Amphion, S. 210 | | | | Song | | | |
Ask Me No More | | | | Song | | | |
At the Window | | | | Song | | | |
Break, Break, Break | | | | Song | | | |
Break, Break, Break | | | | Song | | | |
Break, Break, Break | | | | Song | | | |
Charge of the Light Brigade | | | | Song | | | |
Claribel | | | | Song | | | |
Come Into the Garden Maud | | | | Song | | | |
Come Into the Garden, Maud | | | | Poem | | | |
Come Not When I Am Dead | | | | | | | |
Come Not, When I Am Dead | | | | Song | | | |
Coronation Song | | | | Song | | | |
Crossing the Bar | | | | | | | |
Crossing the Bar | | | | Song | | | |
Crossing the Bar | | | | Song | | | |
Crossing the Bar | | | | Song | | | |
Crossing the Bar | | | | | | | |
Crossing The Bar | | | | Song | | | |
Drop Me a Flower, op. 175 no. 2 | | | | Song | | | |
Edward Gray | | | | Song | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: "So These Were Wed" | | | | | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Allegro appassionato | | | | | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Annie's Dream. Langsam. | | | | | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Prelude. Andante | | | | | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part One: Tranquillo | | | | | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: "Thus Over Enoch's Early-Silvering Head" | | | | | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Allegro agitato | | | | | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Langsam | | | | | | | |
Enoch Arden, op. 38: A Melodrama for Piano After Alfred Lord Tennyson: Part Two: Prelude. Allegro moderato | | | | | | | |
Faith, op. 97 no. 3 | | | | Song | | | |
Far-Far-Away | | | | Song | | | |
Four lyrics from In memoriam | | | | | | | |
Four lyrics from In memoriam: No. 1. Be near me when my light is low | | | | Song | | | |
Four lyrics from In memoriam: No. 2. Oh yet we trust that somehow good | | | | Song | | | |
Four lyrics from In memoriam: No. 3. The wish | | | | Song | | | |
Four lyrics from In memoriam: No. 4. There rolls the deep | | | | Song | | | |
Four Poems by Tennyson: IV. The Sleeping Palace | | | | Song | | | |
Four Poems of Tennyson: II. Now Sleeps the Crimson Petal | | | | | | | |
Four Poems of Tennyson: III. Far - Far - Away | | | | | | | |
Four Songs, op. 112 | | | | | | | |
Go Not, Happy Day | | | | Song | | | |
Go Not, Happy Day, S. 335 | | | | Song | | | |
God and the Universe, op. 97 no. 2 | | | | Song | | | |
Home They Brought Her Warrior Dead | | | | Song | | | |
Home They Brought Her Warrior Dead, H. 81 | | | | Song | | | |
Horizons: VII. Crossing the Bar | | | | | | | |
Indolence | | | | Song | | | |
Little Birdie (from Sea Dreams) | | | | Song | | | |
Love in Springtime: Dainty Little Maiden | | | | Song | | | |
Mariana | | | | | | | |
Maud | | | | Song-cycle | | | |
Maud | | | | Poem | | | |
Maud | | | | | | | |
Maud (an extract) | | | | Song | | | |
Maud: 5. Birds in the High Hall-Garden | | | | Song | | | |
Maud: 7. Go Not, Happy Day | | | | Song | | | |
Maud: 9. Come Into the Garden, Maud | | | | Song | | | |
Maud: Birds in the high Hall-garden | | | | Song | | | |
Maud: Come into the garden, Maud | | | | Song | | | |
Maud: Go not, happy day | | | | Song | | | |
Maud: I was walking a mile | | | | Song | | | |
Maud: Rivulet crossing my ground | | | | Song | | | |
Nocturnes: IV. The Owl | | | | Song | | | |
Now Sleeps the Crimson Petal | | - James Gilchrist, Jasper de Waal, Amsterdam Sinfonietta, Candida Thompson
- Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford
- Christoph Prégardien, Ib Lanzky-Otto, Tapiola Sinfonietta, Osmo Vänskä
- Les Violons du Roy, Jean-Marie Zeitouni, Karina Gauvin, Louis‐Philippe Marsolais
| | | | | |
Now Sleeps the Crimson Petal | | | | Song | | | |
Now Sleeps the Crimson Petal | | | | Poem | | | |
Now Sleeps the Crimson Petal, op. 3 no. 2 | | | | Song | | | |
Now Sleeps the Crimson Petal: No. 1. Now Sleeps the Crimson Petal | | | | | | | |
O Let the Solid Ground | | | | | | | |
On A Spiteful Letter | | | | Song | | | |
Peace, Come Away | | | | Song | | | |
Queen Mary's Song | | | | Song | | | |
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne | | - Robert Tear, Dale Clevenger, Chicago Symphony Orchestra, Carlo Maria Giulini
- James Gilchrist, Jasper de Waal, Amsterdam Sinfonietta, Candida Thompson
- Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten
- Ian Bostridge, Radek Baborák, Berliner Philharmoniker, Sir Simon Rattle
- (show 22 more)
| | | | | |
Six Songs, op. 16, H. 69: 1. Calm is the morn | | | | Song | | | |
Sleep, Little Blossom | | | | Song | | | |
Songs From “The Princess”, op. 20a | | | | Song-cycle | | | |
Songs From “The Princess”, op. 20a: I. Sweet and Low | | | | Song | | | |
Songs From “The Princess”, op. 20a: II. The Splendour Falls | | | | Song | | | |
Songs From “The Princess”, op. 20a: III. Tears, Idle Tears | | | | Song | | | |
Songs From “The Princess”, op. 20a: IV. O Swallow, Swallow | | | | Song | | | |
Songs From “The Princess”, op. 20a: V. Now Sleeps the Crimson Petal | | | | Song | | | |
Spring, op. 112 no. 1 | | | | Song | | | |
St. Agnes's Eve | | | | Song | | | |
St. Agnes’ Eve | | | | Song | | | |
Strong Son of God, op. 97 no. 1 | | | | Song | | | |
Sweet and Low | | | | Song | | | |
Sweet and Low (from 'The Princess') | | | | Song | | | |
The Aviary: II. The Owl | | | | Song | | | |
The Ballad of Oriana | | | | Song | | | |
The Bee | | | | | | | |
The Charge of the Light Brigade | | | | Song | | | |
The Charge of the Light Brigade | | | | Poem | | | |
The City Child, op. 112 no. 3 | | | | Song | | | |
The Defence of Lucknow | | | | Poem | | | |
The Great Glen | | | | Incidental music | | | |
The Lady of Shallott | | | | Poem | | | |
The Lady of Shalott | | | | Poem | | | |
The Lady of Shalott | | | | Song | | | |
The Lotos-Eaters | | | | Oratorio | | | |