Aristophanic Suite “The Wasps”: I. Overture | | | | | | | |
Capriccio a violino solo "Nel cor più non mi sento" per violino, MS 44 | | | | | | | |
Carmen Fantasy, op. 25 | | | | | | | |
Chamber Symphony no. 1, op. 9: I. Langsam - Sehr rasch | | | | | | | |
Chamber Symphony no. 1, op. 9: II. Sehr rasch | | | | | | | |
Chamber Symphony no. 1, op. 9: III. Viel langsamer | | | | | | | |
Chamber Symphony no. 1, op. 9: IV. Viel langsamer | | | | | | | |
Chamber Symphony no. 1, op. 9: V. Schwungvoll | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | | | | | | | |
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | | | | | | | |
Concerto for Violin and String Orchestra in D minor: II. Andante | | | | | | | |
Deep River | | | | | | | |
Estrellita | | | | | | | |
F-A-E Sonata: III. Scherzo c-moll | | | | | | | |
Fantasia on British Sea Songs | | | | | | | |
Four Rags for Violin and Piano: 4th Street Drag | | | | | | | |
Four Rags for Violin and Piano: Cockles | | | | | | | |
Four Rags for Violin and Piano: Full Stride Ahead | | | | | | | |
Four Rags for Violin and Piano: Intoxication | | | | | | | |
Grand Caprice sur « Le Roi des aulnes » de Franz Schubert, op. 26 | | | | | | | |
Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta) | | | | | | | |
Introduction et Rondo capriccioso en la mineur pour violon et orchestre, op. 28 | | | | Concerto | | | |
Jeanie With the Light Brown Hair | | | | Song | | | |
Jerusalem | | - BBC Symphony Orchestra, Sir Andrew Davis
- Waynflete Singers, Winchester Cathedral Choir, Timothy Byram-Wigfield, Bournemouth Symphony Orchestra, David Hill
- Sarah Walker, Royal Philharmonic Orchestra, Sir Charles Groves
- Richard Cooke, Royal Choral Society, BBC Concert Orchestra, Barry Wordsworth
- (show 13 more)
| | | | | |
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) | | | | Aria | | | |
Lachen verlernt | | | | | | | |
Moon Over Bourbon Street | - Sting (lyricist, composer)
| | | | | | |
Old Folks at Home | | | | Song | | | |
Pavane, op. 50 | | | | Song | | | |
Poème, op. 25 | | | | | | | |
Polonaise de concert no. 1 in D major, op. 4 | | | | | | | |
Polovtsian Dances | | | | | | | |
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major | | | | | | | |
Porgy and Bess: A Woman Is a Sometime Thing | | | | | | | |
Porgy and Bess: Bess, You Is My Woman Now | | | | | | | |
Porgy and Bess: It Ain’t Necessarily So | | | | | | | |
Porgy and Bess: My Man's Gone Now | | | | | | | |
Porgy and Bess: Summertime | | | | | | | |
Porgy and Bess: Tempo di Blues | | | | | | | |
Quatuor pour la fin du Temps : V. Louange à l'Éternité de Jesus | | | | | | | |
Recitative and Scherzo-Caprice for Solo Violin, op. 6 | | | | | | | |
Road Movies: I. Relaxed Groove | | | | | | | |
Road Movies: II. Meditative | | | | | | | |
Road Movies: III. 40% Swing | | | | | | | |
San Andreas Suite: I. Wonder Years | | | | Suite | | | |
San Andreas Suite: II. Clear Lake | | | | Suite | | | |
San Andreas Suite: III. Eruption | | | | Suite | | | |
Scheherazade.2: I. Tale of the Wise Young Woman; Pursuit by the True Believers | | | | | | | |
Scheherazade.2: II. A Long Desire (Love Scene) | | | | | | | |
Scheherazade.2: III. Scheherazade and the Men with Beards | | | | | | | |
Scheherazade.2: IV. Escape, Flight, Sanctuary | | | | | | | |
Sérénade mélancolique in B-flat minor, op. 26 | | | | | | | |
Short Story | | | | | | | |
Siete canciones populares españolas, G. 40, nº 1: El paño moruno | | | | Song | | | |
Siete canciones populares españolas, G. 40, nº 3: Asturiana | | | | Song | | | |
Siete canciones populares españolas, G. 40, nº 4: Jota | | | | Song | | | |
Siete canciones populares españolas, G. 40, nº 5: Nana | | | | Song | | | |
Siete canciones populares españolas, G. 40, nº 6: Canción | | | | Song | | | |
Siete canciones populares españolas, G. 40, nº 7: Polo | | | | Song | | | |
Smile | | | | | | | |
Sonata for Solo Violin in D minor, op. 27 no. 3 | | | | Sonata | | | |
Sonata for Solo Violin in E minor, op. 27 no. 4: I. Allemanda | | | | | | | |
Sonata for Solo Violin in E minor, op. 27 no. 4: II. Sarabande | | | | | | | |
Sonata for Solo Violin in E minor, op. 27 no. 4: III. Finale | | | | | | | |
Sonata for Solo Violin, Sz.117, BB 124: I. Tempo di ciaccona | | | | | | | |
Sonata for Solo Violin, Sz.117, BB 124: II. Fuga: Risoluto, non troppo vivo | | | | | | | |
Sonata for Solo Violin, Sz.117, BB 124: III. Melodia: Adagio | | | | | | | |
Sonata for Solo Violin, Sz.117, BB 124: IV. Presto | | | | | | | |
Sonata for Violin and Piano no. 3 in C minor, op. 45: I. Allegro molto ed appassionato | | | | | | | |
Sonata for Violin and Piano no. 3 in C minor, op. 45: II. Allegretto espressivo alla romanza | | | | | | | |
Sonata for Violin and Piano no. 3 in C minor, op. 45: III. Allegro animato | | | | | | | |
Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato | | | | | | | |
Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo | | | | | | | |
Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro | | | | | | | |
Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco allegretto | | | | | | | |
Sonata for Violin and Piano, op. 134: I. Andante | | | | | | | |
Sonata for Violin and Piano, op. 134: II. Allegretto | | | | | | | |
Sonata for Violin and Piano, op. 134: III. Largo - Andante - Largo | | | | | | | |
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84: I. Allegro appassionato | | | | | | | |
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84: II. Adagio | | | | | | | |
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84: III. Allegro molto | | | | | | | |
Sonate pour violon et piano no. 2, M. 77 : I. Allegretto | | | | | | | |
Sonate pour violon et piano no. 2, M. 77 : II. Blues. Moderato | | | | | | | |
Sonate pour violon et piano no. 2, M. 77 : III. Perpetuum mobile. Allegro | | | | | | | |
Souvenir d’Amérique, op. 17 "Yankee Doodle" | | | | | | | |
Thaïs: Acte II. Entr’acte “Méditation” | | | | | | | |
The Easy Winners | | | | Song | | | |
The Ragtime Dance | | | | | | | |
Thème et variations: Cinquième variation. Très modéré | | | | | | | |
Thème et variations: Deuxième variation. Un peu moins modéré | | | | | | | |
Thème et variations: Première variation. Modéré | | | | | | | |
Thème et variations: Quatrième variation. Vif et passionné | | | | | | | |
Thème et variations: Thème. Modéré | | | | | | | |
Thème et variations: Troisième variation. Modéré, avec éclat | | | | | | | |
Three Preludes: No. 1. Allegro ben ritmato e deciso | | | | | | | |
Three Preludes: No. 2. Andante con moto e poco rubato | | | | | | | |
Three Preludes: No. 3. Allegro ben ritmato e deciso | | | | | | | |
Trio for Violin, Cello and Piano in G minor, op. 8: I. Allegro con fuoco | | | | | | | |
Trio for Violin, Cello and Piano in G minor, op. 8: II. Scherzo. Con moto, ma non troppo | | | | | | | |