“Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” | | | | | | | |
A new Irish tune, Z. 646 | | | | | | | |
A Pilgrimes Solace: No. 3. To aske for all thy love, and thy whole heart t'were madnesse | | | | | | | |
Ah! how pleasant 'tis to love, Z. 353 | | | | Song | | | |
Alessandro: Si mantiene il mio amor | | | | Song | | | |
An Evening Hymn, Z. 193 "Now that the sun hath veiled his light" | | | | | | | |
Aureng-Zebe, Z. 573: I see she flies me | | | | Song | | | |
Berceuse with Seven Variations: Coda | | | | | | | |
Berceuse with Seven Variations: Cycle | | | | | | | |
Berceuse with Seven Variations: First Berceuse | | | | | | | |
Berceuse with Seven Variations: Lilt | | | | | | | |
Berceuse with Seven Variations: Scattershot | | | | | | | |
Berceuse with Seven Variations: Second Berceuse | | | | | | | |
Berceuse with Seven Variations: Stutter | | | | | | | |
Callino Casturame, variations for keyboard, MB 35 | | | | Étude | | | |
Can doleful notes | | | | Song | | | |
Canario | | | | | | | |
Caprice de chaconne | | | | | | | |
Captaine Digorie Piper his Galiard, P. 19 | | | | | | | |
Caro mio ben | | | | Aria | | | |
Cease, warring thoughts | | | | | | | |
Chaconne (en Sol majeur) | | | | | | | |
Chiaconna | | | | | | | |
Colascione | | | | | | | |
Come raggio di sol | | | | Song | | | |
Come unto these yellow sands | | | | Song | | | |
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- [unknown]
- Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 424 more)
| | | | | |
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo | | | | | | | |
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- I Solisti di Zagreb, Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- [unknown]
- Paul Crocker, Yehudi Menuhin, Camerata Lysy Gstaad, Alberto Lysy
- (show 371 more)
| | | | | |
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro | | | | | | | |
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto | | - Alexander Permovalsky, Baroque Festival Orchestra, Südwest-Studioorchester, Alberto Lizzio, Heribert Münchner
- Musici di San Marco, Slovak Chamber Orchestra, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 349 more)
| | | | | |
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro | | - Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
- Musici di San Marco, Alberto Lizzio
- Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Trevor Pinnock, Simon Standage, The English Concert
- (show 354 more)
| | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto | | | | | | - 0O7-3717-0 (JASRAC ID)
- F minor (Key)
| |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | | | | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro | | | | | | | |
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto | | - Baroque Festival Orchestra, Alexander Permovalsky, Alberto Lizzio
- Musici di San Marco, Nova Filarmonia Portuguesa, Slovak Chamber Orchestra, Álvaro Cassuto, Alberto Lizzio, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
| | | | | |
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte | | - Alexander Permovalsky, Baroque Festival Orchestra, Alberto Lizzio
- Musici di San Marco, Salzburger Kammerorchester, Slovak Chamber Orchestra, Alberto Lizzio, Alexander von Pitamic, Bohdan Warchal
- Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan
- Trevor Pinnock, Simon Standage, The English Concert
- (show 361 more)
| | | | | |
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto | | | | | | | |
Consort Lessons, Book 1: O Mistress Mine | | | | Song | | | |
Coperario | | | | | | | |
Corinna is divinely fair, Z. 365 | | | | Song | | | |
Cupid & Death: Mercury and Nature in the Elysian Fields | | | | | | | |
Danza fanciulla gentile | | | | | | | |
Did not you once, Lucinda, vow | | | | | | | |
Dry those eyes which are o'erflowing | | | | Song | | | |
Extending from the inside | | | | | | | |
Faire If You Expect Admiring | | | | | | | |
Fantasia no. 7, P. 7 | | | | | | | |
First Book of Ayres: It Was a Lover and His Lass | | | | Song | | | |
Flute Sonata in E major, BWV 1035: I. Adagio ma non tanto | | | | | | | |
Flute Sonata in E major, BWV 1035: II. Allegro | | | | | | | |
Flute Sonata in E major, BWV 1035: III. Siciliana | | | | | | | |
Flute Sonata in E major, BWV 1035: IV. Allegro assai | | | | | | | |
Fly swift, ye hours, Z. 369 | | - Max van Egmond, Leonhardt‐Consort, Gustav Leonhardt
- Charles Daniels, The King’s Consort, Robert King
- Jill Feldman, Nigel North, Sarah Cunningham
- Carolyn Sampson, Laurence Cummings, Elizabeth Kenny, Jonathan Manson
- Agnès Mellon, Wieland Kuijken, Christophe Rousset
| | | | | |
From the Famous Peak of Derby | | | | | | | |
From the heav'ns now I fly | | | | | | | |
Full fathom five | | | | Song | | | |
Full Fathom Five Thy Father Lies | | | | | | | |
Gather Ye Rosebuds | | | | | | | |
Give me my lute | | | | Song | | | |
Harpsichord Suite no. 5 in C major, Z. 666 | | | | Suite | | | |
Harpsichord Suite no. 5 in C major, Z. 666: I. Prelude | | | | | | | |
Harpsichord Suite no. 5 in C major, Z. 666: II. Almand | | | | | | | |
Harpsichord Suite no. 5 in C major, Z. 666: III. Corant | | | | | | | |
Harpsichord Suite no. 5 in C major, Z. 666: IV. Sarabande | | | | | | | |
He that will not love (Persuasions not to Love) | | | | Song | | | |
I Lov'd Fair Celia, Z. 381 | | | | Song | | | |
I Was Not Wearier | | | | | | | |
I'm sick of love (To Sycamores) | | | | Song | | | |
If Music Be the Food of Love, Z. 379 | | | | Song | | | |
In Darkness Let Me Dwell | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570 | | | | Incidental music | | | |
Intavolatura di liuto et di chitarrone: Corrente | | | | | | | |
Intavolatura di liuto et di chitarrone: Romanesca con partite variate | | | | | | | |
Intavolatura di liuto et di chitarrone: Romanesca folia con variate | | | | | | | |
King Arthur, Z. 628: Act V. "Fairest isle" | | | | | | | |
L'honestà negli amori: "Gia il sole dal Gange" | | | | | | | |
La Guitarre Royalle: Passacaille | | | | | | | |
La plainte ou Tombeau des Mesdemoiselles de Visée | | | | | | | 4 |
Lachrimæ, or Seaven Teares: Lachrimae Amantis | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Antiquae | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Antiquae Novae | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Coactae | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Gementes | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Tristes | | | | | | | |
Lachrimæ, or Seaven Teares: Lachrimae Verae | | | | | | | |
Le nuove musiche: 8. Amarilli, mia bella | | | | Madrigal | | | |
Le Rossignol-en-amour | | | | | | | |
Les Manches Vertes | | | | | | | |
Les Sylvains de Mr Couperin | | | | Suite | | | |
Libro quarto d'intavolatura di chitarrone: Toccata prima | | | | | | | |
Lovely Selina | | | | Song | | | |
M. Bucton his Galiard | | | | | | | |
M. George Whitehead his Almand | | | | | | | |
M. Giles Hobies Galiard, P. 29 | | | | | | | |
M. Henry Noel his Galiard | | | | | | | |
M. John Langtons Pavan, P. 14 | | | | | | | |
M. Nicholas Gryffith his Galiard | | | | | | | |
M. Thomas Collier his Galiard with 2 Trebles | | | | | | | |
Mad Bess of Bedlam, Z. 370 "From Silent Shades and the Elysian Groves" | | | | Song | | | |