Abdelazer Suite | | | | Suite | | | |
Almira Suite | | | | Suite | | | |
Angels from the realms of glory | | | | | | | |
As shepherds watched their fleecy care | | | | | | | |
Audi, Domine, clamantes ad te | | | | | | | |
Ballet in F major | | | | | | | |
Be thou exalted, Lord (The King Shall Rejoice) | | - James Bowman, Robert Tear, Christopher Keyte, Choir of St John’s College, Cambridge, Matheson Consort, Philomusica of London, George Guest
- Roger Barron, John Bernays, Thomas Carey, Philip Cave, Geoffrey Cryer, Howard Ferguson, Oliver Johnston, William Missin, Theresa Caudle, Paula Chateauneuf, Gary Cooper, Tim Crawford, Sarah Cunningham, Peter Holman, William Hunt, Pauline Nobes, Edward Higginbottom
| | Song | | | |
Blest be the name of Jacob's God | | | | | | | |
Chacony in G minor for 2 violins, viola and continuo, Z. 730 | | | | | | | |
Concerto for Mandolin in C major, RV 425: I. Allegro | | | | | | | |
Concerto grosso in E-flat major, op. 3 no. 4: V. Pastorale | | | | | | | |
Descende caelo cincta sororibus "The Oxford Ode" | | | | | | | |
Dr. Harington's Compliment, Hob. XXVIb:3 | | | | | | | |
Echo no. 1 in D minor | | | | | | | |
Echo no. 2 in G major | | | | | | | |
Fantasia in 4 parts, no. 12 | | | | | | | |
Galliard in D minor | | | | | | | |
Give to God our thankful songs | | | | | | | |
Hark how the wild musicians sing, Z. 542 | | | | Song | | | |
Hark, Damon, hark Z. 541 | | | | | | | |
Hark! how all the welkin rings | | | | | | | |
Hark! the herald angels sing (Georgia) | | | | | | | |
Hear my prayer, O Lord | | | | | | | |
Horrible is the end of th' unrighteous generation | | | | | | | |
How oft, instinct with warmth divine | | | | | | | |
How pleasant is this flowery plain and grove! Z. 543 | | | | | | | |
If ever I more riches did desire, Z. 544 | | | | Song | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: I. Overture | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: III. Air in D | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IV. Air in G | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: IX. Air in g | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: V. Minuett in G | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VI. Air in g | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VII. Jigg in g | | | | | | | |
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570: VIII. Hornpipe | | | | | | | |
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau | | | | | | | |
Jesu, auctor clementie | | | | | | | |
La Maddalena: Su le penne de' venti, SV 333 | | | | | | | |
Let an anthem of praise | | | | | | | |
Long life shall Israel's king behold | | | | | | | |
Lyra Consort in C major "The Six Bells" | | | | | | | |
Maker of all! be thou my guard | | | | | | | |
Messa a quattro voce et salmi: Laudate Dominum, O omnes gentes, SV 197 | | | | | | | |
Messa a quattro voce et salmi: Nisi Dominus aedificaverit domum, SV 200 | | | | | | | |
My God, my King, with joyful view | | | | | | | |
O let me in th' accepted hour | | | | | | | |
O thou that dwellest in the highest heavens | | | | | | | |
Oboe Concerto no. 3 in G minor, HWV 287: I. Grave | | | | | | | |
Oboe Concerto no. 3 in G minor, HWV 287: II. Allegro | | | | | | | |
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo) | | | | | | | |
Oboe Concerto no. 3 in G minor, HWV 287: IV. Allegro | | | | | | | |
Oh! what a scene does entertain my sight, Z. 506 | | | | Song | | | |
Pastorale in A major | | | | | | | |
Pavan for 2 violins and basso continuo in A major, Z. 748 | | | | | | | |
Pavan for 2 violins and basso continuo in A minor, Z. 749 | | | | | | | |
Pavan for 2 violins and basso continuo in B-flat major, Z. 750 | | | | | | | |
Pavan for 2 violins and basso continuo in G minor, Z. 751 | | | | | | | |
Pavan in D minor | | | | | | | |
Rodrigo, HWV 5: Overture | | | | | | | |
Rule, Britannia! | | | | | | | |
See where she sits, Z. 508 | | | | Song | | | |
Selva morale e spirituale: Ab aeterno ordinata sum, SV 262 | | | | | | | |
Selva morale e spirituale: Confitebor tibi Domine [II], SV 266 + 194 | | - Emma Kirkby, Ian Partridge, David Thomas, Mark Caudle, Tim Crawford, Peter Holman, The Parley of Instruments
- Andrew Parrott, The Taverner Choir, Consort & Players
- Emma Kirkby, Ian Partridge, Mark Caudle, Tim Crawford, Peter Holman, Amanda MacNamara, The Parley of Instruments
- Le Nuove Musiche, Krijn Koetsveld
- (show 5 more)
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Selva morale e spirituale: Confitebor tibi Domine [III], SV 267 | | | | | | | |
Selva morale e spirituale: Deus tuorum militum [II], SV 280 | | - Emma Kirkby, Ian Partridge, David Thomas, Mark Caudle, Peter Holman, The Parley of Instruments
- Andrew Parrott, The Taverner Choir, Consort & Players
- Cantus Cölln, Concerto Palatino, Konrad Junghänel
- Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz
- (show 2 more)
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Selva morale e spirituale: Iste confessor Domini sacratus, SV 279 | | - Ian Partridge, Mark Caudle, Peter Holman, The Parley of Instruments
- Le Nuove Musiche, Krijn Koetsveld
- Emma Kirkby, Evelyn Tubb, The Consort of Musicke, Anthony Rooley
- Cantus Cölln, Concerto Palatino, Konrad Junghänel
- Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz
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Soft notes and gently raised, Z. 510 | | | | Song | | | |
Sonata in G major | | | | | | | |
Sonata no. 1 in G minor | | | | Sonata | | | |
Sonata no. 2 in D major | | | | Sonata | | | |
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile | | | | | | | |
Suite From the Operas Florindo and Daphne | | | | Suite | | | |
Suite in F major: Allamanda | | | | | | | |
Suite in F major: Courante I | | | | | | | |
Suite in F major: Courante II | | | | | | | |
Suite in F major: Courante III | | | | | | | |
Suite in F major: Courante IV | | | | | | | |
Suite in F major: Galliarde | | | | | | | |
Suite in F major: Sarabanda | | | | | | | |
Suite in G minor, HWV 453 | | | | | | | |
Super flumina Babylonis | | - John Bernays, Philip Cave, Choir of New College Oxford, Rogers Covey‐Crump, Oliver Johnston, Mark Caudle, Theresa Caudle, Gary Cooper, Peter Holman, Pauline Nobes, Edward Higginbottom
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Tell us, O women (Dialogue Hymn) | | | | | | | |
The Brickdust Man: Air. Get you gone, you nasty fellow | | | | | | | |
The Brickdust Man: Air. I am a lad, by fortune's spight | | | | | | | |
The Brickdust Man: Air. In short, dearest Moll, you alone were in fault | | | | | | | |
The Brickdust Man: Air. Oh, Molly, I'm charmed when I come in your sight | | | | | | | |
The Brickdust Man: Duet. Then let us agree | | | | | | | |
The Brickdust Man: Overture | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: Overture | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Centurion's First Aria. What ho! charming dame, what ho! | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Centurion's Second Aria. Zounds! I'm undone! | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Duet. By Venus, mother of desire | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Father's Aria. But more, a monument I'll raise | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Maid's First Aria. If I was a wife | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Maid's Second Aria. Men boast of their prudence and sense | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Matron's Mad Aria. And while, grown frantic with my woes | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Matron's Second Aria. But before you go away, sir | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: The Trio. Hence, hence away | | | | | | | |
The Ephesian Matron; or, The Widow's Tears: Vaudeville. Thus old wits in wicked satires | | | | | | | |
The God of Gods, the Lord, hath call'd | | | | | | | |