A Death in the Dark | Paul Schütze | | | 2:01 | |
A further series of steps is only visible during the vernal equinox. | Paul Schütze | | | 0:23 | |
A Further Thirsting Eye | Schütze+Hopkins | | | 12:50 | |
A Gun & The Moon | Paul Schütze | | | 2:28 | |
A Heart of Air & Tears | Paul Schütze | | | 4:18 | |
A Lake in the Air | Paul Schütze | | | 2:38 | |
A lofty but narrow chamber is contrived in the thickness of the walls and access is gained from a door opening from the masonry platform on which the engine stands. | Paul Schütze | | | 0:37 | |
A Night Dissolved in the Lakes of Heaven | Paul Schütze | | | 14:52 | |
A Phantom Barrier | Paul Schütze | | | 1:25 | |
A Phantom Wedding | Paul Schütze | | | 2:19 | |
A pointer indicates on three arms: West, North and East. | Paul Schütze | | | 1:00 | |
A shadow is cast to the East after noon. | Paul Schütze | | | 1:00 | |
A shadow is cast to the East after noon. | Paul Schütze | | | 1:00 | |
A shadow is cast to the West before noon. | Paul Schütze | | | 0:59 | |
A Skin of Air and Tears | Paul Schütze | | | 6:16 | |
A Soul Reports | Paul Schütze | | | 9:36 | |
Abysmal Evenings | Paul Schütze | | | 5:35 | |
Abysmal Evenings | Paul Schütze | | | 5:40 | |
Access by observers to each engine is gained by an imperfection which differs from one to another. | Paul Schütze | | | 1:02 | |
Access to any part of the engine is by steps which offer vantage points for various readings. | Paul Schütze | | | 0:50 | |
After the Knives | Paul Schütze & Andrew Hulme | | | 3:10 | |
All That Was Solid | Paul Schütze | | | 10:18 | |
All That Was Solid... | Paul Schütze | | | 6:38 | |
All the gardens will concur. Here is the mixed engine. | Paul Schütze | | | 1:00 | |
All the lead calibrations are warm to the touch. | Paul Schütze | | | 1:00 | |
Always Past | Paul Schütze | | | 4:22 | |
An Early Mutation | Paul Schütze + Phantom City | | | 7:25 | |
And All for the Moon | Paul Schütze | | | 1:36 | |
And the light falls on the circular arcs. | Paul Schütze | | | 1:03 | |
Another flight of observation steps and the sense of quiet rotation as I ascend. | Paul Schütze | | | 1:01 | |
Another slope with stars for the reading of figures. | Paul Schütze | | | 1:00 | |
At one moment in the year the sun shines through a hole in the wall on to a calibrated arc. | Paul Schütze | | | 1:00 | |
Beaded Skin, Beaded Sky | Schütze+Hopkins | | | 9:24 | |
Beneath this circle is an arc of masonry steps for the convenience of observers. | Paul Schütze | | | 1:00 | |
Blood | Paul Schütze | | | 26:35 | |
Blue Like Petrol | Paul Schütze + Phantom City | | | 7:15 | |
Born by Clouds | Paul Schütze | | | 1:46 | |
By Water to Night | Paul Schütze | | | 2:09 | |
Chasing the Veil | Paul Schütze | | | 3:14 | |
Cities of the Plain | Paul Schütze | | | 4:26 | |
Cities of the Red Night | Paul Schütze | | | 4:44 | |
Consequence | Paul Schütze | | | 4:30 | |
Cool Engines | Paul Schütze | | | 7:03 | |
Days and nights are measured here, and in the measuring seem longer, suspended somehow. | Paul Schütze | | | 1:00 | |
Dead Heart | Paul Schütze | | | 6:19 | |
Dead Hearts | Paul Schütze | | | 6:09 | |
Dead Hearts | Paul Schütze | | | 6:14 | |
Dead Language | Paul Schütze & Andrew Hulme | | | 2:59 | |
Dead Roads | Paul Schütze | | | 3:21 | |
Delta Haze | Paul Schütze | | | 6:47 | |
Despair | Paul Schütze | | | 3:37 | |
Deus Ex Machina | Paul Schütze | | | 59:35 | |
Doubts About Waking | Paul Schütze | | | 4:48 | |
Doubts About Waking | Paul Schütze | | | 4:51 | |
Dressing The Air | Paul Schütze | | | 37:49 | |
Eating the First Map | Paul Schütze | | | 2:14 | |
Eight Legs Out of Limbo | Paul Schütze + Phantom City | | | 12:35 | |
Every day at noon the sun shines through these apertures for the space of about a minute. | Paul Schütze | | | 0:39 | |
Eyeless and Naked | Paul Schütze | | | 4:58 | |
Fallen | Paul Schütze & Andrew Hulme | | | 4:23 | |
Falling Bodies Alight | Paul Schütze | | | 5:08 | |
Fifth Memory. | Paul Schütze | | | 0:23 | |
First Memory. | Paul Schütze | | | 1:10 | |
First Prologue. | Paul Schütze | | | 1:01 | |
Flooded Island | Paul Schütze | | | 2:39 | |
Font | Paul Schütze | | | 3:47 | |
Fourth Memory. | Paul Schütze | | | 1:07 | |
Frozen Descent | Paul Schütze | | | 2:37 | |
Future Nights | Paul Schütze + Phantom City | | | 12:23 | |
Go | Paul Schütze | | | 4:24 | |
Go | Paul Schütze | | | 4:25 | |
God Box | Paul Schütze & Andrew Hulme | | | 12:07 | |
Green Evil | Paul Schütze | | | 11:40 | |
Green Evil | Paul Schütze | | | 5:32 | |
Green Evil | Paul Schütze | | | 9:39 | |
Hallucinations (In Memory of Reinaldo Arenas) | Paul Schütze | | | 8:18 | |
Henry's Plans | Paul Schütze | | | 1:47 | |
Here I find a central iron pole with hooks facing to the North, South, East and West. | Paul Schütze | | | 0:59 | |
Here is a huge vertical right-angled triangle made of stone. | Paul Schütze | | | 1:02 | |
Here is a room to divide the sun like an orange. | Paul Schütze | | | 1:00 | |
Here is an immense brass circle suspended vertically from stone supports. | Paul Schütze | | | 0:49 | |
Here is the Supreme Engine. | Paul Schütze | | | 1:00 | |
Here was the Supreme Engine. | Paul Schütze | | | 0:59 | |
Hold the machine in the vertical plane. | Paul Schütze | | | 1:00 | |
Homage | Paul Schütze | | | 9:02 | |
I Have Observed And Measured For Seven Years | Paul Schütze | | | 0:51 | |
I have observed and measured for seven years. | Paul Schütze | | | 0:38 | |
I have seen charts sent from Portugal but they are flawed and full of error. | Paul Schütze | | | 1:01 | |
I study the vaults of a shell in which we float. | Paul Schütze | | | 1:00 | |
I will build other gardens, other engines. | Paul Schütze | | | 0:59 | |
In the Absence of Angels | Paul Schütze | | | 6:05 | |
In the Absence of Angels | Paul Schütze | | | 6:04 | |
Inflammable Shadow | Paul Schütze + Phantom City | | | 6:27 | |
Into a Blinding Place | Paul Schütze | | | 2:21 | |
Into this chamber no ray of light can find its way except through two small squares high in the South wall. | Paul Schütze | | | 1:00 | |
Ioascan Incision | Paul Schütze & Andrew Hulme | | | 12:15 | |
It is inscribed with concentric circles, at the centre of which lies a pointer. | Paul Schütze | | | 1:01 | |
It is only necessary to engrave a scale of the tangents along the rim to obtain a direct reading of the declination. | Paul Schütze | | | 0:18 | |
Lakes and Plains | Paul Schütze | | | 2:42 | |
Live In Nantes | Paul Schütze | | | 6:28 | |