| arranged |
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| The Plaint : O Let Me Weep, For Ever Weep | [unknown] | 7:51 |
| conducted |
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1963-09-23 | A Choral Fantasia, H177, op. 51 | Janet Baker, Purcell Singers, Ralph Downes, English Chamber Orchestra, Imogen Holst | 17:15 |
1963-09-23 | Psalm 86, H117 no. 1 | Ian Partridge, Purcell Singers, Ralph Downes, English Chamber Orchestra, Imogen Holst | 8:07 |
1965-07-19 | First Suite in E-flat, op. 28 no. 1, H.105: I. Chaconne | Central Band of the Royal Air Force, Imogen Holst | 3:59 |
1965-07-19 | First Suite in E-flat, op. 28 no. 1, H.105: II. Intermezzo | Central Band of the Royal Air Force, Imogen Holst | 2:57 |
1965-07-19 | First Suite in E-flat, op. 28 no. 1, H.105: III. March | Central Band of the Royal Air Force, Imogen Holst | 3:09 |
1965-07-19 | Second Suite in F, op. 28 no. 2, H. 106: I. March | Central Band of the Royal Air Force, Imogen Holst | 4:46 |
1965-07-19 | Second Suite in F, op. 28 no. 2, H. 106: II. Song without Words | Central Band of the Royal Air Force, Imogen Holst | 1:56 |
1965-07-19 | Second Suite in F, op. 28 no. 2, H. 106: III. The Song of the Blacksmith | Central Band of the Royal Air Force, Imogen Holst | 1:23 |
1965-07-19 | Second Suite in F, op. 28 no. 2, H. 106: IV. Fantasia on the Dargason | Central Band of the Royal Air Force, Imogen Holst | 3:39 |
1965-08-20 | A Moorside Suite, H. 173: I. Scherzo | BMC Band, Imogen Holst | 3:17 |
1965-08-20 | A Moorside Suite, H. 173: II. Nocturne | BMC Band, Imogen Holst | 6:23 |
1965-08-20 | A Moorside Suite, H. 173: III. March | BMC Band, Imogen Holst | 4:20 |
1967 | Brook Green Suite for Strings: I. Prelude | English Chamber Orchestra, Imogen Holst | 1:52 |
1967 | Brook Green Suite for Strings: II. Air | English Chamber Orchestra, Imogen Holst | 2:34 |
1967 | Brook Green Suite for Strings: III. Dance | English Chamber Orchestra, Imogen Holst | 2:46 |
1967 | Fugal Concerto for Flute, Oboe & Strings, op. 40 no. 2: I. Moderato | William Bennett, Peter Graeme, English Chamber Orchestra, Imogen Holst | 2:13 |
1967 | Fugal Concerto for Flute, Oboe & Strings, op. 40 no. 2: II. Adagio | William Bennett, Peter Graeme, English Chamber Orchestra, Imogen Holst | 2:50 |
1967 | Fugal Concerto for Flute, Oboe & Strings, op. 40 no. 2: III. Allegro | William Bennett, Peter Graeme, English Chamber Orchestra, Imogen Holst | 3:01 |
1967 | Lyric Movement for Viola and Small Orchestra | Emmanuel Hurwitz, English Chamber Orchestra, Imogen Holst | 9:54 |
1967 | Nocturne (A Moorside Suite 1928) (arr. strings Holst) | English Chamber Orchestra, Imogen Holst | 6:36 |
1969-06-15 | A Fugal Concerto, op. 40 no. 2: I Moderato | Richard Adeney, Peter Graeme, English Chamber Orchestra, Imogen Holst | 2:18 |
1969-06-15 | A Fugal Concerto, op. 40 no. 2: II Adagio | Richard Adeney, Peter Graeme, English Chamber Orchestra, Imogen Holst | 2:51 |
1969-06-15 | A Fugal Concerto, op. 40 no. 2: III Allegro | Richard Adeney, Peter Graeme, English Chamber Orchestra, Imogen Holst | 3:22 |
1970 | Ballet Music from the Golden Goose, op. 45 no. 1 | English Chamber Orchestra, Imogen Holst | 14:51 |
1970 | Capriccio for Orchestra (edt. Imogen Holst) | English Chamber Orchestra, Imogen Holst | 6:02 |
1970 | Double Concerto for Two Violins and Orchestra, op. 49: I. Scherzo | Emmanuel Hurwitz, Kenneth Sillito, English Chamber Orchestra, Imogen Holst | 4:57 |
1970 | Double Concerto for Two Violins and Orchestra, op. 49: II. Lament | Emmanuel Hurwitz, Kenneth Sillito, English Chamber Orchestra, Imogen Holst | 4:07 |
1970 | Double Concerto for Two Violins and Orchestra, op. 49: III. Variations on a Ground | Emmanuel Hurwitz, Kenneth Sillito, English Chamber Orchestra, Imogen Holst | 5:19 |
1970 | Two Songs Without Words, op. 22: Country Song | English Chamber Orchestra, Imogen Holst | 4:26 |
1970 | Two Songs Without Words, op. 22: Marching Song | English Chamber Orchestra, Imogen Holst | 3:37 |
| Ave Maria Op.9B H49 | Gustav Holst | 4:25 |
| Choral Hymns from the Rig Veda, op. 26: Hymn to the Dawn | Purcell Singers, Osian Ellis, Imogen Holst | 3:07 |
| Savitri, op. 25: I Am With Thee | Dame Janet Baker, Thomas Hemsley, Purcell Singers, English Chamber Orchestra, Imogen Holst | 6:55 |
| Savitri, op. 25: Like a Spectre of the Forest | Dame Janet Baker, Purcell Singers, Robert Tear, English Chamber Orchestra, Imogen Holst | 5:07 |
| Savitri, op. 25: Loneliness and Pain Are Ended | Dame Janet Baker, Thomas Hemsley, Purcell Singers, Robert Tear, English Chamber Orchestra, Imogen Holst | 5:40 |
| Savitri, op. 25: Savitri! Savitri! I Am Death | Dame Janet Baker, Thomas Hemsley, Robert Tear, English Chamber Orchestra, Imogen Holst | 4:22 |
| Savitri, op. 25: Then Enter, Lord | Dame Janet Baker, Thomas Hemsley, Purcell Singers, English Chamber Orchestra, Imogen Holst | 8:41 |
| Seven Part Songs: Angel Spirits of Sleep | Purcell Singers, English Chamber Orchestra, Imogen Holst | 1:47 |
| Seven Part Songs: Assemble All Ye Maidens | Susan Longfield, Purcell Singers, English Chamber Orchestra, Imogen Holst | 9:50 |
| Seven Part Songs: Love On My Heart from Heaven Fell | Purcell Singers, English Chamber Orchestra, Imogen Holst | 2:15 |
| Seven Part Songs: O Love, I Complain | Purcell Singers, English Chamber Orchestra, Imogen Holst | 1:28 |
| Seven Part Songs: Say Who Is This | Purcell Singers, English Chamber Orchestra, Imogen Holst | 2:20 |
| Seven Part Songs: Sorrow and Joy | Purcell Singers, English Chamber Orchestra, Imogen Holst | 1:29 |
| Seven Part Songs: When First We Met | Purcell Singers, English Chamber Orchestra, Imogen Holst | 2:01 |
| The Evening Watch Op.43 No.1 H159 | Gustav Holst | 4:19 |
| This Have I Done for My True Love Op.34 No.1 H128 | Gustav Holst | 5:23 |
| arranged |
---|
| Capriccio (Jazz-Band Piece), H. 185 | | |
| The Fairy Queen, Z. 629 | | |
| composed |
---|
1928 | Phantasy Quartet | | |
1930 | Sonata for Violin and Cello | | |
1944 | First String Trio | | |
1963 | The Fall of the Leaf | | |
1966 | Fanfare for Thaxted | | |
1966 | Fanfare for the Grenadier Guards | | |
1967 | Leiston Suite | | |
1967 | Leiston Suite: I. Entry Music. Brilliant and energetic | | |
1967 | Leiston Suite: II. Jig. Quick and light | | |
1967 | Leiston Suite: III. Interlude. Cheerful and energetic | | |
1967 | Leiston Suite: IV. Slow Air. Very slow and expressive | | |
1967 | Leiston Suite: V. March, to the tune of Kettle-Drum. Cheerful and energetic | | |
1968 | Duo for Viola and Piano | | |
1972 | Hallo My Fancy, Whither Wilt Thou Go? | | |
1982 | String Quintet | | |
– 1950 | Welcome Joy and Welcome Sorrow | | |
| As I Sat Under a Holly Tree | | |
| Welcome Joy and Welcome Sorrow: I. Welcome Joy and Welcome Sorrow | | |
| Welcome Joy and Welcome Sorrow: II. Teignmouth | | |
| Welcome Joy and Welcome Sorrow: III. Over the Hill and Over the Dale | | |
| Welcome Joy and Welcome Sorrow: IV. O Sorrow | | |
| Welcome Joy and Welcome Sorrow: V. Lullaby | | |
| Welcome Joy and Welcome Sorrow: VI. Shed no Tear | | |
| orchestrated |
---|
| Variations on an Elizabethan Theme: Theme | | |