| vocals |
|---|
| 1991-11 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (After Li-Tai-Po) | tenor vocals | Ben Heppner, Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 8:33 |
| 1991-11 | Das Lied von der Erde: III. Von der Jugend (After Li-Tai-Po) | tenor vocals | Ben Heppner, Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 3:03 |
| 1991-11 | Das Lied von der Erde: V. Der Trunkene im Frühling (After Li-Tai-Po) | tenor vocals | Ben Heppner, Kölner Rundfunk-Sinfonie-Orchester, Gary Bertini | 4:40 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto I. “Ah! Per l’ultima volta!” (Timur) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Margaret Price, Ulrich Reß, Jan‐Hendrik Rootering, Bruno de Simone, Robert Swensen, Münchner Rundfunkorchester, Roberto Abbado | 2:54 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto I. “Fermo! Che fai? T’arresta?” (Ping, Pang, Pong) | tenor vocals [Calaf] | Ben Heppner, Ulrich Reß, Bruno de Simone, Robert Swensen, Münchner Rundfunkorchester, Roberto Abbado | 4:09 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto I. “Figlio, che fai?” (Timur, Calaf) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Margaret Price, Jan‐Hendrik Rootering, Münchner Rundfunkorchester, Roberto Abbado | 1:41 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto I. “Non indugiare!” (I fantasmi) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Ulrich Reß, Jan‐Hendrik Rootering, Bruno de Simone, Robert Swensen, Münchner Rundfunkorchester, Roberto Abbado | 2:10 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto I. “Non piangere, Liù” (Calaf) | tenor vocals [Calaf] | Ben Heppner, Margaret Price, Jan‐Hendrik Rootering, Münchner Rundfunkorchester, Roberto Abbado | 2:13 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto I. “O giovinetto! Grazia, grazia!” (La folla) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 5:00 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto II, scena 2. “Figlio del cielo! Padre augusto!” (Turandot) | tenor vocals [Calaf] | Claes‐Håkan Ahnsjö, Chor des Bayerischen Rundfunks, Ben Heppner, Éva Marton, Münchner Rundfunkorchester, Roberto Abbado | 3:22 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto II, scena 2. “In questa reggia” (Turandot) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Éva Marton, Münchner Rundfunkorchester, Roberto Abbado | 6:25 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto II, scena 2. “Straniero, ascolta” (Turandot) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Éva Marton, Münchner Rundfunkorchester, Roberto Abbado | 7:24 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto II, scena 2. “Tre enigmi m’hai proposto!” (Calaf) | tenor vocals [Calaf] | Claes‐Håkan Ahnsjö, Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 4:37 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto II, scena 2. “Un giuramento atroce mi costringe” (L’Imperatore Altoum) | tenor vocals [Calaf] | Claes‐Håkan Ahnsjö, Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 4:51 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto III, scena 1. “Che è mai di me?”(Turandot, Calaf) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Éva Marton, Münchner Rundfunkorchester, Roberto Abbado | 3:10 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto III, scena 1. “Del primo pianto” (Turandot) | tenor vocals [Calaf] | Ben Heppner, Éva Marton, Münchner Rundfunkorchester, Roberto Abbado | 2:52 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto III, scena 1. “Il mio mistero?” (Calaf) | tenor vocals [Calaf] | Ben Heppner, Éva Marton, Münchner Rundfunkorchester, Roberto Abbado | 1:51 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto III, scena 1. “Liù! Liù! Sorgi!” (Timur) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Jan‐Hendrik Rootering, Bruno de Simone, Münchner Rundfunkorchester, Roberto Abbado | 5:13 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto III, scena 1. “Nessun dorma!” (Calaf) | tenor vocals [Calaf] | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 2:56 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto III, scena 1. “Principessa di morte” (Calaf) | tenor vocals [Calaf] | Ben Heppner, Éva Marton, Münchner Rundfunkorchester, Roberto Abbado | 3:26 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto III, scena 1. “Principessa divina!” (Ping) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Éva Marton, Margaret Price, Bruno de Simone, Münchner Rundfunkorchester, Roberto Abbado | 4:14 |
| 1992-05-12 – 1992-05-23 | Turandot: Atto III, scena 1. “Tu che guardi le stelle” (Ping, Pang, Pong) | tenor vocals [Calaf] | Chor des Bayerischen Rundfunks, Ben Heppner, Ulrich Reß, Bruno de Simone, Robert Swensen, Münchner Rundfunkorchester, Roberto Abbado | 4:00 |
| 1993 | Die Meistersinger von Nürnberg: “Die selige Morgentraum-Deutweise” … “Selig wie die Sonne…” | solo and tenor vocals | Bayerisches Staatsorchester, Wolfgang Sawallisch | 5:11 |
| 1996-04-02 – 1996-04-06 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative | tenor vocals | Berliner Philharmoniker, Claudio Abbado | 22:50 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Accende lumen sensibus | solo and tenor vocals | René Pape, Chor des Bayerischen Rundfunks, Vesselina Kasarova, Сергей Петрович Лейферкус, Ning Liang, Alessandra Marc, Ben Heppner, Rundfunkchor Berlin, Sharon Sweet, Tölzer Knabenchor, Südfunk-Chor Stuttgart, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 5:03 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Gloria sit Patri Domino | solo and tenor vocals | René Pape, Chor des Bayerischen Rundfunks, Vesselina Kasarova, Сергей Петрович Лейферкус, Ning Liang, Alessandra Marc, Ben Heppner, Rundfunkchor Berlin, Sharon Sweet, Tölzer Knabenchor, Südfunk-Chor Stuttgart, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 3:20 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Imple superna gratia | solo and tenor vocals | René Pape, Chor des Bayerischen Rundfunks, Vesselina Kasarova, Сергей Петрович Лейферкус, Ning Liang, Alessandra Marc, Ben Heppner, Rundfunkchor Berlin, Sharon Sweet, Südfunk-Chor Stuttgart, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 3:08 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Infirma nostri corporis | solo and tenor vocals | Ben Heppner, Vesselina Kasarova, Сергей Петрович Лейферкус, Ning Liang, Alessandra Marc, René Pape, Sharon Sweet, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 2:55 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Infirma nostri corporis | solo and tenor vocals | René Pape, Chor des Bayerischen Rundfunks, Vesselina Kasarova, Сергей Петрович Лейферкус, Ning Liang, Ben Heppner, Rundfunkchor Berlin, Sharon Sweet, Südfunk-Chor Stuttgart, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 2:29 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Veni, creator spiritus | solo and tenor vocals | Rundfunkchor Berlin, Chor des Bayerischen Rundfunks, Vesselina Kasarova, Сергей Петрович Лейферкус, Ning Liang, René Pape, Ben Heppner, Sharon Sweet, Tölzer Knabenchor, Südfunk-Chor Stuttgart, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 3:10 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Alles Vergängliche ist nur ein Gleichnis | solo and tenor vocals | Alessandra Marc, Chor des Bayerischen Rundfunks, Vesselina Kasarova, Сергей Петрович Лейферкус, Ning Liang, Ben Heppner, René Pape, Rundfunkchor Berlin, Sharon Sweet, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 6:00 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Die jüngeren Engel: Ich spür’ soeben, nebelnd um Felsenhöh / Chor seliger Knaben: Freudig empfangen wir / Doctor Marianus: Hier ist die Aussicht frei | solo and tenor vocals [Doctor Marianus] | Chor des Bayerischen Rundfunks, Ben Heppner, Vesselina Kasarova, Alessandra Marc, Tölzer Knabenchor, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 1:26 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Doctor Marianus: Höchste Herrscherin der Welt! | solo and tenor vocals [Doctor Marianus] | Chor des Bayerischen Rundfunks, Ben Heppner, Rundfunkchor Berlin, Südfunk-Chor Stuttgart, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 4:51 |
| 1996-07-07 – 1996-07-08 | Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Mater gloriosa: Komm! Hebe dich zu höhern Sphären | tenor vocals | Ben Heppner, Alessandra Marc, Elizabeth Norberg-Schulz, Rundfunkchor Berlin, Sharon Sweet, Südfunk-Chor Stuttgart, Tölzer Knabenchor, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 7:29 |
| 1996-11 – 1996-12 | Die Frau ohne Schatten: Aufzug I. "Amme! Wachst du?" (Kaiser, Amme) | tenor vocals [Der Kaiser] | Ben Heppner, Hanna Schwarz, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 5:34 |
| 1996-11 – 1996-12 | Die Frau ohne Schatten: Aufzug II. "Falke, Falke, du wiedergefundener" (Kaiser) | tenor vocals [Der Kaiser] | Ben Heppner, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 13:38 |
| 1996-11 – 1996-12 | Die Frau ohne Schatten: Aufzug III. "Nun will ich jubeln" (Barak, Kaiser, Stimmen der Ungeborenen, Kaiserin, Frau) | tenor vocals [Der Kaiser] | Franz Grundheber, Deborah Voigt, Sabine Hass, Ben Heppner, Helga Termer, Roxana Incontrera, Claudia Kunz, Nadja Michael, Elisabeth Wilke, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 4:39 |
| 1996-11 – 1996-12 | Die Frau ohne Schatten: Aufzug III. "Wenn das Herz aus Kristall" (Kaiser, Stimme der Ungeborenen, Kaiserin) | tenor vocals [Der Kaiser] | Deborah Voigt, Ben Heppner, Helga Termer, Roxana Incontrera, Claudia Kunz, Nadja Michael, Elisabeth Wilke, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 5:12 |
| 1999-12-31 | La traviata: Libiamo | | Isabel Bayrakdarian, Russell Braun, Measha Brueggergosman, Ben Heppner, Adrianne Pieczonka, Brett Polegato, Gino Quilico, Michael Schade, Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Mario Bernardi, Jean Stilwell | 3:22 |
| 2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Accende lumen sensibus | solo and tenor vocals | Royal Concertgebouw Orchestra, Riccardo Chailly | 5:09 |
| 2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Gloria sit Patri Domino | solo and tenor vocals | Royal Concertgebouw Orchestra, Riccardo Chailly | 2:47 |
| 2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Imple superna gratia | solo and tenor vocals | Royal Concertgebouw Orchestra, Riccardo Chailly | 3:59 |
| 2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Infirma nostri corporis | solo and tenor vocals | Royal Concertgebouw Orchestra, Riccardo Chailly | 6:26 |
| 2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part One. Veni, Creator... Da gaudiorum praemia | solo and tenor vocals | Royal Concertgebouw Orchestra, Riccardo Chailly | 4:24 |
| 2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Alles Vergängliche | solo and tenor vocals [Doctor Marianus] | Royal Concertgebouw Orchestra, Riccardo Chailly | 5:52 |
| 2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Blicket auf zum Retterblick | solo and tenor vocals [Doctor Marianus] | Royal Concertgebouw Orchestra, Riccardo Chailly, Ben Heppner, Pražský filharmonický sbor | 5:55 |
| 2000-01-17 – 2000-01-20 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part Two. Höchste Herrscherin der Welt | solo and tenor vocals [Doctor Marianus] | Royal Concertgebouw Orchestra, Riccardo Chailly | 4:34 |
| 2000-09 – 2000-12 | Ariadne auf Naxos: Oper. "Circe, Circe, kannst du mich hören?" (Bacchus, Ariadne, Najade, Echo, Dryade) | tenor vocals | Deborah Voigt, Eva Kirchner, Christiane Hossfeld, Angela Liebold, Ben Heppner, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 6:08 |
| 2000-09 – 2000-12 | Ariadne auf Naxos: Oper. "Das waren Zauberwörte!" (Ariadne, Bacchus) | tenor vocals | Deborah Voigt, Ben Heppner, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 3:14 |
| 2000-09 – 2000-12 | Ariadne auf Naxos: Oper. "Gibt es kein Hinüber?" (Ariadne, Bacchus, Najade, Echo, Dryade, Zerbinetta) | tenor vocals | Deborah Voigt, Eva Kirchner, Christiane Hossfeld, Angela Liebold, Ben Heppner, Natalie Dessay, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 7:51 |
| 2000-09 – 2000-12 | Ariadne auf Naxos: Oper. "Theseus! Nein, nein!" (Ariadne, Bacchus) | tenor vocals | Deborah Voigt, Ben Heppner, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 10:35 |
| 2000-09 – 2000-12 | Ariadne auf Naxos: Vorspiel. "Du allmächtiger Gott! O du mein zitterndes Herz!" (Komponist, Tenor, Perückenmacher, Zerbinetta, Primadonna, Musiklehrer, Tanzmeister) | tenor vocals | Albert Dohmen, Matthias Henneberg, Anne Sofie von Otter, Natalie Dessay, Deborah Voigt, Ben Heppner, Michael Howard, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 6:12 |
| 2000-09 – 2000-12 | Ariadne auf Naxos: Vorspiel. "Ist schon geschehn. Wir sind bereit" (Musiklehrer, Haushofmeister, Primadonna, Tanzmeister, Tenor, Zerbinetta, Komponist) | tenor vocals | Anne Sofie von Otter, Natalie Dessay, Deborah Voigt, Romuald Pekny, Ben Heppner, Michael Howard, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli | 8:26 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act I. No. 8 Octet and Double Chorus "Châtiment effroyable!" (Priam, Panthée, Chorèbe, Énée, Helenus, Cassandre, Ascagne, Hécube, Chorus) | tenor vocals | Bülent Bezdüz, Isabelle Cals, Alan Ewing, Ben Heppner, Petra Lang, London Symphony Chorus, Tigran Martirossian, Peter Mattei, Guang Yang, London Symphony Orchestra, Sir Colin Davis | 6:35 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act I. No. 9 Recitative and Chorus "Que la déesse nous protège" (Énée, Priam) / "À cet objet sacré formez cortège, enfants" (All) | tenor vocals | Alan Ewing, Ben Heppner, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 1:35 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act II, Scene 1. No. 12 Scene and Recitative "Ô lumiere de Troie!" (Énée) / "Ah!...fuis, fils de Vénus" (Ghost of Hector) | tenor vocals | Orlin Anastassov, Ben Heppner, London Symphony Orchestra, Sir Colin Davis | 5:47 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act II, Scene 1. No. 13 Recitative and Chorus "Quelle espérance encor est permise" (Énée, Panthée, Ascagne, Chorèbe) / "Le salut des vaincus est de n'en plus attendre" (Énée, Chorèbe, Panthee, Chorus) | tenor vocals | Isabelle Cals, Ben Heppner, London Symphony Chorus, Tigran Martirossian, Peter Mattei, London Symphony Orchestra, Sir Colin Davis | 2:34 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act III. No. 28 Finale "J'ose à peine annoncer la terrible nouvelle!" (Narbal, Didon, Chorus) / "Reine! Je suis Énée!" (Énée, All) / "Annonce à nos Troyens l'entreprise nouvelle" (Énée, Didon) / "Des armes! des armes!" (All) | tenor vocals | Michelle DeYoung, Ben Heppner, London Symphony Chorus, Stephen Milling, London Symphony Orchestra, Sir Colin Davis | 8:08 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act IV, Scene 2. No. 35 Recitative and Quintet "Ô pudeur! Tout conspire" (Didon, Énée, Anna, Iopas, Narbal) | tenor vocals | Michelle DeYoung, Ben Heppner, Stephen Milling, Sara Mingardo, London Symphony Orchestra, Sir Colin Davis | 4:40 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act IV, Scene 2. No. 35 Recitative and Quintet "Pardonne Iopas" (Didon, Énée) | tenor vocals | Michelle DeYoung, Ben Heppner, London Symphony Orchestra, Sir Colin Davis | 1:31 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act IV, Scene 2. No. 36 Recitative and Septet "Mais bannissons ces tristes souvenirs" (Énée) | tenor vocals | Ben Heppner, London Symphony Orchestra, Sir Colin Davis | 0:42 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act IV, Scene 2. No. 36 Recitative and Septet "Tout n'est que paix et charme" (Didon, Énée, Ascagne, Anna, Iopas, Narbal, Panthée, Chorus) | tenor vocals | Isabelle Cals, Michelle DeYoung, Ben Heppner, London Symphony Chorus, Tigran Martirossian, Stephen Milling, Sara Mingardo, London Symphony Orchestra, Sir Colin Davis | 4:27 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act IV, Scene 2. No. 37 Duet "Nuit d'ivresse et d'extase infinie!" (Didon, Énée, Mercure) | tenor vocals | Michelle DeYoung, Ben Heppner, Leigh Melrose, London Symphony Orchestra, Sir Colin Davis | 10:07 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act V, Scene 1. No. 41 Rectitative and Aria "Ah! Quand viendra l'instant des suprêmes adieux" (Énée) | tenor vocals | Ben Heppner, London Symphony Orchestra, Sir Colin Davis | 4:53 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act V, Scene 1. No. 41 Rectitative and Aria "Inutiles regrets!" (Énée) | tenor vocals | Ben Heppner, London Symphony Orchestra, Sir Colin Davis | 1:44 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act V, Scene 1. No. 42 Scene "Énée!" (Ghosts, Énée) | tenor vocals | Ben Heppner, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 2:24 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act V, Scene 1. No. 43 Scene and Chorus "Debout, Troyens, éveillez-vous, alerte!" (Énée) / "Alerte! Entendez-vous, amis, la voix d'Énée?" (Chorus) | tenor vocals | Ben Heppner, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 2:02 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act V, Scene 1. No. 44 "Italie!" (Énée, Trojans) | tenor vocals | Ben Heppner, London Symphony Orchestra, Sir Colin Davis | 0:56 |
| 2000-12-03 – 2000-12-09 | Les Troyens, H. 133a: Act V, Scene 1. No. 44 Duet and Chorus "Errante sur tes pas" (Didon, Énée) | tenor vocals | Michelle DeYoung, Ben Heppner, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | 4:05 |
| 2001-06 – 2001-07 | Le prophète: Act III. Roi du ciel | tenor vocals | Ben Heppner, London Voices, London Symphony Orchestra, Myung-Whun Chung | 3:47 |
| 2001 | La damnation de Faust, Teil IV: "Nature immense" | tenor vocals | Ben Heppner, London Symphony Orchestra, 정명훈 | 5:39 |
| Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 4:20 |
| Andrea Chénier, Act IV: Come un bel dì di Maggio | tenor vocals | Ben Heppner, Munich Radio Orchestra, Roberto Abbado | 2:48 |
| Andrea Chénier: "Colpito qui m'avete ov'io geloso" / "Un dì all'azzurro spazio" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 4:40 |
| Andrea Chénier: "Come un bel dì di maggio" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 2:47 |
| Be My Love | tenor vocals | Ben Heppner | 3:07 |
| Carmen: "La fleur que tu m'avais jetée" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 3:52 |
| Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | tenor vocals | Ben Heppner, Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | 9:05 |
| Das Lied von der Erde: III. Von der Jugend | tenor vocals | Ben Heppner, Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | 3:04 |
| Das Lied von der Erde: V. Der Trunkene im Frühling | tenor vocals | Ben Heppner, Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel | 4:58 |
| Die Meistersinger von Nürnberg: Act III. Morgenlich leuchtend im rosigen Schein | tenor vocals | Chor der Bayerischen Staatsoper, Ben Heppner, Bernd Weikl, Bayerisches Staatsorchester, Wolfgang Sawallisch | 4:50 |
| Die Meistersinger: „Morgenlich leuchtend” (Walther’s prize song) | tenor vocals | Chor der Bayerischen Staatsoper, Ben Heppner, Kurt Moll, Cheryl Studer, Bernd Weikl, Bayerisches Staatsorchester, Wolfgang Sawallisch | 6:03 |
| Die Meistersinger: Akt I. “Halt, Meister!” (ending) … “Doch wird’s wohl jetzt mir kund” | tenor vocals [Stolzing] | Ben Heppner, Herbert Lippert, Alan Opie, René Pape, José van Dam, Chicago Symphony Orchestra, Sir Georg Solti | 4:05 |
| Hérodiade: "Ne pouvant réprimer" ... "Adieu donc, vains objets" | tenor vocals | Münchner Rundfunkorchester, Roberto Abbado, Ben Heppner | 5:42 |
| Hérodiade: "Ne pouvant réprimer" / "Adieu donc, vains objets" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 5:45 |
| Il trovatore: "Ah sì, ben mio" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 3:12 |
| Il trovatore: "Di quella pira" | tenor vocals | Michael Gläser, Chor des Bayerischen Rundfunks, Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 3:22 |
| Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" | tenor vocals | CBC Radio Orchestra, Wayne Riddell | 2:07 |
| Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" | tenor vocals | CBC Radio Orchestra, Wayne Riddell | 2:16 |
| Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!" | tenor vocals | CBC Radio Orchestra, Wayne Riddell | 1:05 |
| L'Africaine: "Pays merveilleux" / "Ô Paradis" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 3:03 |
| La bohème: "Musetta! O gioia della mia dimora!" / "Testa adorata" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 2:58 |
| La fanciulla del West, Act III: Ch'ella mi creda | tenor vocals | Ben Heppner, Munich Radio Orchestra, Roberto Abbado | 2:16 |
| La fanciulla del West: "Ch'ella mi creda libero e lontano" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 2:18 |
| La forza del destino: "La vita inferno all'infelice" / "Oh, tu che in seno agl'angeli" | tenor vocals | Ben Heppner, Jürgen Musser, Münchner Rundfunkorchester, Roberto Abbado | 8:55 |
| La Marseillaise (arr. Berlioz) | tenor vocals | Ben Heppner, London Voices, London Symphony Orchestra, Myung-Whun Chung | 4:08 |
| La Trouvère : "Di quella pira" | solo and tenor vocals | Ben Heppner, Chœur de la Radiodiffusion bavaroise, Orchestre de la Radiodiffusion de Munich, Roberto Abbado | 3:14 |
| Le Cid: "Ah! tout est bien fini" / "Ô souverain, ô juge, ô père" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 5:15 |
| Le Trouvère : Di quella pira | tenor vocals | Chor des Bayerischen Rundfunks, Ben Heppner | 3:18 |
| Luisa Miller: "Oh! fede negar potessi" / "Quando le sere al placido" | tenor vocals | Ben Heppner, Münchner Rundfunkorchester, Roberto Abbado | 4:58 |
| See all 117 relationships |
| vocals |
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| Rusalka | | Dvořák; Czech Philharmonic Orchestra, Sir Charles Mackerras, Fleming, Heppner, Zajick, Hawlata, Urbanová | |
