[anonymous] (special purpose artist)

~ Other

Relationships

voice of:	NEUTRA (vocal synth character, member of six impala)

Discogs:	https://www.discogs.com/artist/967691 [info]
other databases:	https://rateyourmusic.com/artist/_anonymous [info]
Wikidata:	Q59755918 [info]
IMSLP:	imslp: Category:Anonymous [info]

Appearances

Date	Title	Credited as	Attributes	Artist	Length
	arranged
	Averil			Mediæval Bæbes	3:53
	Dal concerto in La Maggiore, op. 3 no. 5: I. Allegro			Roberto Loreggian	2:59
	Dal concerto in La Maggiore, op. 3 no. 5: II. Largo			Roberto Loreggian	1:26
	Dal concerto in La Maggiore, op. 3 no. 5: III. Allegro			Roberto Loreggian	2:51
	Dal concerto in Sol Maggiore, op. 3 no. 3: I. Allegro			Roberto Loreggian	2:12
	Dal concerto in Sol Maggiore, op. 3 no. 3: II. Grave			Roberto Loreggian	1:51
	Dal concerto in Sol Maggiore, op. 3 no. 3: III. Allegro			Roberto Loreggian	2:30
	Kinderszenen (Scenes of childhood), op. 15: VII. Traumerei (Dreaming) (arr. for cello and piano)			Pau Casals, Otto Schulhof	3:20
	Lanquan Li Jorn			Mediæval Bæbes	2:29
	Legende, op.17	anonym		Salonorchester Cölln	7:09
	conducted
	Piano Concerto No. 21 in C major, K. 467 Andante - Elvira Madigan	B. Baumgartner		Martha Bergerich, Academia Salzburg, B. Baumgartner	6:51
	Rondo for Piano and Orchestra in A major, K. 386	B. Baumgartner		Martha Bergerich, Academia Salzburg, B. Baumgartner	10:44
	instruments
1931	Plaisir d’amour	Mme Peltier	harpsichord	Yvonne Printemps	4:29
1955	Le roi a fait battre tambour		harpsichord	Yves Montand	3:22
1970-06	Catulli Carmina: Actus III: Odi et amo - Exodium: Chorus: Eis aiona		piano	Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum	8:29
1970-06	Catulli Carmina: Actus III: Odi et amo - Exodium: Chorus: Eis aiona		percussion	Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum	8:29
1970-06	Catulli Carmina: Eis aiona!		percussion	Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum	13:24
1970-06	Catulli Carmina: Eis aiona!		piano	Arleen Augér, Wiesław Ochman, Chor der Deutschen Oper Berlin, Eugen Jochum	13:24
1971	Le Ciné‐club		barrel organ [Draaiorgel De Lekkerkerker 90T, Carl FREI Breda]	Émile Waldteufel	3:08
1987	Les Miroirs dans la boue		horn	William Sheller	3:43
2000-07	Cuatro milpas		barrel organ [organillo]	Kronos Quartet	4:09
	[Chapter I] Remembering (Origin & Depth) - A Tribute to And The Rainfall	a friend	guitar	Space Horse Manifesto	7:09
	[Chapter I] Remembering (Origin & Depth) - A Tribute to And The Rainfall	another friend	saxophone	Space Horse Manifesto	7:09
	Bahrie Tchifte Tellisi	anon trio	classical kemençe [kemençe]	anon trio	3:21
	Bahrie Tchifte Tellisi	anon trio	oud [ūd]	anon trio	3:21
	Bahrie Tchifte Tellisi	anon trio	kanun [kanūn]	anon trio	3:21
	Domenicke-Glocke		bell	Evangelischen Stadtkirche Freudenstadt	1:54
	Freudenstadt- oder Friedens-Glocke		bell	Evangelischen Stadtkirche Freudenstadt	2:28
	Glockengeläut an Passionsandachten		bell	Evangelischen Stadtkirche Freudenstadt	2:29
	Glockengeläut an Predigt-Abendmahls-Gottesdiensten		bell	Evangelischen Stadtkirche Freudenstadt	2:33
	Glockengeläut an Schüler-Gottesdiensten		bell	Evangelischen Stadtkirche Freudenstadt	2:35
	Glockengeläut an Sonntags-Gottesdiensten		bell	Evangelischen Stadtkirche Freudenstadt	3:27
	Glockengeläut an Trauungen		bell	Evangelischen Stadtkirche Freudenstadt	2:18
	Glockengeläut an Veranstaltungen derKirchenmusik		bell	Evangelischen Stadtkirche Freudenstadt	2:54
	Glockengeläut an Werktags-Gottesdiensten		bell	Evangelischen Stadtkirche Freudenstadt	2:14
	Gloriosa- oder Christus-Glocke		bell	Evangelischen Stadtkirche Freudenstadt	1:59
	Hotu Matua		guitar	men's group (anonymous)	1:07
	Kleine Evangelisten-Glocke		bell	Evangelischen Stadtkirche Freudenstadt	1:46
	Kreuz-Glocke		bell	Evangelischen Stadtkirche Freudenstadt	1:58
	Mr. Tap‐man	Mr. Tapman	tap dance	塩谷哲	6:14
	One⁷ [from One¹³]		cello	[anonymous]	30:05
	One⁸		cello	[anonymous]	43:30
	Osanna-Glocke		bell	Evangelischen Stadtkirche Freudenstadt	1:34
	Secret Garden	my neighbor :)	other instruments [lawn mower]	Friends Without Faces	4:28
	Soul of the Tyrants		harmonica	Avi & Celia	4:55
	Tauf-Glocke		bell	Evangelischen Stadtkirche Freudenstadt	1:35
	Volles Geläut		bell	Evangelischen Stadtkirche Freudenstadt	4:10
	mixed
	Secret of Evermore “The Ivory Gambit” OC ReMix			TSori feat. Andy-Ru & Ji Young Lee	4:19
	orchestra
1930	Symphony no. 2 in D major, op. 43: III. Vivacissimo - IV. Finale (Allegro moderato)			Robert Kajanus	17:40
1959-01	Gratus' Entry to Jerusalem	M-G-M Symphony Orchestra		Miklós Rózsa	1:58
1959-01	Salute for Gratus	M-G-M Symphony Orchestra		Miklós Rózsa	0:37
1959-01	Salute for Messala	M-G-M Symphony Orchestra		Miklós Rózsa	0:12
1962-01-23 – 1962-01-24	Violin Concerto in A major, RV 350: 1st Movement: Allegro molto			Nathan Milstein, [anonymous]	4:22
1962-01-23 – 1962-01-24	Violin Concerto in A major, RV 350: 2nd Movement: Largo			Nathan Milstein, [anonymous]	2:34
1962-01-23 – 1962-01-24	Violin Concerto in A major, RV 350: 3rd Movement: Allegro			Nathan Milstein, [anonymous]	4:08
1962-01-23 – 1962-01-24	Violin Concerto in A major, RV 352: 1st Movement: Allegro molto			Nathan Milstein, [anonymous]	2:39
1962-01-23 – 1962-01-24	Violin Concerto in A major, RV 352: 2nd Movement: Largo			Nathan Milstein, [anonymous]	2:18
1962-01-23 – 1962-01-24	Violin Concerto in A major, RV 352: 3rd Movement: Allegro			Nathan Milstein, [anonymous]	3:04
1962-01-23 – 1962-01-24	Violin Concerto in C major, RV 186: 1st Movement: Allegro			Nathan Milstein, [anonymous]	3:19
1962-01-23 – 1962-01-24	Violin Concerto in C major, RV 186: 2nd Movement: Largo			Nathan Milstein, [anonymous]	3:54
1962-01-23 – 1962-01-24	Violin Concerto in C major, RV 186: 3rd Movement: Allegro			Nathan Milstein, [anonymous]	2:37
1963-02-26 – 1963-02-28	Violin Concerto in A major, RV 340: 1st Movement: Allegro			Nathan Milstein, [anonymous]	4:10
1963-02-26 – 1963-02-28	Violin Concerto in A major, RV 340: 2nd Movement: Largo			Nathan Milstein, [anonymous]	3:21
1963-02-26 – 1963-02-28	Violin Concerto in A major, RV 340: 3rd Movement: Allegro			Nathan Milstein, [anonymous]	2:25
1963-02-26 – 1963-02-28	Violin Concerto in D major, RV 213: 1st Movement: Allegro			Nathan Milstein, [anonymous]	3:28
1963-02-26 – 1963-02-28	Violin Concerto in D major, RV 213: 2nd Movement: Largo			Nathan Milstein, [anonymous]	3:44
1963-02-26 – 1963-02-28	Violin Concerto in D major, RV 213: 3rd Movement: Allegro			Nathan Milstein, [anonymous]	4:42
1963-02-26 – 1963-02-28	Violin Concerto in D major, RV 233: 1st Movement: Allegro			Nathan Milstein, [anonymous]	3:21
1963-02-26 – 1963-02-28	Violin Concerto in D major, RV 233: 2nd Movement: Largo non molto			Nathan Milstein, [anonymous]	2:46
1963-02-26 – 1963-02-28	Violin Concerto in D major, RV 233: 3rd Movement: Allegro			Nathan Milstein, [anonymous]	3:32
1963-10-10	Concerto for Violin, Cello, Strings and Continuo in B-flat major, RV 547: 1. Allegro	[chamber orchestra]		Jascha Heifetz, Gregor Piatigorsky, Malcolm Hamilton, [chamber orchestra]	4:14
1963-10-10	Concerto for Violin, Cello, Strings and Continuo in B-flat major, RV 547: 2. Andante	[chamber orchestra]		Jascha Heifetz, Gregor Piatigorsky, Malcolm Hamilton, [chamber orchestra]	2:25
1963-10-10	Concerto for Violin, Cello, Strings and Continuo in B-flat major, RV 547: 3. Allegro molto	[chamber orchestra]		Jascha Heifetz, Gregor Piatigorsky, Malcolm Hamilton, [chamber orchestra]	3:11
1964-03-26 – 1964-03-28	Concerto for 2 Violins in D minor, BWV 1043: 1st Movement: Vivace			Nathan Milstein, Erica Morini, [anonymous]	4:00
1964-03-26 – 1964-03-28	Concerto for 2 Violins in D minor, BWV 1043: 2nd Movement: Largo ma non tanto			Nathan Milstein, Erica Morini, [anonymous]	6:36
1964-03-26 – 1964-03-28	Concerto for 2 Violins in D minor, BWV 1043: 3rd Movement: Allegro assai			Nathan Milstein, Erica Morini, [anonymous]	5:05
1964-03-27	Concerto for 2 Violins in D minor, op. 3-11, RV 565: 1st Movement: Allegro – 2nd Movement: Adagio e spiccato – Allegro			Nathan Milstein, Erica Morini, [anonymous]	4:54
1964-03-27	Concerto for 2 Violins in D minor, op. 3-11, RV 565: 3rd Movement: Largo e spiccato			Nathan Milstein, Erica Morini, [anonymous]	2:57
1964-03-27	Concerto for 2 Violins in D minor, op. 3-11, RV 565: 4th Movement: Allegro			Nathan Milstein, Erica Morini, [anonymous]	3:20
1965-03-29	Violin Concerto no. 1 in A minor, BWV 1041: 1st Movement: Allegro			Nathan Milstein, [anonymous]	4:00
1965-03-29	Violin Concerto no. 1 in A minor, BWV 1041: 2nd Movement: Andante			Nathan Milstein, [anonymous]	6:23
1965-03-29	Violin Concerto no. 1 in A minor, BWV 1041: 3rd Movement: Allegro assai			Nathan Milstein, [anonymous]	3:59
1966-04-05 – 1966-04-06	Violin Concerto no. 2 in E major, BWV 1042: 1st Movement: Allegro			Nathan Milstein, [anonymous]	8:05
1966-04-05 – 1966-04-06	Violin Concerto no. 2 in E major, BWV 1042: 2nd Movement: Adagio			Nathan Milstein, [anonymous]	6:10
1966-04-05 – 1966-04-06	Violin Concerto no. 2 in E major, BWV 1042: 3rd Movement: Allegro assai			Nathan Milstein, [anonymous]	2:47
1966-04-06 – 1966-04-07	Violin Concerto in A mjor, RV 343 “Scordatura”: 1st Movement: Allegro			Nathan Milstein, [anonymous]	3:59
1966-04-06 – 1966-04-07	Violin Concerto in A mjor, RV 343 “Scordatura”: 2nd Movement: Adagio			Nathan Milstein, [anonymous]	4:06
1966-04-06 – 1966-04-07	Violin Concerto in A mjor, RV 343 “Scordatura”: 3rd Movement: Allegro			Nathan Milstein, [anonymous]	3:01
1966-04-06 – 1966-04-07	Violin Concerto in D minor, RV 242: 1st Movement: Allegro			Nathan Milstein, [anonymous]	2:59
1966-04-06 – 1966-04-07	Violin Concerto in D minor, RV 242: 2nd Movement: Largo			Nathan Milstein, [anonymous]	2:59
1966-04-06 – 1966-04-07	Violin Concerto in D minor, RV 242: 3rd Movement: Allegro			Nathan Milstein, [anonymous]	3:21
	Bomb, A Love Story: A New Beginning	string orchestra		Eleni Karaindrou	1:27
	Bomb, A Love Story: Love Theme	string orchestra		Eleni Karaindrou	4:12
	Bomb, A Love Story: Reconciliation Theme	string orchestra		Eleni Karaindrou	2:35
	Bomb, A Love Story: The Waltz of Hope	string orchestra		Eleni Karaindrou	2:37
	Deutscher Tanz No. 1	Symphony Orchestra		Symphony Orchestra, Alfred Scholz	1:50
	Fidelio: Ouvertüre op. 94	Radio Symphonieorchester		Radio Symphonieorchester, Anton Nanut	6:45
	Leonore III: Ouvertüre op. 72b	Radio Symphonieorchester		Radio Symphonieorchester, Anton Nanut	13:40
	Oi, muistatko vielä sen virren	[studio orchestra]		Esa Ruuttunen, [studio orchestra], Osmo Vänskä	5:16
	Road to Chicago (From “road to Perdition” Soundtrack)			Thomas Newman	3:06
	Sinfonie Nr. 40 g-Moll KV 550: Molto allegro	Philharmonisches Orchester		Philharmonisches Orchester	7:50
	Tous des oiseaux: David’s Dream	string orchestra		Eleni Karaindrou	6:56
	Tous des oiseaux: Encounter	string orchestra		Eleni Karaindrou	4:06
	Tous des oiseaux: Separation	string orchestra		Eleni Karaindrou	3:21
	Tous des oiseaux: The Confession	string orchestra		Eleni Karaindrou	4:06
	Tous des oiseaux: The Dark Secret	string orchestra		Eleni Karaindrou	3:56
	Tous des oiseaux: The Impossible Journey	string orchestra		Eleni Karaindrou	2:44
	Tous des oiseaux: The Wind of War	string orchestra		Eleni Karaindrou	2:52
	performed
	Dance			Futuramerlin.com	2:43
	Menuet		solo	Futuramerlin.com	1:11
	Tranzitional			Futuramerlin.com	0:36
	remixed
	Bar Sachiko (slowed + reverb)			Sachiko M	2:00:10
	vocals
1940-05-06	[broadcast commentary]		spoken vocals	[anonymous]	2:47
1940-05-06	[broadcast commentary]		spoken vocals	[anonymous]	3:42
1940-05-06	[broadcast commentary]		spoken vocals	[anonymous]	2:09
1940-05-06	[broadcast commentary]		spoken vocals	[anonymous]	0:42
1968-03 – 1968-04	Die Schachtel: Struttura 1–2: A) Società come platea indifferenziata, placidità del proprio posto, stimoli standard, reazioni comuni equicontrollate.		other vocals [voice]	Franco Evangelisti	6:33
1968-03 – 1968-04	Die Schachtel: Struttura 3: B) Le reazioni liberatrici: 1. La reazione intersoggettiva, o momento della libertà individuale (emulazione automobilistica, discorso sulla personalità)		other vocals [voice]	Franco Evangelisti	5:28
1968-03 – 1968-04	Die Schachtel: Struttura 4: B) Le reazioni liberatrici: 2. La nevrosi come evasione accettabile		other vocals [voice]	Franco Evangelisti	5:35
1968-03 – 1968-04	Die Schachtel: Struttura 5: B) Le reazioni liberatrici: 3. L’evasione lirica. Ballata della rosa		other vocals [voice]	Franco Evangelisti	3:31
1968-03 – 1968-04	Die Schachtel: Struttura 6: B) Le reazioni liberatrici: 4. La reazione come risposta della psicologia collettiva		other vocals [voice]	Franco Evangelisti	5:37
1968-03 – 1968-04	Die Schachtel: Struttura 7: C) Finale: Glorificazione del sistema: Immedesimazione nel sistema del minimo sforzo		other vocals [voice]	Franco Evangelisti	3:04
1968-03 – 1968-04	Die Schachtel: Struttura 8: Crollo della scatola		other vocals [voice]	Franco Evangelisti	1:22
1971-01 – 1971-02	Électro-Poème	12 voices of girls and boys	other vocals [logatomes]	Léo Kupper	6:07
1993-04-16	And God Created Great Whales, op. 229	Recording by Hubbs-Sea World Research Institute	other vocals [humpback whale]	Seattle Symphony, Gerard Schwarz	12:22
	[broadcast commentary]		spoken vocals	[anonymous]	0:52
	Another Brown World			Coil	11:42
	Babylero			Coil	0:51
	Babylero (early)			Coil	0:36
	Bill Nye the Science Guy (main theme)		other vocals [“Bill! Bill! Bill!”]	Mike Greene	?:??
	Carmina Burana: Cour d’amour: Amor volat undique	Ein Kinderchor	choir vocals	Agnes Giebel, Ein Kinderchor, Kölner Rundfunk-Sinfonie-Orchester, Wolfgang Sawallisch	3:14
	Carmina Burana: Cour d’amour: Tempus est iocundum	Ein Kinderchor	choir vocals	Marcel Cordes, Agnes Giebel, Chor des Westdeutschen Rundfunks, Ein Kinderchor, Kölner Rundfunk-Sinfonie-Orchester, Wolfgang Sawallisch	2:06
	He's Calling Me			Ebenezer East Church	3:02
	Hotu Matua	men's group		men's group (anonymous)	1:07
	I Was Glad (live)		choir vocals	New England's Freelance Singers, Fred MacArthur, Murray Kidd	6:15
	Is Suicide a Solution?		spoken vocals	Coil	5:21
	Lord, Remember Me			Pilgrim's Rest Primitive Baptist Church	5:59
	Luglio, agosto, settembre (nero)		guest and spoken vocals	Area	4:28
	Mother, Tell Me of the Angels			Tickanetley Primitive Baptist Church	3:00
	New Prospect			Georgia Sacred Harp Convention	2:47
	No Excuse	Albare's kids and nephews	other vocals [voices]	Albare	4:36
	Patterned Ground		additional	Glacial Anatomy	5:36
	Rata de dos patas			Marc Ribot & Ohene Cornelius	4:47
	the song	?		my band	5:58
	touching ice	my boyfriend		joxer	1:12
	Walk With Me			House of God, Sarasota, Florida	8:09
	Who’ll Fall?			Coil	5:15
	Who’ll Fall?		spoken vocals	Coil	5:31
	Wishes of Welcome	men's group		men's group (anonymous)	1:54
	artwork
	The Complete Magnificats / Three Salve Reginas	Master of Aachen		Pierre de La Rue; VivaVoce, Peter Schubert
	composed
	La Musique de la bible révélée			Suzanne Haïk‐Vantoura
	design/illustration
	…Medieval Art			Azerlath
	Hamburger Admiralitätsmusik 1723	anonymer Meister um 1700		Georg Philipp Telemann; Alsfelder Vokalensemble, Barockorchester Bremen, Wolfgang Helbich
	Von Humboldt Picnic			Mardi Gras.bb
	illustration
1201-01-01 – 1300-12-31	Land of Enchantment	Anonymous Chinese		Deuter
1777	The Mozart Experience			Mozart; Academy of St. Martin-in-the-Fields, Sir Neville Marriner
	Concerts avec plusieurs instruments - VI	Anonyme		Johann Sebastian Bach; Café Zimmermann
	Concerts avec plusieurs instruments – VI	Anonyme		Johann Sebastian Bach; Café Zimmermann
	Et la fleur vole, Airs à danser & airs de cour autour de 1600			Les Musiciens de Saint-Julien, François Lazarevitch
	Handel in Hamburg			Handel; The Parley of Instruments, Peter Holman
	Honi soit qui mal y pense ! Polyphonies des chapelles royales anglaises	Anonyme		Diabolus in Musica, Antoine Guerber
	Je voy le bon tens venir : Polyphonies & danses autour de 1400	Anonyme		Les Musiciens de Saint-Julien, François Lazarevitch, Simone Sorini, Enea Sorini, Marc Busnel
	Je voy le bon tens venir : Polyphonies & danses autour de 1400	Anonyme		Les Musiciens de Saint-Julien, François Lazarevitch, Simone Sorini, Enea Sorini, Marc Busnel
	L’arbre de mai: Chansons & danses au temps de Guillaume Dufay	Tacuinum sanitatis		Guillaume Dufay; Allégorie
	L’ombra di Solimano: Cantatas for Bass and Continuo			Pasquini; Capella Tiberina, Lisandro Abadie, Alexandra Nigito
	La doce acordance: Chansons de trouvères			Diabolus in Musica, Antoine Guerber
	Lachrimæ	Anonyme		John Dowland; Thomas Dunford, R. Hughes, R. van Mechelen, P. Agnew, A. Buet
	Lieder & Oden			Lorenz Christoph Mizler; Klaus Mertens, Sibylla Rubens, Rudolf Lutz, Maya Amrein
	Muze honorons l’ilustre & grand Henry	Anonyme Français		Claude Lejeune; Les Pages du Centre de Musique Baroque de Versailles, Les Chantres du Centre de Musique Baroque de Versailles, Olivier Schneebeli
	New Skin for the Old Ceremony			Leonard Cohen
	Paris expers Paris: École de Notre-Dame, 1170‒1240			Diabolus in Musica, Antoine Guerber
	Paris expers Paris: École de Notre-Dame, 1170‒1240			Diabolus in Musica, Antoine Guerber
	Pescodd Time	Anonyme Anglais		William Byrd; Bertrand Cuiller
	Pièces de clavecin			Jacques Duphly; Elisabeth Joyé
	Pièces de clavecin	Anonyme		Jacques Duphly; Elisabeth Joyé
	Requiem			Johannes Ockeghem; Ensemble Organum, Marcel Pérès
	Requiem			Wolfgang Amadeus Mozart; Simone Kermes, Stéphanie Houtzeel, Markus Brutscher, Arnaud Richard, MusicAeterna, The New Siberian Singers, Teodor Currentzis
	Requiem			Wolfgang Amadeus Mozart; Simone Kermes, Stéphanie Houtzeel, Markus Brutscher, Arnaud Richard, MusicAeterna, The New Siberian Singers, Teodor Currentzis
	Rose tres bele : Chansons & polyphonies des Dames trouvères	Anonyme		Diabolus in Musica, Antoine Guerber
	Toccate per cembalo			Alessandro Scarlatti; Rinaldo Alessandrini
	TS ♡ FS			Direct Current
	instruments
1991-07	Schlachtplatte	Anonymer Trompeter	guest and trumpet	Patent Ochsner
	Momoll		recorder	Dieter Wiesmann
	New Magnetic Wonder	Anonymous studio musicians	additional and electronic instruments [Melloptron tape banks]	The Apples in Stereo
	She Looked Back		guitar	Michael William Gilbert
	She Looked Back		percussion	Michael William Gilbert
	instruments technician for
1730	Classical Cats		cello [Violoncello]	Lux Musica
	lyrics
	Messe Orbis factor			Ireneu Segarra i Malla; Escolania de Montserrat, Capella de Música de Montserrat
	Propre de la messe de la Pentecôte			Coro de monjes de la Abadía de Montserrat, Dom Odilon Cunill
	photography
1910-08	The Earth Sessions, Vol. I/II			Jim Baker & Michael Zerang
1910-08	The Earth Sessions, Volume I: Music for Piano and Drum Kit			Jim Baker & Michael Zerang
1910-08	The Earth Sessions, Volume II: Music for Percussion and Electronics			Michael Zerang & Jim Baker
	Culinaire Lingus	X		Ange
	Simple Mind Condition			Trouble
	vocals
	The Lowdown		other vocals	Rainer Willeke
	dedications
	Two Piece Snaq	Pappy & Grandad		Two Piece Snaq
	arranged
1804	Il dissoluto punito, ossia il Don Giovanni, K. 527 (for string quartet, arr. [anonymous])
1809	Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet" (for clarinet (or violin) and piano, arr. [anonymous])
	3 Trios for Flute, Violin & Cello
	3 Trios for Flute, Violin, Chello: Trio No. 1: I. Allegro
	3 Trios for Flute, Violin, Chello: Trio No. 1: II. Adagio
	3 Trios for Flute, Violin, Chello: Trio No. 1: III. Menuetto
	3 Trios for Flute, Violin, Chello: Trio No. 1: IV. Rondo: Allegro
	Clotilda: "Ungrateful cruel maid" (arr. for solo bass viol)
	Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegretto (for clarinet (or violin) and piano, arr. [anonymous])
	Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto (for clarinet (or violin) and piano, arr. [anonymous])
	Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Menuetto (for clarinet (or violin) and piano, arr. [anonymous])
	Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con Variazioni (for clarinet (or violin) and piano, arr. [anonymous])
	Sonata in G major (arr. [anonymous] from op. 5/6 by Corelli)
	String Quintet in B-flat major, K. 46
	String Quintet in B-flat major, K. 46: I. Largo - Allegro molto
	String Quintet in B-flat major, K. 46: II. Menuetto
	String Quintet in B-flat major, K. 46: III. Adagio
	String Quintet in B-flat major, K. 46: IV. Rondo: Allegro molto
	The Alchymist, HWV 43
	The Alchymist, HWV 43: I. Overture
	The Alchymist, HWV 43: III. Minuet
	The Alchymist, HWV 43: IV. Sarabande
	The Alchymist, HWV 43: IX. Gigue
	The Alchymist, HWV 43: V. Bouree
	The Alchymist, HWV 43: VI. Air
	The Alchymist, HWV 43: VII. Minuet
	The Alchymist, HWV 43: VIII. Gavotte
	Trio No. 2: I. Allegro
	Trio No. 2: II. Larghetto
	Trio No. 2: III. Menuetto
	Trio No. 2: IV. Allegro
	Trio No. 3: I. Allegro
	Trio No. 3: II. Larghetto
	Trio No. 3: III. Polonaise
	Violin Sonata no. 7 in C minor, H. 7 (anonymous arrangement)
	Violin Sonata no. 7 in C minor, H. 7: II. Allegro
	Violin Sonata no. 7 in C minor, H. 7: III. Grave
	Violin Sonata no. 7 in C minor, H. 7: IV. Gigue. Allegro
	composed
1000 – 1100	Liber Usualis (book of Gregorian chants of the Roman Catholic tradition)
1150 – 1228	Veni Sancte Spiritus (traditional Gregorian plainchant from the Liber Usualis)
1190	Pange melos
1200 – 1250	Danse real (13th century French dance)
1200 – 1299	Condicio – O Nacio – Mane Prima (13th century French song)
1200 – 1300	Lai du chèvrefeuille
1300 – 1400	Belicha (From a document in the British Library in London : Ms.29987)
1301 – 1400	Jesus, good above all other (hymn with tune 'Quem pastores')	German 14th century carol
1400-01-01 – 1500-12-31	Carol: Lullay: I saw a swete semly syght (The New Oxford Book of Carols #24)
1400	Bel fiore dança
1400 – 1500	Carol: Lullay: I saw a swete semly syght (The New Oxford Book of Carols #24)
1425	Qui creavit caelum
1465	Calabaça, no se, buen amor (Cancionero de Palacio, no. 433)
1480 –	Dindirindin (catch-all work)
1500-01-01 – 1600-12-31	Swete was the song (The New Oxford Book of Carols #44 I)
1500-01-01 – 1600-12-31	Verbum caro
1518 – 1531	Le Carrateyron	Basochiens d'Aix-en-Provence
1556	Vesame y abraçame
1560	La Doune Cella (La Doncella, British Library Add. Ms. 30153)
1590	Mug Your Gate
1590	Watkin's Ale
1608	Es kommt ein Schiff, geladen
1615	De mes ans la fleur se desteint
1635	O! For a Closer Walk With God	Scottish Psalter
1667	Uppsala Manuscript: Matthew Passion, reconstructed	Uppsala Manuscript
1782	Caro mio ben (edited by Paton for Alfred)
1793	Le réveil du père Duchesne
1835	My Shepherd Will Supply My Need (Hymn with tune "Resignation")
1870	Rolling home (sea shanty)
1914	Hanging from the Old Barbed Wire
1935	Caithness (hymn tune)	Scottish Psalter
– 1660	Contredanse Jeanne qui saute
– 1693	Se i miei sospiri (edited by Paton for Alfred)
– 1749	Nina (edited by Paton for Alfred)
– 1749	Nina (catch-all arrangement)
	¿A quien me quejaré?
	¿Cómo no le andaré yo?
	¿Qué me queréis, cavallero?
	¿Qué quiere amor?
	't Inkomen van Handerwyk (from a collection of "Boere Danssen")
	"Allaho akbar" (Muslim Call to Prayer)
	"Der Morgen und der Abend" 12 Musikstücke für das Hornwerk "Salzburger Stier" der Festung Hohensalzburg: Für den Merz: Adagio
	"In memoria eterna erit justus" - Verses 1-4
	"In omnem terram exivit sonus" - "Non sunt sermones neque loquelle" - Prosula
	"Levavi oculos meos in montes"
	"Os iusti meditabitur justitiam" - "Lex dei eius in corde ipsius" - "Tin dalalan" - "Ya alima l'aasrar"
	"Per gloriam nominis tui Christe filius dei vivi" (Opening of the Mozarabic Mass)
	“Viva viva Rey Ferrando”, canción, CM 111
	„Allerhand Lustige Musicalische Sachen“: Volta - Mascarada I - Courant - Mascarada II - Ballet
	11 Spanische Renaissancelieder: Tres morillas me enamoran
	12th Pythian Ode (Pindar)
	13 Motetz: Prélude (Published by P. Attaingnant, Paris, 1531)
	15th Brigade
	26th Regiment Quickstep
	A Division
	A globo veteri
	A l'entrada del tans florit
	A l'entrada del tens clar
	A l'entrant del tans salvage
	A la clarte qui tout - ET ILLUMINARE (Mo 189)
	A la villa voy
	A los baños de amor
	A mes ennuis que si longtemps je porte (Published by P. Attaingnant, Paris, 1531)
	A Scots Lilt
	A Scottish Dance
	A Scottish Tune
	A solis occasu
	A worschipfull man hadde thre doughtres virgines
	A' piedi miei svenato
	Abbaie de Lyre (vers 1170) : Ballade
	Accende lumen sensibus (plainchant)
	Acclamations Sung at the Prokypsis of the Emperor
	Ach Elselein, liebes Elselein, chanson à 2
	Açıl Ey Ömrümün Varı
	Ad adnunciandum (Gregorian chant)
	Ad cantus letitie
	Ad honorem salvatoris
	Ad mortem festinamus (Llibre Vermell de Montserrat)
	Adieu mes amours (Bayeux manuscript)	anon. from Bayeux manuscript, XVth century
	Adieu vous dy l'espoir de ma jonesse
	Adiutor laborantium
	Adoramus te
	Adoramus te Domine (from Cancionero de Montecassino)
	Adoratio Sanctae Crucis: Ecce lignum Crucis
	Adoremus
	Adoro te devote - Hymnus in Honorem SS. Sacramenti
	Adtende celum (tractus) (Gregorian chant)
	Adulari nesciens
	Advertite, omnes populi
	Afraid, alas, and why so suddenly?
	Ağlayamıyorum
	Agnus Dei
	Agnus Dei
	Agnus Dei
	Agnus Dei
	Agnus dei "Virtute numinis"
	Agnus dei trope: Qui pius ac mitis
	Agnus Dei: Qui pius est factus
	Ağrı Dağı Efsanesi
	Ah de las mazmorras
	See all 2,311 relationships
	dedicated works
	Consider the lilies of the field	St Mary's flower arrangers
	instruments arranged
	6 Concerts Transcrits en Sextuor (for 3 violins, viola, 2 cellos)		strings
	6 Concerts Transcrits en Sextuor: Ier Concert		strings
	6 Concerts Transcrits en Sextuor: Ier Concert: I. La Coulicam		strings
	6 Concerts Transcrits en Sextuor: Ier Concert: II. La Livri. Rondeau gracieux		strings
	6 Concerts Transcrits en Sextuor: Ier Concert: III. Le Vézinet		strings
	6 Concerts Transcrits en Sextuor: IIe Concert		strings
	6 Concerts Transcrits en Sextuor: IIe Concert: I. La Laborde		strings
	6 Concerts Transcrits en Sextuor: IIe Concert: II. La Boucon. Air gracieux		strings
	6 Concerts Transcrits en Sextuor: IIe Concert: III. L'Agaçante		strings
	6 Concerts Transcrits en Sextuor: IIe Concert: IV. Menuets I-II		strings
	6 Concerts Transcrits en Sextuor: IIIe Concert		strings
	6 Concerts Transcrits en Sextuor: IIIe Concert: I. La Lapoplinière		strings
	6 Concerts Transcrits en Sextuor: IIIe Concert: II. La Timide		strings
	6 Concerts Transcrits en Sextuor: IIIe Concert: III. Tambourins I-II		strings
	6 Concerts Transcrits en Sextuor: IVe Concert		strings
	6 Concerts Transcrits en Sextuor: IVe Concert: I. La Pantomime		strings
	6 Concerts Transcrits en Sextuor: IVe Concert: II. L'Indiscrète. Rondeau		strings
	6 Concerts Transcrits en Sextuor: IVe Concert: III. La Rameau		strings
	6 Concerts Transcrits en Sextuor: Ve Concert		strings
	6 Concerts Transcrits en Sextuor: Ve Concert: I. La Forqueray. Fugue		strings
	6 Concerts Transcrits en Sextuor: Ve Concert: II. La Cupis		strings
	6 Concerts Transcrits en Sextuor: Ve Concert: III. La Marais		strings
	6 Concerts Transcrits en Sextuor: VIe Concert		strings
	6 Concerts Transcrits en Sextuor: VIe Concert: I. La Poule		strings
	6 Concerts Transcrits en Sextuor: VIe Concert: II. Menuets I-II		strings
	6 Concerts Transcrits en Sextuor: VIe Concert: III. L'Enharmonique		strings
	6 Concerts Transcrits en Sextuor: VIe Concert: IV. L'Égyptienne		strings
	Symphony no. 3 in E-flat major, op. 55 “Eroica” (1807 version for piano quartet)		piano
	Symphony no. 3 in E-flat major, op. 55 “Eroica” (1807 version for piano quartet)		violin
	Symphony no. 3 in E-flat major, op. 55 “Eroica” (1807 version for piano quartet)		cello
	Symphony no. 3 in E-flat major, op. 55 “Eroica” (1807 version for piano quartet)		viola
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio (1807 version for piano quartet)		viola
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio (1807 version for piano quartet)		cello
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio (1807 version for piano quartet)		violin
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio (1807 version for piano quartet)		piano
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (1807 version for piano quartet)		violin
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (1807 version for piano quartet)		cello
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (1807 version for piano quartet)		viola
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (1807 version for piano quartet)		piano
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (1807 version for piano quartet)		viola
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (1807 version for piano quartet)		violin
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (1807 version for piano quartet)		cello
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (1807 version for piano quartet)		piano
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (1807 version for piano quartet)		viola
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (1807 version for piano quartet)		piano
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (1807 version for piano quartet)		violin
	Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (1807 version for piano quartet)		cello
	Violin Sonata no. 7 in C minor, H. 7: I. Grave		treble recorder / alto recorder
	libretto
1557	Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
1557	Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn"
– 1749	Nina (edited by Paton for Alfred)
	6 Lieder für eine Frauenstimme: No. 1. Morgentau
	Ariana a Naxos, Hob. XXVIb:2: I. Recitativo "Teseo mio ben!"
	Ariana a Naxos, Hob. XXVib:2: II. Aria "Dove sei, mio bel tesoro?'
	Ariana a Naxos, Hob. XXVib:2: III. Recitativo "Ma, a chi parlo?"
	Ariana a Naxos, Hob. XXVib:2: IV. Aria "Ah, che morir vorrei"
	Arianna a Naxos, Hob. XXVIb:2
	Arianna in Creta, HWV 32
	Arianna in Creta, HWV 32: Atto I
	Arianna in Creta, HWV 32: Atto II
	Arianna in Creta, HWV 32: Atto III
	Arminio, HWV 36
	Arminio, HWV 36: Atto I
	Arminio, HWV 36: Atto II
	Arminio, HWV 36: Atto III
	Ezio, HWV 29
	Ezio, HWV 29: Atto I
	Ezio, HWV 29: Atto II
	Ezio, HWV 29: Atto III
	Faramondo, HWV 39
	Faramondo, HWV 39: Act I, Scene I, no. 1. Recitativo accompagnato "Ascolta dagli Elisi, ombra di Sveno" (Gustavo)
	Faramondo, HWV 39: Act I, Scene I, no. 2. Choir "Pera, pera! l'alma fiera"
	Faramondo, HWV 39: Act I, Scene I. Recitativo "Popolo, figlio, in basse note e meste" (Gustavo, Adolfo)
	Faramondo, HWV 39: Act I, Scene II, no. 3. Aria "Viva, si, che nel mio seno venir meno" (Gustavo)
	Faramondo, HWV 39: Act I, Scene II. Recitativo "Mio Re, pronta qui vedo l'orrida pompa" (Teobaldo, Gustavo, Adolfo, Clotilde)
	Faramondo, HWV 39: Act I, Scene III, no. 4. Aria "Conoscero, se brami ch'io t'ami" (Clotilde)
	Faramondo, HWV 39: Act I, Scene III. Recitativo "Siam pur fiori, o mia cara" (Adolfo, Clotilde)
	Faramondo, HWV 39: Act I, Scene IV, no. 5. Aria "Chi ben ama, og'n altro affetto" (Adolfo)
	Faramondo, HWV 39: Act I, Scene IV. Recitativo "Perdoni all'amor mio" (Adolfo)
	Faramondo, HWV 39: Act I, Scene IX. Recitativo "Principessa, in vedermi" (Gernando, Rosimonda)
	Faramondo, HWV 39: Act I, Scene V, no. 6. Aria "Vanne, che piu ti miro, piu cresce il mio dolor" (Rosimonda)
	Faramondo, HWV 39: Act I, Scene V. Recitativo "Finche avro spirto, e vita, del mio sen faro scudo" (Childerico, Rosimonda, Faramondo)
	Faramondo, HWV 39: Act I, Scene VI, no. 7. Aria "Rival ti sono ma son fedel" (Faramondo)
	Faramondo, HWV 39: Act I, Scene VI. Recitativo "Faramondo infelice!" (Faramondo, Gernando)
	Faramondo, HWV 39: Act I, Scene VII, no. 8. Aria "Voglio che mora, si" (Gernando)
	Faramondo, HWV 39: Act I, Scene VII. Recitativo "Va pur; preveniro gli empii di segni" (Gernando)
	Faramondo, HWV 39: Act I, Scene VIII. Recitativo "S'e giusto l'idio mio" (Rosimonda)
	Faramondo, HWV 39: Act I, Scene X. Recitativo "Sino ad ora, Gernando" (Faramondo, Rosimonda, Gernando)
	Faramondo, HWV 39: Act I, Scene XI, no. 9. Arietta "Si, tornero a morir, non a placarti" (Faramondo)
	Faramondo, HWV 39: Act I, Scene XI. Recitativo "Rosimonda, tu sei libera" (Faramondo, Rosimonda)
	Faramondo, HWV 39: Act I, Scene XII, no. 10. Aria "Sento, che un giusto sdegno mi sprona a vendicarmi" (Rosimonda)
	Faramondo, HWV 39: Act I, Scene XII. Recitativo "Qual nemico m'h'andato" (Rosimonda)
	Faramondo, HWV 39: Act I, Scene XIII. Recitativo "Si, Clotilde; il mio seno" (Gustavo, Clotilde)
	Faramondo, HWV 39: Act I, Scene XIV, no. 11. Aria "Vado a recar la morte all'empio traditor" (Teobaldo)
	Faramondo, HWV 39: Act I, Scene XIV. Recitativo "Faramondo, Signor, solo ed in erme" (Teobaldo, Gustavo)
	Faramondo, HWV 39: Act I, Scene XV, no. 12. Aria "Mi parto lieta sulla tua fede" (Clotilde)
	Faramondo, HWV 39: Act I, Scene XV. Recitativo "Dalla citade, e solo" (Clotilde, Adolfo)
	Faramondo, HWV 39: Act I, Scene XVI. Recitativo "Fra quest'ombre selvagge" (Faramondo, Gustavo, Adolfo)
	Faramondo, HWV 39: Act I, Scene XVII, no. 13. Aria "Se ben mi lusinga l'infida speranza" (Faramondo)
	Faramondo, HWV 39: Act I, Scene XVII. Recitativo "Vuo stancare il destin" (Faramondo)
	Faramondo, HWV 39: Act II, Scene I. Recitativo "Gia udisti i sensi miei" (Gustavo, Rosimonda, Childerico, Gernando)
	Faramondo, HWV 39: Act II, Scene II, no. 15. Aria "Si l'intendesti, si, e questa la merce" (Rosimonda)
	Faramondo, HWV 39: Act II, Scene II. Recitativo "Principessa, a tuoi lumi tu devi" (Gernando, Rosimonda)
	Faramondo, HWV 39: Act II, Scene III, no. 16. Aria "Non ingannarmi, no, conforto del mio sen" (Gernando)
	Faramondo, HWV 39: Act II, Scene III. Recitativo "Si, sdegna Rosimonda" "(Gernando)
	Faramondo, HWV 39: Act II, Scene IV. Recitativo "Faramondo, e pur salvo" (Clotilde, Faramondo)
	Faramondo, HWV 39: Act II, Scene IX, no. 19. Aria "Se a' piedi tuoi morro, la destra baciero" (Adolfo)
	Faramondo, HWV 39: Act II, Scene IX. Recitativo "Faramondo e in catene, e morir deve" (Gustavo, Adolfo)
	Faramondo, HWV 39: Act II, Scene V. Recitativo "Benche di Faramondo tu sii germana" (Rosimonda, Clotilde)
	Faramondo, HWV 39: Act II, Scene VI. Recitativo "E mora! Misero, e qual tuo fato" (Faramondo, Rosimonda)
	Faramondo, HWV 39: Act II, Scene VII, no. 17. Aria "Poi che pria di morire" (Faramondo)
	Faramondo, HWV 39: Act II, Scene VII. Recitativo "E dal mio brando questa morte avrai" (Teobaldo, Rosimonda, Clotilde, Childerico)
	Faramondo, HWV 39: Act II, Scene VIII, no. 18. Aria "Combattuta da due venti" (Clotilde)
	Faramondo, HWV 39: Act II, Scene VIII. Recitativo "Rosimonda, il suo duolo non basta" (Clotilde, Rosimonda)
	Faramondo, HWV 39: Act II, Scene X, no. 20. Aria "Sol la brama di vendetta puo dar pace a questo cor" (Gustavo)
	Faramondo, HWV 39: Act II, Scene X. Recitativo "Signor, umil ti chiedo" (Clotilde, Gustavo)
	Faramondo, HWV 39: Act II, Scene XI, a. Recitativo "Quanto di Faramondo" (Childerico, Teobaldo)
	Faramondo, HWV 39: Act II, Scene XI, b. Recitativo "Tentai d'aver l'ingresso" (Gernando)
	Faramondo, HWV 39: Act II, Scene XII, no. 21. Aria "Nella terra, in ciel, nell'onda" (Gernando)
	Faramondo, HWV 39: Act II, Scene XII. Recitativo "Aprimi quelle porte" (Gernando, Childerico)
	Faramondo, HWV 39: Act II, Scene XIII. Recitativo "Childerico? I tuoi cenni" (Rosimonda, Childerico)
	Faramondo, HWV 39: Act II, Scene XIV, no. 22. Duetto "Vado e vivo con la speranza" (Faramondo, Rosimonda)
	Faramondo, HWV 39: Act II, Scene XIV. Recitativo "Tu non sei, Faramondo, prigionier" (Rosimonda, Faramondo)
	Faramondo, HWV 39: Act III, Scene I. Recitativo "Mi tradiscono i figli, il nemico mi fugge!" (Gustavo, Clotilde, Adolfo)
	Faramondo, HWV 39: Act III, Scene II, a. Recitativo "Quai mi straziano l'alma dubbii pensieri" (Childerico, Clotilde, Adolfo)
	Faramondo, HWV 39: Act III, Scene II, b. Recitativo "Del destin non mi lagno" (Clotilde, Adolfo)
	Faramondo, HWV 39: Act III, Scene II, no. 24. Duetto "Caro! / Cara! tu mi accendi nel mio core" (Clotilde, Adolfo)
	Faramondo, HWV 39: Act III, Scene III, no. 25. Aria "Cosi suole a rio vicina umil pianta alzare i rami" (Gernando)
	Faramondo, HWV 39: Act III, Scene III. Recitativo "Signor, non t'inoltrar" (Teobaldo, Gernando, Faramondo)
	Faramondo, HWV 39: Act III, Scene IV, a. Recitativo "A me viene Teobaldo?" (Faramondo, Teobaldo)
	Faramondo, HWV 39: Act III, Scene IV, b. Recitativo "Ritorna pur, ritorna al tuo Signor crudel mostro, non padre" (Faramondo)
	Faramondo, HWV 39: Act III, Scene IX, no. 27. Aria "Se ria procella sorge nell'onde" (Adolfo)
	Faramondo, HWV 39: Act III, Scene IX. Recitativo "Ecco gl'iniqui. Su, ferite gli empii" (Adolfo, Faramondo, Teobaldo, Gustavo)
	Faramondo, HWV 39: Act III, Scene V, no. 26. Aria "Voglio che sia l'indegno" (Faramondo)
	Faramondo, HWV 39: Act III, Scene V. Recitativo "Andiam, fidi guerrieri" (Faramondo)
	Faramondo, HWV 39: Act III, Scene VI. Recitativo "D'un oltraggiato Re" (Gustavo, Teobaldo)
	Faramondo, HWV 39: Act III, Scene VII. Recitativo "Padre... Tu Adolfo in liberta?" (Adolfo, Gustavo, Teobaldo)
	Faramondo, HWV 39: Act III, Scene VIII. Recitativo "Disarmato e gia il Re" (Teobaldo, Gustavo)
	Faramondo, HWV 39: Act III, Scene X, no. 28. Aria "Sappi, crudel, io t'amo, e per tua pena ancor!" (Rosimonda)
	Faramondo, HWV 39: Act III, Scene X. Recitativo "Non isdegnar, Gustavo" (Faramondo, Gustavo, Rosimonda, Clotilde)
	Faramondo, HWV 39: Act III, Scene XI. Recitativo "Or vo'lieto alla morte!" (Faramondo, Clotilde, Gustavo, Gernando, Adolfo)
	Faramondo, HWV 39: Act III, Scene XII, no. 29. Aria "Un'aura placida e lusinghiera" (Clotilde)
	Faramondo, HWV 39: Act III, Scene XII. Recitativo "Misera! ei corre a morte, ed io resto a goder?" (Clotilde, Adolfo)
	Faramondo, HWV 39: Act III, Scene XIII, a. Recitativo "Reggi il mio braccio gia impotente" (Gustavo, Childerico)
	Faramondo, HWV 39: Act III, Scene XIII, b. Recitativo "Reggi il mio braccio gia impotente" (Gustavo, Faramondo)
	Faramondo, HWV 39: Act III, Scene XIV. Recitativo "Ohime! trradito io sono!" (Teobaldo, Gustavo, Adolfo, Childerico, Clotilde, Gernando, Faramondo)
	Faramondo, HWV 39: Act III, Scene XV, no. 30. Aria "Virtu che rende si forte un core" (Faramondo)
	Faramondo, HWV 39: Act III, Scene XV, no. 31. Choir "Virtu che rende si forte un core" (Faramondo/Clotilde/Rosimonda/Adolfo, Gernando, Childerico, Gustavo/Teobaldo)
	See all 473 relationships
	lyrics
1400 –	Un Cavalier di Spagna
1590	Watkin's Ale
1597	The First Booke of Songs or Ayres, No. 5: "Can She Excuse My Wrongs?"
1637	Libro quinto di arie: 1. Canta la cicaleta	il Sig. B. Saracelli
1788	Monsieur le Comte d’Artois
1789	C'est aujourd'hui le plus beau jour	A. L. G.
1789	La Complainte des émigrés
1789	Le Tiers État
1790-07	Allons Français au Champ de Mars	French anonymous
1790	Le Tombeau des aristocrates
1791	La Souveraineté dévolue au peuple
1791	Poursuite et retour de la famille ci-devant royale	Vve Ferrand
1792	Adieu des françaises
1792	Confession de Marie-Antoinette
1793	Complainte sur la mort de Marat
1793	L'émigrante noblesse
1819	Both Sides the Tweed
1820	Sur la route de Louviers (aka 'La belle et le cantonnier')
1914	Hanging from the Old Barbed Wire
1920	Kevin Barry
1944	Songs of Remembrance: On a Sunny Evening
1965	Vent frais, vent du matin
1979-10-10	Drunken Alien
– 1710	Alma del core
– 1710	Alma del core (edited by Paton for Alfred)
– 1710	La costanza in amor vince l'inganno: "Sebben, crudele"
– 1710	Sebben, crudele (edited by Paton for Alfred)
– 1749	Nina (catch-all arrangement)
	...plorans ploravit...
	1. Mos. 11, 1-9
	2 Motetten, op. 29: Nr. 2. Schaffe in mir, Gott, ein rein Herz
	2 slawische Psalmen
	2 slawische Psalmen
	2 slawische Psalmen: Kindliche Ergebung (Psalm 131)
	2 slawische Psalmen: Lobet den Herrn, alle Heiden (Psalm 117)
	3 Duette, op. 20: Nr. 3. Die Meere
	3 geistliche Chöre, op. 37
	3 geistliche Chöre, op. 37: Nr. 1. O bone Jesu
	3 geistliche Chöre, op. 37: Nr. 2. Adoramus te, Christe
	3 geistliche Chöre, op. 37: Nr. 3. Regina coeli
	3 Motetten, op. 110: Nr. 1. Ich aber bin elend
	4 ernste Gesänge, op. 121
	4 ernste Gesänge, op. 121: Nr. 1. Denn es gehet dem Menschen wie dem Vieh
	4 ernste Gesänge, op. 121: Nr. 2. Ich wandte mich und sahe an alle
	4 ernste Gesänge, op. 121: Nr. 3. O Tod, wie bitter bist du
	4 ernste Gesänge, op. 121: Nr. 4. Wenn ich mit Menschen- und mit Engelszungen redete
	5 Lieder, op. 10 no. 1: Nach Süden
	6 Songs, op. 15, H. 68: No. 1. Invocation to the Dawn
	6 Songs, op. 15, H. 68: No. 2. Fain Would I Change That Note
	12 Cantate da camera a voce sola, op. 4
	12 laulu püha Neitsi Maria auks, op. 41
	12 laulu püha Neitsi Maria auks, op. 41: I. Südamlik ema, oled kaitsjaks taevas
	12 laulu püha Neitsi Maria auks, op. 41: II. Oh halastuse emake
	12 laulu püha Neitsi Maria auks, op. 41: III. Kiitkem südamest Mariat
	12 laulu püha Neitsi Maria auks, op. 41: IV. Heliseb väljadel
	12 laulu püha Neitsi Maria auks, op. 41: IX. Tere, Taevakuninganna
	12 laulu püha Neitsi Maria auks, op. 41: V. Taevainglid kiitke Issandat
	12 laulu püha Neitsi Maria auks, op. 41: VI. Auvääme haldaja, taevalik õis
	12 laulu püha Neitsi Maria auks, op. 41: VII. Hele täht
	12 laulu püha Neitsi Maria auks, op. 41: VIII. Seisab valurikas ema
	12 laulu püha Neitsi Maria auks, op. 41: X. Sind tervitan
	12 laulu püha Neitsi Maria auks, op. 41: XI. Suur Looja, valgus oled sa
	12 laulu püha Neitsi Maria auks, op. 41: XII. Kaunim meritähti ema
	15th Brigade
	A Christmas Carol, GP 116
	A Cold Cell
	A Drop in the Ocean
	A globo veteri
	A God, and Yet a Man?
	A Hymn to the Virgin
	A költészethez: III. Könnyek
	A l'entrada del tans florit
	A l'entrada del tens clar
	A l'entrant del tans salvage
	A Lyke-Wake Dirge, GP 105 (for voice and piano)
	A Parents Address to His Firstborn Son on the Day of His Birth
	A Psalm of David (Psalm 63)
	A Shepherd Lov'd a Nymph So Fair
	A Song at Evening
	A Song for the Lord Mayor's Table: 3. Wapping Old Stairs
	A Song for the Lord Mayor's Table: 6. Rhyme
	A Spotless Rose
	À un jeune gentilhomme (Ode chinoise), op. 12 no. 1
	A Venetian Lullaby
	A Virgin Most Pure (published 1743)
	Abendlied, op. 69 nr. 3 (arr 2 Trebles and Piano)
	Abendlied, op. 69 nr. 3
	Above the stars my Saviour dwells
	Absence
	Abwoon (Our Father)
	Acem Kızı
	Ach lieb mit Leid
	Açıl Ey Ömrümün Varı
	Ad adnunciandum (Gregorian chant)
	Ad mortem festinamus (Llibre Vermell de Montserrat)
	Adam Lay Ybounden
	Adieu !
	Adieu mes amours (Bayeux manuscript)	anon. from Bayeux manuscript, XVth century
	Adolescentulus sum ego
	Adtende celum (tractus) (Gregorian chant)
	See all 1,511 relationships
	orchestrated
	An Silvia, D. 891 (for orchestra (unknown orchestrator))
	reconstructed
	Violin Sonata in C major, op. 5 no. 3 (transcribed for viola da gamba and basso continuo)
	Violin Sonata in C major, op. 5 no. 3: I. Adagio (transcribed for viola da gamba and basso continuo)
	Violin Sonata in C major, op. 5 no. 3: II. Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in C major, op. 5 no. 3: III. Adagio (transcribed for viola da gamba and basso continuo)
	Violin Sonata in C major, op. 5 no. 3: IV. Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in C major, op. 5 no. 3: V. Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in D minor, op. 5 no. 7 (transcribed for viola da gamba and basso continuo)
	Violin Sonata in D minor, op. 5 no. 7: I. Preludio: Vivace (transcribed for viola da gamba and basso continuo)
	Violin Sonata in D minor, op. 5 no. 7: II. Corrente: Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in D minor, op. 5 no. 7: III. Sarabanda: Largo (transcribed for viola da gamba and basso continuo)
	Violin Sonata in D minor, op. 5 no. 7: IV. Giga: Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in E major, op. 5 no. 11 (transcribed for viola da gamba and basso continuo)
	Violin Sonata in E major, op. 5 no. 11: I. Preludio: Adagio (transcribed for viola da gamba and basso continuo)
	Violin Sonata in E major, op. 5 no. 11: II. Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in E major, op. 5 no. 11: III. Adagio (transcribed for viola da gamba and basso continuo)
	Violin Sonata in E major, op. 5 no. 11: IV. Vivace (transcribed for viola da gamba and basso continuo)
	Violin Sonata in E major, op. 5 no. 11: V. Gavotta: Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in F major, op. 5 no. 10 (transcribed for viola da gamba and basso continuo)
	Violin Sonata in F major, op. 5 no. 10: I. Preludio: Adagio (transcribed for viola da gamba and basso continuo)
	Violin Sonata in F major, op. 5 no. 10: II. Allemanda: Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in F major, op. 5 no. 10: III. Sarabanda: Largo (transcribed for viola da gamba and basso continuo)
	Violin Sonata in F major, op. 5 no. 10: IV. Gavotta: Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in F major, op. 5 no. 10: V. Giga: Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in G minor, op. 5 no. 5 (transcribed for viola da gamba and basso continuo)
	Violin Sonata in G minor, op. 5 no. 5: I. Adagio (transcribed for viola da gamba and basso continuo)
	Violin Sonata in G minor, op. 5 no. 5: II. Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in G minor, op. 5 no. 5: III. Adagio (transcribed for viola da gamba and basso continuo)
	Violin Sonata in G minor, op. 5 no. 5: IV. Allegro (transcribed for viola da gamba and basso continuo)
	Violin Sonata in G minor, op. 5 no. 5: V. Allegro (transcribed for viola da gamba and basso continuo)
	translated
	Chicago (That Toddlin' Town) (Italian lyrics)
	Good Old London Town
	I Left My Heart in San Francisco (Franchi version)
	Oi, katsohan lintua oksalla puun
	Pelléas och Mélisande, JS 147 no. 6: Kolme sokeaa sisarta (for voice, harp and organ, arr. [unknown])
	Regresa
	Romance
	Sur betularo de Kareli'
	Tausendundeine Nacht
	The Count of Monte Cristo (revision of the anonymous translation; 117 chapters)
	The Old Verger (anonymous, 19th-century translation. Incipit: "It is growing dark.")
	ジ・エンド
	トラベリング・ボーイ
	多甜蜜
	拉薩沙喲
	淚曬太陽
	玫瑰姑娘
	笑咪咪
	落葉思情
	虛偽的愛情
	wrote
1200 – 1299	Je ne puis – Amors me tienent – Veritatem (13th century French song)
1225	Miri It Is
1300 – 1400	La vida de Colin
1400 – 1500	Alle stamegne, donne
1420	Quant la doulce jouvencelle
1465	Cancionero de Palacio
1470	Soubz les branches
1500-01-01 – 1599-12-31	Pavane
1500 – 1600	Riu, riu, chiu
1556	Cancionero de Uppsala (aka 'Cancionero del Duque de Calabria')
1632	Je veux mon doux sauveur	French XVIIth century anonymous
1790	La prise de la Bastille
1792	Chanson grenadière
1862	The Battle of Shiloh’s Hill	M. B. Smith (Texas Volunteers)
1871	La Complainte de Rossel
1876	More Love (Shaker song)
– 1500	La Guercia
– 1697	Schlaf mein Kindelein (Traditional German christmas carol, published Straßburger Gesangbuch 1697)
– 1792	La carmagnole	Ferclay
	6 Days	Anon
	A Light Heart's a Jewell (Alternate title: The honest good blade who a free heart doth carry, and cares for nothing but to have 's owne vagary.)
	Ad te levavi
	Agnus Dei
	Aler m'estuet la ou je trerai paine (Lyrics excerpted from "Du Secrestain et de la Dame au Chevalier")
	All mein gedenken die ich hab
	Alleluia
	Alleluia. Post partum
	Alleluia. Spiritus Domini
	Alleluia. Surrexit pastor
	Alma Redemptoris Mater
	Alta Reyna soberana
	Altri canti d’Amor, tenero arciero	anonymous imitation of Marino
	Angeli, archangeli
	Angelus autem Domini / Kyrie eleison / Respondens autem angelus
	Asbasayn Mosaddar (dance)
	Ave clara stella
	Ave Maria
	Ave Maria
	Ave pura tu puella
	Be strong and of a good courage	Deuteronomy 31:6 & Joshua 1:6
	Beata es virgo Maria
	Beata es Virgo Maria
	Bele Yolanz en ses chambres seoit (chanson de toile)	XIIIth cent. anon.
	Ben Giderim Batum'a
	Ben Kalender Meşrebim
	Benedicamus
	Benedicamus devotis mentibus
	Benedicamus in laudem Patris
	Benedicta sis tu Maria
	Benedicta terra
	Benedictus sis tu
	C'est tout abus	XVIth century anonymous
	Canción para cazar tigüitigües
	Cancioneiro de Elvas
	Canto de’ malavita
	Carmina Burana (original manuscript of poetry, ca. 1230)
	Chansonnier du Roy: Danse Royale
	Chansons de toile
	Chant des Marais
	Chevaliers, mult estes guariz
	Christe Redemptor omnium (plainsong)
	Christus iam surrexit; Terra tremuit; Angelus domini; Surrexit Christus
	Conditor fut le non-pareil (1520 christmas song)
	Congaudemus pariter; En lux immensa
	Coplas de baguala
	Corrige Virgo
	Credo (Petite Camusette)
	Dar Hejiroke - İncir Ağacısın
	Das Buxheimer Orgelbuch, No. 239: J'ay pris amours
	Das total gefälschte Geheim-Tagebuch vom Mann von Frau Merkel
	Det är en ros utsprungen		additional
	Deus, Deus, meus
	Dewo Dewo - Ayran
	Dezí, flor resplandeçiente (Spanish Manuscript c1500)
	Diex! je ne m'en partiré jà (Montpellier Codex)	French XIIIth century anon.
	Dites moi que je suis belle
	Dostoino Est
	Dulcis Jesu memoria
	Dum transisset sabbatum
	E.l mare e.l pare
	Ecce novum gaudium
	Ecce quod natura (arr. Michael McGlynn)
	El Cant de la Sibilla	Anonymous Catalan
	El periquito
	En ma forest (pastourelle)
	Errorum pleno tenebris
	Eva mater
	Ex ore infantium
	Exordium quadruplate; Nate dei; Concrepet; Verbum caro
	Exsultabo et laetabor
	Fate d'arera
	Fenesta vascia
	Flete, fideles anime
	Gaudendum nobis est
	Ghequetst ben ic van binnen
	Glogauer Liderbuch: Auf rief ein Huebsches Freulein
	Glogauer Liederbuch: 221. In Feuers Hitz
	Glogauer Liederbuch: Das jaegerhorn
	Glogauer Liederbuch: Der neue bauern schwanz
	Glogauer Liederbuch: O rosa bella
	See all 238 relationships

[anonymous] (special purpose artist)

Relationships

Appearances

Artist information

Rating

Tags

Genres

Other tags

External links

Editing

Subscriptions

Collections