
| 2005-08 | La clemenza di Tito: Act II, no. 25. Recitative accompagnato "Ma che giorno è mai questo?" (Tito) | | Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 1:36 |
| 2005-08 | La clemenza di Tito: Act II, no. 26. Sestetto con coro "Tu, è ver, m' assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) | | Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, John Relyea, Christine Rice, Scottish Chamber Chorus, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 3:39 |
| 2005-08 | La clemenza di Tito: Act II. Recitative "Partir deggio, o restar?" (Sesto, Vitellia, Publio) | | Magdalena Kožená, Hillevi Martinpelto, John Relyea, Scottish Chamber Orchestra, Charles Mackerras | 1:11 |
| 2005-08 | La clemenza di Tito: Act II. Recitative "Sesto, come tu credi" (Annio, Sesto) | | Magdalena Kožená, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 2:10 |
| 2005-08 | La clemenza di Tito: Act II. Recitativo "Già de' pubblici giuochi" (Publio, Tito) | | John Relyea, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 1:10 |
| 2005-08 | La clemenza di Tito: Act II. Recitativo "No, così scellerato" (Tito, Annio, Publio) | | John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 1:27 |
| 2005-08 | La clemenza di Tito: Act II. Recitativo "Non giova lusingarsi" (Vitellia, Servilia, Annio) | | Hillevi Martinpelto, Lisa Milne, Christine Rice, Scottish Chamber Orchestra, Charles Mackerras | 1:02 |
| 2005-08 | La clemenza di Tito: Act II. Recitativo "Odimi, o Sesto" (Tito, Sesto) | | Magdalena Kožená, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 2:44 |
| 2005-08 | La clemenza di Tito: Act II. Recitativo "Ove s'intese mai più contumace infedeltà?" (Tito, Publio) | | John Relyea, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 1:21 |
| 2005-08 | La clemenza di Tito: Act II. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio) | | Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, John Relyea, Christine Rice, Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 1:44 |
| 2005-08 | La clemenza di Tito: Act II. Recitativo accompagnato "Che orror! Che tradimento!" (Tito) | | Rainer Trost, Scottish Chamber Orchestra, Charles Mackerras | 2:40 |
| 2005-08 | La clemenza di Tito: Act. I. Recitativo "Felice me!" (Servilia, Vitellia, Sesto) | | Magdalena Kožená, Hillevi Martinpelto, Lisa Milne, Scottish Chamber Orchestra, Charles Mackerras | 3:22 |
| 2005-08 | La clemenza di Tito: Ouverture | | Scottish Chamber Orchestra, Charles Mackerras | 4:54 |
| 2005-08 | La clemenza di Tito: Recitativo "Ma che? sempre l'istesso" (Vitellia, Sesto) | | Magdalena Kožená, Hillevi Martinpelto, Scottish Chamber Orchestra, Charles Mackerras | 2:44 |
| 2012-01 | Piano Concerto no. 20 in D minor, K. 466: 1. Allegro | | Jan Lisiecki, Symphonieorchester des Bayerischen Rundfunks, Christian Zacharias | 14:35 |
| 2012-01 | Piano Concerto no. 20 in D minor, K. 466: 2. Romance | | Jan Lisiecki, Symphonieorchester des Bayerischen Rundfunks, Christian Zacharias | 8:32 |
| 2012-01 | Piano Concerto no. 20 in D minor, K. 466: 3. Rondo. Allegro assai | | Jan Lisiecki, Symphonieorchester des Bayerischen Rundfunks, Christian Zacharias | 8:18 |
| 2012-01 | Piano Concerto no. 21 in C, K. 467: 1. Allegro maestoso | | Jan Lisiecki, Symphonieorchester des Bayerischen Rundfunks, Christian Zacharias | 14:34 |
| 2012-01 | Piano Concerto no. 21 in C, K. 467: 2. Andante | | Jan Lisiecki, Symphonieorchester des Bayerischen Rundfunks, Christian Zacharias | 6:13 |
| 2012-01 | Piano Concerto no. 21 in C, K. 467: 3. Allegro vivace assai | | Jan Lisiecki, Symphonieorchester des Bayerischen Rundfunks, Christian Zacharias | 7:21 |
| 2013-02 | Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto | | Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel | 11:02 |
| 2013-02 | Piano Concerto no. 2 in G minor, op. 16: II. Scherzo: Vivace | | Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel | 2:22 |
| 2013-02 | Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo: Allegro moderato | | Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel | 6:35 |
| 2013-02 | Piano Concerto no. 2 in G minor, op. 16: IV. Finale: Allegro tempestoso | | Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel | 11:00 |
| 2013-02 | Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto | | Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel | 15:50 |
| 2013-02 | Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo: Adagio | | Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel | 10:38 |
| 2013-02 | Piano Concerto no. 3 in D minor, op. 30: III. Finale: Alla breve | | Yuja Wang, Simón Bolívar Symphony Orchestra of Venezuela, Gustavo Dudamel | 14:20 |
| ¡Ay, Maricruz! | | Plácido Domingo, Orquesta de la Comunidad de Madrid, Miguel Roa | 3:18 |
| 9 German Arias: No. 4. Süße Stille, sanfte Quelle, HWV 205 | | Simone Kermes | 5:24 |
| 24 Preludes, op. 28: no. 1 in C major. Agitato | | Alice Sara Ott | 0:36 |
| 24 Preludes, op. 28: no. 2 in A minor. Lento | | Alice Sara Ott | 2:45 |
| 24 Preludes, op. 28: no. 3 in G major. Vivace | | Alice Sara Ott | 0:57 |
| 24 Preludes, op. 28: no. 4 in E minor. Largo | | Alice Sara Ott | 2:14 |
| 24 Preludes, op. 28: no. 5 in D major. Molto allegro | | Alice Sara Ott | 0:40 |
| 24 Preludes, op. 28: no. 6 in B minor. Lento assai | | Alice Sara Ott | 2:10 |
| 24 Preludes, op. 28: no. 7 in A major. Andantino | | Alice Sara Ott | 0:42 |
| 24 Preludes, op. 28: no. 8 in F-sharp minor. Molto agitato | | Alice Sara Ott | 1:59 |
| 24 Preludes, op. 28: no. 9 in E major. Largo | | Alice Sara Ott | 1:58 |
| 24 Preludes, op. 28: no. 10 in C-sharp minor. Molto allegro | | Alice Sara Ott | 0:34 |
| 24 Preludes, op. 28: no. 11 in B major. Vivace | | Alice Sara Ott | 0:40 |
| 24 Preludes, op. 28: no. 12 in G-sharp minor. Presto | | Alice Sara Ott | 1:29 |
| 24 Preludes, op. 28: no. 13 in F-sharp minor. Lento | | Alice Sara Ott | 2:55 |
| 24 Preludes, op. 28: no. 14 in E-flat minor. Allegro | | Alice Sara Ott | 0:31 |
| 24 Preludes, op. 28: no. 15 in D-flat major. Sostenuto “Raindrop” | | Alice Sara Ott | 6:20 |
| 24 Preludes, op. 28: no. 16 in B-flat minor. Presto con fuoco | | Alice Sara Ott | 1:16 |
| 24 Preludes, op. 28: no. 17 in A-flat major. Allegretto | | Alice Sara Ott | 3:55 |
| 24 Preludes, op. 28: no. 18 in C minor. Molto allegro | | Alice Sara Ott | 1:00 |
| 24 Preludes, op. 28: no. 19 in E-flat major. Vivace | | Alice Sara Ott | 1:26 |
| 24 Preludes, op. 28: no. 20 in C minor. Largo | | Alice Sara Ott | 1:37 |
| 24 Preludes, op. 28: no. 21 in B-flat major. Cantabile | | Alice Sara Ott | 2:13 |
| 24 Preludes, op. 28: no. 22 in G minor. Molto agitato | | Alice Sara Ott | 0:48 |
| 24 Preludes, op. 28: no. 23 in F major. Moderato | | Alice Sara Ott | 0:47 |
| 24 Preludes, op. 28: no. 24 in D minor. Allegro appassionato | | Alice Sara Ott | 2:44 |
| Amadigi di Gaula, HWV 11: Ah! spietato! (Act I, Scene 4) | | Simone Kermes | 7:00 |
| Antonio Vargas Heredia | | Plácido Domingo, Orquesta de la Comunidad de Madrid, Miguel Roa | 5:27 |
| At Night on the Lake Beneath the Maple Bridge | | Lang Lang, Ji Wei | 9:07 |
| Athalia, HWV 52: My vengeance awakes me (Part II, Scene 2) | | Simone Kermes | 4:29 |
| Autumn Moon on a Calm Lake | | Lang Lang | 4:08 |
| Brandenburg Concerto №1 in F major, BWV 1046: I. (Allegro) | | Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | 3:48 |
| Brandenburg Concerto №1 in F major, BWV 1046: II. Adagio | | Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | 3:02 |
| Brandenburg Concerto №1 in F major, BWV 1046: III. Allegro | | Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | 3:54 |
| Brandenburg Concerto №1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II | | Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | 7:08 |
| See all 334 relationships |
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| Violin Concerto no. 4 in D minor, op. 31: 1. Andante - Moderato | | Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | 10:01 |
| Violin Concerto no. 4 in D minor, op. 31: 2. Adagio religioso | | Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | 6:17 |
| Violin Concerto no. 4 in D minor, op. 31: 3. Scherzo: Vivace - Trio: Meno mosos | | Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | 5:44 |
| Violin Concerto no. 4 in D minor, op. 31: 4. Finale marziale: Andante - Allegro | | Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | 8:35 |
| Violin Concerto no. 5 in A major, K. 219: 1. Allegro aperto | | Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | 10:10 |
| Violin Concerto no. 5 in A major, K. 219: 2. Adagio | | Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | 10:06 |
| Violin Concerto no. 5 in A major, K. 219: 3. Rondeau: Tempo di Menuetto | | Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | 8:47 |
| produced |
|---|
| 9 German Arias: No. 4. Süße Stille, sanfte Quelle, HWV 205 | | Simone Kermes | 5:24 |
| 17 Variations sérieuses in D minor, op. 54: Tema. Andante sostenuto | | Jan Lisiecki | 1:00 |
| 17 Variations sérieuses in D minor, op. 54: Variation 1 | | Jan Lisiecki | 0:38 |
| 17 Variations sérieuses in D minor, op. 54: Variation 2. Un poco più animato | | Jan Lisiecki | 0:30 |
| 17 Variations sérieuses in D minor, op. 54: Variation 3. Più animato | | Jan Lisiecki | 0:22 |
| 17 Variations sérieuses in D minor, op. 54: Variation 4. Sempre staccato e leggiero | | Jan Lisiecki | 0:23 |
| 17 Variations sérieuses in D minor, op. 54: Variation 5. Agitato. Legato ed espressivo | | Jan Lisiecki | 0:27 |
| 17 Variations sérieuses in D minor, op. 54: Variation 6. A tempo | | Jan Lisiecki | 0:24 |
| 17 Variations sérieuses in D minor, op. 54: Variation 7. Con fuoco | | Jan Lisiecki | 0:23 |
| 17 Variations sérieuses in D minor, op. 54: Variation 8. Allegro vivace | | Jan Lisiecki | 0:15 |
| 17 Variations sérieuses in D minor, op. 54: Variation 9 | | Jan Lisiecki | 0:20 |
| 17 Variations sérieuses in D minor, op. 54: Variation 10. Moderato | | Jan Lisiecki | 0:45 |
| 17 Variations sérieuses in D minor, op. 54: Variation 11. Cantabile | | Jan Lisiecki | 0:38 |
| 17 Variations sérieuses in D minor, op. 54: Variation 12. Tempo del tema | | Jan Lisiecki | 0:28 |
| 17 Variations sérieuses in D minor, op. 54: Variation 13. Sempre assai leggiero. Sempre assai marcato | | Jan Lisiecki | 0:40 |
| 17 Variations sérieuses in D minor, op. 54: Variation 14. Adagio | | Jan Lisiecki | 1:15 |
| 17 Variations sérieuses in D minor, op. 54: Variation 15. Poco a poco più agitato | | Jan Lisiecki | 0:33 |
| 17 Variations sérieuses in D minor, op. 54: Variation 16. Allegro vivace | | Jan Lisiecki | 0:17 |
| 17 Variations sérieuses in D minor, op. 54: Variation 17 | | Jan Lisiecki | 2:30 |
| Adelson e Salvini: "Dopo l'oscuro nembo" (Nelly) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 5:11 |
| Amadigi di Gaula, HWV 11: Ah! spietato! (Act I, Scene 4) | | Simone Kermes | 7:00 |
| Andante spianato in G major, op. 22: Tranquillo - Semplice | | Jan Lisiecki | 4:39 |
| Athalia, HWV 52: My vengeance awakes me (Part II, Scene 2) | | Simone Kermes | 4:29 |
| Attila: "Santo di patria indefinitio amor! ... Fammi ridar la spada!" (Odabella) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 5:33 |
| Betly, o La capanna svizzera: "In questo semplice, modesto asilo" (Betly) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 5:52 |
| Chaconne in D minor, BWV 1004 | | Hélène Grimaud | 14:34 |
| Concerto for Piano and Orchestra no. 1 in G minor, op. 25: 1. Molto allegro con fuoco | | Felix Mendelssohn | 7:23 |
| Concerto for Piano and Orchestra no. 1 in G minor, op. 25: 2. Andante - attacca | | Felix Mendelssohn | 6:06 |
| Concerto for Piano and Orchestra no. 1 in G minor, op. 25: 3. Presto - Molto allegro e vivace | | Felix Mendelssohn | 6:40 |
| Concerto for Piano and Orchestra no. 2 in D minor, op. 40: 1. Allegro appassionato - attacca | | Felix Mendelssohn | 9:51 |
| Concerto for Piano and Orchestra no. 2 in D minor, op. 40: 2. Adagio. Molto sostenuto - attacca | | Felix Mendelssohn | 6:13 |
| Concerto for Piano and Orchestra no. 2 in D minor, op. 40: 3. Finale. Presto scherzando | | Felix Mendelssohn | 6:51 |
| Deidamia, HWV 42: M’hai resa infelice (Act III, Scene 2) | | Simone Kermes | 4:38 |
| Die Zauberflöte: "Der Hölle Rache kocht in meinem Herzen" (Königin der Nacht) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 2:54 |
| Die Zauberflöte: "O zittre nicht, mein lieber Sohn!... Zum Leiden bin ich auserkoren" (Königin der Nacht) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 4:55 |
| Fantasy on Polish Airs, op. 13: Air: “Już miesiąc zeszedł, psy się uśpiły” | | Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | 2:46 |
| Fantasy on Polish Airs, op. 13: Kujawiak. Vivace | | Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | 3:05 |
| Fantasy on Polish Airs, op. 13: Largo non troppo | | Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | 4:55 |
| Fantasy on Polish Airs, op. 13: Thème de Charles Kurpinski. Allegretto - Presto con fuoco - Lento quasi Adagio - Molto più mosso | | Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | 4:11 |
| Fugue No. 2 in C minor, BWV 847 | | Hélène Grimaud | 1:42 |
| Fugue No. 4 in C-sharp minor, BWV 849 | | Hélène Grimaud | 4:16 |
| Fugue no. 6 in D minor, BWV 875 | | Hélène Grimaud | 1:48 |
| Fugue No. 9 in E major, BWV 878 | | Hélène Grimaud | 2:33 |
| Fugue No. 20 in A minor, BWV 889 | | Hélène Grimaud | 1:44 |
| Giulio Cesare in Egitto, HWV 17: Piangerò la sorte mia (Act III, Scene 3) | | Simone Kermes | 7:00 |
| Grand Sonata in A-flat major, op. 26: I. Andante con Variazioni | | Paavali Jumppanen | 7:27 |
| Grand Sonata in A-flat major, op. 26: II. Scherzo & Trio: Allegro molto | | Paavali Jumppanen | 2:47 |
| Grand Sonata in A-flat major, op. 26: III. Marcia funebre sulla morte d’un Eroe | | Paavali Jumppanen | 5:50 |
| Grand Sonata in A-flat major, op. 26: IV. Allegro | | Paavali Jumppanen | 2:40 |
| Grand Sonata in B-flat major, op. 22: I. Allegro con brio | | Paavali Jumppanen | 6:59 |
| Grand Sonata in B-flat major, op. 22: II. Adagio con molta espressione | | Paavali Jumppanen | 7:48 |
| Grand Sonata in B-flat major, op. 22: III. Minuetto - Minore | | Paavali Jumppanen | 3:07 |
| Grand Sonata in B-flat major, op. 22: IV. Rondo: Allegretto | | Paavali Jumppanen | 6:12 |
| Grand Sonata in B-flat major, op. 106 "Hammerklavier": I. Allegro | | Paavali Jumppanen | 12:08 |
| Grand Sonata in B-flat major, op. 106 "Hammerklavier": II. Scherzo: Assai vivace - Presto - Tempo I | | Paavali Jumppanen | 3:03 |
| Grand Sonata in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto | | Paavali Jumppanen | 18:57 |
| Grand Sonata in B-flat major, op. 106 "Hammerklavier": IV. Introduzione: Largo - Un poco più vivace - Tempo I - Allegro - Tempo I - Prestissimo - Allegro risoluto | | Paavali Jumppanen | 12:03 |
| Grand Sonata in C minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | | Paavali Jumppanen | 8:58 |
| Grand Sonata in C minor, op. 13 "Pathétique": II. Adagio cantabile | | Paavali Jumppanen | 4:32 |
| Grand Sonata in C minor, op. 13 "Pathétique": III. Rondo: Allegro | | Paavali Jumppanen | 4:36 |
| Grand Sonata in D major, op. 28 "Pastoral": I. Allegro | | Paavali Jumppanen | 10:49 |
| Grand Sonata in D major, op. 28 "Pastoral": II. Andante | | Paavali Jumppanen | 7:15 |
| Grand Sonata in D major, op. 28 "Pastoral": III. Scherzo & Minore: Allegro vivace | | Paavali Jumppanen | 2:38 |
| Grand Sonata in D major, op. 28 "Pastoral": IV. Rondo: Allegro ma non troppo - Più allegro quasi presto | | Paavali Jumppanen | 5:23 |
| Grand Sonata in E-flat major, op. 7: I. Allegro molto e con brio | | Paavali Jumppanen | 8:25 |
| Grand Sonata in E-flat major, op. 7: II. Largo con gran espressione | | Paavali Jumppanen | 9:34 |
| Grand Sonata in E-flat major, op. 7: III. Allegro - Minore | | Paavali Jumppanen | 6:54 |
| Grand Sonata in E-flat major, op. 7: IV. Rondo: Poco Allegretto e Grazioso | | Paavali Jumppanen | 7:16 |
| Grande Polonaise brillante in E-flat major, op. 22: Allegro molto | | Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | 9:13 |
| I masnadieri: "Dall'infame banchetto m'involai ... Oh, ma la pace ... Tu del mio Carlo al seno ... Carlo vive? Oh, caro accento" (Amalia) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 8:50 |
| Il Trionfo del tempo e del disinganno, HWV 46a: Come nembo che fugge col vento (Part II) | | Simone Kermes | 6:02 |
| Jesus bleibt meine Freude, BWV 147: Choral | | See Siang Wong | 3:29 |
| Kantate «Non sa che sia dolore», BWV 209: I. Sinfonia | | Die Freitagsakademie | 6:09 |
| Konzert für Oboe d’Amore in A-Dur, rekonstruierte Fassung: I. Allegro (nach BWV 1055R) | | Die Freitagsakademie | 4:11 |
| Konzert für Oboe d’Amore in A-Dur, rekonstruierte Fassung: II. Adagio (nach BWV 249/2) | | Die Freitagsakademie | 3:34 |
| Konzert für Oboe d’Amore in A-Dur, rekonstruierte Fassung: II. Larghetto (nach BWV 1055R) | | Die Freitagsakademie | 4:34 |
| Konzert für Oboe d’Amore in A-Dur, rekonstruierte Fassung: III. Allegro ma non tanto (nach BWV 1055R) | | Die Freitagsakademie | 4:29 |
| Konzert für Violine in g-Moll nach BWV 1056: I. ohne Bezeichnung | | Die Freitagsakademie | 3:34 |
| Konzert für Violine in g-Moll nach BWV 1056: II. Largo | | Die Freitagsakademie | 2:59 |
| Konzert für Violine in g-Moll nach BWV 1056: III. Presto | | Die Freitagsakademie | 3:41 |
| La Resurrezione, HWV 47: Disserratevi, o porte d’Averno (Part I) | | Simone Kermes | 5:30 |
| Linda i Chamounix: "Ah! Tardai troppo... O luce di quest'anima" (Linda) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 5:03 |
| Lotario, HWV 26: Scherza in mar la navicella (Act I, Scene 10) | | Simone Kermes | 6:16 |
| Maometto II: "Giusto ciel, in tal periglio" (Anna) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 3:27 |
| Mendelssohn Bartholdy • Concerto for Piano and Orchestra No. 1 in G Minor Op. 25 MWV o 7 • I. Molto Allegro Con Fuoco | | Jan Lisiecki & Orpheus Chamber Orchestra | 7:24 |
| Mendelssohn Bartholdy • Concerto for Piano and Orchestra No. 1 in G Minor Op. 25 MWV o 7 • II. Andante | | Jan Lisiecki & Orpheus Chamber Orchestra | 6:07 |
| Mendelssohn Bartholdy • Concerto for Piano and Orchestra No. 1 in G Minor Op. 25 MWV o 7 • III. Presto. Molto Allegro Vivace | | Jan Lisiecki & Orpheus Chamber Orchestra | 6:35 |
| Mendelssohn Bartholdy • Concerto for Piano and Orchestra No. 2 in D Minor Op. 40 MWV o 11 • I. Allegro Appassionato | | Jan Lisiecki & Orpheus Chamber Orchestra | 9:50 |
| Mendelssohn Bartholdy • Concerto for Piano and Orchestra No. 2 in D Minor Op. 40 MWV o 11 • III. Finale. Presto Scherzando | | Jan Lisiecki & Orpheus Chamber Orchestra | 6:51 |
| Mendelssohn Bartholdy • Lieder Ohne Worte (Songs without Words) Op. 19b MWV SD 5 • 6. Andante Sostenuto in G Minor (MWV U 78) "Venetian Boat Song" | | Jan Lisiecki | 1:58 |
| Nocturne in C-sharp minor, op. posth.: Lento con gran espressione | | Jan Lisiecki | 4:32 |
| Norma: "Casta diva" (Norma) | | Simone Kermes, Concerto Köln, Christoph M. Mueller | 6:38 |
| Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio | | Jan Lisiecki, Academy of St Martin in the Fields | 18:49 |
| Piano Concerto no. 1 in C major, op. 15: 2. Largo | | Jan Lisiecki, Academy of St Martin in the Fields | 10:07 |
| Piano Concerto no. 1 in C major, op. 15: 3. Rondo. Allegro | | Jan Lisiecki, Academy of St Martin in the Fields | 8:48 |
| Piano Concerto no. 2 in B-flat major, op. 19: 1. Allegro con brio | | Jan Lisiecki, Academy of St Martin in the Fields | 14:44 |
| Piano Concerto no. 2 in B-flat major, op. 19: 2. Adagio | | Jan Lisiecki, Academy of St Martin in the Fields | 8:30 |
| Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo. Molto allegro | | Jan Lisiecki, Academy of St Martin in the Fields | 6:02 |
| Piano Concerto no. 3 in C minor, op. 37: 1. Allegro con brio | | Jan Lisiecki, Academy of St Martin in the Fields | 17:04 |
| Piano Concerto no. 3 in C minor, op. 37: 2. Largo | | Jan Lisiecki, Academy of St Martin in the Fields | 9:34 |
| See all 225 relationships |
| recording engineer for |
|---|
| 1994-10 | Absolutio: Libera me, Domine | | Paul McCreesh, Gabrieli Consort & Players | 7:42 |
| 1994-10 | Agnus Dei | | Paul McCreesh, Gabrieli Consort & Players | 2:41 |
| 1994-10 | Benedictus | | Paul McCreesh, Gabrieli Consort & Players | 1:11 |
| 1994-10 | Communio: Lux aeterna | | Paul McCreesh, Gabrieli Consort & Players | 3:27 |
| 1994-10 | Epistola | | Paul McCreesh, Gabrieli Consort & Players | 2:00 |
| 1994-10 | Evangelium | | Paul McCreesh, Gabrieli Consort & Players | 1:47 |
| 1994-10 | Graduale: Requiem aeternam | | Paul McCreesh, Gabrieli Consort & Players | 2:51 |
| 1994-10 | Kyrie | | Paul McCreesh, Gabrieli Consort & Players | 3:56 |
| 1994-10 | Lectio II ad Matutinum: Taedet animam meam | | Paul McCreesh, Gabrieli Consort & Players | 2:58 |
| 1994-10 | Missa pro defunctis: Introitus: Requiem aeternam | | Paul McCreesh, Gabrieli Consort & Players | 6:15 |
| 1994-10 | Motectum: Versa est in luctum | | Paul McCreesh, Gabrieli Consort & Players | 4:00 |
| 1994-10 | Offerorium: Domine Iesu Christe | | Paul McCreesh, Gabrieli Consort & Players | 5:15 |
| 1994-10 | Oratorio | | Paul McCreesh, Gabrieli Consort & Players | 1:14 |
| 1994-10 | Pater noster | | Paul McCreesh, Gabrieli Consort & Players | 1:15 |
| 1994-10 | Postcommunio | | Paul McCreesh, Gabrieli Consort & Players | 1:11 |
| 1994-10 | Prefatio | | Paul McCreesh, Gabrieli Consort & Players | 1:41 |
| 1994-10 | Sanctus | | Paul McCreesh, Gabrieli Consort & Players | 1:54 |
| 1994-10 | Sequentia: Dies irae | | Paul McCreesh, Gabrieli Consort & Players | 6:24 |
| 1994-10 | Tractus: Absolve, Dominine | | Paul McCreesh, Gabrieli Consort & Players | 1:58 |
| 1995-02 | Die Schöpfung, Hob. XXI:2, Erster Teil: 14.Chor und Terzett: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag” | | Sylvia McNair, Michael Schade, Gerald Finley, English Baroque Soloists, Sir John Eliot Gardiner, Monteverdi Choir | 3:46 |
| 1995-08 | Canzoni et Sonate: Canzon XIV à 10, C 207 | | Gabrieli Consort & Players, Paul McCreesh | 2:52 |
| 1995-08 | Canzoni et Sonate: Canzon XIV à 10, C 207 (5.1 mix) | | Giovanni Gabrieli | 2:52 |
| 1995-08 | Canzoni et Sonate: Canzon XIX à 15, C 212 | | Gabrieli Consort & Players, Paul McCreesh | 5:10 |
| 1995-08 | Canzoni et Sonate: Canzon XIX à 15, C 212 (5.1 mix) | | Giovanni Gabrieli | 5:10 |
| 1995-08 | Canzoni et Sonate: Canzon XVIII à 14, C 211 | | Gabrieli Consort & Players, Paul McCreesh | 6:14 |
| 1995-08 | Canzoni et Sonate: Canzon XVIII à 14, C 211 (5.1 mix) | | Giovanni Gabrieli | 6:14 |
| 1995-08 | Canzoni et Sonate: Canzon XX à 22, C 213 | | Gabrieli Consort & Players, Paul McCreesh | 6:52 |
| 1995-08 | Canzoni et Sonate: Canzon XX à 22, C 213 (5.1 mix) | | Giovanni Gabrieli | 6:52 |
| 1995-08 | Domine Deus meus à 6, C 127 | | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Steven Harrold, Donald Greig, Charles Pott, Simon Grant, Timothy Roberts | 7:19 |
| 1995-08 | Domine Deus meus à 6, C 127 (5.1 mix) | | Giovanni Gabrieli | 7:19 |
| 1995-08 | Ghirlanda sacra, libro primo: Audi, dulcis amica mea | | Gabrieli Consort & Players,David Hurley | 3:40 |
| 1995-08 | Ghirlanda sacra, libro primo: Audi, dulcis amica mea (5.1 mix) | | Bartolomeo Barbarino | 3:40 |
| 1995-08 | Il primo libro de mottetti: Ardens est cor meum | | Gabrieli Consort & Players, Paul McCreesh, David Hurley | 2:44 |
| 1995-08 | Il primo libro de mottetti: Ardens est cor meum (5.1 mix) | | Bartolomeo Barbarino | 2:44 |
| 1995-08 | Intonationi d’organo: Intonatione del duodecimo tono, C 250 | | Gabrieli Consort & Players, Paul McCreesh, Timothy Roberts | 0:33 |
| 1995-08 | Intonationi d’organo: Intonatione del duodecimo tono, C 250 (5.1 mix) | | Giovanni Gabrieli | 0:33 |
| 1995-08 | Intonationi d’organo: Intonatione del nono tono, C 247 | | Gabrieli Consort & Players, Paul McCreesh, Timothy Roberts | 0:40 |
| 1995-08 | Intonationi d’organo: Intonatione del nono tono, C 247 (5.1 mix) | | Giovanni Gabrieli | 0:40 |
| 1995-08 | Magnificat a 33 | | Gabrieli Consort & Players, Paul McCreesh,Julian Clarkson, Robert Horn, David Hurley, Henry Wickham, Steven Harrold | 5:56 |
| 1995-08 | Magnificat à 33, C 151 (5.1 mix) | | Giovanni Gabrieli | 5:56 |
| 1995-08 | Sonata No. 21 con tre violini, C 224 | | Gabrieli Consort & Players, Paul McCreesh | 3:52 |
| 1995-08 | Sonata No. 21 con tre violini, C 224 (5.1 mix) | | Giovanni Gabrieli | 3:52 |
| 1995-08 | Symphonia Sacrae Liber Secundus: Buccinate in neomenia tuba à 19, C 84 | | Gabrieli Consort & Players, Paul McCreesh, Julian Clarkson, Robin Blaze, Henry Wickham | 3:38 |
| 1995-08 | Symphonia Sacrae Liber Secundus: Buccinate in neomenia tuba à 19, C 84 (5.1 mix) | | Giovanni Gabrieli | 3:38 |
| 1995-08 | Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78 | | Gabrieli Consort & Players, Paul McCreesh, Timothy Wilson, Charles Pott, Julian Podger, Donald Greig | 6:59 |
| 1995-08 | Symphonia Sacrae Liber Secundus: In ecclesiis à 14, C 78 (5.1 mix) | | Giovanni Gabrieli | 6:59 |
| 1995-08 | Symphonia Sacrae Liber Secundus: Jubilate Deo omnis terra à 10, C 65 | | Gabrieli Consort & Players, Paul McCreesh, Timothy Wilson, Donald Greig | 4:40 |
| 1995-08 | Symphonia Sacrae Liber Secundus: Jubilate Deo omnis terra à 10, C 65 (5.1 mix) | | Giovanni Gabrieli | 4:40 |
| 1995-08 | Symphonia Sacrae Liber Secundus: Misericordia tua Domine à 12, C 69 | | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Charles Pott | 4:15 |
| 1995-08 | Symphonia Sacrae Liber Secundus: Misericordia tua Domine à 12, C 69 (5.1 mix) | | Giovanni Gabrieli | 4:15 |
| 1995-08 | Symphonia Sacrae Liber Secundus: Suscipe clementissime à 12, C 70 | | Gabrieli Consort & Players, Paul McCreesh, Robert Horn, Julian Podger, Charles Pott, Donald Greig,Simon Grant, Savage | 4:55 |
| 1995-08 | Symphonia Sacrae Liber Secundus: Suscipe clementissime à 12, C 70 (5.1 mix) | | Giovanni Gabrieli | 4:55 |
| 1995-08 | Timor et tremor à 6 (printed 1615 version), C 142 | | Gabrieli Consort & Players, Paul McCreesh, Robert Harre-Jones, Robert Horn, Charles Pott, Donald Greig, Henry Wickham, Simon Grant, Timothy Roberts | 6:45 |
| 1995-08 | Timor et tremor à 6 (printed 1615 version), C 142 (5.1 mix) | | Giovanni Gabrieli | 6:45 |
| 1995-08 | Toccata à 4, C 237 | | Gabrieli Consort & Players, Paul McCreesh, Timothy Roberts | 1:11 |
| 1995-08 | Toccata à 4, C 237 (5.1 mix) | | Giovanni Gabrieli | 1:11 |
| 1995-09 | Af lotusdoft och månens sken | | Anne Sofie von Otter, Bengt Forsberg | 1:04 |
| 1995-09 | Afskedet | | Anne Sofie von Otter, Bengt Forsberg | 1:56 |
| 1995-09 | Aspåkers-polska | | Anne Sofie von Otter, Bengt Forsberg | 1:29 |
| 1995-09 | Återkomst | | Anne Sofie von Otter, Bengt Forsberg | 2:07 |
| 1995-09 | Böljeby-vals | | Anne Sofie von Otter, Bengt Forsberg | 2:59 |
| 1995-09 | Bön till natten | | Anne Sofie von Otter, Bengt Forsberg | 2:55 |
| 1995-09 | De vilda svanarna: De vilda svanarna | | Anne Sofie von Otter, Bengt Forsberg | 2:01 |
| 1995-09 | De vilda svanarna: Människans lott | | Anne Sofie von Otter, Bengt Forsberg | 2:56 |
| 1995-09 | Det far ett skepp, op. 26 No. 5 | | Anne Sofie von Otter, Bengt Forsberg | 1:34 |
| 1995-09 | Du schaust mich an mit stummen Fragen, op. 12 no. 1 | | Anne Sofie von Otter, Bengt Forsberg | 3:49 |
| 1995-09 | En strandvisa, op. 26 no. 9 | | Anne Sofie von Otter, Bengt Forsberg | 2:37 |
| 1995-09 | Gammalsvenskt | | Anne Sofie von Otter, Bengt Forsberg | 2:37 |
| 1995-09 | Hab' ein Röslein dir gebrochen, op. 12 no. 4 | | Anne Sofie von Otter, Bengt Forsberg | 1:18 |
| 1995-09 | I lönnens skymning, op. 37 no. 2 | | Anne Sofie von Otter, Bengt Forsberg | 2:24 |
| 1995-09 | I månaden Tjaitra | | Anne Sofie von Otter, Bengt Forsberg | 2:54 |
| 1995-09 | Ich möchte schweben über Tal und Hügel, op. 12 no. 6 | | Anne Sofie von Otter, Bengt Forsberg | 2:35 |
| 1995-09 | Intet är som väntanstider | | Anne Sofie von Otter, Bengt Forsberg | 1:51 |
| 1995-09 | Jag kysser din vita hand, op. 28 no. 3 | | Anne Sofie von Otter, Bengt Forsberg | 4:39 |
| 1995-09 | Jungfru Blond och jungfru Brunett, op. 26 no. 4 | | Anne Sofie von Otter, Bengt Forsberg | 3:36 |
| 1995-09 | Jutta kommer till Folkungarna | | Anne Sofie von Otter, Bengt Forsberg | 1:25 |
| 1995-09 | Marits visor, op. 12: Holder du af mig | | Anne Sofie von Otter, Bengt Forsberg | 3:02 |
| 1995-09 | Marits visor, op. 12: Kom bukken til gutten | | Anne Sofie von Otter, Bengt Forsberg | 1:16 |
| 1995-09 | Marits visor, op. 12: Solen skinner vakkert om kvælden | | Anne Sofie von Otter, Bengt Forsberg | 1:33 |
| 1995-09 | Melodi | | Anne Sofie von Otter, Bengt Forsberg | 1:31 |
| 1995-09 | När jag för mig själv | | Anne Sofie von Otter, Bengt Forsberg | 1:55 |
| 1995-09 | Pan | | Anne Sofie von Otter, Bengt Forsberg | 2:29 |
| 1995-09 | Skogen sover, op. 28 no. 6 | | Anne Sofie von Otter, Bengt Forsberg | 2:54 |
| 1995-09 | Som stjärnorna på himmelen | | Anne Sofie von Otter, Bengt Forsberg | 3:38 |
| 1995-09 | Vandraren, op. 26 no. 1 | | Anne Sofie von Otter, Bengt Forsberg | 1:49 |
| 1995-09 | Vingar i natten | | Anne Sofie von Otter, Bengt Forsberg | 1:16 |
| 2002-02 | Ave Maria | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:56 |
| 2002-02 | Ave Maria | | Plácido Domingo, Luisa Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:45 |
| 2002-02 | Ave Maria | | Plácido Domingo, Sissel, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:18 |
| 2002-02 | Bist du bei mir | | Plácido Domingo, Sissel, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:44 |
| 2002-02 | Climb Ev'ry Mountain | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:30 |
| 2002-02 | Der Engel | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 2:53 |
| 2002-02 | Domie Deus | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:01 |
| 2002-02 | Frondi tenere e belle - Ombra mai fu | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:47 |
| 2002-02 | Kyrie | | Romano Gandolfi, Coro Sinfonica di Milano Giuseppe Verdi, Plácido Domingo, Paolo Rustichelli, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:39 |
| 2002-02 | Mille cherubini in coro | | Romano Gandolfi, Coro Sinfonico di Milano Giuseppe Verdi, Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:00 |
| 2002-02 | Panis angelicus | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 3:41 |
| 2002-02 | Plegaria (Los Tres Amores) | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:05 |
| 2002-02 | Preghiera | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 4:21 |
| 2002-02 | Repentir | | Plácido Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | 5:24 |
| See all 649 relationships |
| sound engineered |
|---|
| 2005-08 | Hungarian Rhapsody no. 2 in C-sharp minor | | Lang Lang | 9:04 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 1: Pezzo elegiaco: Moderato assai - Allegro giusto | | Lang Lang, Mischa Maisky, Vadim Repin | 19:08 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 1: L'istesso tempo | | Lang Lang, Mischa Maisky, Vadim Repin | 0:49 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 2: Più mosso | | Lang Lang, Mischa Maisky, Vadim Repin | 0:34 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 3: Allegro moderato | | Lang Lang, Mischa Maisky, Vadim Repin | 0:51 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 4: L'istesso tempo | | Lang Lang, Mischa Maisky, Vadim Repin | 1:09 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 5: L'istesso tempo | | Lang Lang, Mischa Maisky, Vadim Repin | 0:28 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 6: Tempo di valse | | Lang Lang, Mischa Maisky, Vadim Repin | 2:48 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 7: Allegro moderato | | Lang Lang, Mischa Maisky, Vadim Repin | 1:18 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 8 Fuga: Allegro moderato | | Lang Lang, Mischa Maisky, Vadim Repin | 2:38 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 9: Andante flebile, ma non tanto | | Lang Lang, Mischa Maisky, Vadim Repin | 3:02 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 10: Tempo di mazurka | | Lang Lang, Mischa Maisky, Vadim Repin | 1:49 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Var. 11: Moderato | | Lang Lang, Mischa Maisky, Vadim Repin | 1:58 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2 Variazione finale e Coda: Allegretto risoluto e con fuoco | | Lang Lang, Mischa Maisky, Vadim Repin | 11:43 |
| 2009-08 | Piano Trio in A minor, Op. 50 No. 2: Tema con variazioni: Andante con moto | | Lang Lang, Mischa Maisky, Vadim Repin | 1:04 |
| 2009-08 | Trio élégiaque No. 1 in G minor | | Lang Lang, Mischa Maisky, Vadim Repin | 14:57 |
| Kinderszenen, op. 15: VII. Träumerei | | Lang Lang | 3:18 |
| Kinderszenen, op. 15: XII. Kind im Einschlummern | | Lang Lang | 2:41 |
| Piano Sonata No. 3 in B minor, Op. 58: I. Allegro maestoso | | Lang Lang | 15:10 |
| Piano Sonata No. 3 in B minor, Op. 58: II. Scherzo. Molto vivace | | Lang Lang | 3:24 |
| Piano Sonata no. 3 in B minor, op. 58: III. Largo | | Lang Lang | 14:10 |
| Piano Sonata No. 3 in B minor, Op. 58: IV. Finale (Presto non tanto) | | Lang Lang | 5:40 |
| Piano Sonata no. 10 in C major, K. 300h/330: II. Andante cantabile | | Lang Lang | 7:30 |
| Piano Sonata no. 10 in C major, K. 330: I. Allegro moderato | | Lang Lang | 6:35 |
| Piano Sonata No. 10 in C major, K. 330: III. Allegretto | | Lang Lang | 5:48 |
| Scenes from Childhood, Op. 15: I. About Foreign Lands and Peoples | | Lang Lang | 1:51 |
| Scenes from Childhood, Op. 15: II. Curious Story | | Lang Lang | 1:11 |
| Scenes from Childhood, Op. 15: III. Catch Me If You Can | | Lang Lang | 0:28 |
| Scenes from Childhood, Op. 15: IV. Pleading Child | | Lang Lang | 0:52 |
| Scenes from Childhood, Op. 15: IX. Knight of the Hobby Horse | | Lang Lang | 0:35 |
| Scenes from Childhood, Op. 15: V. Happiness | | Lang Lang | 1:25 |
| Scenes from Childhood, Op. 15: VI. Important Event | | Lang Lang | 1:01 |
| Scenes from Childhood, Op. 15: VIII. At the Fireside | | Lang Lang | 1:21 |
| Scenes from Childhood, Op. 15: X. Almost Too Serious | | Lang Lang | 1:51 |
| Scenes from Childhood, Op. 15: XI. Frightening | | Lang Lang | 1:45 |
| Scenes from Childhood, Op. 15: XIII. The Poet Speaks | | Lang Lang | 3:12 |
| edited |
|---|
| Ainadamar | | Osvaldo Golijov; Dawn Upshaw, Atlanta Symphony Orchestra, Robert Spano | |
| Piano Concerto no. 2 / Paganini Rhapsody | | Rachmaninov; Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | |
| Violin Sonatas K. 301, 304, 376 & 526 | | Mozart; Hilary Hahn, Natalie Zhu | |
| engineered |
|---|
| Ainadamar | | Osvaldo Golijov; Dawn Upshaw, Atlanta Symphony Orchestra, Robert Spano | |
| Triple Concerto / Romance in E minor / Violin Romances opp. 40 & 50 | | Beethoven; Chung Trio, Patrick Gallois, Pascal Gallois, Philharmonia Orchestra, Myung-Whun Chung | |
| mastering |
|---|
| Chamber Music | | Johann Gottlieb Janitsch; Die Freitagsakademie | |
| Elgar | | Elgar; Catherine Manoukian, Stefan Solyom, Staatskapelle Weimar | |
| Plucked Bach | | Bach; Alon Sariel | |
| mixed |
|---|
| Elgar | | Elgar; Catherine Manoukian, Stefan Solyom, Staatskapelle Weimar | |
| Piano Concerto no. 2 / Paganini Rhapsody | | Rachmaninov; Lang Lang, Orchestra of the Mariinsky Theatre, Valery Gergiev | |
| produced |
|---|
| Klavierkonzerte nos. 2 & 3 | executive | Rachmaninov; Lilya Zilberstein, Berliner Philharmoniker, Claudio Abbado | |
| March 28 | executive | Elaiza | |
| recording engineer for |
|---|
| Brahms : Concerto No.2 | | Hélène Grimaud | |
| Préludes / Children's Corner | | Debussy; Paavali Jumppanen | |
| The Messenger | | Mozart, Silvestrov; Hélène Grimaud, Camerata Salzburg | |
| Violin Concerto / Mazurek / Romance / Humoresque | | Dvořák; Anne‐Sophie Mutter, Berliner Philharmoniker, Manfred Honeck | |
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